October 20 – 24, 2010
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Toronto Aboriginal Research Project (TARP) TARP TORONTO ABORIGINAL RESEARCH PROJECT
TARP RESEARCH PROJECT TORONTO ABORIGINAL TORONTO ABORIGINAL TARP RESEARCH PROJECT FINAL REPORT FINAL REPORT COMMISSIONED BY Toronto Aboriginal Support Services Council (TASSC) TORONTO ABORIGINAL TARP RESEARCH PROJECT FINAL REPORT TORONTO ABORIGINAL SUPPORT SERVICES COUNCIL (TASSC) MEMBERS Sponsors of the Toronto Aboriginal Research Project (TARP) TARP TORONTO ABORIGINAL RESEARCH PROJECT Harvey Manning, Frances Sanderson, Nishnawbe Homes FINAL REPORT Kenn Richard, Na-Me-Res Native Child and Family Services Toronto Art Zoccole, 2-Spirited People of the 1st Nations Andrea Chisjohn, Toronto Council Fire Native Cultural Centre Don McCaskill Christa Big Canoe, Kimberly Murray Kevin FitzMaurice and Jonathan Rudin, Aboriginal Legal Services Jaime Cidro Toronto Larry Frost, Native Canadian Centre of Toronto COMMISSIONED BY Toronto Aboriginal Support Services Council (TASSC) CONTENTS The Toronto Aboriginal Support Services Council (TASSC) Executive Summary 17 would like to thank: 1 Introduction 41 The funders of the Toronto Aboriginal Research Project (TARP) 1.1 Background 41 Ontario Ministry of Aboriginal Affairs 1.2 The Toronto Aboriginal Research Project (TARP) 43 1.3 Research on Aboriginal People in Toronto 46 The Urban Aboriginal Strategy of the Office of the Federal Interlocutor for Métis and Non-status Indians 1.4 Users Guide to this Report 64 City of Toronto Homelessness Partnership Initiative 2 Tarp Methodology: Community-Based Research 66 2.1 Research Methodology: Quantitative and Qualitative Approaches 66 We would like to thank the members of TASSC and of the TARP Steering 2.2 TARP Research Design: A Community-Based Approach 68 Committee as well as the many members of the Toronto Aboriginal 2.2.1 Community Survey 69 Community who gave generously of their time and expertise to 2.2.2 Key Respondent Interviews 71 contribute to the TARP study. -
Welcome to the 44Th Annual Seattle International Film Festival!
BETH BARRETT SARAH WILKE Artistic Director Executive Director DEAR MEMBERS OF THE PRESS: Welcome to the 44th annual Seattle International Film Festival! We are so happy to have you join this year as a partner at the Festival. It's your work that helps bring filmmakers and audiences together around the powerful stories of film. We could never have become the SIFF we are today without the knowledge, skill, and passion you bring to your work. Our 2018 Media Guide is filled with all the pertinent information you'll need to navigate the next 25 days: media guidelines and contacts, film listings, forums, and events. Many of you are already familiar with SIFF's extensive Festival offerings. For those of you who are attending for the first time, we are here to help you discover the depth and range of our programming. The greater press community has always been an integral part of the Festival and we look forward to sharing with you all that SIFF has to offer over the Festival. Sincerely, SIFF.NET · 206.464.5830 · PRESS OFFICE 206.315.0690 · [email protected] 1 TABLE OF CONTENTS 3 . PRESS INFORMATION 5 . SIFF STAFF 10 . BOARD OF DIRECTORS 11 . ABOUT SIFF 12 . SIFF BY THE NUMBERS 13 . SIFF FACT SHEET 14 . EVENT SCHEDULE 18 . MEDIA GUIDELINES 19 . HOLD REVIEWS 23 . VENUES 24 . TICKETING 27 . FEATURE FILMS BY MOOD 39 . FEATURES BY COUNTRY/REGION 44 . TOPICS OF INTEREST 57 . AWARDS & COMPETITIONS 64 . 360/VR STORYTELLING 65 . EDUCATION 67 . SPECIAL GUESTS 69 . SPOTLIGHT PRESENTATIONS 70 . 2017 RECAP 73 . FESTIVAL 2017 HIGHLIGHTS 74 . -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Falls Around Her
Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen. -
What's on at the Vancouver International Film Centre
