Mark King Interview – Island Life Magazine 2011.Pdf
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Anthony David the Red Clay Chronicles Mp3, Flac, Wma
Anthony David The Red Clay Chronicles mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Red Clay Chronicles Country: UK Released: 2006 Style: Neo Soul, Soul MP3 version RAR size: 1310 mb FLAC version RAR size: 1803 mb WMA version RAR size: 1826 mb Rating: 4.8 Votes: 923 Other Formats: DXD XM MIDI MPC AU AHX MMF Tracklist Hide Credits Stop Playin' 1 –Anthony David Written-By – A. Harrington*Written-By, Co-Producer, Guitar, Keyboards – 3:49 Chris Johnson Written-By, Piano – Branden Burch Smoke One Horns – Eugene IV, NemWritten-By – A. Harrington*Written-By, Drum 2 –Anthony David 4:04 Programming – O. Ferrer*Written-By, Keyboards, Drum Programming – Branden Burch Eveyrthing Is Everything 3 –Anthony David 4:11 Written-By – A. Harrington*, Branden Burch, Omar Ferrer Words –Anthony David Backing Vocals – Slick Guitar – Ryan WatersKeyboards, Bass, Strings – 4 4:02 Feat. India.Arie Eddie StokesPiano – Branden BurchStrings – Eric Rostad*Written-By – Anthony David, India.Arie On & On 5 –Anthony David Keyboards – Julius SpeedWritten-By – A. Harrington*, Branden 4:18 BurchWritten-By, Bass – K. Simmons* Lady –Anthony David Bass – Eric Jefferson*Drums – Chris Johnson Guitar – Anthony 6 Feat. Keisha 4:39 Papamichael*Horns – Jonathon Lloyd*, Anthony Bailey*Written-By – A. Jackson Harrington*, LaMarquis Jefferson ATL Sunshine 7 –Anthony David Horns – Anthony Bailey*Strings – Eric Rostad*Written-By – A. 5:03 Harrington*Written-By, Piano – Branden Burch Something About You Backing Vocals – Cekoya TolbertBass – LaMarquis JeffersonGuitar – 8 –Anthony David 4:54 Victor BaileyRemix – Branden BurchWritten-By – Boon Gould, Mark King, Mike Lindup, Phil Gould, Wally Badarou Sho Nuff Backing Vocals – Laurnea Wilkerson*, PJ Morton, Slick , Tori 9 –Anthony David AlamazeBass – Khari SimmonsDrums – Landon AndersonHorns – Eugene 5:52 IV, Tony Bailey Keyboards – Julius SpeedWritten-By – A. -
Miller High Life Theatre Event Advisory
ADDRESS PHONE NUMBER WEBSITE 500 W. Kilbourn Avenue, Milwaukee, WI 53203 414.908.6000 MillerHighLifeTheatre.com FOR IMMEDIATE RELEASE Sarah Maio [email protected] 414-908-6056 King Crimson Announce “Music Is Our Friend” North American Tour Dates 2021 King Crimson comes to the Miller High Life Theatre on August 31, 2021 MILWAUKEE – (June 7, 2021) – The Miller High Life Theatre and Alternative Concert Group are proud to welcome King Crimson with special guest The Zappa Band to the Miller High Life Theatre, August 31, 2021. Artist VIP presale is June 9 at 11 a.m., and venue presale is June 10th at 10 a.m. Tickets go on sale to the public Friday, June 11 at noon at the Miller High Life Theatre box office or Ticketmaster. When King Crimson returns to action this July, it will be the seventh year that the band has toured since returning to performing live in 2014, a run only interrupted by the lockdown in 2020. In that time, the audience has been reinvented, as much as the band itself, something Robert Fripp noted after the band’s performance in Pompeii, Italy’s famous amphitheater: “In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” - Robert Fripp The band’s shows regularly include material from twelve of their thirteen studio albums, including many songs from their seminal 1969 album In the Court of the Crimson King, described by Pete Townshend as an “uncanny masterpiece.” The 7-piece line-up play many historic pieces, which Crimson has never previously played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written.” There are also new instrumentals and songs, as well as compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. -
Sanna King Dissertation May 2020 FINAL
