Year of Mercy
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Byzantine Art
Byzantine Art 1 Chapter 3.2 Art of the Middle Ages PART 3 HISTORY AND CONTEXT Byzantine Art . Emperor Justinian great patron of the arts Funded Hagia Sophia, Constantinople . Mosaic made from glass tesserae In Byzantine churches to reflect light . Icons-venerated, believed to possess powers of healing https://www.youtube.com/watch?v=B6c9adXfvSM Intro to Medieval Art Gateways to Art: Understanding the Visual Arts, Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields Byzantine Terms Art and Architecture • Good Shepherd imagery: blended depictions of a Christ- like figure that merged pagan figural styles with Early Christian meaning. • Iconoclasm: literally translates as “image breaking”; a period of the destruction of religious imagery for fear of idolatry. • Mandorla: an almond-shaped enclosure encircling depictions of Christ. • Mosaic: patterns or pictures made by embedding small pieces (tesserae) of stone or glass in cement on surfaces such as walls and floors. • Orants: figural depictions of worshippers, denoted by their raised, outstretched arms. 3 Samuel anoints David, detail of the mural paintings in the syna-gogue, Syria, ca. 245–256. Tempera on plaster, 47 high. Early Jewish murals often told a narrative 4 Catacomb of Commodilla, Via Ostiense, Rome, Italy, ca. 370–385 http://www.youtube.com/watch?v=zXRAU23X9Zs Catacomb tour 5 Christ seated, from, Italy, ca. 350–375. Marble, 2’ 41/2” high. Museo Nazionale Romano–Palazzo Massimo alle Terme, Rome. A blending of Greco-Roman style and what will be Early Christian style artwork. The result is a strange amalgam: realistic and ideal, but somehow “wrong”. The legs seem too short and the fabric looks less skillfully handled. -
716A774f4a2b6625fc8ec763e06
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-5/W1, 2017 GEOMATICS & RESTORATION – Conservation of Cultural Heritage in the Digital Era, 22–24 May 2017, Florence, Italy USE OF 3D TECHNOLOGIES WITHIN THE CONSERVATION OF THE ANCIENT WINDOWS OF THE BASILICA OF S. SABINA IN ROME. CONSTRUCTION OF EXHIBITION STANDS IN CARBON COMPOSITE ON A MILLED STRUCTURE. A. Iaccarino Idelsona,*, S. Pannuzib, A. Brunettoc, G. Galantid, C. Giovannoneb, V. Massab, C. Serinoa, F. Vischettib a Equilibrarte srl, 00179 Rome, Via Centuripe 34, Italy - [email protected] b Istituto Superiore per la Conservazione e il Restauro, 00153 Rome, via di San Michele 25, Italy – (simona.pannuzi, carla.giovannone, valeria.massa, flavia.vischetti)@beniculturali.it c Restauri Brunetto, 36100 Vicenza, Italy - [email protected] d Fabrica Conservazione e Restauro scpl, 00138 Roma, Via Ludovico da Casoria 11, Italy - [email protected] KEY WORDS: 3-D milling, 3-D modeling, exhibition stands, carbon fiber composite, laser cleaning, fragmented artifact, counterforms, restoration. Abstract Rare and precious window elements from the Paleochristian Basilica of Saint Sabina in Rome, made of plaster gypsum with translucent selenite used as glass for light transmission, were discovered by Antonio Muñoz during the restoration of the building at the beginning of the 20th c. Originally standing within the stone window frame, were then mounted on wood planks with screws for holding together the scattered fragments. The surfaces were covered with grime and the selenite elements were blinded by the wooden supports. During the recent conservation treatment at ISCR, traces of Egyptian blue on the internal surfaces were detected. -
Ah Timeline Images ARCHITECTURE
8. STONEHENGE 12. WHITE TEMPLE & ZIGGURAT, URUK c. 2,500 - c. 3,500 - 1,600 BCE 3,000 BCE monolithic Sumerian sandstone Temple henge present day present day Wiltshire, UK Warka, Iraq SET 1: GLOBAL PREHISTORY 30,000 - 500 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 17. GREAT PYRAMIDS OF GIZA 20. TEMPLE OF AMUN-RE & HYPOSTYLE HALL c. 2,550 - c. 1,250 BCE 2,490 BCE cut sandstone cut limestone / and brick Khufu Egyptian Khafre / Sphinx Menkaure temple present day Karnak, near Cairo, Egypt Luxor, Egypt SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 21. MORTUARY TEMPLE OF HATSHEPSUT 26. ATHENIAN AGORA c. 1,490 - 600 BCE - 1,460 BCE 150 CE slate eye civic center, makeup ancient Athens palette present day Egyptian Athens, Museum, Cairo Greece SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 30. AUDIENCE HALL OF DARIUS & XERXES 31. TEMPLE OF MINERVA / SCULPTURE OF APOLLO c. 520 - 465 c. 510 - 500 BCE BCE Limestone Wood, mud Persian brick, tufa Apadana temple / terra SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE cotta sculpture Persepolis, Iran Veii, near Rome SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 35. ACROPOLIS ATHENS, GREECE 38. GREAT ALTAR OF ZEUS & ATHENA AT PERGAMON c. 447 - 424 c. 175 BCE BCE Hellenistic Iktinos & Greek Kallikrates, marble altar & Marble temple complex sculpture Present day Antiquities Athens, Greece Museum , Berlin SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 39. -
Giovanni Battista Contini
Giovanni Battista Contini Italian architect of the Late Baroque period (1641-1723) Son of Francesco and Agata Baronio was born in Rome on May 7, 1642. He had the first training of an architect by his father who "nobility educated him and sent to all the schools to which the nobles were subjected", but he also perfected under Gian Lorenzo Bernini. He was so attached to the great master that he would assist him to death and to have a portrait of him "printed on canvas with black frame". The first important commission of CONTINI to be known seems to be the erection of the catafalco for Alexander VII (1667). arrived through Bernini. In Rome, in addition to carrying out practical duties such as those of measuring and architect of the Apostolic Chamber and Architect of the Virgin Water, in which he succeeded Bernini (1681-1723), he dedicated himself particularly to the erection of family chapels and altars; but his main activity soon moved to different places and often far from Rome, and yet in the papal state. Three years after the death of Bemini, in 1683, CONTINI became principal of the Accademia di S. Luca, succeeding Luigi Garzi in a prestigious duty function as indicative of the professional stature he had reached at that time. In the Academy, however, he was disappointed, demonstrating in a way too obvious that his interest focused on practicing the profession. In 1696 he was judged in the banned competition on the occasion of the first centenary of the Academy, but no other activities for this institution were known until 1702, when he worked as an instructor Along with Francesco Fontana, Sebastiano Cipriani, Carlo Buratti and Carlo Francesco Bizzaccheri. -
Constantine Triumphal Arch 313 AD Basilica of St. Peter Ca. 324
Constantine Triumphal Arch 313 AD Basilica of St. Peter ca. 324 ff. Old St. Peter’s: reconstruction of nave, plus shrine, transept and apse. Tetrarchs from Constantinople, now in Venice Constantine defeated the rival Augustus, Maxentius, at the Pons Mulvius or Milvian Bridge north of Rome, at a place called Saxa Rubra (“Red rocks”), after seeing a vision (“In hoc signo vinces”) before the battle that he eventually associated with the protection of the Christian God. Maxentius’s Special Forces (Equites Singulares) were defeated, many drowned; the corps was abolished and their barracks given to the Bishop of Rome for the Lateran basilica. To the Emperor Flavius Constantinus Maximus Father of the Fatherland the Senate and the Roman People Because with inspiration from the divine and the might of his intelligence Together with his army he took revenge by just arms on the tyrant And his following at one and the same time, Have dedicated this arch made proud by triumphs INSTINCTV DIVINITATIS TYRANNO Reconstruction of view of colossal Sol statue (Nero, Hadrian) seen through the Arch of Constantine (from E. Marlow in Art Bulletin) Lorsch, Germany: abbey gatehouse in the form of a triumphal arch, 9th c. St. Peter’s Basilicas: vaulted vs. columns with wooden roofs Central Hall of the Markets of Trajan Basilica of Maxentius, 3018-312, completed by Constantine after 313 Basilica of Maxentius: Vaulting in concrete Basilica of Maxentius, 3018-312, completed by Constantine after 313 Monolithic Corinthian column from the Basilica of Maxentius, removed in early 1600s by Pope Paul V and brought to the piazza in front of Santa Maria Maggiore Monolithic Corinthian column from the Basilica of Maxentius, removed in early 1600s by Pope Paul V and brought to the piazza in front of Santa Maria Maggiore BATHS OF DIOCLETIAN 298-306 AD Penn Station NY (McKim, Mead, and White) St. -
