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National Box Office Digest Annual (1940)
Ho# Ujjfice JbiaeAt Haui: «m JL HE MOST IMPORTANT NEWS of many moons to this industry is the matter-of-fact announcement by Technicolor that it will put into effect a flat reduction of one cent a foot on release prints processed after August 1st. "There is a great industrial story of days and nights and months and years behind the manner in which Dr. Kalmus and his associates have boosted the quality and service of color to the industry, beaten down the price step by step, and maintained a great spirit of cooperation with production and exhibition. TECHNICOLOR MOTION PICTURE CORPORATION HERBERT T. KALMUS, President , 617 North La Brea Avenue, Los Angeles, Subscription Rate, $10.00 Per ■Ml ^Ite. DIGEST ANNUAL *7lie. 1/ea>i WcM. D OMESTIC box office standings take on values in this year of vanished foreign markets that are tremendous in importance. They are the only ratings that mean anything to the producer, director, player, and exhibitor. Gone—at least for years to come—are the days when known box office failures in the American market could be pushed to fabulous income heights and foisted on the suffering American exhibitor because of a shadowy "for¬ eign value.” Gone are the days—and we hope forever—when producers could know¬ ingly, and with "malice aforethought,” set out on the production of top budgetted pictures that would admittedly have no appeal to American mass audiences, earn no dimes for American exhibitors. All because of that same shadowy foreign market. ^ ^ So THE DIGEST ANNUAL comes to you at an opportune time. -
Mutual Aesthetics Joseph D
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 Mutual Aesthetics Joseph D. Sherry Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Film and Media Studies Commons, and the Visual Studies Commons Recommended Citation Sherry, Joseph D., "Mutual Aesthetics" (2016). Honors Projects Overview. 117. https://digitalcommons.ric.edu/honors_projects/117 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MUTUAL AESTHETICS VISUAL STYLE IN THE FILMS OF F.W. MURNAU AND JOHN FORD, 1928-1941 By Joseph D. Sherry An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Film Studies Program The School of Arts and Sciences Rhode Island College 2016 Sherry 1 Introduction F.W. Murnau wrote, “All great arts have had great artists born to understand them as no other men can, and the motion picture is the single art expression of our age.”1 Murnau made this remark shortly after his masterpiece, Sunrise: A Song of Two Humans (1927), was released by Fox Film Corporation. Sunrise’s production riveted the entire studio lot due to its scope and Murnau’s international reputation; its subsequent critical success solidified Murnau’s place in Fox’s top-tier of directors. But John Ford, also one of Fox’s top-tier directors, once brusquely remarked, “It’s no use talking to me about art . -
The End of ‘Suits’ Means the Start of Gina Torres Stars in the “Suits” Spinoff “Pearson,” Premiering ‘Pearson’ Wednesday on USA Network
INSIDE n Crossword 2 SUNDAY n Sports Zone 3 Sunday, July 14, 2019 n MoviesOn 4-5 March 18, 2018 TELEVISION WEEKLY TELEVISION LISTINGS The end of ‘Suits’ means the start of Gina Torres stars in the “Suits” spinoff “Pearson,” premiering ‘Pearson’ Wednesday on USA Network. June / July 2019 m entral Texas Life and Style in C Love in the House REACHING OUT TO CHILDREN IN NEED Game Night IDEAS FOR FUN WITH FAMILY AND FRIENDS LifeLife andand StyleStyle inin CCentralentral Texasexas MMAGAZINEA G A Z I N E e p ppealmag.co Turning p Passion Woodworking a Wonderland x into Profit 5 x 2" adxa CEO INSPIRES BLACK LOCAL BLOGGER HAS THE PLANS WOMEN IN BUSINESS e The June - July Edition Now Availabltex appeale te t WOMEN IN BUSINESS ISSUE crossword puzzle Solution is on page 5. ACROSS 48. “Let’s Make a Deal” player’s choice 1. “Spin __” 5. “__ Factor” DOWN 9. “Thirty Seconds Over __”; Spencer Tracy film 1. Colin Donnell’s “Chicago 10. Paquin & Faris Med” role (2) 12. “__ Tree Hill” 2. Storekeeper on “The 13. Easternmost U.S. territory Waltons” 16. “I’d like to buy __ __, Pat” 3. Actor Burrell 17. Center of the alphabet 4. Cartoon bear 18. Erin, to John-Boy 5. 1982-87 series set at a 20. Initials for actor Dukes school 21. Davenport 6. Prefix for rage or large 23. Boxer Oscar De La __ 7. Actress Ortiz 25. “The __”; 1994 Denis Leary 8. Actor on “Chicago Fire” (2) film 9. Welling & Hanks 26. -
American Exceptionalism in the Film Industry of the Middle Twentieth Century Bryan Everett University of North Georgia, [email protected]
