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A Study of the Victorian and Edwardian Conceptions Of
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2012 Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little Women , The Secret Garden , and Peter Pan Leah Marie Kirkpatrick James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the English Language and Literature Commons Recommended Citation Kirkpatrick, Leah Marie, "Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little omeW n, The eS cret Garden, and Peter Pan" (2012). Masters Theses. 253. https://commons.lib.jmu.edu/master201019/253 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hidden Kisses, Walled Gardens, and Angel-kinder: a Study of the Victorian and Edwardian Conceptions of Motherhood and Childhood in Little Women, The Secret Garden, and Peter Pan Leah M. Kirkpatrick A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts English May 2012 Table of Contents List of Figures………………………………………………………………..…….....iii Abstract…………………………………………………………………………….....iv Introduction…………………………………………………………………………....1 I: The Invention of Childhood and the History of Children’s Literature…………..….3 II: An Angel in the House: the Victorian and Edwardian Wife and Mother………...27 III: Metaphysical Mothers: Mothers in The Secret Garden and Little Women………56 IV. -
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
About Lisa Nirell
ABOUT LISA NIRELL Lisa Nirell speaks frequently at annual conferences and executive retreats. As a marketing leadership advisor, growth strategist, and award-win- ning author, Lisa brings provocative insights and practical marketing wisdom to her clients. Companies such as Adobe, Infor, Oracle, GenRe, and Bozzuto hire her to help them dramatically accelerate growth and build customer mindshare. She contributes regularly to Fast Company, The Huffington Post, and the CMO Council. Guy Kawasaki praised her first book, EnergizeGrowth NOW: The Marketing Guide to a Wealthy Company, saying “by applying these time-tested planning guides, you will have changed the world for the better.” In her workshops and speeches, Lisa awakens your teams and leaders to the realities of today’s customer-driven marketplace, and how to har- ness those opportunities. You see results in the form of breakthrough ideas, improved decision-making, higher profits, and faster time to execution. An avid yogini, philosophy student, and meditation practitioner, Lisa resides near Washington, DC with her husband, Magnus, and their two mindful cats. Download your bonus videos, and additional resources at www. themindfulmarketer.com/bonus. To learn more or book Lisa Nirell for your upcoming event, visit www. energizegrowth.com or [email protected]. NOTES 1 WHY CMOS ARE FACING EXTINCTION 1 . Gartner Group “By 2017 the CMO Will Spend More on IT than the CEO,” January 3, 2012 webinar, http://my.gartner.com/portal/server.pt?open=512 &objID=202&mode=2&PageID=5553&resId=1871515 (accessed September 6, 2013). 2 . Nick Eades, interview with author, September 16. 2013. 3 . John A. -
LSS 911 GUY KAWASAKI I Am Fundamentally an Introvert. Even Though You Make Seventy-Five Speeches a Year?
LSS 911 GUY KAWASAKI I am fundamentally an introvert. Even though you make seventy-five speeches a year? Hard to imagine; yes. So, I am thrust into an extrovert’s role of being out there speaking to thousands of people, and all this kinda stuff. But, you know, where extroverts would love to have dinner with … the other speakers and would love to interact with the crowd, and would love to, you know, do all this kinda stuff, I hate that. This self-described introvert is a highly successful entrepreneur whose voice on social media is followed by ten million people around the world. Hawaii born and raised Guy Kawasaki, who’s now lived longer in Northern California than he did in the islands, next, on Long Story Short. Long Story Short with Leslie Wilcox is Hawaii’s first weekly television program produced and broadcast in high definition. Aloha mai kakou. I’m Leslie Wilcox. Guy Kawasaki says he’s a Kalihi boy at heart, a kid from Kalihi Elementary who segued to prep school Iolani, then headed to a West Coast Ivy League school, and made a name for himself in Silicon Valley, marking the Macintosh for Apple. He’s a visionary who saw the power of the computer to change lives before many others did. He’s a venture capitalist, author and speaker, business advisor, and social media guru. Kawasaki credits some of his success to an English teacher at Iolani School. How was that, the entry into Iolani? I don’t remember it being particularly traumatic. [CHUCKLE] I had a great time at Iolani, and a great time at Kalihi Elementary. -
Index of /Sites/Default/Al Direct/2012/July