ALBI CATHEDRAL and BRITISH CHURCH ARCHITECTURE TC Albi Cathedral 24/1/2002 11:24 Am Page 2 TC Albi Cathedral 24/1/2002 11:25 Am Page 3
Albi F/C 24/1/2002 12:24 pm Page 1 and British Church Architecture John Thomas TC Albi Cathedral 24/1/2002 11:24 am Page 1 ALBI CATHEDRAL AND BRITISH CHURCH ARCHITECTURE TC Albi Cathedral 24/1/2002 11:24 am Page 2 TC Albi Cathedral 24/1/2002 11:25 am Page 3 ALBI CATHEDRAL and British Church Architecture 8 The in$uence of thirteenth-century church building in southern France and northern Spain upon ecclesiastical design in modern Britain 8 JOHN THOMAS THE ECCLESIOLOGICAL SOCIETY • 2002 TC Albi Cathedral 24/1/2002 11:25 am Page 4 For Adrian Yardley First published 2002 The Ecclesiological Society, c/o Society of Antiquaries of London, Burlington House, Piccadilly, London W1V 0HS www.ecclsoc.org ©JohnThomas All rights reserved Printed in the UK by Pennine Printing Services Ltd, Ripponden, West Yorkshire ISBN 0946823138 TC Albi Cathedral 24/1/2002 11:25 am Page 5 Contents List of figures vii Preface ix Albi Cathedral: design and purpose 1 Initial published accounts of Albi 9 Anewtypeoftownchurch 15 Half a century of cathedral design 23 Churches using diaphragm arches 42 Appendix Albi on the Norfolk coast? Some curious sketches by Sir Giles Gilbert Scott 51 Notes and references 63 TC Albi Cathedral 24/1/2002 11:25 am Page 6 TC Albi Cathedral 24/1/2002 11:25 am Page 7 Figures No. Subject Page 1, 2 Albi Cathedral, three recent views 2, 3 3AlbiCathedral,asillustratedin1829 4 4AlbiCathedralandGeronaCathedral,sections 5 5PlanofAlbiCathedral 6 6AlbiCathedral,apse 7 7Cordeliers’Church,Toulouse 10 8DominicanChurch,Ghent 11 9GeronaCathedral,planandinteriorview -
The Path of Saint Dominic the Path of Saint Dominic
“Sent to preach the Gospel” The Path of Saint Dominic The Path of Saint Dominic Bologna Toulouse Caleruega Rome The purpose of this guide is to help travellers and pilgrims who want to visit spirituality and the charisma he left to his Order. On his journey, the traveler will places connected with the life of St. Dominic of Guzman and therefore to have come across not only monuments but also nuns, brothers, religious people and a better understanding of the origins of the Order of Preachers. To cross, eight laities who have decided to unite to the path of Dominic and dedicate their hundred years later, the same roads, towns and to see homes and churches that lives to the mission of preaching. This is a story that remains alive because today, have marked Dominic’s itinerary, allows us to understand and to internalize the like yesterday, we are sent to preach the Gospel. CONTENTS The path of Saint Dominic ITINERARY IN SPAIN SAINT DOMINIC SAINT DOMINIC SAINT DOMINIC Gumiel de Izán Caleruega IN SPAIN IN FRANCE IN ITALY Burgo de Osma Palencia 6 CALERUEGA 14 TOULOUSE 22 BOLOGNA Saint Dominic was born here in the ... the first step of the path of Saint DOMINICAN PLACES IN BOLOGNA 1170. Dominic in France.... The Basilica and the patriarchal Convent of St. Dominic DOMINICAN PLACES AROUND DOMINIC PLACES IN TOULOUSE Segovia CALERUEGA: 23 Church of St. Mary and 14-15 Maison de Pierre Seilhan St. Dominic of “Mascarella” 7 GUMIEL DE IZAN Ancient Dominican Convent Medieval Bologna St. Dominic lived there from the age of (known as «Couvent des Jacobins») Shrine of Our Lady of St Luke seven to fourteen.. -
J a N -T E R M 2 0 2 1