University of North Georgia Nighthawks Open Institutional Repository History, Anthropology & Philosophy Theses and Department of History, Anthropology & Projects Philosophy Spring 2017 American Exceptionalism in the Film Industry of the Middle Twentieth Century Bryan Everett University of North Georgia, [email protected] Follow this and additional works at: http://digitalcommons.northgeorgia.edu/histphil_etd Part of the Cultural History Commons, and the United States History Commons Recommended Citation Everett, Bryan, "American Exceptionalism in the Film Industry of the Middle Twentieth Century" (2017). History, Anthropology & Philosophy Theses and Projects. 7. http://digitalcommons.northgeorgia.edu/histphil_etd/7 This Open Thesis is brought to you for free and open access by the Department of History, Anthropology & Philosophy at Nighthawks Open Institutional Repository. It has been accepted for inclusion in History, Anthropology & Philosophy Theses and Projects by an authorized administrator of Nighthawks Open Institutional Repository. P a g e | 1 The University of North Georgia School of Arts and Letters American Exceptionalism in the Film Industry Of the Middle Twentieth Century By Bryan Everett A Thesis submitted to the Department of History, Anthropology and Philosophy in partial fulfillment of the requirements for the degree of Master of Arts in History May 2017 P a g e | 2 Abstract ____________________________________________________________________________ A common theme that pervades America’s view of its past is the idea that the American nation is exceptional. The term “American Exceptionalism” encompasses this notion or belief and sees common usage in both popular and scholarly contexts. This work deals with the essential themes of American Exceptionalism as they appear and evolve through the American film industry. -
Aviation Cinema
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2015 Aviation Cinema Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/203 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] AVIATION CINEMA Kevin L. Ferguson Undoubtedly for most in the Western world at this time [ca. 1909], the first sight they had of an aeroplane was not in the sky, but projected upon a screen. —Luke McKernan (2004)1 “Le cinéma, ce n’est pas je vois, c’est je vole.” —Paul Virilio (1984)2 The history of human air travel coincides with the history of cinema. A few weeks after The Great Train Robbery (dir. Edwin S. Porter) opened in December 1903, the Wright brothers successfully made the world’s first flight. Yet, while cinema had a few decades on aviation, no one filmed the Wright brothers’ breakthrough. Luke McKernan, historian of early film, thinks that the brothers’ “insistence upon secrecy as they tried to sell their invention to the American military” was a major reason for the failure to record an event of such historical consequence, but as a result the lack of a film recording made it even harder for the world to believe such a feat. While it was not until 1906 that human flight was filmed, by 1908 flying films “were legion”3 and aviation cinema really took off. -
Picture Show Annual (1941)
S; yVivvwy U^vV-XC* VwvV*!Lt *Lov<- ^Wi , JCCC -3«c. i c^L*rO. Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannua00amal_14 im&m Robert Young and Helen Gilbert in “ Florian. On the Cover : Bette Davis and Errol Flynn in “ The Private Lives of Elizabeth and Essex." r think most cinemagoers favour the idea of the revival of favourite films, for to those who saw the originals there are the memories of the past and also comparisons between the old produc- tions and the new, particularly in respect to those that have been made both as a silent and a talkie. To the newer generation of the cinema public there is interest in comparing the old-time screen stones with the modem ones. “ ” To be technically correct, revival is not the right word, for the old favourites are re-made, but in the majority of cases the original film is not altered to any great extent so far as the story is concerned, though the introduction of spoken dialogue must necessarily be more expensive them that recorded by the printed sub-title of the silent picture. On the whole, the re-making of popular pictures is done so well that it is deserving of the highest praise, but there is one criticism I have to make. I think it is a great mistake to alter the original title. Take a person who saw the original film passing by a cinema which is showing a revival under a new title. There is nothing to indicate that this is a new version of an old favourite, and such a person might well walk on to another cinema, missing what would have been a real treat. -
Download December 2005 Movie Schedule
