Nous Appuyons Notre Culture, Nos Créateurs, Nos Entrepreneurs

Total Page:16

File Type:pdf, Size:1020Kb

Nous Appuyons Notre Culture, Nos Créateurs, Nos Entrepreneurs cdjhVeejndchcdigZXjaijgZ! cdhXgViZjgh! cdhZcigZegZcZjgh# bailleurs de fonds ;^cVcXeVgaZb^c^higZYjEVig^bd^cZXVcVY^ZcZieVg AZ;8IgZbZgX^ZidjhhZhWV^aaZjghYZ[dcYhYZaZjg aZhZcigZeg^hZhYZY^hig^Wji^dcYZgVY^dY^[[jh^dcYj Veej^XdchiVci|aVegdYjXi^dciak^hjZaaZXVcVY^ZccZ# 8VcVYV!aZ;dcYhXVcVY^ZcYZiak^h^dc;8IgZd^i \VaZbZciYZh^cigihZiYZhgZkZcjhYZgXjegVi^dc :c'%%-Ä'%%.!aZ;8IVWcÒX^YZaÉV^YZYZh YÉ^ckZhi^hhZbZcihYVchaZhegdYjXi^dcheVgaZW^V^hYZ dg\Vc^hVi^dchhj^kVciZh/ aVeVgi^X^eVi^dcVjXVe^iVa# préface YZhkdaZih:ckZadeeZYZgZcYZbZciYjiaY^[[jhZjg! Egd_ZihZcaVc\jZ[gVcV^hZ|aÉZmig^ZjgYjFjWZX ZiEgd_ZihZcaVc\jZhVjidX]idcZh!ZieVgaÉZcigZb^hZ AVejWa^XVi^dcYjRapport annuel du Fonds canadien de YZaÉVeej^VXXdgYYVchaZXVYgZYjEgd\gVbbZe^adiZ télévision 2008–2009dW^iVjhdjX^XdchiVciYj;8IYZ YZaÉ>cX^iVi^[|aVegdYjXi^dc#FjVciVjmYdccZhYZ Xdbbjc^fjZg|hZhXa^ZcihZiVjigZheVgiZcV^gZhYZh YkZadeeZbZci!ZaaZhXdbegZccZciaÉV^YZVjYkZade" ^c[dgbVi^dchXahhjgaÉ^cYjhig^Z#8ZYdXjbZciXdci^Zci eZbZciVaadjZVjmegd_ZihYZaVc\jZh[gVcV^hZ! YZhgZchZ^\cZbZcihYiV^aahhjgaZhghjaiVihYZ Vc\aV^hZZiVjidX]idcZh#AZhZc\V\ZbZcihYÉV^YZVj Zg ÒcVcXZbZciYj;8IedjgaÉZmZgX^XZ'%%-"'%%.& Vkg^a YkZadeeZbZciYZ'%%)"'%%*cZhdcieVhY^hedc^WaZh '%%-Ä(&bVgh'%%.!V^ch^fjÉjcZVcVanhZYZhVjY^id^gZh eVg\ZcgZh#d##AZhhiVi^hi^fjZhYZhbY^Vhcjbg^fjZh XVcVY^ZchedjgaÉVccZYZgVY^dY^[[jh^dc'%%,Ä'%%-# cZhÉVeea^fjZcieVhVkVci'%%-"'%%.#JcZeVgiYZogd 7^ZcfjZidjiZhaZhg[gZcXZh|YZhgXdbeZchZh!| edjgXZciedjggV^igZeghZciZgYZhZc\V\ZbZcih YZhkZciZhZi|YÉVjigZh[dgbZhYZgZXdccV^hhVcXZ ^c[g^Zjgh|&#AZhhdjgXZhYZÒcVcXZbZcihdci bZiiZciZckZYZiiZYZhegdYjXi^dchXdjgdccZhYZ YÒc^Zh|aÉVccZmZ#AdghfjZYZhY^hi^cXi^dchg\^dcVaZh hjXXhZc'%%-dj'%%.!XZaaZh"X^eZjkZciVkd^g hdciiVWa^ZheVgegdk^cXZ!aZhk^aaZhYZBdcigVaBIA WcÒX^YZaÉV^YZÒcVcX^gZYj;8IVkVci'%%-Ä'%%.# ZiYZIdgdcidIDGhdciXdch^YgZhXdbbZYZh g\^dchY^hi^cXiZhZcgV^hdcYjkdajbZeVgi^Xja^gZbZci AZhhiVi^hi^fjZheghZciZhYVchaZYdXjbZcidcii ^bedgiVciYZegdYjXi^dchfjÉZaaZh\cgZci!Zihdci Xdbe^aZh|eVgi^gYZhXdcigVih^c^i^Vjmh^\chVkZXaZ YdcXZmXajZhYZhYdccZhYjFjWZXZiYZaÉDciVg^d# ;8IZieZjkZciX]Vc\ZghjWhfjZbbZci#EVgXdchfjZci! jceZi^icdbWgZYÉZciZciZhYZÒcVcXZbZcicdch^\cZh AZ;8IhÉZc\V\Z|[djgc^gYZ[Vdcg\ja^gZYZh adghYZaVejWa^XVi^dcYZXZgVeedgidcii^cXdgedgZh gZchZ^\cZbZcihZmVXihZiigVcheVgZcih#EdjgidjiZ |aÉZchZbWaZYZhYdccZh#EVgV^aaZjgh!W^ZcfjZaZh fjZhi^dchjgaZhYdccZhYZXZgVeedgi!kZj^aaZo X]^[[gZhV^ZciiVggdcY^h!aZhidiVjmgZeghZciZciaV Xdbbjc^fjZgVkZXcdjh|aÉVYgZhhZhj^kVciZ/ hdbbZYZhYdccZhgZaaZh#IdjiZhaZhYdccZh ]^hidg^fjZhXdcXZgcVciaZhadc\hbigV\Zhdcii ;dcYhXVcVY^ZcYZiak^h^dc ZmXajZhYZXZgVeedgiej^hfjZaZhZckZadeeZhYZhadc\h *%!gjZLZaa^c\idc:hi!)ZiV\Z bigV\ZhdciXZhhYÉigZVYb^c^higZheVgaZ;8I IdgdcidDciVg^dB*:&8- Vegh'%%*Ä'%%+#AZhhiVi^hi^fjZhYZegdYjXi^dc &-,,.,*"%,++ XdbegZccZciaZÒcVcXZbZcidXigdneVgaÉZcigZb^hZ table des %' BZhhV\ZYjegh^YZciYjXdchZ^aZi YZaVegh^YZciZ matières %) AZhjXXhVj8VcVYVZi|aÉigVc\Zg &% BZhjgZYjhjXXhVjeghYZaÉVjY^id^gZ &. 