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Fonds De Dotation Franklin Azzi 13 Rue D’Uzès 75002 Paris

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Fonds De Dotation Franklin Azzi 13 Rue D’Uzès 75002 Paris EXPOSITION DU 05 AU 27 JUIN 2021 DE 10H À 18H FONDS DE DOTATION FRANKLIN AZZI 13 RUE D’UZÈS 75002 PARIS RSVP : [email protected] COMMISSAIRE : DOMITILLE D’ORGEVAL ARTHUR AILLAUD, ROMAIN BERNINI, OLIVIA BLOCH-LAINÉ, NINA CHILDRESS, CÔME CLÉRINO, CÉLINE GERMÈS, CHARLOTTE HENINGER, EVA JOSPIN, THOMAS LÉVY-LASNE, FRANÇOIS MENDRAS, EVA NIELSEN, MARTIN D’ORGEVAL. HORIZONS DOSSIER DE PRESSE OLIVIA BLOCH-LAINÉ, SANS TITRE (TOUR), 2018 FONDS DE DOTATION FRANKLIN AZZI 13, rue d’Uzès 75002 Paris DOSSIER DE PRESSE / PRESS KIT SOMMAIRE / SUMMARY ART & ARCHITECTURE / ART & ARCHITECTURE 5 FONDS DE DOTATION FRANKLIN AZZI / ENDOWMENT FUND 6 HORIZONS / GROUPSHOW 9 ARTHUR AILLAUD ROMAIN BERNINI OLIVIA BLOCH-LAINÉ NINA CHILDRESS CÔME CLÉRINO CÉLINE GERMÈS CHARLOTTE HENINGER EVA JOSPIN THOMAS LÉVY-LASNE FRANÇOIS MENDRAS EVA NIELSEN MARTIN D’ORGEVAL EXPOSITIONS PRÉCÉDENTES / PREVIOUS EXHIBITIONS 23 MIEUX PHOTOGRAPHIER | 2019 DÉCADENCE | 2018 SEBASTIAN STUMPF | 2014 CHARLES PETIT| 2014 WASISTDAS | 2012 SÉLECTION COLLABORATIONS ARTISTIQUES / ARTISTIC COLLABORATIONS 29 PAVILLON DES GALERIES LAFAYETTE| PIERRE MARIE PAVILLON FRANCE | DUBAI 2020 LA TRAVERSÉE | EVA JOSPIN DESIRE LINES | TATIANA TROUVÉ GRANS BWA |ROMAIN BERNINI MADAMA|VICTOIRE THIERRÉE 37 KIT PRESSE / PRESS KIT 3 PORTRAIT DE FRANKLIN AZZI © NOEL MANALILI 4 FRANKLIN AZZI, FRANKLIN AZZI, ART & ARCHITECTURE, ART & ARCHITECTURE, L’ACCORD PARFAIT THE PERFECT MATCH C’est une forêt en carton découpé aux dimensions XXL (24 x 5,3 mètres) It is a cardboard forest cut to XXL size (24 x 5.3 meters) which is qui trône au cœur de Beaupassage, un îlot rénové du 7e arrondissement located in the heart of Beaupassage, a renovated urban island of the 7th de Paris. Cette sculpture monumentale a été créée par Eva Jospin avec arrondissement of Paris. This monumental sculpture was designed by Eva le soutien technique de Franklin Azzi, un architecte qui préfère évoquer Jospin with the technical support of the architect Franklin Azzi who prefers les œuvres de Donald Judd plutôt que les réalisations de ses confrères to talk about the works of Donald Judd rather than the achievements of - hormis celles, peut-être, de Charles Rennie MackIntosh, architecte- his colleagues - except for those, perhaps of Charles Rennie MackIntosh, designer et fondateur de la fameuse Glasgow Art School (où Franklin architect-designer and founder of the famous Glasgow Art School (where Azzi termina sa formation) avec lequel il partage cette furieuse envie Franklin Azzi finished his training) with whom he shares this furious desire de décloisonner les disciplines, de se confronter à d’autres savoir-faire, to bridge the gap between disciplines, to confront others know-how, to d’explorer l’interdisciplinarité entre Arts & Crafts. explore interdisciplinarity between Arts & Crafts. Son ambition ? S’affranchir du rôle du mécène voire du collectionneur His ambition? To free himself from the role of the sponsor and even the éclairé, pour accompagner pleinement l’artiste, de la conception enlightened collector, to fully support