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Elysium & Avatar
DOI: 10.32001/sinecine.741686 • Araştırma Makalesi | Research Article BETWEEN GREEN PARADISE AND BLEAK CALAMITY: ELYSIUM & AVATAR Cenk Tan Abstract Literary utopias and dystopias reflect a wide variety of concerns, from class and gender issues to the environment. These works not only reflect current social matters but also provide a glimpse of possible futures and a warning of perils to come. This article analyzes two science fiction films that have been in the spotlight during the last decade: Elysium (Neill Blomkamp, 2013) and Avatar (James Cameron, 2009). The two films depict disparate, dystopian visions of humanity’s future, yet both center on the themes of colonialism and the exploitation of the natural environment and offer ambiguous, open-ended conclusions. Focusing on these themes, this study applies postcolonial ecocriticism to expose the relationship between colonialism and ecocriticism and to show that the subtexts of both films deliver messages about the irrevocable destruction of the natural environment as an unconditional result of colonialism, impressing upon viewers the urgent need to adopt and implement an ecocentric mentality that will lead humanity to a peaceful and sustainable future. Keywords: Elysium, Avatar, Utopian/Dystopian fiction, film studies, postcolonial ecocriticism. Geliş Tarihi | Received: 23.05.2020 • Kabul Tarihi | Accepted: 14.09.2020 30 Eylül 2020 Tarihinde Online Olarak Yayınlanmıştır. Öğr. Gör. Dr., Pamukkale Üniversitesi Yabancı Diller Yüksekokulu ORCID: https://orcid.org/0000-0003-2451-3612 • E-Posta: [email protected] Tan, C. (2020). Between Green Paradise and Bleak Calamity: Elysium & Avatar. sinecine, 11(2), 301-323. YEŞIL CENNETLE KASVETLI FELAKET ARASINDA: ELYSIUM & AVATAR Öz Ütopya/distopya yazını sınıf mücadelesinden, cinsiyet ve çevre sorunlarına kadar sosyal konuları ele almaktadır. -
District 9 – a Little Known Fact About the Faculty of Veterinary Science and the Movie
District 9 – A little known fact about the Faculty of Veterinary Science and the movie By CvB Posted on 28 August 2009 Image: D-9.com District 9, the new film by the renowned film producer and Oscar-winning director, Peter Jackson, who was responsible for the production and special effects of movies such as King Kong and Lord of the Rings, is released on the big screen by Ster Kinekor today. Not many people know that some of the scenes for the movie were filmed at the Faculty of Veterinary Science of the University of Pretoria in December 2008. The filming involved one of its Anatomy halls that was converted in a sci-fi biomedical laboratory with, among other things, a space-technology sliding door, and the Anatomy museum, while some equipment from the Onderstepoort Veterinary Academic Hospital (OVAH) and the Biomedical Research Centre were also utilized. A pulsating atmosphere existed on the set in the week during which actors, crew-members and technical personnel spent time on the campus while life-like 7-feet aliens were ‘hanging around’. The movie not only features some South African settings but is mainly set in Johannesburg as the city that is being invaded by aliens from space. As we all know, South African born Neill Blomkamp, who was also present on the set during filming at the campus, was the Director while fellow South African, Sharlto Copley, plays the lead role. According to the preliminary reviews by critics this promises to be an excellent movie with amazing special effects that were executed to perfection. -
Ground Into Sky: the Topology of Interstellar
The Avery Review Fred scharmen – Ground into Sky: The Topology of Interstellar Christopher Nolan’s Interstellar was nominated for five Oscars. The Citation: Fred Scharmen, “Ground Into Sky: The Topology of Interstellar,” in The Avery Review, no. 6 movie won the Oscar for Best Visual Effects, many of which were created with (March 2015), http://averyreview.com/issues/6/ analog camera techniques. It has been controversial for its use of emotional ground-into-sky. themes, and its scientific accuracy. The physics in the film is either shockingly sloppy, or accurate enough to generate new peer-reviewed research, depend- ing on which review you read. [1] [2] But the best and most curious thing about [1] Phil Plait, “Interstellar Science: What the movie gets wrong and really wrong about black Interstellar is its topology. holes, relativity, plot, and dialogue,” Slate, http:// Again and again, in different ways, we see the ground lifting up to www.slate.com/articles/health_and_science/ space_20/2014/11/interstellar_science_review_ become the sky. The first appearance of this effect is early in the movie—the the_movie_s_black_holes_wormholes_relativity.html, horizon-obliterating dust storms that sweep across the American Midwest. accessed February 24, 2015. Cooper (the main character) and his family are at a baseball game when a dust [2]: Adam Rogers, “Wrinkles in Spacetime: The Warped Astrophysics of Interstellar,” Wired, http:// storm rises, looming like a growing mountain. Drought and blight have killed the www.wired.com/2014/10/astrophysics-interstellar- plant life that binds the soil, the near-future world of the movie has become a black-hole/, accessed February 24, 2015. -