7^aVcYZaÉZmZgX^XZ '% GhjaiVihYZÒcVcXZbZcihZadcaVaVc\jZ ZiaZ\ZcgZ ** ;^cVcXZbZcig\^dcVa *+ Egd\gVbbZe^adiZYZaÉ>cX^iVi^[|aVegdYjXi^dc *- EgdYjXi^dcYZaVb^cdg^ia^c\j^hi^fjZ *. Egd\gVbbZe^adiZYZhbY^Vhcjbg^fjZh +% HdjgXZhYZÒcVcXZbZciYZegdYjXi^dc +& 8degdYjXi^dch^ciZgcVi^dcVaZhZckZgij YÉVXXdgYhd[ÒX^Zah +' 6jigZhineZhYZYgd^ihYZY^[[jh^dc +) 6Yb^c^higVi^dcYZhegd\gVbbZhYj;8I +* EghZcXZZiegdÒa ++ 6Xi^k^ihYjXdchZ^aYÉVYb^c^higVi^dc +, 9XaVgVi^dcYZgZhedchVW^a^iYZ aVY^gZXi^dcYj;8I +. GVeedgiYZhkg^ÒXViZjgh -% EgdYjXi^dch 6ccZmZ &&+ =^hidg^fjZ$BVcYVi &&, BdYaZYZÒcVcXZbZci &&- 8dchZ^aYÉVYb^c^higVi^dcYj;8I &&. wfj^eZYZY^gZXi^dc &'% 8VaXjaYZh:GI &'' HdjgXZhYZhYdccZhhjgaÉVjY^id^gZ &', HdjgXZhYZÒcVcXZbZci/YÒc^i^dch Couverture, de haut en bas Tactik, Humanima, Taxi 0-22 G6EEDGI6CCJ:A'%%-Ä'%%. ' ( G6EEDGI6CCJ:A'%%-Ä'%%. message du président du conseil et de la présidente AÉVeej^hdjiZcjYj;dcYhXVcVY^ZcYZiak^h^dcZc Idj_djghZc'%%-"'%%.!aZ;8IVXdci^cj|VeejnZg '%%-"'%%.VeZgb^hVjmegdYjXiZjghXVcVY^ZchYZXgZg aÉZhhdgYZaÉ^cYjhig^ZZciVWa^hhVciYZheVgiZcVg^Vih YZhb^hh^dchYZfjVa^ifj^Y^kZgi^gdciadc\iZbehaZh VkZXYZh[Zhi^kVahZiYZhkcZbZcihXah#>aVVXijVa^h VjY^id^gZhXVcVY^ZchZiigVc\Zgh#9Z;aVh]ed^ci| hdcbZhhV\ZYÉ^cigi\cgVaedjgb^ZjmhZch^W^a^hZg &!'!(7dZceVhhVcieVgAZh7dnhdj6[iZgbVi]!Wdc aZejWa^X|aVfjVa^iZi|aVY^kZgh^iYZhb^hh^dch cdbWgZYÉb^hh^dchVeejnZheVgaZ;8Idci[V^i fjÉ^aVeej^Z#DjigZaVegdYjXi^dcYZXZgVeedgi!fj^ hZchVi^dcXZiiZVccZ#CdchZjaZbZciZaaZhdci[V^i eghZciZhZhghjaiVihVccjZah!^aVaVcXjcWjaaZi^c aÉdW_ZiYZcdbWgZjhZhkZciZh|aÉigVc\Zg!bV^hZaaZh aZXigdc^fjZ!interacTVité!fj^bZiZckZYZiiZaZhgX^ih dci\VaZbZcigZbedgieajh^Zjgheg^megZhi^\^ZjmZi ZiaZhVgi^hVchYZhb^hh^dchfjÉ^ahdji^Zci!ZiXgjc [gVXVhhY^kZghgZXdgYhYÉXdjiZ#EajhYZ),*cdjkZaaZh gVeedgiig^bZhig^Zaedjg^c[dgbZgg\ja^gZbZcihZh b^hh^dchdciiegdYj^iZhVkZXaÉV^YZYj;8IZc WV^aaZjghYZ[dcYhYZhegd\ghVXXdbea^h# '%%-"'%%.!XgVci''%%]ZjgZhYZcdjkZaaZegd\gVb" bVi^dcXVcVY^ZccZ# AZ;dcYhXVcVY^ZcYZiak^h^dccÉVXZhhYÉkdajZg VjÒaYZhVccZh!eVhhVciYZaV[dgbjaZegZb^ZgVgg^k! :c'%%-"'%%.!aZ;8IVXdci^cj|VYVeiZghZh egZb^ZghZgk^|jcZVeegdX]ZhaZXi^kZ!ej^h|jc egd\gVbbZhZihV\djkZgcVcXZVjmWZhd^chYÉjcZ hnhibZYÉZckZadeeZh#FjVciVjmYZbVcYZh!ZaaZhdci ^cYjhig^ZZcbjiVi^dc#AZh8VcVY^ZchiVciYZeajh idjiYÉVWdgYiigV^iZh|aÉ^ciZgcZVkVciYZaÉigZ| ZceajhcdbWgZjm|gZ\VgYZgYZhb^hh^dchhjgYZ aÉZmiZgcZ#¿aÉ]ZjgZdaZ;8IZiaZ;dcYhYZhcdjkZVjm bjai^eaZheaViZ[dgbZh!aZ;8IViZhijcEgd\gVbbZ bY^VhYj8VcVYV[jh^dccZciedjgYZkZc^gaZ;dcYh e^adiZYZhbY^Vhcjbg^fjZhedjgV^YZgaZh YZhbY^VhYj8VcVYV!XZcdjkZadg\Vc^hbZYZ egdYjXiZjghiak^hjZah|gZ_d^cYgZYZcdjkZVjm ÒcVcXZbZciYZeaViZ[dgbZhZiYÉVeea^XVi^dchbjai^eaZh VjY^id^gZh\g}XZ|YZhZmiZch^dchcjbg^fjZhYZaZjgh Xdci^cjZgV|ZcXdjgV\ZgaVXgVi^dcYÉjcXdciZcj b^hh^dch#AÉVXXjZ^aViiZafjZaZhgZhhdjgXZhcÉdci XVcVY^Zcg^X]ZZidg^\^cVa!VXXZhh^WaZ|idjhaZh eVhhj[Ò|aVYZbVcYZ#6jXdjghYZaÉZmZgX^XZ!aZ;8IV VjY^id^gZhYÉ^X^ZiYÉV^aaZjghÄfjVcYZiXdbbZ^ah Vjhh^^beaVcijcEgd\gVbbZe^adiZYZaÉ>cX^iVi^[|aV aZYh^gZci# egdYjXi^dcYZhi^c|fj^a^WgZgaVgeVgi^i^dcYZaÉV^YZ VXXdgYZVjmegdYjXi^dchgVa^hZh|aÉX]ZaaZYj CdjhgZbZgX^dchighX]VaZjgZjhZbZcicdhWV^aaZjgh 8VcVYVZchi^bjaVciaVegdYjXi^dcYVchaZhhZXiZjgh YZ[dcYh!cdhXa^Zcih!cdheVgiZcV^gZhYZaÉ^cYjhig^ZZi daZhkdajbZhVkV^ZciXdch^YgVWaZbZciY^b^cj# cdigZeZghdccZaedjgaZhdji^ZcegX^ZjmfjÉ^ahcZ XZhhZciYZcdjhVXXdgYZg# HdjX^ZjmYÉkVajZgaVhVi^h[VXi^dcYZhZhXa^Zcih| aÉ\VgYYZhZhegdXZhhjhYÉkVajVi^dcYZhYZbVcYZh! aZ;8IVVYb^c^higjchdcYV\ZYdciaZhghjaiVih \cgVaZbZciedh^i^[h^cY^fjZcijcZgZaaZVba^dgVi^dc YZhYaV^hYZigV^iZbZciYZhYZbVcYZhZcaÉZheVXZ YÉjcVc# EVja<gViidc KVaZg^Z8gZ^\]idc Président du conseil Présidente et chef de la direction G6EEDGI6CCJ:A'%%-Ä'%%. ) Kif-Kif le succès au canada et à l’étranger AZ;8IVeej^ZYZcdbWgZjhZhegdYjXi^dchdg^\^cVaZhZcXZchZheVgaVXg^i^fjZ ZiighVeegX^ZhYjejWa^XYZej^h&..*#6jXdjghYZaÉZmZgX^XZ'%%-Ä'%%.!eajh YZ'*%kZciZh|aÉigVc\ZgdciiVccdcXZhedjgaZhegd_ZihVnVciWcÒX^YZ hdchdji^ZcZieajhYZ-%b^hh^dchdciigZXdccjZhedjgaZjgZmXZaaZcXZeVg aVXdbbjcVji^ciZgcVi^dcVaZ#6j8VcVYV!aZhb^hh^dchVjmfjZaaZh^aVVXXdgY hdcV^YZdciiVeeaVjY^ZheVgaÉ^cYjhig^Zfj^aZjgVYXZgceajh^Zjgheg^m egdk^cX^VjmZicVi^dcVjm#6kZXYZiZaaZhgVa^hVi^dch!^aZhi[VX^aZYZXdbegZcYgZ edjgfjd^aZejWa^XXVcVY^ZcgZhiZÒYaZVjmegdYjXi^dchVeejnZheVgaZ;8I# Eajh^ZjghYgVbVi^fjZhYZaVc\jZVc\aV^hZdcidWiZcjjc\gVcYhjXXhZc '%%-Ä'%%.#8ÉZhiaZXVhYZFlashpoint!jcZhg^Zeda^X^gZY^[[jhZh^bjaiVc" bZcihjgaZhdcYZhYZ8IKZiYZ87H#GX^e^ZcYV^gZYZheg^mEG>HBYZ aÉ:ciZgiV^cbZci>cYjhig^Zh8djcX^a!FlashpointVcdiVbbZciihVajZeVg aÉ6bZg^XVcHdX^Zind[8^cZbVid\gVe]ZghZieVgaVLg^iZgh<j^aYd[8VcVYV# 8]VfjZe^hdYZYZaVegZb^gZhV^hdcVVii^gjcZbdnZccZYZ&!'b^aa^dcYZ iaheZXiViZjghVj8VcVYVZiYZ,!,b^aa^dchVjmwiVih"Jc^hZiaVhg^Z!fj^ gZk^ZciedjgjcZYZjm^bZhV^hdchjgcdhXgVch!VikZcYjZ|eajhYZ'* eVnhYdci>hgV a!aVEdad\cZZiaÉ:heV\cZ#JcZVjigZhg^Zeda^X^gZ!Mayerthorpe! VikjZeVgeajhYZ&!(b^aa^dcYZiaheZXiViZjghZiViaZiaÒabXVcVY^Zc aZeajhgZ\VgYYZ'%%-#9jXiYZhb^hh^dchYÉ]jbdjg!aÉb^hh^dcheX^VaZ Air Farce Live NYEVihj^k^ZeVg&!