the artist, from the technical technique à la réalisation. conception to the realization. En juin 2019, « La Traversée » d’Eva Jospin a obtenu le premier prix In June 2019, Eva Jospin’s «La Traversée» won the first prize «1 building, « 1 immeuble, 1 œuvre», programme destiné à permettre au plus grand 1 work», a program designed to allow, as many people as possible, to nombre de vivre ou de travailler dans la proximité d’une œuvre d’art. En live or work in the vicinity of a work of art. Outside specialized cultural dehors des lieux spécialisés, et des white cubes aseptisés. Comme dans places, and sterile white cubes. As in the former industrial workshop of l’ancien atelier industriel du XIXe siècle, siège de l’agence de Franklin the nineteenth century, headquarters of Franklin Azzi agency, where he Azzi, où il présente chaque année une exposition d’art contemporain. presents each year an exhibition of contemporary art. Depuis « Wasistdas » en 2012 jusqu’à « Décadence » en 2018 avec From «Wasistdas» in 2012 to «Decadence» in 2018 with Bianca Bondi, Bianca Bondi, Thomas Mailaender ou Tatiana Trouvé, nombreux sont les Thomas Mailaender or Tatiana Trouvé, many visual artists he accompanied, plasticiens qu’il a accompagnés, produits, exposés, abolissant ainsi toute produced, presented thus abolishing any boundary between art and frontière entre l’art et l’architecture, entre l’art et la vie. architecture, between art and life. Sabrina Silamo Sabrina Silamo Journaliste / Critique d’art Journalist / Art Critic 5 FONDS DE DOTATION FRANKLIN AZZI / ENDOWMENT FUND EXPOSITIONS PRÉCÉDENTES I PREVIOUS EXHIBITIONS . Mieux Photographier | Thomas Mailaender | 2019 . Décadence | Groupshow (16 artistes)| Double Séjour | curateur : Thomas Havet | 2018 . Sébastien Stumpf | Thomas Fisher Gallery | 2014 . Charles Petit | 2014 . Wasistdas | Groupshow (10 artistes) | Wasistdas Gallery | F., J. & K. Sperling | 2012 COLLABORATIONS ARTISTIQUES I ARTISTIC COLLABORATIONS . Ocean | Nonotak | Gare Chevilly-Trois-Communes | 2024 . Fresques textiles| Pierre Marie l Pavillon des Galeries Lafayette l Paris| 2020 . Pavillon France| L. Grasso, C. Boursier Mougenot, E. Jospin, A. Leccia, J. Le Parc, P. Parreno, T. Trouvé, P. Reinoso |Jérôme Sans & Franklin Azzi| Dubai | 2020 (projet) . Colonne, chapiteaux et sièges | Eva Jospin | Pantin | 2019 . La Traversée | Eva Jospin | Beaupassage - Paris | 2018 . Les Deux Chênes | Fabrice Hyber | Beaupassage - Paris | 2018 . L’arbre Neuronal |Marc Velley | Beaupassage - Paris | 2018 . Les Mangoustes | Stefan Rinck | Beaupassage - Paris | 2018 . Grans Bwa | Romain Bernini | Beaupassage - Paris | 2018 . L’école des champions | Ken Sortais | Décadence | Paris | 2018 . Suspended Stories | Antoine Donzeaud | Décadence | Paris | 2018 . Stretch (IslandicBlonde) | Bianca Bondi & Antoine Donzeaud | Décadence | Paris | 2018 . Fausse Condamnation | Pablo Tomek | Décadence | Paris | 2018 . Sydney | Tatiana Trouvé | Sydney | 2015 . Desire Lines | Tatiana Trouvé | New York | 2014 6 EXPLORER L’INTERDISCIPLINARITÉ TO EXPLORE INTERDISCIPLINARITY Agence Franklin Azzi Architecture ©MathieuDucros Depuis 2019, la création du Fonds de dotation Franklin Azzi s’inscrit dans Since 2019, the creation of the Franklin Azzi Endowment Fund is part of