UCSC Biobibliography - Rick Prelinger 9/21/19, 06 19
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VHF-UHF Digest
The Magazine for TV and FM DXers August 2015 Brian S. May (CT), Robert Grant (MI), and Steve Rich (IN) DXing digital TV stations from Cincinnati during the WTFDA Convention in Fort Wayne. Farthest catches were Columbus, Lexington, and possibly Cleveland. Photo taken by Ryan Grabow (FL) E-SKIP SEEMS TO TAPER OFF UP NORTH, BUT YOUR VUD EDITOR STILL HEARING IT AS HE EXPORTS THIS PDF FILE GROUP PHOTO FROM CONVENTION ON PAGE 52 The Official Publication of the Worldwide TV-FM DX Association METEOR SHOWERS INSIDE THIS VUD CLICK TO NAVIGATE Delta Aquariids 02 Page Two 25 Coast to Coast TV DX JUL 21 – AUG 23 03 TV News 29 Southern FM DX 11 FM News 33 DX Bulletin Board Perseids 21 DX Bulletin Board 52 WTFDA Convention JUL 13 – AUG 26 22 Photo News THE WORLDWIDE TV-FM DX ASSOCIATION Serving the UHF-VHF Enthusiast THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, GREG CONIGLIO, KEITH McGINNIS AND MIKE BUGAJ. Editor and publisher: Ryan Grabow Treasurer: Keith McGinnis wtfda.org Webmaster: Tim McVey Forum Site Administrator: Chris Cervantez Editorial Staff: Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, Bill Hale, John Zondlo and Mike Bugaj Website: www.wtfda.org; Forums: http://forums.wtfda.org PAGE TWO The Page You Turn To for News of the WTFDA and the TV/FM DX World Mike Bugaj – [email protected] August 2015 WELL, THAT WAS QUICK We also welcome Paul Snider to the club. -
Origins There Is Not Enough Evidence to Assert What Conditions Gave Rise to the First Cities
City A city is a relatively large and permanent human settlement.[1][2] Although there is no agreement on how a city is distinguished from a town within general English language meanings, many cities have a particular administrative, legal, or historical status based on local law. Cities generally have complex systems for sanitation, utilities, land usage, housing, and transportation. The concentration of development greatly facilitates interaction between people and businesses, benefiting both parties in the process, but it also presents challenges to managing urban growth.[3] A big city or metropolis usually has associated suburbs and exurbs. Such cities are usually associated with metropolitan areas and urban areas, creating numerous business commuters traveling to urban centers for employment. Once a city expands far enough to reach another city, this region can be deemed aconurbation or megalopolis. Origins There is not enough evidence to assert what conditions gave rise to the first cities. However, some theorists have speculated on what they consider suitable pre- conditions, and basic mechanisms that might have been important driving forces. The conventional view holds that cities first formed after the Neolithic revolution. The Neolithic revolution brought agriculture, which made denser human populations possible, thereby supporting city development.[4] The advent of farming encouraged hunter-gatherers to abandon nomadic lifestyles and to settle near others who lived by agricultural production. The increased population-density encouraged by farming and the increased output of food per unit of land created conditions that seem more suitable for city-like activities. In his book, Cities and Economic Development, Paul Bairoch takes up this position in his argument that agricultural activity appears necessary before true cities can form. -
Artist Stephanie Syjuco to Transform Gallery at Amon Carter Museum of American Art with New Installation Challenging Mythologies of the American West
Artist Stephanie Syjuco to Transform Gallery at Amon Carter Museum of American Art with New Installation Challenging Mythologies of the American West Open January 2022, expansive multimedia exhibition Stephanie Syjuco: Double Vision deconstructs histories of settler expansion through works from the Carter’s collection Fort Worth, TX, July 27, 2021— The Amon Carter Museum of American Art (the Carter) today announced that artist Stephanie Syjuco will create an expansive multimedia exhibition in the Museum’s first-floor galleries, opening January 15, 2022. Stephanie Syjuco: Double Vision will present a newly commissioned, site-specific installation by the artist that uses