Johnny Tremain and Primary Sources: Using Strategies to Make Elementary
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Johnny Tremain
Johnny Tremain By Esther Forbes A Novel Study by Nat Reed 1 Johnny Tremain By Esther Forbes Table of Contents Suggestions and Expectations ……..……………………………..……. 3 List of Skills ………………………………….………………………... 4 Synopsis / Author Biography ……..……………………………..….… 5 Student Checklist ………………………………………………………. 6 Reproducible Student Booklet …………………………………………. 7 Answer Key ……………………………………………………………. 85 About the authors: Nat Reed has been a member of the teaching profession for more than 30 years. He was a full-time instructor at Trent University in the Teacher Education Program for nine years. Joel Reed has over 50 published novel studies and is the co-author of three novels. For more information on their work and literature, please visit the websites www.reedpublications.org and www.novelstudies.org. Copyright © 2016 Nat Reed All rights reserved by author. Permission to copy for single classroom use only. Electronic distribution limited to single classroom use only. Not for public display. 2 Johnny Tremain By Esther Forbes Suggestions and Expectations This curriculum unit can be used in a variety of ways. Each chapter of the novel study focuses on one chapter of Johnny Tremain and is comprised of five of the following different activities: • Before You Read • Vocabulary Building • Comprehension Questions • Language Activities • Extension Activities Links with the Common Core Standards (U.S.) Many of the activities included in this curriculum unit are supported by the Common Core Standards. For instance the Reading Standards for Literature, Grade 5, makes reference to: a) determining the meaning of words and phrases. including figurative language; b) explaining how a series of chapters fits together to provide the overall structure; c) compare and contrast two characters; d) determine how characters … respond to challenges; e) drawing inferences from the text; f) determining a theme of a story . -
The Giver by Lois Lowery Jonas' World Is Perfect
Accelerated English 8 Summer Assignment Sacajawea Middle School Throughout your summer vacation, you will need to read the following books and complete the attached assignments. This summer work will be due in your language arts class on the first day of class. The Giver By Lois Lowery Jonas' world is perfect. Everything is under control. There is no war or fear or pain. There are no choices. Every person is assigned a role in the Community. When Jonas turns twelve, he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now, it is time for Jonas to receive the truth. There is no turning back. Summary from www.goodread.com Notable Book. Newbery Honor Book. https://archive.org/stream/TheGiverFullBook/The%20Giver%20%28Full%20Book%29_djvu.txt Throughout your summer, it is important to fuel your mind with good literature. Summer reading will help increase your reading fluency, vocabulary and comprehension and will give a jump start on 8th grade. Tasks to Complete 1. Read The Giver • The Concept of Heroism Defining Heroism • Challenges and Character Traits Maintaining a Dialectical Journal • Be ready to AR test the first week of school. • Hero paragraph 2. Read Johnny Tremain. • Be ready to take an AR Test on this book during the first days of school. 3. Read a traditional classic or a book • Be ready to take an AR test on this book from a college-bound reading list. during the first days of school. You may refer to the list of AP classics on the following website http://www.lakeholcombe.k12.wi.us/upload s/1/0/4/0/10408064/college_boustnd_reco mmended_reading.pdf 4. -
Leonard Woolf's
Journal X Volume 6 Number 1 Autumn 2001 Article 7 2020 Metropolitan Civility Bloomsbury and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine” Anindyo Roy Colby College Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Roy, Anindyo (2020) "Metropolitan Civility Bloomsbury and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine”," Journal X: Vol. 6 : No. 1 , Article 7. Available at: https://egrove.olemiss.edu/jx/vol6/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Roy: Metropolitan Civility Bloomsbury and the Power of the Modern Colo Metropolitan Civility, Bloomsbury, and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine” Anindyo Roy Anindyo Roy is Assis Leonard Woolf, one of the key figures in the Blooms tant Professor in Eng bury circle, is perhaps most widely known for his role lish at Colby College in labor party politics in Britain and for his engage where he teaches cours ment, during the first two decades of the twentieth es in critical theory, century, with internationalist politics associated with the League of Nations. As someone closely allied postcolonial literatures with Bloomsbury, Britain’s pre-eminent circle of aes and theory, and thetes and intellectuals, Woolf’s political thinking British Modernism, can at best be described as unorthodox: although a He has published essays member of the exclusive Cambridge circle that had on postcolonial theory been nurtured by the aesthetic and moral philosophy and literature, fiction of G. -