*b^aa^dcYZiaheZXiViZjghÅjcX]^[[gZ * G6EEDGI6CCJ:A'%%-Ä'%%. hijeÒVcifj^ZcV[V^iaÉb^hh^dcaVeajhgZ\VgYZYZaVhd^gZ#JcVjigZW^_djYZ XdbY^ZZcXZcheVgaVXg^i^fjZ!Rick Mercer Report!VgZbedgiaVegZhi^\^ZjhZ GdhZYÉDgYZaVbZ^aaZjgZb^hh^dc]jbdg^hi^fjZ|AjXZgcZ!ZcHj^hhZ#8]VfjZ e^hdYZYZaVYZgc^gZhV^hdcYZXZiiZhg^ZVgjc^eajhYZ&b^aa^dcYZÒYaZh# FjVci|Degrassi: The Next Generation!ZcdcYZhYZej^h]j^iVch!hdchjXXhcZhZ YbZcieVh#AÉb^hh^dc!ZcXdgZjcZ[d^haVeajhgZ\VgYZYjghZVjC!Vib^hZ Zccdb^cVi^dcYVchaVXVi\dg^Zwb^hh^dcYZaÉiVjmIZZc8]d^XZ6lVgYh'%%-# Hdja^\cdchZcÒcaVgjhh^iZYZhb^hh^dchThe Border, Wild Roses, Tout sur moiZi Les Parentfj^dcigXdaijcidiVaYZ&%b^hZhZccdb^cVi^dcVj;Zhi^kVaYZ iak^h^dcYZBdciZ"8VgadYZ'%%.# 6kZXYZhXdiZhYÉXdjiZYZeajhYZ&!&b^aa^dcYZiaheZXiViZjgheVge^hdYZedjg Taxi 0-22djLes Boys!cjaYdjiZfjZaZhYgVbVi^fjZhYZaVc\jZ[gVcV^hZVeejnZh eVgaZ;8IdciXdci^cjhjgaZjgaVcXZZc'%%-Ä'%%.#EdjghVhZei^bZZiYZgc^gZ hV^hdc!Annie et ses hommesVVii^gjcZbdnZccZYZeajhYZ&!(b^aa^dcYZ iaheZXiViZjghVj8VcVYV!iVcY^hfjZaVbdnZccZYÉXdjiZhÉZhiiVWa^Z|eajh YZ&b^aa^dcYZiaheZXiViZjghedjgaVigd^h^bZhV^hdcYZDestinées#FjVci| Providence!ZaaZVhYj^ieghYZ&!&b^aa^dcYZiaheZXiViZjghedjghVX^cfj^bZ hV^hdc#Fj^eajhZhi!YZeajhZceajhYZbVgX]higVc\ZghVX]iZciYZhegdYjXi^dch YZaVc\jZ[gVcV^hZVeejnZheVgaZ;8I#6^ch^!3600 secondes d’extaseViY^[[jhZ hjgIK*BdcYZ!aVbV^hdcZheV\cdaZOZWgV"9^higVXi^dcVVXfj^haZhYgd^ihYZ[dgbVi YZaVhg^ZLes Lavigueur, la vraie histoireZiXZjmYZFrançois en sériedciikZcYjZh |EA9Zc<gXZ!|6jWZEgdYjXi^dchZc;gVcXZZi|7VgcV"6aeZgEgdYjXi^dchfj^ Zc[ZgVaVY^hig^Wji^dcZcVc\aV^heVgidjiVj8VcVYV#6eeaVjY^ZeVgeajh^Zjgh dg\Vc^hVi^dch!Les Lavigueur, la vraie histoireVgVÓ^X^bbZcZj[eg^m<bZVjm! aZeg^mYZaVbZ^aaZjgZhg^ZYgVbVi^fjZVj;Zhi^kVaYZaVGdhZYÉDgZiaZeg^mYZaV bZ^aaZjgZb^c^hg^ZVjEg^m>cY^Z'%%.YZaÉ68E;I!YZbbZfjZaZ;>E6YÉVg\Zci! Hg^ZhZi[Zj^aaZidch!ZiaZ;>E6YÉdgYÉ^ciZgegiVi^dcbVhXja^cZVj;Zhi^kVa^ciZgcVi^dcVa YZhegd\gVbbZhVjY^dk^hjZah'%%.# 9jXiYZaVegd\gVbbVi^dc_ZjcZhhZ!aZhegdYjXi^dchhdjiZcjZheVgaZ;8Idci Xdcfj^haZhZc[VcihZiaZh_ZjcZhYZhfjVigZXd^chYjbdcYZ#:c'%%-Ä'%%.!
Recommended publications
  • PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors
    Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p.
    [Show full text]
  • 2010-3-19:Layout 1.Qxd
    Vol. 3 No. 24 Mar. 19, 2010 Founder’s Day previews InsideASU See page 4. THE PRESIDENT’S ASU to hold Honors Day CORNER Convocation on March 26 With the theme of “Honor- dean of the ASU Graduate entation of ing the Best and the Brightest,” School from September 1997 to the Civil Albany State University will September 1999. Rights recognize the outstanding aca- In October 1999 he joined Movement demic achievement of students Indiana University as a scholar in Albany and present scholarships during and executive director of the and South- the annual Honors Day Convo- Organization of American His- west Geor- cation set for 10 a.m. Friday, torians. In his role with the gia. Dr. Everette J. Freeman March 26, in the HPER