THE INSTITUTIONAL MAZE: YOUTH, SCHOOLS, AND JAILS IN HAWAIʻI A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN SOCIOLOGY MAY 2020 By SAnna King DissertAtion Committee: DAvid T. Johnson, Chairperson Meda Chesney-Lind NAnditA SharmA MArina KArides DAvid StAnnard Keywords: youth punishment, school-to-prison pipeline, juvenile justice, feminist criminology, coloniAl criminology, ethnography ©2020 By SAnna King All Rights Reserved 1 ACKNOWLEDGEMENTS My acAdemic journey would not have been possible without the love and support of so mAny people. First and foremost, I would like to thank my Mom, Rauni Prittinen King, and Dr. Mimi Guarneri for their wisdom, guidance, patience, and encouragement through this process. My educAtional journey and this study could not have happened without their continuous support And belief in me. I would also like to thank my DAd, MArk King, And his wife, Linda InskeeP, for their love and encouragement through this process. Thank you to my brother, Sulo King. Thank you to my SAn Diego family: Dr. Liz KAback, Ruth Kronenberg, Anna And Chris Moon, Becky And John LeBlAnc, Angie Polk, DejA Polk, Devonn Polk, The Miralles (LAuren, Donald, Luke, And Micah), And DAnny and AndreA InskeeP. Thank you to my sweet fluff ball Shorty, my dog, who brought me so much joy, comPAnionship, and emotional support during some of the more lonely times of dissertAtion writing. My deepest appreciAtion goes to my dissertAtion committee who assisted me on this reseArch journey with their guidance and encouragement: Dr. -
Level 42 Highlights from Retroglide
Level 42 highlights from retroglide Retroglide was released in September 2006 and was the first Level 42 album in twelve years. Although the album featured all the supporting musicians from the current Level 42 live band (Gary Husband, Lyndon Connah, Nathan King, Sean Freeman) as well as original keyboard player Mike Lindup, it was written solely by Mark King and Boon Gould. The album was released on the W14 label, part of the Universal group and featured artwork from Alan Brooks, who had created the artwork for many of the band’s early records. The cover art also saw the reappearance of the ‘princess’, who was featured on the cover of the first Level 42 record. Retroglide was eagerly anticipated by the group’s fanbase, who were hungry for new material from the band. The resulting album updated the classic Level 42 sound, although certain trademarks - such as King’s slap bass playing and the use of additional sequenced bass parts remained. Others, such as Lindup’s falsetto backing vocals were for the most part absent since at the point that he rejoined the band the album was almost complete. Although Retroglide was not a large scale commercial success, it quickly became popular with fans, and the new songs were well-received on the subsequent tour, which featured Mike Lindup now firmly back in the fold. The band toured in support of the album in Autumn of 2006 and released a Retroglide Live DVD the following year. ‘Dive Into The Sun’ Intro The opening track ‘Dive Into The Sun’ is classic Level 42 and is driven by a powerful riff-based groove from King. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
TC Electronic RH750 It’S Been Just Over Three Years Since TC Electronic Released Their Game-Changing Class-D Bass Amplifier, the RH450
TC Electronic RH750 It’s been just over three years since TC Electronic released their game-changing class-D bass amplifier, the RH450. Time to meet the newest addition. he launch of the sleek where it has now become a mini- 200 Hz (bass) and 1600 to 4000 mode. The SpectraComp and stylish, yet powerful jack input. The other controls Hz (treble). As before, these remains unchanged on this new and versatile RH450 back remain the same, with the frequency centres are adjusted amplifier and as before uses a Tin 2007 attracted a host RH750 retaining the shift mode by turning the appropriate spectral or multi-band approach of big-name endorsees such as functions, mute, tuner, TubeTone control while in shift mode. (For to compression, essentially Steve Bailey, Janek Gwizdala, feature and three memory the uninitiated, the shift button compressing each of the low-, Chris Minh Doky and, most presets of its predecessor. Those activates a ‘second layer’ of mid- and high-frequency bands recently, Level 42 bassist Mark eye-catching red LED indicator features for each digital control.) individually rather than as King. It also spawned two further rings are, of course, present and The most obvious new addition, one. The benefit here is a more additions to the range, the correct, meaning that there however, is the SpectraComp/ ‘musical’ use of compression Classic 450 and the Staccato ’51, are certainly no points lost in TweeterTone control. While which is smoother and has less the latter of which was styled and the appearances category; the SpectraComp used to be a effect on the natural dynamics in EQ’d to Tower of Power bassist RH750 looks fantastic and, as we secondary feature of the gain your playing. -
Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987. -
Fireworks Magazine, Issue 59/2013
whole band in on the fly. That way, if you do a great take but are not happy with the second half of the song you can have the band play along and seamlessly drop into record mode. The production for an independently released album is wonderful.What can you tell us about it? That would be down to Bruce Quarto, the head of our record company. From the very beginning he said:"1 want this album to be exceptional, not just great. I don't care how long it takes or how much it costs but if you come out of the studio and feel you could have done better, go back in and do it again." Giving us the financial freedom to concentrate on the album instead of struggling to survive gave us the chance to really spend a 'iot of time crafting the songs before we even went in to record them. The same goes for the recording process.We spent a lot of time finding the right guitar, amp or keyboard to get the perfect sound. The cover art for the album is fantastic. Who didit and are you and the band pleased with how it turned out? Were you involved in the concept? The cover was designed and put together by Gien Wexler. Apart from approving the concept we had no involvement with it and of course, we are more than pleased with it. Gien has produced over 300 album covers and has worked with everyone ENJOY THIS UNHIP, from Black Sabbath, toVan Haien to Michael jackson.This cover UNCOOl AND UN-SEXY MUSIC! was originally a concept Gien had for Led Zeppelin with a http://www.comerstone.co.at zeppelin being dug out of the ground but got nixed by jimmy Page's art director. -
Than Just a Bass
MORE THAN JUST A BASS AMP Having designed, manufactured and marketed amplification Seen on countless stages every Dedicated to busy, hard-working We’ve always been committed to products since an early age and being an engineer by night, backing some of the bass players on a budget, great practice amps, but with AAA trade, Mark Gooday decided to embark on a path of biggest bands in the world, ABM Rootmaster heads, combos we’ve taken the concept to a whole entrepreneurism, technological innovation and creative is the gigging pro’s amp of choice, and cabinets draw on all of our new level. AAA are a new generation design. After listening to feedback from a variety of pairing class-leading preamp experience working with some of of Ashdown amps that will take musicians, including John Entwistle of The Who, Mark King of sophistication with powerhouse the biggest bands in the world. today’s players from the bedroom Level 42 and JJ Burnel of the Stranglers to name a few, Mark performance and every feature to the stage, with great tone and focused his efforts on integrating superior tone and style you need; whether you’re working powerful features. into a high performance product, something he felt was stadiums or the clubs. absent in the market at that time. By combining his engineering background with his love of music and motor racing, Mark started developing a range of products that were sonically advanced and rugged enough to withstand the rigours of the road while sporting a sleek, industrial aesthetic. Romantically using his wife’s family name and an Austin Healey Motors style badge for inspiration, the Ashdown Engineering brand was born. -
Running in the Family Free