What’s on March 5 - April 8, 2017 at the Vancouver LIFE, ANIMATED International Film Centre Aquarius 1181 Seymour Street 604.683.FILM Discover more at viff.org Personal Shopper Beyond 150 Years: An Acknowledgement of Cinematic Territory Beyond 150 Years Flipping the Script: Angry Inuk MAR 6 - 7, 2017 - FREE EVENTS Making Films to Make Change: ALETHEA ARNAQUQ-BARIL, CANADA, 2016, 85 MIN. IMPACT Canada's sesquicentennial is a complicated celebration Artist Talk with Lisa Jackson MON MAR 6 9:00AM - SCHOOLS SCRENING for Indigenous peoples. A Reel Canada initiative, Beyond 60 MIN. TRUE NORTH 150 Years: An Acknowledgement of Cinematic Territory 7:00PM is an opportunity to celebrate the impact of Indigenous MON MAR 6 - 2:00PM Wryly tackling both misinformation and aggressive ap- cinematic stories. It will feature two days of free public With a background in documentary, including acclaimed peals to emotion, Inuk filmmaker Arnaquq-Baril reframes film screenings, film talks, artist talks, and a high school shorts Suckerfish, and the CBC-broadcast How a People the controversial topic of the seal hunt as a cultural issue screening presented at Vancity Film Centre in partnership Live, Anishinaabe filmmaker Lisa Jackson expanded into in this award-winning hit. “Angry Inuk delivers important with the VIFF and the National Film Board of Canada. fiction with Savage, which won a 2010 Genie award for information about an issue we tend to think we know ev- Best Short Film. Cross-genre work includes current affairs, erything about, and delivers a powerful emotional punch.” animation, performance art film, and a musical. -
1850-EQ Spring 15 MAG.Indd
EQUITY QUARTERLY SPRING 2015 PERSPECTIVES ON DIVERSITY STAGING THE FUTURE EQ ENDING HARASSMENT NOW The Equity Census THE EQUITYCENSUS STAGING THE FUTURE CULTURE & ETHNICITY | DIVERSE ABILITY | GENDER & SEXUAL IDENTITY Be a part of the biggest and boldest project ever undertaken by Equity – and all you need to do is tell us about yourself. The Equity Census is a ground-breaking demographic survey designed to better understand and serve all Equity members. It will examine the diverse composition of Equity’s The Equity Census opens membership specifically focusing on diversity of culture and ethnicity, diverse ability and Friday, April 24. gender and sexual identity. The survey seeks to identify potential barriers to employment within the Association’s jurisdiction. Data gathered will be a powerful tool in collective bargaining for equitable representation of diversity onstage and in related hiring. The Equity Census Members will be given the option of providing their member number at the conclusion of the closes Friday, May 22. survey so that, for the first time, Equity will be able to analyze how diversity impacts members’ work opportunities and income-earned. The Equity Census is completely confidential A report on the survey and will be conducted by an independent research firm. Its findings will strengthen Equity’s advocacy efforts promoting live performance and inform recommendations for legislative will be published in the change promoting the vibrancy and continued relevance of the performing arts in Canada. Summer EQ. What else do I need to know? + Check and update Regular and Life Your privacy is Eligible members Any member your contact info at members in good important to us. -
News Release. Tiff Unveils Top Ten Canadian Films of 2017
December 6, 2017 .NEWS RELEASE. TIFF UNVEILS TOP TEN CANADIAN FILMS OF 2017 The Canada’s Top Ten Film Festival™ illuminates the nation with public screenings, free events, and special guests Alanis Obomsawin, Evan Rachel Wood and Jeremy Podeswa TORONTO — TIFF® is toasting the end of Canada’s sesquicentennial with its compelling list of 2017’s best Canadian films for the 17th annual Canada’s Top Ten Film Festival™. Established in 2001, the festival is one of the largest and longest-running showcases of Canadian film. From January 12 to 21, 2018 at TIFF Bell Lightbox in Toronto, the 10-day event boasts a rich offering of public screenings, Q&A sessions and a special Industry Forum, followed by a nationwide tour stopping in