digital editing and archive excavation to transform images of renowned works from the Carter’s collection and reconsider mythologies of the American West. Reframing iconic works by American artists including Albert Bierstadt, Frederic Remington, and others, Syjuco’s work will highlight the constructed nature of historical narratives and reveal how these works and their presentation can perpetuate colonial lore. New photographs by Syjuco will be mounted on two digitally altered landscapes rendered as murals on the gallery’s 50-foot-wide and 15-foot-tall walls with floor-to-ceiling fabric curtains that together create an immersive, 360-degree experience. “Since its founding, the Carter has worked with living artists to present the best of American art and creativity across media,” said Andrew J. Walker, Executive Director of the Carter. “Syjuco’s probing multimedia practice explores national identity and institutional storytelling and finds a natural match in the Carter’s world-class collection of art of the American West. Her installation will offer a thoughtful critique of the ways in which artists have participated in developing mythologies of the West and ask us to consider the role of museums in preserving, presenting, and interpreting their artworks.” The mural on the north wall will be a chromolithograph print from the Carter’s collection, The Storm in the Rocky Mountains (ca. -
ICA Annual Report
Dear Interlochen Family and Friends, Thank you for your kind welcome and support. You have made my first year with Interlochen so meaningful and inspiring. Throughout the past year, I have had the pleasure of meeting with so many of you and learning of your hopes and dreams for Interlochen. From parents who remarked how their children’s lives have been transformed to alumni who have expressed how Interlochen shaped their future, your passion is apparent and one that I share. While I traveled the country, here are the aspirations I heard most often from you: • Interlochen is the leading and most respected destination for aspiring, motivated young artists from 3rd through 12th grade • Camp and Academy are more financially accessible, increasing the talent pool for whom an Interlochen education is in reach • Academic and residence life programming are recognized as defining characteristics of the Interlochen experience • Interlochen further advances the ideal of world friendship as a champion of diversity and inclusion • Interlochen is widely acknowledged as a globally connected leader in the arts and education • Interlochen Public Radio connects people in northern Michigan to the world and the world to life in northern Michigan As Interlochen moves toward its 100th anniversary, I am excited to build upon what you have made possible through your support of CREATE AMAZING: The Campaign for Interlochen and work together on turning these hopes and dreams into a reality. As we finish this Campaign, you have already achieved so much, but I invite you to join me as we bring Interlochen closer to these aspirations. -
Fall/Winter 2018
FALL/WINTER 2018 Yale Manguel Jackson Fagan Kastan Packing My Library Breakpoint Little History On Color 978-0-300-21933-3 978-0-300-17939-2 of Archeology 978-0-300-17187-7 $23.00 $26.00 978-0-300-22464-1 $28.00 $25.00 Moore Walker Faderman Jacoby Fabulous The Burning House Harvey Milk Why Baseball 978-0-300-20470-4 978-0-300-22398-9 978-0-300-22261-6 Matters $26.00 $30.00 $25.00 978-0-300-22427-6 $26.00 Boyer Dunn Brumwell Dal Pozzo Minds Make A Blueprint Turncoat Pasta for Societies for War 978-0-300-21099-6 Nightingales 978-0-300-22345-3 978-0-300-20353-0 $30.00 978-0-300-23288-2 $30.00 $25.00 $22.50 RECENT GENERAL INTEREST HIGHLIGHTS 1 General Interest COVER: From Desirable Body, page 29. General Interest 1 The Secret World Why is it important for policymakers to understand the history of intelligence? Because of what happens when they don’t! WWI was the first codebreaking war. But both Woodrow Wilson, the best educated president in U.S. history, and British The Secret World prime minister Herbert Asquith understood SIGINT A History of Intelligence (signal intelligence, or codebreaking) far less well than their eighteenth-century predecessors, George Christopher Andrew Washington and some leading British statesmen of the era. Had they learned from past experience, they would have made far fewer mistakes. Asquith only bothered to The first-ever detailed, comprehensive history Author photograph © Justine Stoddart. look at one intercepted telegram. It never occurred to of intelligence, from Moses and Sun Tzu to the A conversation Wilson that the British were breaking his codes. -