Gym- OAH, Dr. Formwalt supervised Dr. Spring is for nasium. a staff of 20 and collaborated Formwalt Lee Formwalt During the Honors Day with numerous national histori- graduated renewal Convocation, the Teacher of the cal and humanities organiza- cum laude with a bachelor’s de- Year, Researcher of the Year tions. His successes include gree in history from the When it comes to our and Staff Person of the Year increasing membership by 20 Catholic University of America success as a university, it’s awards will also be presented. percent, increasing the annual in 1971. He earned a master’s vital that we understand the The keynote speaker for the budget by 67 percent, raising degree in history from the Uni- importance of reaching be- Honors Day Convocation will more than $1 million with the versity of Massachusetts in yond the confines of our be Dr.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Valencia Niega Su Implicación En ‘Imelsa’ Betoret Ve Una «Venganza» De Benavent Las Acusaciones Sobre ‘Mordidas’ Que Podrían Propiciar Su Imputación
    Dinero gratis del BCE para reactivar la economía europea El Banco Central Europeo reducirá el interés de referencia al 0% y ampliará de 60.000 a 80.000 millones al mes el programa de compra de deuda soberana, aunque los expertos dudan que la eurozona se ‘reanime’ con más medidas monetarias. El euríbor podría bajar, pero no se notarán grandes efectos a pie de calle. 2 VIERNES 11 de marzo de 2016 Año XVII. Número 3679 174.000 PERSONAS SIGUEN SIN PODER VOLVER A FUKUSHIMA Ecologistas alertan de que la zona contaminada seguirá inhabitable durante décadas. Hoy se cumplen 5 años del peor accidente nuclear desde Chernóbil. 5 EN PRIMERA PERSONA «LO QUE ESTÁN HACIENDO ES ‘BARRER’ 5 CM DE SUELO» KIMIMASA MAYAMA / EFE MAYAMA KIMIMASA El presidente del PP ĉ10 a 12 de Valencia niega su implicación en ‘Imelsa’ Betoret ve una «venganza» de Benavent las acusaciones sobre ‘mordidas’ que podrían propiciar su imputación. 6 La crisis está Crimen de Carrasco: obligando Monsterrat y Triana, 22 a exprostitutas y 20 años; Raquel Gago, a volver a la calle 4 5 por encubrimiento 4 JESÚS CARRASCO: «MI MIRADA ES AL EL VALENCIA CAE EN BILBAO CAMPO, Y SÉ QUE @CASTLESOFEUROPE ĉ VA A LA CONTRA» 8 y 9 (1-0), PERO PUDO SER PEOR LA CHAPUZA DEL ‘ECCE HOMO’ DE BORJA, EN VERSIÓN CASTILLO 4 ĉ| 2 | 20MINUTOS VIERNES, 11 DE MARZO DE 2016 ¼ºÓÓ Nueva víctima mortal de violencia machista en Valencia Una mujer de 51 años fa- lleció ayer en Catarroja (Valencia) presuntamente a manos de su pareja, que se entregó a la Guardia Ci- vil con heridas en la cara y extremidades y confesó el crimen, según informa- ron fuentes cercanas a la investigación.