Vancouver, Montreal, Regina, Edmonton, Winnipeg, Ottawa and Saskatoon. Cameron Bailey, Artistic Director of TIFF, says the Canada’s Top Ten Film Festival is a vibrant celebration of diversity and excellence in contemporary Canadian cinema. “Our filmmakers have proven that they are among the best in the world and all Canadians should feel incredibly proud to get behind them and celebrate their achievements. Wrapping up Canada’s year in the global spotlight, we are thrilled to present this uniquely Canadian list, rich not only in talent but also in its diversity of perspectives, stories, and voices that reflect our nation’s multiculturalism," said Bailey. Steve Gravestock, TIFF Senior Programmer, says the number of exciting new voices alongside seasoned masters in this year’s lineup is a testament to the health of the Canadian film industry. "With a top ten that includes five first- or second-time feature directors, there is much to celebrate in Canadian cinema this year," said Gravestock. -
Artists That Matter
Artists That Matter MADT401 Bester VIII, Philadelphia, 2018. From the series Somnyama Ngonyama. Site-specific Zanele Muholi photographic mural, dimensions variable. Photographer South African photographer and video and installation artist. Muholi has identified as a black Zulu lesbian and her artworks engage with her own identity at the same time as they seek to integrate LGBTI (lesbian, gay, bisexual, transgender, and intersex) identities into mainstream acceptance Dumaine, Philippe. “Zanele in South Africa and elsewhere. Muholi is part of a generation of African Muholi Un activisme visuel artists for whom photography remains a powerful tool for socio-political Visual Activism.” Esse 91 commentary in the post-colonial and post-apartheid era. In 2001–2 (2017): 64–69. Muholi co-founded the Forum for the Empowerment of Women (FEW) ProQuest. https://search- proquest- in Johannesburg. She has always considered herself to be an activist first com.ezproxy.acsaa.talonline.ca/ and an artist second, with her artistic projects serving as ‘Visual docview/2012111699?rfr_id=in Activism’ (artist’s own term). She trained as a photographer at the fo%3Axri%2Fsid%3Aprimo Market Photo Workshop, Newtown, in 2003, and in 2009 received her Kart, Susan. "Muholi, MFA in Documentary Media at Ryerson University, Toronto. Also in Zanele." Grove Art 2009, she founded Inkanyiso as a platform for LGBTI artists and others Online. January 20, 2016. engaged in visual activism to share their work. Oxford University Press. Date of access 17 Sep. 2020, <https://www- Website with some images of work: oxfordartonlinecom.ezproxy.ac https://www.yanceyrichardson.com/artists/zanele-muholi?view=slider#7 saa.talonline.ca/groveart/view/1 Compiled by Levin 0.1093/gao/9781884446054.00 1.0001/oao-9781884446054-e- 7002290034> Works cited: Alex Francois Fraser, Calum. -
Pacific Coast Salish Art and Artists: Educator Resource Guide
S’abadeb— TheGifts: PacificCoast SalishArt &Artists SEATTLE ART MUSEUM EDUCATOR RESOURCE GUIDE Grades3-12 SeattleArtMuseum S’abadeb—The Gifts: Pacific Coast Salish Art and Artists 1300 First Avenue is organized by the Seattle Art Museum and made Seattle, WA 98101 206.654.3100 possible by a generous leadership grant from The Henry seattleartmuseum.org Luce Foundation and presenting sponsors the National Endowment for the Humanities and The Boeing Company. © 2008 Seattle Art Museum This project is supported in part by an award from the National Endowment for the Arts with major support Pleasedirectquestionsabout thisresourceguideto: provided by the Mayor’s Office of Arts & Cultural Affairs, Adobe Systems, Incorporated, PONCHO, Washington State School & Educator Programs Arts Commission, and U.S. Bancorp Foundation. Additional Seattle Art Museum, 206.654.3146 [email protected] support provided by the Native Arts of the Americas and Oceania Council at the Seattle Art Museum, Thaw Exhibitionitinerary: Charitable Trust, Charlie and Gayle Pancerzewski, Suquamish Seattle Art Museum Clearwater Casino Resort, The Hugh and Jane Ferguson October 24, 2008–January 11, 2009 Foundation, Humanities Washington, Kreielsheimer Exhibition Endowment and contributors to the Annual Fund. Royal British Columbia Museum November 20–March 8, 2010 Art education programs and resources supported in Editing: John Pierce part by PONCHO and the Harrington-Schiff Foundation. Author: Nan McNutt Illustrations: Greg Watson ProjectManager: -