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule. -
St. Francis Desales TIL NOON TODAY! Everyone Annual St
UN Fabulous Finds Await St. Francis DeSales TIL NOON TODAY! Everyone Annual St. Francis DeSales Welcome! RUMMAGE SALE Catholic Church 345 Grand Avenue • Lebanon ONE DOLLAR LC RECORD SATURDAY AUGUST 24, 2019 VOL 2 ISSUE 23 LACLEDE COUNTY RECORD Local man drowns while ÀVKLQJDWULYHU KIRK PEARCE [email protected] A Lebanon man drowned while fishing at 12:55 p.m. Tuesday, a mile up the river from the Hull Ford Access on the Osage Fork of the Gasconade River. According to the Mis- souri State Highway Patrol, Benny G. Wilson, 62, was fishing from an elevated location, /&5SKRWR6WHYH6PLWK slipped and fell into U.S. Senator Roy Blunt, center, speaks at Lebanon’s Floyd W. Jones Airport Thursday surrounded by Ozarks Technical Community approximately 10 feet of *VSSLNLVMÄJPHSZ)S\U[[V\YLK[OLUL^6;*(]PH[PVUJSHZZMHJPSP[PLZH[[OLHPYWVY[ water and drowned. He was pronounced dead the scene by Laclede County Coroner Steve Murrell. Blunt tours OTC Aviation class 7KLVZDV7URRS,·V second drowning for STEVE SMITH Act was extended and they often dis- “We need to get more information to the month of August [email protected] cussed the shortage of aviation profes- people earlier about where jobs are and and the third for 2019. sionals, including pilots. try to connect people, even in high school, U.S. Senator Roy Blunt stopped by the “We need to think of new and innova- to something you’d like to do as early as Lebanon Airport Thursday to view the WLYHZD\VWRÀOOWKDWVKRUWDJHµKHVDLG´,W you can so you don’t have a lot of time OTC Lebanon Center Flight School. -
A Level Film Studies Candidate Style Answers
Qualification Accredited A LEVEL Candidate Style Answers FILM STUDIES H410 For first teaching in 2017 H410/02 Critical approaches to film Version 1 www.ocr.org.uk/filmstudies A Level Film Studies Candidate Style Answers Contents Introduction 3 Section A Question 2: Level 5 answer 4 Commentary 6 Section A Question 2: Level 3 answer 7 Commentary 7 Section B Question 4: Level 5 answer 8 Commentary 10 Section B Question 4: Level 3 answer 11 Commentary 11 Section C Question 5: Level 5 answer 12 Commentary 14 Section C Question 5: Level 3 answer 15 Commentary 16 Section C Question 7: Level 5 answer 17 Commentary 19 Section C Question 7: Level 3 answer 20 Commentary 21 Section C Question 10: Level 5 answer 22 Commentary 24 Section C Question 10: Level 3 answer 25 Commentary 25 2 © OCR 2018 A Level Film Studies Candidate Style Answers Introduction Please note that this resource is provided for advice and guidance only and does not in any way constitute an indication of grade boundaries or endorsed answers. Whilst a senior examiner has provided a possible level for each Assessment Objective when marking these answers, in a live series the mark a response would get depends on the whole process of standardisation, which considers the big picture of the year’s scripts. Therefore the level awarded here should be considered to be only an estimation of what would be awarded. How levels and marks correspond to grade boundaries depends on the Awarding process that happens after all/most of the scripts are marked and depends on a number of factors, including candidate performance across the board. -
THE EXTRA-TERRESTRIAL and DISTRICT 9 a Thes
WHEN YOU CAN’T “PHONE HOME”: SUBVERSIVE POLITICS OF THE FOREIGN OTHER IN E.T.: THE EXTRA-TERRESTRIAL AND DISTRICT 9 A Thesis By SAMANTHA GENE HARVEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2017 Department of English WHEN YOU CAN’T “PHONE HOME”: SUBVERSIVE POLITICS OF THE FOREIGN OTHER IN E.T.: THE EXTRA-TERRESTRIAL AND DISTRICT 9 A Thesis by SAMANTHA GENE HARVEY MAY 2017 APPROVED BY: Başak Çandar, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Kyle Stevens, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Samantha Gene Harvey 2017 All Rights Reserved Abstract WHEN YOU CAN’T “PHONE HOME”: SUBVERSIVE POLITICS OF THE FOREIGN OTHER IN E.T.: THE EXTRA-TERRESTRIAL AND DISTRICT 9 Samantha Gene Harvey B.A., Virginia Polytechnic Institute and State University M.A., Appalachian State University Chairperson: Başak Çandar, Ph.D. This thesis takes a close look at the ways in which alien representations, especially in films, mirror the ways in which transnational and migrant individuals are viewed and treated by the majority populations of already established nations. By tracing the history of science fiction, the connotations that the genre makes and the ways in which extraterrestrial narratives comment on reality can be evaluated in detail. The subversive politics that are created by such narratives, both intentionally and unwittingly, contributes to the perceptions of the Other that are embraced by the oppressive masses and which perpetuate certain types of treatment. -