FREE RUNNING IN THE FAMILY PDF Michael Ondaatje | 256 pages | 17 Aug 2009 | Bloomsbury Publishing PLC | 9781408801451 | English | London, United Kingdom Running in the Family Summary | GradeSaver These notes were contributed by members of the GradeSaver community. The author reveals a dream he had of his father's death. This serves as the inciting incident on a plan that has been brewing for weeks: He will visit the place of his father's death, Sri Lanki. He goes to find himself, describing the limitations of his mind and body, of his memory, of his emotions and appetites. He essays on his arrival in Running in the Family, the history of the island Running in the Family its government, and he discusses his time with his sister, Gillian. Together with Janet and Christopher, the other siblings, they all four collaborate to share their memories, trying to piece together a cohesive idea of their childhoods. They discuss culture and religion. In a flashback chapter, we then learn that Ondaatje's parents didn't have a paradise marriage. He explores his father's mental health issues and alcoholism. Also, we learn about his father's misuse of his family's Running in the Family. He lied about being accepted to school, and he spend what they thought was tuition money on a lavish lifestyle in the city. Back in the present, Ondaatje turns his prose to his environment. He discusses Matisse, the painter and Running in the Family inspiration gained from verdant jungles. He discusses human history and God, and he discusses many animals and their various natures, comparing them to human life. -
Top 2000 in De Klas Level 42 – Love Games
Top 2000 in de klas Kijkvragen Level 42 – Love Games 1 Leo Blokhuis legt uit hoe ‘Level 42’ de funkmuziek een nieuwe draai gaf in de jaren Leeftijd: 13-15 jaar ’80. In welke opzichten is deze muziek anders Niveau: VO onderbouw dan de originele, vaak Amerikaanse funk uit de jaren ’70? Samengevat De Band ‘Level 42’ uit Engeland is in de jaren ’80 beroemd mede dankzij het virtuoze basgitaarspel van Mark King. Hij speelt niet alleen de bekende funk riffs, maar daar tussendoor ‘slapt’ hij met zijn duim reeksen van 16e noten met accenten, wat een levendige, ‘groovy’ baspartij oplevert. ‘Level 42’ combineert dit spel met aanstekelijke liedjes en een goeie stem. Mark King laat zien hoe het werkt en dat hij het nog lang niet verleerd is. 2 De bassist heeft met zijn of haar basgitaar een hoofdrol in de funk. Vakgebied a Hoe heet de manier van spelen, die ook Muziek uitgebreid door Mark King gedemonstreerd wordt en hoe noemt Mark King het zelf? Kernbegrippen b Welke twee rollen speelt de bassist op deze Popmuziek – funk – bas – riff manier in een band? Kerndoelen 3 Mark King laat in zijn studio een aantal Funkmuziek – stijlen – jaren ‘80 dingen zien. Welke opmerking is niet waar? A Tussen de basnoten door vult hij alle ruimtes Verdieping op door met zijn duim op de snaren te slaan om Op de Schooltv-site staan meer mini - een extra percussie-partij toe te voegen aan documentaires over legendarische en het geheel. bijzondere popmuziek. Kijk eens naar ‘Thriller’ B Mark King speelt eigenlijk conga op een van Michael Jackson. -
Design Public Hearing Thursday
DESIGN PUBLIC HEARING THURSDAY, JUNE 9, 2011 AT LONGFELLOW BUILDING ASKWITH AUDITORIUM HARVARD SCHOOL OF EDUCATION 13 APPIAN WAY CAMBRIDGE, MASSACHUSETTS FOR THE PROPOSED Cambridge Common Improvements Project Project No. 605188 IN THE CITY OF CAMBRIDGE, MASSACHUSETTS COMMONWEALTH OF MASSACHUSETTS MASSACHUSETTS DEPARTMENT OF TRANSPORTATION HIGHWAY DIVISION FRANK A. DEPAOLA, P.E. ACTING HIGHWAY ADMINISTRATOR THOMAS F. BRODERICK, P.E. ACTING CHIEF ENGINEER PRESENTERS Robert Kimungu, Moderator, Project Management Section, MassDOT, Highway Division Craig Sheehan, Right-of-Way Bureau, MassDOT Bill Deignan, City of Cambridge Andrew Ogilvie, Design Consultant, AE Com Dennis Flynn, Design Consultant, AE Com Mark King, Design Consultant, AE Com Cynthia Smith, Landscape Architect, Helverson Joe Sakelos, Arlington Typing & Mailing SPEAKER INDEX Name Page Robert Kimungu 4,8,29,37-41,44-46,48,50,52, 63,67,69,71,72 Craig Sheehan 6,46,47 Bill Deignan 8,9,22,34,35,37,40,47-52,58, 59,61-63,67-69,71 Andrew Ogilvie 25,56,58,71,72 Alice Wolf 30,32,34-37,47,48,53,54,57 Ron Axelrod 37 Charles Sullivan 38,53 Art Bardige 38,40,41,44 Fred Meyer 41,52-54,69,70 Pearl Winehouse 45-47,54,62 John Goodman 48,50 Pete Kane 50-52 T.K. McClintoch 55-58,61,62 Dennis Flynn 60,61 Ingrid Shuttleworth 63,67,68,71,72 Dorianne Low 69 Exhibits Description Page Sign-In Sheet 77 - 79 ATM, Inc 339-674-9100 P R O C E E D I N G S 1 ROBERT KIMUNGU, MODERATOR: Good evening, 2 Ladies and Gentlemen.