Community Land Trust
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Martin Luther King Jr.'S Mission and Its Meaning for America and the World
To the Mountaintop Martin Luther King Jr.’s Mission and Its Meaning for America and the World New Revised and Expanded Edition, 2018 Stewart Burns Cover and Photo Design Deborah Lee Schneer © 2018 by Stewart Burns CreateSpace, Charleston, South Carolina ISBN-13: 978-1985794450 ISBN-10: 1985794454 All Bob Fitch photos courtesy of Bob Fitch Photography Archive, Department of Special Collections, Stanford University Libraries, reproduced with permission Dedication For my dear friend Dorothy F. Cotton (1930-2018), charismatic singer, courageous leader of citizenship education and nonviolent direct action For Reverend Dr. James H. Cone (1936-2018), giant of American theology, architect of Black Liberation Theology, hero and mentor To the memory of the seventeen high school students and staff slain in the Valentine Day massacre, February 2018, in Parkland, Florida, and to their families and friends. And to the memory of all other schoolchildren murdered by American social violence. Also by Stewart Burns Social Movements of the 1960s: Searching for Democracy A People’s Charter: The Pursuit of Rights in America (coauthor) Papers of Martin Luther King Jr., vol 3: Birth of a New Age (lead editor) Daybreak of Freedom: Montgomery Bus Boycott (editor) To the Mountaintop: Martin Luther King Jr.’s Mission to Save America (1955-1968) American Messiah (screenplay) Cosmic Companionship: Spirit Stories by Martin Luther King Jr. (editor) We Will Stand Here Till We Die Contents Moving Forward 9 Book I: Mighty Stream (1955-1959) 15 Book II: Middle Passage (1960-1966) 174 Photo Gallery: MLK and SCLC 1966-1968 376 Book III: Crossing to Jerusalem (1967-1968) 391 Afterword 559 Notes 565 Index 618 Acknowledgments 639 About the Author 642 Rabbi Abraham Joshua Heschel, the preeminent Jewish theologian, introduced Martin Luther King Jr. -
Finding Aid to the Historymakers ® Video Oral History with Bernice Johnson Reagon
Finding Aid to The HistoryMakers ® Video Oral History with Bernice Johnson Reagon Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Reagon, Bernice Johnson, 1942- Title: The HistoryMakers® Video Oral History Interview with Bernice Johnson Reagon, Dates: November 21, 2003 and September 22, 2003 Bulk Dates: 2003 Physical 8 Betacame SP videocasettes (3:44:48). Description: Abstract: Curator, music composer, and history professor Bernice Johnson Reagon (1942 - ) founded Sweet Honey in the Rock, an award- winning a cappella quintet that performs traditional African and African American music. She has been curator emeritus at the Smithsonian since 1993. Reagon also enjoyed a distinguished career as a professor of history at American University from 1993 to 2002. Reagon was interviewed by The HistoryMakers® on November 21, 2003 and September 22, 2003, in Washington, District of Columbia. This collection is comprised of the original video footage of the interview. Identification: A2003_231 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Born on October 4, 1942, Bernice Johnson Reagon grew up in Albany, Georgia, where she became involved in the civil rights movement. As a student at Albany State College in 1961, Reagon was arrested for participating in a SNCC demonstration. She spent the night in jail singing songs and after her arrest joined the SNCC Freedom Singers to use music as a tool for civic action. Reagon earned the SNCC Freedom Singers to use music as a tool for civic action. Reagon earned her B.A. in history from Spelman College in 1970. -
“We Shall Overcome and the Southern Black Freedom Struggle”
“We Shall Overcome and the Southern Black Freedom Struggle” David J. Garrow On October 22, 1945, 1,000 members of Local 15 of the Food, Tobacco, Agricultural, and Allied Workers Union (FTA) went on strike at an American Tobacco Company cigar factory in Charleston, SC, seeking to increase their pay to 30 cents-per-hour. The biracial group of strikers began picketing outside the brick factory building, and in later years surviving participants would recall two African American women, Delphine Brown and Lucille Simmons, as important song leaders who led the strikers in singing. Simmons was a choir member at Jerusalem Baptist Church, and fellow union members would remember her singing a well-known hymn, “I’ll Be All Right,” and altering it to give voice to the striking workers’ own aspirations: “We Will Overcome.”1 1. Robert Shelton, “Rights Song Has Own History of Integration,” New York Times, 23 July 1963, at 21; Robert Sherman, “Sing a Song of Freedom,” Saturday Review, 28 September 1963, at 65-67, 81; “Moment of History,” The New Yorker, 27 March 1965, at 37-39; Josh Dunson, Freedom In the Air: Song Movements of the Sixties (International Publishers, 1965), at 29; Lillie Mae Marsh in Guy and Candie Carawan, Freedom Is A Constant Struggle—Songs of the Freedom Movement (Oak Publications, 1968), at 138; Bernice Johnson Reagon, “Songs of the Civil Rights Movement 1955-1965: A Study in Cultural History,” Ph.D. dissertation, Howard 2 The strike ended without success in April 1946, but one month later, two participants, Anna Lee Bonneau and Evelyn Risher, traveled to the Highlander University, 1975, at 65, 68-75; Caryle Murphy, “The Rise of a Rights Anthem,” Washington Post, 17 January 1988, at G1, G11; Noah Adams, “Tracing the History of the Song ‘We Shall Overcome,’” All Things Considered, National Public Radio, 15 January 1999; Robert R. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places. -
What Is a Community Land Trust?