    [Show full text]
  • NASCAR for Dummies (ISBN
    spine=.672” Sports/Motor Sports ™ Making Everything Easier! 3rd Edition Now updated! Your authoritative guide to NASCAR — 3rd Edition on and off the track Open the book and find: ® Want to have the supreme NASCAR experience? Whether • Top driver Mark Martin’s personal NASCAR you’re new to this exciting sport or a longtime fan, this insights into the sport insider’s guide covers everything you want to know in • The lowdown on each NASCAR detail — from the anatomy of a stock car to the strategies track used by top drivers in the NASCAR Sprint Cup Series. • Why drivers are true athletes NASCAR • What’s new with NASCAR? — get the latest on the new racing rules, teams, drivers, car designs, and safety requirements • Explanations of NASCAR lingo • A crash course in stock-car racing — meet the teams and • How to win a race (it’s more than sponsors, understand the different NASCAR series, and find out just driving fast!) how drivers get started in the racing business • What happens during a pit stop • Take a test drive — explore a stock car inside and out, learn the • How to fit in with a NASCAR crowd rules of the track, and work with the race team • Understand the driver’s world — get inside a driver’s head and • Ten can’t-miss races of the year ® see what happens before, during, and after a race • NASCAR statistics, race car • Keep track of NASCAR events — from the stands or the comfort numbers, and milestones of home, follow the sport and get the most out of each race Go to dummies.com® for more! Learn to: • Identify the teams, drivers, and cars • Follow all the latest rules and regulations • Understand the top driver skills and racing strategies • Have the ultimate fan experience, at home or at the track Mark Martin burst onto the NASCAR scene in 1981 $21.99 US / $25.99 CN / £14.99 UK after earning four American Speed Association championships, and has been winning races and ISBN 978-0-470-43068-2 setting records ever since.
    [Show full text]
  • Grade 7: Module 1: Unit 2 Overview This Work Is Licensed Under a Creative Commons Attribution-Noncommercial-Sharealike 3.0 Unported License
    Grade 7: Module 1: Unit 2 Overview This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Exempt third-party content is indicated by the footer: © (name of copyright holder). Used by permission and not subject to Creative Commons license. GRADE 7: MODULE 1: UNIT 2: OVERVIEW Case Study: Survival in Sudan In this second unit, students are introduced to the concept of theme in a novel. As students will analyze how the author of A Long Walk to Water both used and they complete A Long Walk to Water, students will continue to collect textual elaborated on historical facts. Part 1 of the end of unit assessment (which takes evidence to answer the question “How do individuals survive in challenging place over two lessons) is the first draft of a literary analysis essay requiring textual environments?” In addition, students will be reading informational texts that support to discuss the topic of survival in Southern Sudan during and after the provide more information about the context of the novel. Close reading of the second civil war in the 1980s. Part 2 of the end of unit assessment is the final draft selected informational text and novel will prepare students for the mid-unit of the student essay. assessment and the two-part end of unit assessment. For the mid-unit assessment, Guiding Questions And Big Ideas • How do individuals survive in challenging environments? • How do culture, time, and place influence the development of identity? • How does reading from different texts about the same topic build our understanding? • How does juxtaposing multiple characters help authors develop and contrast their points of view? • Individual survival in challenging environments requires both physical and emotional resources.