Johnny Tremain Excerpt
From J OHNNY T REMAIN by Esther Forbes In 1775, 16-year-old Johnny Tremain table. Silently he put milk, bread, herrings beside lives in Boston and works as a deliv- it, and gestured to Johnny to join him. ery boy for a newspaper. Because he “Where did it begin?” asked Johnny. travels so much around the city, he is able to help “Lexington.” the Patriots gather information about what the “Who won?” British are doing. “They did. Seven hundred against seventy. It On the night of April 18, Johnny learns that British troops will be leaving on an expedition to wasn’t a battle. It was . just target practice . for them. Some of our men were killed and the seize the gunpowder at Lexington and Concord. 2 He rushes to tell this news to Dr. Joseph Warren, British huzzaed and took the road to Concord.” who is a Patriot. Then Johnny goes to bed, won- “And did they get our supplies there?” dering if the war has started and worried about “I don’t know. Paul Revere sent for me just his friend Rab, who has gone to join the after the firing on Lexington Green.” Minutemen at Lexington. The young man’s usually fresh-colored face 3 was haggard. He knew the seriousness of this o Johnny slept. It was daylight when he woke day for himself and for his country. with Warren’s hand upon his shoulder. “But everywhere the alarm is spreading. SOutside on Tremont Street he could hear the Men are grabbing their guns—marching for clumping of army boots. -
JW Lindt's Colonial Man and Aborigine Image from The
Cultural Relativity as Exchange: J.W. Lindt’s Colonial man and Aborigine image from the GRAFTON ALBUM (circa 1872): Introduction Colonial representations about culture reflect and influence our perceptions even as artefacts. Under scrutiny here is an image from one of J.W. Lindt’s Albums of Australian Aboriginals, a still-intact album of photographs given to the mayor of Grafton, Tomas Page, circa 1872 when Lindt was resident therei. I have given the original untitled image the notional title of Colonial man and Aborigine. ii Lindt spent a year travelling southern Australia on his arrival in 1861 and five years in Grafton as an apprentice in Conrad Wagner’s photographic studio. Lindt’s education and understanding of the arts was already liberal and Wagner, dubbed “our local Raphael”iii by the Grafton paper, extended his skills. Lindt’s temperament was sociable, energetic, and discerning, a crucible for both observing and interpreting culture. That Lindt had the artistic understanding to construct an image such as Colonial Man and Aborigine as a symbolic reference to culture is quite certain. That his cultural relativity may have provided the inclination is suggested here. The Photographic Art According to Gross, “in order for a researcher to decide whether an interpretation is… inferential (the observer is assessing the event as "art"--a symbolic event), one needs to know the grounds on which the conclusions would be justified. …we might say that we know it because we are assuming the event was made to happen that way in order to tell us something (communicational inference). iv For the purposes of interpretation, the context of Lindt’s work can reliably establish that his primary purpose was one of artistic practice. -
Johnny Tremain