Robin Sutherland Oral History
Robin Sutherland Oral History San Francisco Conservatory of Music Library & Archives San Francisco Conservatory of Music Library & Archives 50 Oak Street San Francisco, CA 94102 Interview conducted January 29 and February 29, 2016 Tessa Updike, Interviewer San Francisco Conservatory of Music Library & Archives Oral History Project The Conservatory’s Oral History Project has the goal of seeking out and collecting memories of historical significance to the Conservatory through recorded interviews with members of the Conservatory's community, which will then be preserved, transcribed, and made available to the public. Among the narrators will be former administrators, faculty members, trustees, alumni, and family of former Conservatory luminaries. Through this diverse group, we will explore the growth and expansion of the Conservatory, including its departments, organization, finances and curriculum. We will capture personal memories before they are lost, fill in gaps in our understanding of the Conservatory's history, and will uncover how the Conservatory helped to shape San Francisco's musical culture through the past century. Robin Sutherland Interview This interview was conducted at the San Francisco Conservatory of Music on January 29 and February 29, 2016 in the Conservatory’s archives by Tessa Updike. Tessa Updike Tessa Updike is the archivist for the San Francisco Conservatory of Music. Tessa holds a B.A. in visual arts and has her Masters in Library and Information Science with a concentration in Archives Management from Simmons College in Boston. Previously she has worked for the Harvard University Botany Libraries and Archives and the Bancroft Library at the University of California, Berkeley. Use and Permissions This manuscript is made available for research purposes. -
PRNDI Awards 2018 Division AA (Stations with 16 Or More Full-Time
PRNDI Awards 2018 Division AA (Stations with 16 or more full-time news staff) Arts Feature First Place KUT 90.5 FM - “Moments” Second Place KCUR - “Getting Dragged Down By The News? This Kansas City Gospel Singer Has A Message For You” Best Multi-Media Presentation First Place WFPL / Kentucky Public Radio - “The Pope's Long Con” Second Place KERA - 90.1 Dallas - “One Crisis Away: No Place To Go” Best Use of Sound First Place Michigan Radio - “Artisans of Michigan: Making Marimbas” Second Place Georgia Public Broadcasting - “Breathing In ATL's Underwater Hockey Scene” Best Writing First Place KJZZ 91.5 FM - “Christmas Stuffing: AZ Class Beginners to Taxidermy” Second Place KJZZ 91.5 FM - “Earth & Bone - Havasupai Stand Up to Mining Company” pg. 1 PRNDI Awards 2018 Breaking News First Place KUOW-FM - “Train Derailment” Second Place Georgia Public Broadcasting - “Hurricane Irma” Call-in Program First Place WBUR - “Free Speech Controversy Erupts At Middlebury College” Second Place Vermont Public Radio - “Who Gets To Call Themselves A 'Vermonter'?” Commentary First Place KUOW-FM - “I stopped learning Farsi. I stopped kissing the Quran. I wanted to be normal” Second Place KCUR - “More Than Just Armchair Gamers” Continuing Coverage First Place Chicago Public Radio/WBEZ - “Every Other Hour” Second Place St. Louis Public Radio - “Stockley Verdict and Ongoing Protests” Enterprise/Investigative First Place KERA - 90.1 Dallas - “The West Dallas Housing Crisis” Second Place KJZZ 91.5 FM - “On The Inside: The Chaos of AZ Prison Health Care” pg. 2 PRNDI Awards 2018 Interview First Place KCFR - Colorado Public Radio - “The Aurora Theater Shooting Recasts In Sickness And In Health' For One Family” Second Place WHYY - FM - “Vietnam War memories” Long Documentary First Place Michigan Radio - “Pushed Out: A documentary on housing in Grand Rapids” Second Place KUT 90.5 FM - “Texas Standard: The Wall” Nationally Edited Breaking News First Place KERA - 90.1 Dallas - “Rep. -
Interlochen Overview