    [Show full text]
  • Pacific Design Center Hollywood Ca | November 15Th at 6Pm
    WE ALL HAVE A VOICE. CELEBRATE IT. 2nd Annual GALA PACIFIC DESIGN CENTER HOLLYWOOD CA | NOVEMBER 15TH AT 6PM © 2015 Society of Voice Arts And Sciences™ HBO proudly To the Voice Arts Community: supports By community, I refer to all the people who collaborate in one form or the SOCIETY OF VOICE another to bring about the work that sustains our livelihoods and sense of ™ accomplishment. The voice arts community is the hub around which we all ARTS & SCIENCES come together. Anything can happen at this intersection and all of us can help determine the outcome. and congratulates We are not simply spectators of the industry, watching it take shape around this year’s nominees us. We are the shapers, actively breathing new life into its ever-changing form. We do this by bringing our best selves to the process with the intention of attending to the work with professionalism, respect, creativity and the spirit of collaboration, so that we may all enjoy gainful employment. I am thrilled to be a part of the magic that is the Voice Arts® Awards. It is an enchanted world of acknowledgment and encouragement and it honors the best in all of us. It is not about being better than someone else. It is about being your best. Tonight we celebrate our esteemed jurors. We celebrate the entrants, nominees and the soon to be named recipients of the top honor. This is our night. Sincerely, Rudy Gaskins Chairman & CEO Society of Voice Arts and Sciences™ ©2015 Home Box Office, Inc. All rights reserved. 3 HBO® and related channels and service marks are the property of Home Box Office, Inc.
    [Show full text]
  • SODEXPRESS Sodexpressle Bulletin D’Information Électronique De La SODEC / Vol
    le bulletin d’information électronique de la sodec / vol. 8, n°2 – juillet 2009 SODEXPRESS SODEXPRESSle bulletin d’information électronique de la SODEC / vol. 8, n°2 – juillet 2009 le bulletin d’information électronique de la SODEC / vol. 7, n°2 – décembre 2007 Mot du président et chef de la direction par intérim sera pas trop difficile vu le haut niveau de profes- 1er avril dernier, les entreprises qui incarnent la sionnalisme de notre Société; il s’agit de dévelop- richesse culturelle du Québec et projettent son per les outils de contrôle adéquats pour chacun des rayonnement à l’étranger. maillons de la SODEC pour que nous devenions sous peu un modèle en la matière. La SODEC, c’est d’abord et avant tout une société au service des entreprises culturelles du Québec. M. GILLES CORBEIL Comme vous le savez sans doute, la SODEC a été La SODEC, c’est d’abord et avant tout une société En parcourant ce bulletin, vous pourrez constater interpellée par le Vérificateur général du Québec au service des entreprises culturelles du Québec. à quel point des talents québécois se sont illus- au cours des derniers mois. Le Comité de vérifica- Et, à cet effet, nous avons confié à la direction trés, et comment les entreprises culturelles ont tion de la Société a recommandé au conseil d’ad- générale du cinéma et de la production télévisuel- poursuivi leur chemin avec détermination et sa- ministration la mise en place de contrôles internes le et à la direction générale livre, métiers d’art, voir-faire. Nous saluons ces succès, à l’échelle na- visant à répondre aux recommandations du Vérifi- musique et variétés, la gestion de l’aide à l’inter- tionale et internationale, ainsi que tous ceux et cateur général.
    [Show full text]
  • The Alliance of Canadian Cinema, Television and Radio Artists See Story Page 8
    fall 2010 The Alliance of Canadian Cinema, Television and Radio Artists Leading the See story digital (r)evolution page 8 68253-1_P2028-ACTRA-fall10.indd 1 9/7/10 1:41 PM inSide your union magazine... interACTRA PRESIDENT’S MESSaGE 3 by Ferne Downey Fall 2010, Volume 17, Issue 2 InterACTRA is the official pub- ONlINE ThEfT TakES MONEy 4 lication of ACTRA (Alliance of OuT Of all OuR POckETS Canadian Cinema, Television page 8 and Radio Artists), a Canadian canada’s new copyright bill needs to be fixed union of performers affiliated to by Yannick Bisson the Canadian Labour Congress (CLC) and the International page 10 Federation of Actors (FIA). ThE INTERNET chaNNEl 8 InterACTRA is free of charge to all ACTRA members. leading the digital (r)evolution EdIToRIAL AdVIsoRy by Eli Goree CommITTEE: Joanne deer, Ferne downey, Brian Gromoff, Richard Hardacre, Carol Taverner, TV’s DIGITal EVOluTION 12 Theresa Tova, stephen Waddell. Republic of Doyle embraces their fans online ConTRIBuToRs: Tina Alford, by Ruth Lawrence dJ Anderson, yannick Bisson, mike Burns, marlene Cahill, nicholas Campbell, Joanne MEDIa EVOluTION 14 deer, Ferne downey, Anna Falsetta, Chris Faulkner, megan by Stephen Waddell If you’re adaptable you stay Gariepy, Raymond Guardia, page 14 Eli Goree, Allan Hawco, Alex Ivanovici, Brad Keenan, Geoff TElEPhONy facTS wITh 16 one step ahead of the game Lapaire, Ruth Lawrence, Rob BEll caNaDa’S EMIly macklin, Tyrel mcnicol, dan o’Brien, Adam Reid, Gisèle by Gisèle Rousseau Rousseau, Gary saxe, Alison stewart, marit stiles, Amanda Tapping, Theresa Tova, stephen DIGITal PERfORMaNcE IN aN awaRD- 18 Waddell, Christine Webber, wINNING RENaISSaNcE VIDEOGaME Christine Willes.