Yvette Nolan: Playwright in Context
University of Alberta Yvette Nolan: Playwright in Context bY Valerie Shantz A thesis submitted to the Facultv of Graduate Studies and Research in partial fulfillment of the recpirements for the degree of Master of Arts Department of Drama Edmonton, Alberta Spring, 1998 National tibrary Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 335 Wellington Street 395. rue Wellington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantid extracts fiom it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is concerned with providing a critical context for my work with Yvette Kolan, a Winnipeg based playwright. I chose to pursue this topic because as a drarnahirg and academic 1 have found few models on which to base our relationdup. My underlying assumptions were that in approachmg a dramatic text, a writer and her drarnaturg represent an ongoing histon of sirnilar relatiowhips. -
Indigenous-Film-Programme-2020-21
1 REEL CANADA Uniting our Nations through Film WHO WE ARE REEL CANADA is a charitable organization whose mission is to introduce new audiences to the power and diversity of Canadian film and engage them in a conversation about identity and culture. Showcasing works by Indigenous filmmakers from Canada is an integral part of that mission. Our travelling film festival has reached over a million students – and it just keeps growing! WHAT WE DO LESSON PLANS AND Now entering our 16th season, we offer several programmes for students. And, through National RESOURCES Canadian Film Day (NCFD), we also bring an annual With a track record of thousands of successful school celebration of film to all Canadians. screenings, we can give you effective tools to get your colleagues and students excited about your Our Educational Programmes serve anywhere from event, and work with you to create a festival that will a single class to a whole school. They all incorporate resonate with your community. incredible work made by Indigenous filmmakers, and all of them are absolutely free of charge. We offer: • Film-specific lesson plans orf all feature-length Our Films in Our Schools: for more than 14 years, films in this programme we have helped teachers and students organize over 3,000 screenings of Canadian films • Lesson plans for Indigenous and Native studies courses Welcome to Canada: introducing new Canadians to Canadian film and culture through festival events • Lesson plans about Canadian film and torytellings designed specifically for English-language -
THE CANONIZATION of TOMSON HIGHWAY By
A BALANCING ACT: THE CANONIZATION OF TOMSON HIGHWAY by JENNIFER LEE COVERT BA, McMaster University, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Theatre, Film and Creative Writing) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1997 © Jennifer Lee Covert, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced i degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada DE-6 (2/88) ABSTRACT In this thesis I will examine the critical and popular success of playwright Tomson Highway. Highway's two published plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing. are taught on university and high school syllabi across the country and abroad, as far away as Copenhagen. These two plays have also been performed in Canada virtually from coast to coast. These facts are interesting in and of themselves, but specifically when taken into account with the fact that Highway is a Cree playwright, born in northern Manitoba, who didn't become fluent in English until reaching his teens.