AT A GLANCE Interlochen Center for the Arts The global destination for artists and arts enthusiasts of all ages, Interlochen nurtures creativity through six dynamic capacities: INTERLOCHEN ARTS CAMP The renowned summer arts program for students in grades 3-12 INTERLOCHEN ARTS ACADEMY The nation’s premier arts boarding high school INTERLOCHEN PRESENTS A producer of more than 600 annual performances by internationally celebrated guest artists, Interlochen students, and faculty INTERLOCHEN ONLINE The go-to source for virtual arts instruction INTERLOCHEN PUBLIC RADIO Two listener-supported public radio stations serving northwest Michigan and beyond (classical music and NPR-affiliated news) INTERLOCHEN COLLEGE OF CREATIVE ARTS A convener for continuing education in the arts OUR MISSION Interlochen engages and inspires people worldwide through excellence in educational, artistic, and cultural programs, enhancing the quality of life through the universal language of the arts. Arts education at Interlochen spans seven creative disciplines, with abundant opportunity for collaboration. MUSIC CREATIVE WRITING THEATRE FILM & NEW MEDIA DANCE INTERDISCIPLINARY ARTS VISUAL ARTS OUR PEOPLE Annually, Interlochen hosts thousands of artists, patrons, and friends, including: Arts Camp students from 53 U.S. 2,755 states and 40 countries (2019) Arts Academy students from 45 U.S. 552 states and 25 countries (2020) 475+ year-round staff 180+ guest artists annually 500+ volunteers 250,000+ visitors 69,000+ Interlochen Public Radio listeners OUR LOCATION Situated on 1,200 forested acres between Duck Lake and Green Lake in northwest Michigan, Interlochen’s campus features state-of-the-art performance venues, teaching spaces, residence halls, and cabins. SUSTAINABILITY FACILITIES Botanical greenhouse, three hoop houses, pollinator garden, geothermal heating, chicken coop, aquaponics unit, orchard, vineyard, apiary, outdoor community kitchen, composting facility, and more OUR ACCOLADES Interlochen has received numerous prestigious awards, including: NATIONAL MEDAL U.S. -
AMANDA CURRERI GALLERY REPRESENTATION Romer Young Gallery, San Francisco, CA Born
AMANDA CURRERI ACURRERIB@ GMAIL. COM / ACURRERI@ UNM. EDU WWW. AMANDACURRERI. COM GALLERY REPRESENTATION Romer Young Gallery, San Francisco, CA Born: Boston, MA 1977. Lives in Albuquerque, NM. EDUCATION 2007 MFA in Painting and Drawing, California College of the Arts, San Francisco, CA 2000 BA in Sociology, Peace and Justice Studies, Tufts University, Medford, MA 2000 BFA in Painting and Drawing, School of the Museum of Fine Arts, Boston, MA SOLO PROJECTS & EXHIBITIONS 2019 WSMGR (Womens’ Suffrage Mobile Garment Rack), Cincinnati Art Museum, Cincinnati, OH 2018 COUNTRY HOUSE_, Romer Young Gallery, San Francisco, CA 2016 The Calmest of Us Would Be Lunatics, Rochester Art Center, Rochester, MN (catalogue) 2016 Eff, Romer Young Gallery, San Francisco, CA 2013 The Aunque, Romer Young Gallery, San Francisco, CA 2010 Occupy the Empty, Romer Young Gallery, San Francisco, CA 2007 Make New Friends, Romer Young Gallery, San Francisco, CA COLLABORATIVE EXHIBITIONS 2015 Demos: Wapato Correctional Facility, c3initiave, Portland, OR (Two-year public project as part of collaborative working-group, ERNEST; included gallery exhibition, artist book publication, print edition, video, and round-table event) SELECTED GROUP EXHIBITIONS 2019 Archive as Action, Contemporary Art Center, Cincinnati, OH (three-person exhibition) Queer California: Untold Stories, Oakland Museum of California, Oakland, CA Resistance, Morlan Gallery, Transylvania University, Lexington, KY 2018 Somatic Gesture, Minnesota Street Project, San Francisco, CA One Sentence Exhibition, curated -
STEPHANIE SYJUCO B. 1974 Manila, Phillipines Lives and Works in San Francisco, CA Education 2005 Stanford University, M.F.A. 19