HISTORY & CULTURE OF ROME J A N -T E R M 2 0 2 1 Jan Term in Rome, Italy! Course Specifics: Course Title: “History & Culture of Rome,” 3 credits (no prerequisites—all majors welcome!) Professors: Dr. Anthony E. Clark, Department of History (Professor of History) [email protected], 777-4368 Course Description: World-class museums, historic buildings, & ancient Roman monuments will be your classroom! HISTORY! Learn the historical foundations of ancient Rome, early Christianity, and the trends that brought Rome into the modern era. MATERIAL CULTURE! Learn about Italian painting, sculpture, and operatic performance. ARCHITECTURE! Explore the history of ancient Roman architecture to the early modern era; learn about the meaning and symbolism of Christian and secular buildings, with a special focus on Renaissance Christian monuments such as St. Peter’s Basilica. 1 Dates: Full Course: Month of January 2021 (Application deadline: March 1, 2020) Highlights: Students shall live in rooms near to the Vatican Museums, St. Peters Square, the Sistine Chapel, and Rome’s most famous sites. An additional overnight trip to Assisi, the home of St. Francis, is also planned. Other plans include: Capitoline hill and the Capitoline museum, Forum, Coliseum, and the Pantheon, Massimo Museum, Baths of Diocletian, Santa Maria degli Angeli St. John Lateran and its baptistery, San Clemente, Church of Santa Prassede and the Chapel of St. Zenone Church of St. Mary Majors, Santa Sabina, Santa Maria in Cosmedine, St. Giorgio in Velabro and St. Paul’s Outside the Walls, Farnese Palace (exterior), Cancelleria, Santo Spirito Church and the hospital courtyard, Via Giula, the Rooms Private of St. -
A Catholic Architect Abroad: the Architectural Excursions of A.M
A CATHOLIC ARCHITECT ABROAD: THE ARCHITECTURAL EXCURSIONS OF A.M. DUNN Michael Johnson Introduction A leading architect of the Catholic Revival, Archibald Matthias Dunn (1832- 1917) designed churches, colleges and schools throughout the Diocese of Hexham and Newcastle. Working independently or with various partners, notably Edward Joseph Hansom (1842-1900), Dunn was principally responsible for rebuilding the infrastructure of Catholic worship and education in North- East England in the decades following emancipation. Throughout his career, Dunn’s work was informed by first-hand study of architecture in Britain and abroad. From his first year in practice, Dunn was an indefatigable traveller, venturing across Europe, North Africa and the Middle East, filling mind and sketchbook with inspiration for his own designs. In doing so, he followed in the footsteps of Catholic travellers who had taken the Grand Tour, a tradition which has been admirably examined in Anne French’s Art Treasures in the North: Northern Families on the Grand Tour (2009).1 While this cultural pilgrimage was primarily associated with the landed gentry of the eighteen century, Dunn’s travels demonstrate that the forces of industrialisation and colonial expansion opened the world to the professional middle classes in the nineteenth century.2 This article examines Dunn’s architectural excursions, aiming to place them within the wider context of travel and transculturation in Victorian visual culture. Reconstructing his journeys from surviving documentary sources, it seeks to illuminate the processes by which foreign forms came to influence architectural taste during the ‘High Victorian’ phase of the Gothic Revival. Analysing Dunn’s major publication, Notes and Sketches of an Architect (1886), it uses contemporaneous reviews in the building press to determine how this illustrated record of three decades of international travel was received by the architectural establishment. -
Medical Emergency Numbers and Hospitals FAO Rome
ADDITIONAL EMERGENCY INFORMATION PRIVATE HOSPITALS PHARMACIES Please remember that private hospitals do not have It is advisable to become familiar emergency rooms, but some are open 24 hours. In case with the pharmacies nearest your Medical ANTI –POISON CENTRES it is a life-threatening emergency, call 118. If it is less residence prior to an emergency. (Centro Anti-Veleni) urgent, you can choose a private hospital if you wish. Roman pharmacies adhere to usual Please do, however, try to contact your physician first. opening and closing times. However, there are always Emergency ◉ Policlinico University Hospital Umberto I Tel: 06 49978000 Here is a selection of private hospitals: pharmacies open 24 hours a day on a rotation basis. The location of the nearest night and weekend Salvator Mundi International Hospital ◉ Policlinico Gemelli Tel: 06 3054343 pharmacy is posted outside all pharmacies (Farmacie