    [Show full text]
  • INDEPENDENT PRODUCTION AGREEMENT ("Agreement")
    -·- ·· -·--- ---------- INDEPENDENT PRODUCTION AGREEMENT ("Agreement") covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the "Guild") and The CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION ("CFTPA") and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELJ~:VISION DUQUEBEC ("APFTQ") (the "Associations") January 1, 2010 to December 31, 20 II © 2010 WRITERS GUILD OF CANADA and CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELEVISION DU QUEBEC. TABLE OF CONTENTS Section A: General -AU Productions p. Article AI Recognition, Application and Term p. Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article AS Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p.22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p.24 Article A8 Story Editors and Story Consultants p.29 Article A9 Credits p. 30 Article AIO Security for Payment p.42 Article All Payments p.44 Article Al2 Administration Fee p.52 Article Al3 Insurance and Retirement Plan, Deductions from Writer's Fees p. 52 Article Al4 Contributions and Deductions from Writer's Fees in the case of Waivers p.54 Section 8: Conditions Governing Engagement p.55 Article 81 Conditions Governing Engagement for all Program Types p.55 Article 82 Optional Bibles, Script/Program Development p. 61 Article 83 Options p.62 Section C: Additional Conditions and Minimum Compensation by Program Type p.63 Article Cl Feature Film p.63 Article C2 Optional Incentive Plan for Feature Films p.
    [Show full text]
  • This Period Contains Twenty Tossups Worth 10 Points Each
    CHARTER CHALLENGE 6 (JAN 2010) ROUND 9 EDITORS: LIZZY WILFORD AND KUSHAL NAIK GRADES 7 AND 8 1st and 3rd periods. In these periods, your team will choose a category and be read ten questions for you to complete in ninety seconds. After each response, the moderator will indicate whether or not it was correct. Bonus Category: SOUTH AMERICA 1. What is the official language of Suriname and is also spoken in the Netherlands? answer: Dutch 2. In what 2008 film does Bruce Banner try to prevent his blood from being synthesized in a Brazilian factory to create super soldiers? answer: The Incredible Hulk (do not accept “Hulk”, the prequel) 3. Name any South American country that has won Soccer's World Cup. answer: Brazil, Argentina, or Uruguay 4. What kind of feature is Angel, a location in Venezuela involving the Kerep, Churun, and Carrao Rivers? answer: waterfall (accept Angel falls) [it is the world's highest] 5. Besides Antarctica, what is the only continent with less population than South America? answer: Australia 6. Besides the llama, name any one of the three other South American animals that belong to the camel family. answer: alpaca, guanaco, or vicuña 7. What sea lies north of Venezuela and Columbia? answer: Caribbean Sea 8. What food native to Peru was prominent in the 1845 Irish famine caused by a water mold? answer: potato 9. What Spanish term describes the estates where Native Americans and others were kept in poverty and forced to work plantations or mines? answer: haciendas 10. What country granted Guyana independence in 1966, and also granted India independence in 1950? answer: The UK or United Kingdom of Great Britain and Northern Ireland (accept any of these, and also England) CHARTER CHALLENGE 6 (JAN 2010) ROUND 9 EDITORS: LIZZY WILFORD AND KUSHAL NAIK GRADES 7 AND 8 Bonus Category: SHERLOCK HOLMES IN DEPTH 1.
    [Show full text]
  • Rapport Annuel 2009–2010 Annuel Rapport CTF Annual Report 2009–2010 Rapport Annuel Du FCT 2009–2010 Rapport Annual Report CTF
    rapport annuel 2009–2010 annuel rapport CTF annual report 2009–2010 rapport annuel du FCT annual report 2009–2010 BAILLEURS DE FONDS Le Fonds canadien de télévision (FCT) est appuyé Le FCT remercie tous ses bailleurs de fonds de leur appui par le ministère du Patrimoine canadien et par constant à la production canadienne dans l’industrie de la les entreprises de distribution de radiodiffusion télévision et des médias numériques. En 2009-2010, le FCT du Canada. a bénéficié de l’apport financier des organismes suivants : PRÉFACE La publication du Rapport annuel 2009-2010 du Fonds n’y a pas de données relatives aux médias numériques canadien de télévision vise à communiquer à ses pour la période antérieure à l’exercice 2008-2009, car le intervenants des informations clés sur l’industrie. Le programme n’existait pas avant cet exercice. Les parts rapport contient des renseignements détaillés sur les d’auditoire décrites dans les tableaux de données ont été résultats de financement du FCT pour l’exercice 2009-2010, arrondies. Ainsi, lorsqu’on indique une part de 0 %, cela allant du 1er avril 2009 au 31 mars 2010 et présente l’analyse signifie que le taux d’activités serait inférieur à 1 %. Les des auditoires canadiens pour l’année de radiodiffusion sources de financement sont définies en annexe. Lorsque 2008-2009. Bien que les références aux prix, ventes et des distinctions régionales sont établies, les villes de autres formes de reconnaissance mettent en vedette des Toronto (TOR) et de Montréal (MTL) sont considérées productions couronnées de succès en 2009 ou 2010, comme des régions distinctes en raison du volume celles-ci peuvent avoir bénéficié de l’apport financier du particulièrement important de productions qu’elles FCT avant l’exercice 2009-2010.
    [Show full text]