Movie Museum DECEMBER 2005 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Woody Allen's Birthday Double Feature Jean-Luc Godard's Birthday Double Feature Preminger/Lang/Polonsky THE FRONT I CAN GET IT FOR YOU CONTEMPT I CAN GET IT FOR YOU Birthday Double Feature (1976) WHOLESALE (1951) (1963-French/Italian) WHOLESALE (1951) FALLEN ANGEL (1945) in widescreen with Susan Hayward. in French with English with Susan Hayward. with Dana Andrews, Alice Faye. with Woody Allen, Zero Written by Abraham Polonsky. subtitles & in widescreen Written by Abraham Polonsky. Directed by Otto Preminger. Mostel, Herschel Bernardi, Plus with Brigitte Bardot, Fritz Lang, Plus Plus Jack Palance, Michel Piccoli, Michael Murphy, Lloyd FIVE CAME BACK (1939) FIVE CAME BACK (1939) Gough, Danny Aiello. Jean-Luc Godard. MINISTRY OF FEAR with Lucille Ball. with Lucille Ball. (1944) Directed by Martin Ritt. Script by Dalton Trumbo. Directed by Jean-Luc Godard. Script by Dalton Trumbo. with Ray Milland. Directed by Fritz Lang. 2, 4, 6 & 8pm 1 1, 4 & 7pm 2 2, 4, 6 & 8pm 34 1, 4 & 7pm 12:30, 4 & 7:30pm 5 ENCHANTED APRIL Dalton Trumbo's Birthday ENCHANTED APRIL Trintignant's Birthday Frank Sinatra's Birthday (1991-British) JOHNNY GOT HIS GUN (1991-British) FLIC STORY SUDDENLY (1954) (1971) (1975-French/Italian) with Frank Sinatra, with Josie Lawrence, Miranda in widescreen with Josie Lawrence, Miranda in French w/English subtitles Sterling Hayden. Richardson, Joan Plowright, with Timothy Bottoms, Kathy Richardson, Joan Plowright, with Jean-Louis Trintignant, Fields, Marsha Hunt, Jason Alfred Molina, Jim Broadbent. Alfred Molina, Jim Broadbent. Alain Delon. -
Economic Effects of Vertical Disintegration: the American Motion Picture Industry, 1945 to 1955
Working Papers No. 149/10 Economic Effects of Vertical Disintegration: The American Motion Picture Industry, 1945 to 1955 . Gregory Mead Silver © Gregory Mead Silver, LSE November 2010 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0) 20 7955 7860 Fax: +44 (0) 20 7955 7730 Economic Effects of Vertical Disintegration: The American Motion Picture Industry, 1945 to 1955 Gregory Mead Silver Abstract In 1948, the United States Supreme Court declared the operations of eight of the nation’s largest motion picture studios in violation of the 1890 Sherman Antitrust Act.1The decision ordered them to disintegrate their producer-distributor roles from cinemas. The Court believed this would promote competitive practices in a hitherto uncompetitive industry. However, these desired benefits were not entirely reached. Instead, by leading the Hollywood studio system to collapse, the Court also distorted the supply- chain for motion pictures. This work utilizes Coasian analyses of transaction costs to show that institutional integration was an efficient structure for the motion picture industry. It explores the motives to integrate and the benefits it garnered. Having laid this groundwork, it then assesses the effects theatre divorcement had on the industry and offers plausible counterfactuals had the studios remained intact after 1948. 1 Introduction There has been much conjecture over the effects that government intervention can have on industry. The case examined here is the intervention of the United States Judiciary on the American motion picture industry in the late 1940s. Since 1890, the year Congress signed the Sherman Antitrust Act into law, the government has served as the self- imposed overseer that assures the proper functioning of competitive markets. -
Bee Gee News October 4, 1939
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-4-1939 Bee Gee News October 4, 1939 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "Bee Gee News October 4, 1939" (1939). BG News (Student Newspaper). 517. https://scholarworks.bgsu.edu/bg-news/517 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. T.1RRAJ*Y E COLLEQB «.I*IINII tmtJsW. a The, University newspaper will be named by a rot* of the student body was the decision o| the editor and hU assistants at a moating last night Several names will be submitted for vote at the October 11 election, and the name getting the most rotei will find it* way to the top of the old Bee Gee New*. WAYNE UNIVERSITY This is being don* in order to giro the whole student body a chance to help with this important ELECTION PETITIONS change. The right to name the paper belongs to no one group or Individual but to the whole University, HERE SATURDAY CLOSE FRIDAY the staff decided, and this right will be exercised on the next election day. Thus this edition of the paper also goes nameless, but when the new name is finally selected, it is hoped by the staff, that it will be on* which meets with the approval of all the students. -
John Farrow Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