AL Direct, July 5, 2012 Contents American Libraries Online | ALA News | Booklist Online Anaheim Update | Division News | Awards & Grants | Libraries in the News Issues | Tech Talk | E-Content | Books & Reading | Tips & Ideas Great Libraries of the World | Digital Library of the Week | Calendar The e-newsletter of the American Library Association | July 5, 2012 American Libraries Online Copyright for librarians and teachers, in a nutshell Carrie Russell writes: “You may have wondered whether you hold the copyright to work you’ve put many hours into creating on the job. Who holds the copyright to works created by teachers or librarians? Short answer: In general, when employees create works as a condition of employment, the copyright holder is the employer.”... American Libraries feature Library giant Russell Shank dies Russell Shank (right), 86, professor emeritus at the University of California, Los Angeles’s Graduate School of Education and Information Studies, 1977–1988 university librarian at UCLA, and a renowned leader who made his mark in academic, special, and public librarianship as well as in intellectual freedom and international librarianship, died June 26 of complications from a fall at his home. At Annual Conference in Anaheim, Shank (who was ALA President in 1978–1979) was among the library leaders acknowledged at the June 21 Library Champions and Past Presidents Reception.... AL: Inside Scoop, July 2 Information Toronto library hosts a comics festival Literacy: Beyond Robin Brenner writes: “The Toronto Comic Arts Library 2.0 asks and Festival may not have the name recognition of answers the big multimedia geek extravaganzas like San Diego Comic- questions facing those Con International, but to devoted attendees, TCAF who teach information has become the must-attend comics event of the literacy: Where have year. -
GUY KAWASAKI Chief Evangelist of Canva, & Trustee of Wikimedia Foundation Executive Fellow at the Haas School of Business at U.C
GUY KAWASAKI Chief evangelist of Canva, & Trustee of Wikimedia Foundation Executive fellow at the Haas School of Business at U.C. Berkeley. Former advisor to the Motorola business unit of Googlechief evangelist of Apple. Guy was born in Honolulu, Hawaii in 1954. His family lived in a tough part of Honolulu called Kalihi Valley. They weren’t rich, but he never felt poor because his parents made many sacrifices. His mother was a housewife, and his father was a fireman, real estate broker, state senator, and government official during his long, distinguished career. Guy attended Iolani School where he graduated in 1972. Iolani is not as well known as its rival, Punahou because no presidents of the U.S. went there, but he got a fantastic and formative education there. (Punahou is “USC,” and Iolani is “Stanford.”) Guy owes his writing career to Harold Keables, his AP English teacher. Topics Keables taught him that the key to writing is editing. The fact that Guy has written thirteen books (or one book thirteen times) would shock and delight Harold China Keables. Future Globalisation After Iolani, Guy matriculated to Stanford. He graduated in 1976 with a major in India psychology which was the easiest major he could find. After Stanford, Guy attended the law school at U.C. Davis because, like all Asian-American parents, his Leadership folks wanted him to be a doctor, lawyer, or dentist. He only lasted one week Management because he couldn’t deal with the law school teachers telling him that he was crap Strategy and that they were going to remake him. -
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European Journal of Humour Research 5 (3) 108–111 www.europeanjournalofhumour.org Book review Quirk, S. (2015). Why Stand-Up Comedy Matters. How Comedians Manipulate and Influence. London and New York: Bloomsbury. 248 pages. As the title and introduction explain, Sophie Quirk’s monograph sets out to investigate the reasons and ways comedians manipulate and influence their audience. The term manipulation, however, should be considered apart from its often negative connotations and should be interpreted as the comedian’s attempt to skilfully communicate with their audience, elicit laughter, and, most importantly in this case, influence their beliefs, attitudes, and behaviour (see p. 2). With these premises, Quirk explores instances of stand-up comedy including some interaction between mainly well-known British comedians (e.g. Eddie Izzard, Stewart Lee, Josie Long) and their audience. She also interviews some of these performers so as to gain a first-hand understanding of the comedians’ performing experience. The book is divided into three main sections, which are well balanced in terms of structural organisation of the topic at hand. Part I comprises of two chapters in which Quirk explains how comedians manipulate and control their audience by, for instance, eliciting laughter at the right time. Drawing on Schopenhauer (1987), Freud (1957), and Douglas (1999), Quirk provides a sound overview of joking in relation to laughter, superiority, relief, incongruity, and challenge. She concludes that: Joking is always part of an ongoing negotiation through which current thought and practices are challenged and tested. Some challenges are gentle and leave their targets in tact [sic]; others are dangerous. -
Beckman, Harris
CHARM 2007 Full Papers CHARM 2007 The Apple of Jobs’ Eye: An Historical Look at the Link between Customer Orientation and Corporate Identity Terry Beckman, Queen’s University, Kingston ON, CANADA Garth Harris, Queen’s University, Kingston ON, CANADA When a firm has a strong customer orientation, it Marketing literature positively links a customer orientation essentially works at building strong relationships with its with corporate performance. However, it does not customers. While this is a route to success and profits for a elaborate on the mechanisms that allow a customer firm (Reinartz and Kumar 2000), it is only successful if a orientation to function effectively. Through a customer customer sees value in the relationship. It has been shown orientation a firm builds a relationship with the customer, that customers reciprocate, and build relationships with who in turn reciprocates through an identification process. companies and brands (Fournier 1998). However, in This means that the identity