Land in Common community land trust What is a Community Land Trust? The first Community Land Trust (CLT) was born from the visionary wor! of civil rights organi(ers /hirley /herrod, Charles /herrod, Bob /wann, /later King and others. They founded 1ew Communities, 2nc. in 3eorgia in 4+5+ as a collective farm to empower 'frican 'meri an families and ena t land 6usti e in the /outh. 7rawing on the ideas of politi al e onomist 8enry 3eorge, the 0ibbut( ooperative movement, and the 2ndian 3ramdan (“land gift”) movement, the CLT structure is rooted in balanced values of collective liberation and redistribution, community ownership of land, and individual freedom and responsibility 9a mi: well-suited for %ainers see!ing social change. CLTs are built on the idea of separating the ownership of land from the ownership of buildings and other “improvements.” The land is owned by the member-run, nonprofit trust as part of a shared commons, removing it permanently from the mar!et. This land is then leased to residents via an inheritable, renewable, +9-year, “ground lease.” ,uildings on the land are owned dire tly by the residents themselves and may be sold only at values that assure fair ompensation #not high profits) for owners and long-term a-ordability for future residents. Long-term prote tion of the land for agri ulture, conservation, a-ordable housing, and other ommunity-based purposes is a hieved; while se urity, autonomy, and participation in !ey land-related de isions by land residents is also ensured. Land in Common is governed by two groups of people" those who live on or use the land #$esident %embers& and those from the wider community ('ssociate Members) who support the vision, mission, and values of the organi(ation. -
Songs in the 1960S Southern Civil Rights Movement
Sounds of Freedom: Songs in the 1960s Southern Civil Rights Movement Anne STEFANI Université de Toulouse-Jean Jaurès, France Département d’Études du Monde Anglophone [email protected] ABSTRACT Songs are part of a long tradition of dissent and struggle in American culture since the seventeenth century. In the twentieth century, this tradition is well illustrated by the Freedom Songs of the 1960s civil rights movement, a distinctive feature of the struggle for black freedom in the South. Freedom Songs were used within and outside the movement to sustain as well as to publicize the struggle. The present article analyzes the nature and function of those songs, demonstrating that they represented much more than protest songs. It shows that beyond their most obvious function, which was to mobilize and cement collective participation in the various demonstrations and actions of nonviolent resistance to segregation, Freedom Songs had a transforming power over individuals. In the context of the southern Freedom Movement, singing became an existential experience, a second birth through which African Americans re-appropriated their culture and constructed a new identity for themselves and for their people. Freedom Songs thus can be said to have contributed not only to defeating white supremacy in the South but also to empowering African Americans by reconnecting them to their culture and by providing each individual the way to achieve his or her inner liberation. Keywords: Freedom Songs, Civil rights movement, Nonviolence, Spirituality, African American culture Songs have been part of a long tradition of dissent and struggle in American culture since early American history. -
Community Land Trust
THE COMMUNITY LAND TRUST READER Edited by John Emmeus Davis THE COMMUNITY LAND TRUST READER Edited by John Emmeus Davis © 2010 by the Lincoln Institute of Land Policy All rights reserved. Library of Congress Cataloging- in- Publication Data Th e community land trust reader / edited by John Emmeus Davis. p. cm. Includes bibliographical references and index. ISBN 978-1-55844-205-4 1. Land trusts– United States. 2. Land trusts. 3. Land use, Urban–United States. 4. Community development– United States. 5. Housing development– United States. I. Davis, John Emmeus, 1949– II. Lincoln Institute of Land Policy. HD257.C65 2010 333.2–dc22 2009034436 Designed by Peter Holm, Sterling Hill Productions Cover and interior illustrations by Bonnie Acker. Used by permission. Every eff ort has been made to locate copyright holders of all copyrighted materials and to secure the necessary permission to reproduce them. Composed in Adobe Garamond by Westchester Book Group in Danbury, Connecticut. Printed by Puritan Press, Inc., in Hollis, New Hampshire. Bound by ACME Bookbinding in Charlestown, Massachusetts. Th e paper is Rolland Enviro100, an acid- free, 100 percent recycled sheet. manufactured in the united states of america CONTENTS Preface . ix Ac know ledg ments . xiii PART ONE Precursors Origins and Evolution of the Community Land Trust in the United States (2010) John Emmeus Davis . .3 Toward a Property Ethic of Stewardship: A Religious Perspective (2000) Peter W. Salsich, Jr. .48 FROM Social Problems (1886) Henry George . .66 FROM Garden Cities of To- Morrow (1902) Ebenezer Howard . .76 FROM Utopian En gland: Community Experiments 1900– 1945 (2000) Dennis Hardy . -
From “Gentrification” to Community Control: an Exploration Into Urban Restructuring in New York City