John Farrow 电影 串行 (大全) Comet Over https://zh.listvote.com/lists/film/movies/comet-over-broadway-1114255/actors Broadway West of Shanghai https://zh.listvote.com/lists/film/movies/west-of-shanghai-12132403/actors The Big Clock https://zh.listvote.com/lists/film/movies/the-big-clock-1813235/actors China https://zh.listvote.com/lists/film/movies/china-2261236/actors The Hitler Gang https://zh.listvote.com/lists/film/movies/the-hitler-gang-2411975/actors California https://zh.listvote.com/lists/film/movies/california-2933993/actors Five Came Back https://zh.listvote.com/lists/film/movies/five-came-back-3073109/actors John Paul Jones https://zh.listvote.com/lists/film/movies/john-paul-jones-3182263/actors The Unholy Wife https://zh.listvote.com/lists/film/movies/the-unholy-wife-3208735/actors Alias Nick Beal https://zh.listvote.com/lists/film/movies/alias-nick-beal-3284362/actors Don Quichotte https://zh.listvote.com/lists/film/movies/don-quichotte-3415599/actors Two Years Before the https://zh.listvote.com/lists/film/movies/two-years-before-the-mast-3458333/actors Mast Copper Canyon https://zh.listvote.com/lists/film/movies/copper-canyon-3518637/actors The Invisible Menace https://zh.listvote.com/lists/film/movies/the-invisible-menace-3521405/actors You Came Along https://zh.listvote.com/lists/film/movies/you-came-along-3655896/actors Beyond Glory https://zh.listvote.com/lists/film/movies/beyond-glory-3682108/actors A Bill of Divorcement https://zh.listvote.com/lists/film/movies/a-bill-of-divorcement-4655463/actors A Bullet Is -
1939-12-17 [P F-2]
-- ----- --- -- A of national sorrow is another. But been signed to a new contract by most important is safety. Disraeli’ Is Named to the studio and will War Mean ‘‘If one must be prepared at any direct the star Prime Minister’ in moment to flee an air raid, for ex- in Theaters This Week “City for Conquest” as his next ample, she won’t be encumbered by Photoplays Washington "The Prime Minister” is the new assignment. j skirts and materials. itle decided on Warner Bros, for long heavy _ by for “City Conquest” is to enter Simplicity and he She will be dressed as lightly production of the Laurence Oliv- production when Cagney returns WEEK OF DEC. 17 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY as simply as possible. j er-Geraldine Fitzgerald production from his vacation in New York and "Down on the Farm” "Down on the Farm" "Bridal Suite’’ "Bridal Suite" "Jesse James" "Jesse James" “This brings up the rather dis- "Mr. Moto s Last 1 Irst scheduled as "Disraeli.” at Martha’s Vineyard. It is from th» In Acodemy and and and and and and Warning" and Styles tasteful subject of slacks. I’m Bth and O Bts. 8.E. | ‘8.0. 8. Tidal Wave.” "8. O. 8. Tidal Wave.*' "Conspiracy." "Conspiracy." "Olrl From Rio." "Olrl From Rio " _"Guilty Trail The studio decided on a distinct novel about Manhattan by Aben afraid they will become too popu- Melvyn Douglas. Joan Melvyn Douglas, Joan Melvyn Douglas. Joar Deanna Durbin Deanna Durbin ’he "Dead End" Kids The "Dead'End" Kid's 1 :hange of title because the film, Kandel. -
Lumière Festival 2017 P3
LUMIÈRE FESTIVAL 2017 From Saturday 14 to Sunday 22 October THE PROGRAM! Wong Kar - wai Lumière Award 2017 王家衛 © Nicolas Guérin GUESTS CINÉ-FAIR RETROSPECTIVES RESTORED FILMS 400 RADIO LUMIÈRE Screenings A film festival WONG KAR-WAI for everyone! LUMIÈRE AWARD International Classic Film Market Cine-concerts WELCOME to the Lumière festival! Giant movie for kids MOVIE THEATERS OF LYON AND ITS METROPOLIS CINEMA CINEMA VILLAGE Mâchon HISTORY 180 films MASTER CLASSES Tributes LUMIÈRE AMBASSADORS LA Plateforme ALL-NIGHTER EXHIBITIONS BIG SCREEN P3 - Lumière festival 2017 THE PROGRAM THE PROGRAM Chungking Express RETROSPECTIVES Classic Westerns by Bertrand Tavernier Lone vigilantes, Native American Indians, wide-open spaces, Wong Kar-wai: Lumière Award 2017 the conquest of the West, saloons, steam trains and duels… An elegant, chimerical and moving storyteller, Wong Kar-wai Immensely popular in the 1940s-60s, the Western, the is a modern yet timeless virtuoso of style and image. First American genre film par excellence (a testament to the country th recognized for Happy Together (Best Director at Cannes), at the end of the 19 century), has gradually disappeared from he garnered great public success with In the Mood for Love movie theaters. In 2017, Lumière heralds the great return of in 2000. The festival proposes his entire filmography (with the western, thanks to a selection presented by Bertrand theatrical re-releases of his first works with ARP Sélection), Tavernier, who also directs a collection dedicated to the a carte blanche of his favorite Chinese films from the 2000s genre with Actes Sud. In partnership with Park Circus and (including several never released in France), a master class Swashbuckler Films.