of a firm plays a significant forming a relationship with the firm, customers do this role in its customer orientation. This paper proposes that through an identification process; that is, they identify with customer orientation is directly influenced by corporate the firm or brand (e.g., Battacharya and Sen 2003; identity. When a firm’s identity influences its customer McAlexander and Schouten, Koening 2002, Algesheimer, orientation, firm performance will be positively impacted. Dholakia and Herrmann 2005), and see value in that An historical analysis shows three phases of Apple, Inc.’s corporate identity and relationship. While a customer life during which its identity influences customer orientation establishes a focus on customers, there are many orientation; then where Apple loses sight of its original different ways and directions that a customer focus can go. -
Art of the Start -Guy Kawasaki
The Art of the Start > Also by Guy Kawasaki Database 101 Hindsights How to Drive Your Competition Crazy ART Rules for the Revolutionaries OF THE Selling the Dream The Computer Curmudgeon The Macintosh Way START \ THE TIME-TESTED, BATTLE-HARDENED GUIDE FOR ANYONE STARTING ANYTHING Guy Kawasaki > PORTFOLIO Many years ago Rudyard Kipling gave an address at McGill Univer Published by the Penguin Group sity in Montreal. He said one striking thing which deserves to be re Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 membered. Warning the students against an over-concern for money, (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R ORL, England or position, or glory, he said: "Some day you will meet a man who Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) cares for none of these things. Then you will knoiv how poor you are." Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) —Halford E. Luccock Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), Cnr Airborne and Rosedale Roads, Albany, Auckland, New Zealand (a division of Pearson New Zealand Ltd) . Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: To my children: Nic, Noah, and Nohemi. 80 Strand, London WC2R ORL, England A child is the ultimate startup, and I have three. -
Strukturen Im Wikiversum Und Auf Der Wikimania
Strukturen im Wikiversum und auf der Wikimania Strukturen im Wikiversum und auf der Wikimania Nicole Ebber Vorstandsreferentin Internationale Beziehungen Wikimania Vorbereitungstreffen, 17. April 2016 EN: 15.01.2001 DE: 16.03.2001 10 Schwesterprojekte gegründet 20.06.2003, USA 280 Angestellte 2016-17 63 Mio USD 2016-17 Keine Mitglieder Fokus: * Betrieb der Projekte * Schutz der Marken * Support der Communities * Grantmaking Wikimedia Foundation Board of Trustees Aufsichtsgremium + Repräsentation Strategische Entscheidungen verantwortlich für Einstellung und Entlassung der Geschäftsführung by Pierre-Selim Huard, Wikimedia Commons, CC BY 4.0 2015 Patricio, Alice, Frieda, Dariusz, Guy, Denny, Jimmy, James: by Victor Grigas / WMF, Wikimedia Commons, CC BY-SA 3.0 Kelly & Arnnon: by Myleen Hollero / WMF, Wikimedia Commons, CC BY-SA 3.0 María: by Laura Hale, Wikimedia Commons, CC BY-SA 3.0 UndWikimedia wer ist Foundation gerade im Board Board of of Trustees? Trustees (vakant) Kelly Battles Guy Kawasaki Alice Wiegand Patricio Lorente Frieda Brioschi Dariusz Jemielniak (vakant) Entsendung durch Chapter Offene Wahl Kooptierung durch Jimmy Wales Founder’s seat Communities María Sefidari Katherine Maher Interim Geschäftsführerin WMF Seit März 2016 Photos by VGrigas (WMF), CC BY-SA 3.0, via Wikimedia Commons Mai 2014 - März 2016: Lila Tretikov Photos by VGrigas (WMF), CC BY-SA 3.0, via Wikimedia Commons Angestellte Maggie Dennis Wes Moran Senior Director of Community Geoff Brigham Vice President of Product Engagement (Interim) General Counsel Lisa -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
A Little Woman”
International Review of Literary Studies IRLS 2 (1) June 2020 11 The Resistance of the Invisible Mute: Gender Oppression in Franz Kafka’s “A Little Woman” LAU Chi Sum Garfield 1 International Review of Literary Studies Vol. 2, No. 1; June 2020, pp. 11-21 Published by: MARS Research Forum Abstract In the works of Franz Kafka (1883-1924), it is certain that the notion of women is never as impressive as the monstrosity of his gigantic bug or the mystery of his artist who fasts endlessly.2 Most of notable works written by Kafka seemingly center on male protagonists with a certain degree of uncanniness. As a scholar specialized in women’s studies, Evelyn Torton Beck highlights the minimal presence of women in Kafka’s works. This essay aims to analyze the invisibility and silence of the female protagonist in “A Little Woman” (1923) in relation to the status of women in Kafka’s modernist world. In this story, the existence of the invisible and voiceless woman conflicts between the audible male narrator. The tension between them demonstrates gendered bias. The depiction of the little woman is made solely under a biased male perspective, which demonstrates how women are oppressed by the opposite sex in the patriarchal context. Key words: Franz Kafka, misogynist, oppression, visibility, audibility, feminist criticism I. Introduction: In Franz Kafka’s short story “A Little Woman”, the little woman is an absent character although her vague physical appearance is visibly revealed to the reader. In describing her physical appearance, the male narrator has paid little attention to her unique features, but rather, focused on some stereotypical qualities shared by women under traditional male gaze.