Johnny Tremain and the Members of the Long Room Club A Collection of Lesson Plans, with Accompanying Primary Source Materials, Based on Esther Forbes’ Novel, Johnny Tremain Designed for Use with Middle School Students By Ronald Blackington Adams Fellow, 2005 Massachusetts Historical Society Copyright 2008 Massachusetts Historical Society. Permission is hereby granted to reproduce and distribute these materials for educational purposes. For non-classroom use, please contact the Massachusetts Historical Society. 2 Table of Contents Introduction ……………………………………………………………… 3 Finding Your Way Around Johnny Tremain’s Boston ………………. 5 Methods of Characterization in Johnny Tremain …………………….. 6 Character Analysis Sheet ……………………………………………….. 7 The Long Room and the Boston Observers ……………………………. 8 Documents Relating to the Boston Tea Party ………………………….. 9 John Adams ………………………………………………………………. 21 Samuel Adams ……………………………………………………………. 24 Dr. Benjamin Church ……………………………………………………. 29 Rev. Samuel Cooper ……………………………………………………… 35 William Cooper …………………………………………………………… 45 John Hancock …………………………………………………………….. 50 Josiah Quincy ……………………………………………………………... 63 Paul Revere ………………………………………………………………... 72 Dr. Joseph Warren ………………………………………………………… 87 3 Introduction During the years I have been teaching Johnny Tremain, the final meeting of the “Boston Observers”—Esther Forbes’s name for the inner circle of the Sons of Liberty—has always intrigued me. While I had implemented a rather lengthy set of questions about the events of the book, put together a variety of essay questions and the usual culminating test, and even used the Walt Disney movie as a “reward,” I had never pursued a study of these Patriots. This series of lessons centers on primary sources about nine members of the Long Room Club, the actual group on which Forbes’ Boston Observers is based. Some of these men are famous and exceedingly well documented, such as John and Samuel Adams, Paul Revere, and John Hancock. -
Introduction During the Years I Have Been Teaching Johnny Tremain, The
Introduction During the years I have been teaching Johnny Tremain, the final meeting of the “Boston Observers”—Esther Forbes’s name for the inner circle of the Sons of Liberty—has always intrigued me. While I had implemented a rather lengthy set of questions about the events of the book, put together a variety of essay questions and the usual culminating test, and even used the Walt Disney movie as a “reward,” I had never pursued a study of these Patriots. This series of lessons centers on primary sources about nine members of the Long Room Club, the actual group on which Forbes’ Boston Observers is based. Some of these men are famous and exceedingly well documented, such as John and Samuel Adams, Paul Revere, and John Hancock. Others are moderately well known, or at least have left enough writing and/or activity behind for us to learn quite a bit about them, such as Dr. Benjamin Church, Dr. Joseph Warren, Josiah Quincy, and the Rev. Dr. Samuel Cooper. Still others were too old and too private to be noted for more than their contribution during this time, such as William Cooper. Classes will first read Johnny Tremain as usual. A map of Boston in the 1770s, labeled with streets and locations where the story actually takes place should be provided to students, so they can get a sense of where things are in relation to each other and other pertinent data.1 Along with the map, a worksheet will be provided to help the students better visualize where things are. -
Hjrthe STATE HISTORICAL OCIETY of WISCONSIN
HjrTHE STATE HISTORICAL OCIETY OF WISCONSIN rt-j' lew—*™inTtr ' ' " " tnm in -* -** THE STATE HISTORICAL SOCIETY OF WISCONSIN The STATE HISTORICAL SOCIETY OF WISCONSIN is a state-aided corporation whose function is the cultiva- tion and encouragement of the historical interests of the State. To this end it invites your cooperation; member- ship is open to all, whether residents of Wisconsin or elsewhere. The dues of annual members are two dollars, payable in advance; of life members, twenty dollars, payable once only. Subject to certain exceptions, mem- bers receive the publications of the Society, the cost of producing which far exceeds the membership fee. This is rendered possible by reason of the aid accorded the Society by the State. Of the work and ideals of the Society this magazine affords, it is believed, a fair example. With limited means, much has already been accomplished; with ampler funds more might be achieved. So far as is known, not a penny entrusted to the Society has ever been lost or misapplied. Property may be willed to the Society in entire confidence that any trust it assumes will be scrupulously executed. TH *ni ITTTTI mm mri The WISCONSIN MAGAZINE OF HISTOEY is published quarterly by the Society, at 450 Ahnaip Street, Menasha, Wisconsin, in September, December, March, and June, and is distributed to its members and exchanges; others who so desire may receive it for the annual subscription of two dollars, payable in advance; single numbers may be had for fifty cents. All correspondence concerning the magazine should be addressed to the office of the State Historical Society, Madison, Wis. -