From “Gentrification” to Community Control: An exploration into urban restructuring in New York City by Aida Mas supervised by Dr. Luisa Sotomayor A Portfolio submitted to the Faculty of Environmental Studies in partial fulfillment of the requirements for the degree of in Environmental Studies York University, Toronto, Ontario, Canada July 31, 2019 Land Acknowledgement For over 15,000 years, Turtle Island has been stewarded collectively by Indigenous communities. In fact, it was not so long ago that colonization imposed the concept of private ownership of land on what settlers perceived as Terra nullius, or “nobody’s land.” This idea – that collectively stewarded land belonged to nobody – ultimately allowed colonial powers to usurp land from Indigenous communities through the imposition of private property. This legacy of extractive dispossession continues to shape our society and relationship to land. From where I sit today on the unceded territory of the Coast Salish Peoples, to the occupied Lenape land where most of this research took place, Indigenous communities have been systematically displaced and extirpated from their land. The land which York University occupies is no exception, having been home to the Anishinabek Nation, the Haudenosaunee Confederacy, Huron-Wendat, the Métis, and the Mississaugas of the New Credit First Nation. These Indigenous Nations have been stewarding land through agreements such as the Dish with One Spoon Wampum Belt Covenant, which aims to share and preserve the natural life and harmony of the Great Lakes region. My awareness of the importance of stewardship began far from my own ancestral territories of the Iberian Peninsula and the Middle East. -
Grassroots Impacts on the Civil Rights Movement
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Summer 2018 Grassroots Impacts on the Civil Rights Movement: Christian Women Leaders’ Contributions to the Paradigm Shift in the Tactics of the Southern Christian Leadership Conference and Its Affiliates Wook Jong Lee Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the History of Christianity Commons Recommended Citation Lee, Wook Jong. (2018). Grassroots Impacts on the Civil Rights Movement: Christian Women Leaders’ Contributions to the Paradigm Shift in the Tactics of the Southern Christian Leadership Conference and Its Affiliates. CGU Theses & Dissertations, 149. https://scholarship.claremont.edu/cgu_etd/149. doi: 10.5642/cguetd/149 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Grassroots Impacts on the Civil Rights Movement: Christian Women Leaders’ Contributions to the Paradigm Shift in the Tactics of the Southern Christian Leadership Conference and Its Affiliates By Wook Jong Lee Claremont Graduate University 2018 © Copyright Wook Jong Lee, 2018 All Rights Reserved ProQuest Number:10844448 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10844448 Published by ProQuest LLC ( 2018). -
View Transcript
https://snccdigital.org/our-voices/strong-people/part-1/ SNCC Digital Gateway: Our Voices Strong People: Born Into the Movement Clip 1 (video) Annette Jones White “Born Into the Movement” Annette Jones White: She pulled her packet up to my mother’s house at about 3 o’clock in the morning and about an hour later I was born into the Movement. That’s when it started. I was in a totally segregated city on the southside of town where Black people lived, and everything that went on in that city affected me in some way. As I grew, my parents explained what being in a segregated city meant. My father wanted me to know what was out there so I could survive in that type of that society. So at night in the winter, we’d sit about the fireplace and chew sugarcane, and they’d tell me stories about what had happened to them. And my grandmother told me how she was chased by the Ku Klux Klan because she was downtown after 6 o’clock. There were curfews. Uncle Peter went to town one Saturday and didn’t come back. The found him on the railroad track. People had followed him and placed him there. His horse and buggy were fine, but he wasn’t. He refused to sell his land to some white people, and after he was killed, his wife sold it, and she went north. So every evening there were episodes that I was told about…So I always tell people when they ask how did you become involved, I say it was inevitable. -
Protest, Showdown and Civil Rights Activity in Three Southern Cities, 1960-1965. Kyle Thomas Scanlan East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2001 Fight the Power: Protest, Showdown and Civil Rights Activity in Three Southern Cities, 1960-1965. Kyle Thomas Scanlan East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the History Commons Recommended Citation Scanlan, Kyle Thomas, "Fight the Power: Protest, Showdown and Civil Rights Activity in Three Southern Cities, 1960-1965." (2001). Electronic Theses and Dissertations. Paper 117. https://dc.etsu.edu/etd/117 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Fight the Power: Protest, Showdown and Civil Rights Activity in Three Southern Cities 1960-1965. _______________ A thesis presented to the faculty of the Department of History East Tennessee State University _______________ In partial fulfillment of the requirements for the degree Master of Arts in History ________________ by Kyle T. Scanlan August 2001 ________________ Dr. Elwood Watson, Chair Dr. Henry Antkiewicz Dr. Dale Schmitt ______________ Keywords: Civil Rights Movement, Martin Luther King, SCLC, SNCC ABSTRACT Fight the Power: Protest, Showdown and Civil Rights Activity in Three Southern Cities, 1960-1965 by Kyle T. Scanlan This thesis describes the significant events of the Civil Rights Movement from 1960 to 1965, examining the campaigns of Albany, Georgia in 1962, Birmingham, Alabama in 1963, and Selma, Alabama in 1965.