Movie Titles List, Genre
ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon -
FLM201 Film Genre: Understanding Types of Film (Study Guide)
Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode................................................................................................... -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Magazine Media
FEBRUARY 2010: THE FANTASY ISSUE M M MediaMagazine edia agazine Menglish and media centre issue 31 | februaryM 2010 Superheroes Dexter Vampires english and media centre Aliens Dystopia Apocalypses | issue 31 | february 2010 MM MM MediaMagazine is published by the English and Media Centre, a non-profit making organisation. editorial The Centre publishes a wide range of classroom materials and runs courses for teachers. If you’re studying English at A Level, look out e thought our last issue, on Reality, was one of our best yet, for emagazine, also published by Wbut this Fantasy-themed edition is just as inspired. Perhaps the Centre. our curiosity about the real and our fascination with fantasy are two sides of the same coin … The English and Media Centre 18 Compton Terrace By way of context, Annette Hill explores the factors behind London N1 2UN our current passion for the afterlife and the paranormal, while Telephone: 020 7359 8080 Chris Bruce suggests ways of investigating fantasy across media Fax: 020 7354 0133 platforms from an examiner’s perspective and Jerome Monahan provides an Email for subscription enquiries: illustrated history of fantasy at the movies via Jung, the Gothic and the ghost story. [email protected] We have a volley of vampires from Buffy to True Blood’s Bill, by way of Let The Right One In, and some persuasive and chilling accounts of how they represent real world Managing Editor: Michael Simons prejudices and fears. In a cluster of superhero articles, Matt Freeman explores the Editor: Jenny Grahame cultural significance of Superman, while Steph Hendry unpicks the ideologies of Editorial assistant/admin: superheroes and their relevance in a post-9/11 world – and identifies the world’s Rebecca Scambler first superheroic serial-killer. -
Conclusion: What Might a War Film Look Like Going Forward?
CONCLUSION: WHAT MIGHT A WAR FILM LOOK LIKE GOING FORWARD? This text began from a broad perspective that was very much in line with Kellner’s understanding of the power of cinema: Films can also provide allegorical representations that interpret, comment on, and indirectly portray aspects of an era. Further there is an aesthetic, philosophical, and anticipatory dimension to flm, in which they provide artistic visions of the world that might transcend the social context of the moment and articulate future possibilities, positive and negative, and pro- vide insight into the nature of human beings, social relationships, institu- tions, and conficts of a given era. (14) From this point of view, this book considered the movies that it ana- lyzed within the technological and military “eras” they were made and frst viewed within, and considered the ways in which the war flm most often undermined the potential cooperative power of Internet-enabled machine species with a continued focus on the humanistic ethics laid out by Jeffords’ Reagan-era hard body. The “insight” the movies provided reifed the fears and concerns found in the moviemaking machinic phy- lum of Hollywood and its overlap with the American State War Machine, all the while deconstructing the documents as windows into “the nature of human beings, social relationships, institutions, and conficts” as it related to the civilian machinic audience of war flms. © The Editor(s) (if applicable) and The Author(s) 2017 229 A. Tucker, Virtual Weaponry, DOI 10.1007/978-3-319-60198-4 230 CONCLUSION: What MIGHT A WAR FILM LOOK LIKE GOING FOrwarD? This book is being published with the knowledge that, like Interfacing with the Internet in Popular Cinema, it is far from compre- hensive and with the hope that other scholars might pick up some of the initial or underdeveloped thoughts that were begun with this text.