the la volonté de l’agence de poursuivre le soutien aux artistes résolument en agency's desire to continue supporting artists who are totally connected prise avec le monde. Il s’agit de tirer un trait d’union distinctif et essentiel with the world. It is about drawing a distinctive and essential link between entre l’art et l’architecture, l’homme et son environnement. art and architecture, man and his environment. Entre expositions dans ses locaux au 13, rue d’Uzès à Paris et installations From exhibitions in its premises at 13, rue d'Uzès in Paris to indoor or indoor ou outdoor, ici ou ailleurs, nombreux sont les plasticiens qui outdoor installations, here or elsewhere, many artists do respond to répondent à ce désir d’ouverture et de croisement de regards entre this desire for openness at the intersection of architecture, design, l’architecture, le design, l’artisanat, entre l’art et la vie. craftsmanship, between art and life. L’objectif du Fonds de dotation, à but non lucratif et exerçant une mission The objective of the Endowment Fund, a non-profit organization with d’intérêt général, est de développer, promouvoir et valoriser la création a mission of general interest, is to develop, promote and enhance artistique contemporaine sous toutes ses formes. contemporary artistic creation in all forms. Il a pour vocation première d’encourager les rencontres créatives à la Its primary vocation is to encourage creative encounters at the crossroads croisée des disciplines, de soutenir la création d’œuvres et d’y associer of disciplines, to support the creation of works and to associate young de jeunes talents issus des écoles d’art et d’art appliqué. talents from art and applied art schools. Il s’agit d’impulser un enlacement permanent avec l’art de concevoir et The aim is to encourage a permanent connection with the art of designing de construire. and art of construction. L’envie d’encourager des rencontres créatives entre artistes et artisans, à The desire to encourage creative encounters between artists and artisans, la croisée du beau et de l’utile, se traduira lors des prochaines expositions at the crossroads of beauty and utility, will be reflected in the upcoming du Fonds de dotation Franklin Azzi. exhibitions of the Franklin Azzi Endowment Fund. 7 EXPOSITION DU 05 AU 27 JUIN 2021 DE 10H À 18H FONDS DE DOTATION FRANKLIN AZZI 13 RUE D’UZÈS 75002 PARIS RSVP : [email protected] COMMISSAIRE : DOMITILLE D’ORGEVAL ARTHUR AILLAUD, ROMAIN BERNINI, OLIVIA BLOCH-LAINÉ, NINA CHILDRESS, CÔME CLÉRINO, CÉLINE GERMÈS, CHARLOTTE HENINGER, EVA JOSPIN, THOMAS LÉVY-LASNE, FRANÇOIS MENDRAS, EVA NIELSEN, MARTIN D’ORGEVAL. HORIZONS OLIVIA BLOCH-LAINÉ, SANS TITRE (TOUR), 2018 Carton d’invitation, Horizons, 2021 ©Yorgo&Co Exposition du 05 au 27 Juin 2021 (10 h à 18 h) / Exhibition from 05 to 27 June 2021 (10:00 am to 6:00 pm) Franklin Azzi Architecture, 13 rue d’Uzès 75002 Paris, France RSVP : [email protected] 8 HORIZONS l GROUPSHOW Domitille d’Orgeval l 2021 Arthur Aillaud, Romain Bernini, Olivia Bloch-Lainé, Nina Childress, Côme Clérino, Céline Germès, Charlotte Heninger, Eva Jospin, Thomas Lévy-Lasne, François Mendras, Eva Nielsen, Martin d’Orgeval. L’exposition « Horizons » rassemble une
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