STEPHANIE SYJUCO b. 1974 Manila, Phillipines Lives and works in San Francisco, CA Education 2005 Stanford University, M.F.A. 1995 San Francisco Art Institute, B.F.A. Selected Solo Exhibitions 2020 (Forthcoming) Stephanie Syjuco: Citizens, Hartell Gallery, Cornell University, Ithaca, NY (Forthcoming) Stephanie Syjuco: The Visible Invisible, Blaffer Art Museum, TX 2019 Stephanie Syjuco: Rogue States, The Contemporary Art Museum St. Louis, St. Louis, MO Stephanie Syjuco: Recent Work, University of Kentucky Art Museum, Lexington, KY Spectral City, RLWindow, RYAN LEE, New York, NY 2018 "I AM AN...,", Cantor Art Center, Stanford University, Stanford, CA 2017 CITIZENS, RYAN LEE, New York, NY Red Banner, RLWindow, RYAN LEE, New York, NY 2016 Neutral Calibration Studies (Ornament + Crime), Catharine Clark Gallery, San Francisco, CA Ornament + Crime (Redux), RLProject, RYAN LEE, New York, NY 2014 Market Forces, Temple Contemporary, Philadelphia, PA American Rubble (Lancaster Avenue), Haverford College, Ardmore, PA FREE TEXTS, Ulrich Museum of Art at Wichita State University, KS Modern Ruins (Popular Cannibals), Recology Artist in Residence Program, San Francisco, CA FREE TEXTS, Galerie Joseph Tang, Paris, FR 2013 RAIDERS, Ryan Lee Gallery, project space, New York, NY 2012 Montalvo Historical Fabrications and Souvenirs, project commission in collaboration with Michael Arcega as Las Marianas, Montalvo Art Center, Saratoga, CA RAIDERS Redux, Catharine Clark Gallery Project Space, New York, NY 2011 Currents Series: Stephanie Syjuco: Pattern Migration, -
Responses to the RFI
Embarcadero Historic District Request for Interest Responses to the RFI 1 Port of San Francisco Historic Piers Request for Interest Responses Table of Contents Contents #1. Ag Building / Ferry Plaza: Ferry Plaza 2.0 ................................................................................................................................................................. 4 #2. Red and White Excursions ..................................................................................................................................................................................... 31 #3. Piers 38-40: Restaurants and Recreation At South Beach ..................................................................................................................................... 34 #4. Heart of San Francisco Gondola ............................................................................................................................................................................. 47 #5. The Menlo Companies ........................................................................................................................................................................................... 50 #6. The International House of Prayer For Children ................................................................................................................................................... 53 #7 Plug and Play SF (Co-working space for startups) .................................................................................................................................................. -
A Comparative Case Study of the Transformation Fron Industry to Leisure in the Ports of San Francisco and Oakland, California
Inquiry: The University of Arkansas Undergraduate Research Journal Volume 12 Article 4 Fall 2011 Industrial Evolution: A Comparative Case Study of the Transformation fron Industry to Leisure in the Ports of San Francisco and Oakland, California. Annie Fulton University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/inquiry Part of the Environmental Design Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Fulton, Annie (2011) "Industrial Evolution: A Comparative Case Study of the Transformation fron Industry to Leisure in the Ports of San Francisco and Oakland, California.," Inquiry: The University of Arkansas Undergraduate Research Journal: Vol. 12 , Article 4. Available at: http://scholarworks.uark.edu/inquiry/vol12/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Fulton: Industrial Evolution: A Comparative Case Study of the Transformat ARCHITECTURE: Annie Fulton 3 INDUSTRIAL EVOLUTION: A COMPARATIVE CASE STUDY OF THE TRANSFORMATION FROM INDUSTRY TO LEISURE IN THE PORTS OF SAN FRANCISCO AND OAKLAND, CALIFORNIA By Annie Fulton Department of Architecture Faculty Mentor: Kim Sexton Department of Architecture Abstract successful conversion of an industrial port into a recreational This case study examined two waterfront sites on the San urban waterfront. Two optimal cases for study are found in the Francisco Bay – The Piers in San Francisco and Jack London San Francisco Bay Area: Piers 1 ½, 3, and 5 (constructed in 1931) Square in Oakland.