Numbers Viale delle Mura Gianicolensi 67, 00152 Rome Notturne di Zona). Tel: 0800 402323 (toll-free) Tel: 06 588 961 Pharmacies close to FAO HQ: and Hospitals Rome American Hospital Via Emilio Longoni 69, 00155 Rome Farmacia Santa Sabina Child Emergencies Tel: 114 ◉ Tel: 06 22551 Viale Aventino 78, 00153 Rome ◉ Alcoholics Anonymous Tel: 06 574 3623 English Group Tel: 06 4742913 Aurelia Hospital Italian Group Tel: 06 6636620 Via Aurelia 860, 00165 Rome Farmacia Cestia Tel: 06 664921 Viale della Piramide Cestia 19B, 00153 Rome ◉ Samaritans Tel: 800 86 00 22 Tel: 06 574 3895 Casa di Cura Mater Dei Via Antonio Bertoloni 34, 00197 Rome Tel: 06 802 201 DOCTORS FAO Rome We encourage all employees residing in Rome to Clinica Villa Mafalda identify a personal physician. -
CH8 Late Antiquity Overview
CH8 Late Antiquity Overview ● 235-306 Soldier emperors to Constantine ● 337-527 Sons of Constantine to Justinian ○ Syrian artist paint biblical murals in the ○ Construction of basilican churches as well Dura Europos Synagogue as central plan mausolea and martyria ○ Late Antique sarcophagi and catacomb continue painting exhibit the first efforts at the ○ Luxury arts of metalwork, ivory carving establishment of a standard iconography of and manuscript illumination flourish Christian subjects ○ A new aesthetic focused on the spiritual ● 306-337 Constantine rather than the physical world emerges in ○ Roman basilicas instead of temples serve Late Antique art as models for the first churches in Rome, ○ Theodosius established Christianity as the including Old Saint Peter’s state religion, and Honorius moves the ○ Constantine dedicates Constantinople as capital of the Western Roman Empire to the New Rome on the site of Greek Ravenna Byzantium Map of Late Antiquity ● Roman Empire splits in half. ● Multicultural character of Roman society became more pronounced as rome expanded its territories. ● Late Antiquity is focusing on the adaptation the empire faced in allowing additional religions and keeping control in that world ● Judaism and Christianity became prevalent. Judaism in the east, as Christianity spread west, Judaism employed no iconography, while christianity developed a rich lexicon of iconography Map of Late Antiquity ● Very little is known about the art of the first christians. ● When historians speak about early christian art they are speaking about the first preserved objects, not the christians at the time of Jesus, Christianity only has artifact records since 300-410 Ce around the time of the Sack of Rome Soldier Emperors/Sack of Rome ● Synagogue, Dura-Europos, Syria 245-256 CE ● City called Europos by the Greeks and Dura by the Romans, this city was founded shortly after the death of Alexander the Great. -
Papal Calendar for January 2019 – December 2019
PAPAL CALENDAR FOR JANUARY 2019 – DECEMBER 2019 Bishops’ Office for United States Visitors to the Vatican Via dell’Umiltà, 30 – 00187 Rome Tel (calling from USA): 011.39.06.6900.1821 FAX (faxing from USA): 011.39.06.679.1448 e-mail: [email protected] (edited December 2, 2018) Please note that this calendar is not official, but created by this office. 2019 JANUARY 2019 January 1 World Day of Peace Papal Mass on the Solemnity of Mary, Mother of God at 10:00 a.m. in St. Peter’s Basilica – (Tickets are required and are limited.) Angelus/Papal Blessing in St. Peter’s Square at 12 Noon – No tickets required January 2 Papal Audience at 10:00 a.m. in St. Peter’s Square January 6 Papal Mass on the Solemnity of the Epiphany at 10:00 a.m. in St. Peter’s Basilica (Tickets are required.) Angelus/Papal Blessing in St. Peter’s Square at 12 Noon – No tickets required January 9 Papal Audience at 10:00 a.m. in St. Peter’s Square January 13 Angelus/Papal Blessing in St. Peter’s Square at 12 Noon – No tickets required January 16 Papal Audience at 10:00 a.m. in St. Peter’s Square January 20 Angelus/Papal Blessing in St. Peter’s Square at 12 Noon – No tickets required January 23-27 Papal visit to Panama for World Youth Day January 23 NO PAPAL AUDIENCE January 27 NO PAPAL ANGELUS January 30 Papal Audience at 10:00 a.m. in St. Peter’s Square FEBRUARY 2019 February 2 Papal Mass for Religious at 5:30 p.m.