Customs and Fashions in Old New England
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
The Landscape of Empire
The Landscape of Empire The place of landscape in 19th century colonial novels By Rebecca Leah Gordon A thesis submitted to the Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2010 ABSTRACT This thesis presents a comparative research study of four novels published within two years of 1881 in four colonies of the Victorian Empire. The novels are Waitaruna: A Story of New Zealand Life by Alexander Bathgate from New Zealand, Gathered In by Catherine Spence from Australia, Neville Trueman: The Pioneer Preacher, a Tale of the War of 1812 by W. H. Withrow from Canada, and finally The Story of an African Farm by Olive Schreiner from South Africa. These novels were chosen because of their close publication dates. My purpose is to compare the depictions of landscape in each novel. The purpose of this study is to discover the depiction of landscape in the novels and the effect of the landscape on the characters. Because the authors were writing as English subjects in a non-English setting, they each had to engage differently with the landscape in their novel, depicting the settler experience of colonising the new country. Each novel’s portrayal of landscape is analysed using the text and placed into the historical context of the colony and the literary development of the colony. The findings of all four novels are compared to identify the differences and similarities discovered in the initial analysis. These final chapters show that landscape was closely tied with the settlers’ conceptions of religion, the treatment of the indigenous people, and settler experience in the particular colonies as represented by these authors. -
Gender and Decolonization in the Congo
GENDER AND DECOLONIZATION IN THE CONGO 9780230615571_01_prexiv.indd i 6/11/2010 9:30:52 PM This page intentionally left blank GENDER AND DECOLONIZATION IN THE CONGO THE LEGACY OF PATRICE LUMUMBA Karen Bouwer 9780230615571_01_prexiv.indd iii 6/11/2010 9:30:52 PM GENDER AND DECOLONIZATION IN THE CONGO Copyright © Karen Bouwer, 2010. All rights reserved. First published in 2010 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978–0–230–61557–1 Library of Congress Cataloging-in-Publication Data Bouwer, Karen. Gender and decolonization in the Congo : the legacy of Patrice Lumumba / Karen Bouwer. p. cm. Includes bibliographical references and index. ISBN 978–0–230–61557–1 (hardback) 1. Lumumba, Patrice, 1925–1961—Political and social views. 2. Lumumba, Patrice, 1925–1961—Relations with women. 3. Lumumba, Patrice, 1925–1961—Influence. 4. Sex role—Congo (Democratic Republic)—History—20th century. 5. Women—Political activity— Congo (Democratic Republic)—History—20th century. 6. Decolonization—Congo (Democratic Republic)—History—20th century. 7. Congo (Democratic Republic)—Politics and government— 1960–1997. 8. Congo (Democratic Republic)—Social conditions—20th century. -
Follow the Leaders in Newbery Tales
Carol Lautenbach Follow the Leaders in Newbery Tales oday’s youth are tomorrow’s leaders.” weren’t waiting for adulthood before putting their This statement, or some variation of it, skills to productive use. “T can be seen on billboards, promotional I selected eight leadership perspectives for this brochures, and advertisements for a variety of organi study, all of which have been well documented in zations and institutions. However, the time lag implicit studies of leadership, are cited in comprehensive in the statement reveals a misunderstanding about resources on leadership, and provide a good overview youth leadership; after all, aren’t today’s youth today’s of the range of interpretations possible when analyz leaders? Young leaders are less like dormant seeds and ing leadership. These perspectives include the person more like saplings that need nurturing, pruning, and ality, formal, democratic, political, subjective, ambigu strengthening to develop. ity, moral, and the cultural/symbolic perspectives The youth leadership garden can be tended right (Table 1). In the process, I looked for the answers to now by providing growing leaders with young adult four questions: (1) What leadership perspectives are novels in which young people are putting their evident? (2) Which perspectives are dominant? (3) leadership skills and perspectives Does the portrayal of the perspec into practice (Hanna, 1964; Hayden, tives change over time? (4) Does 1969; Friedman & Cataldo, 2002). the gender of the protagonist have What better books for this