The Recording Industry in Japan 2009 CONTENTS
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The Recording Industry in Japan 2016 Contents
RIAJ YEARBOOK 2016 Statistics Trends The Recording Industry in Japan 2016 Contents Overview of Production of Recordings and Digital Music Sales in 2015 ........................... 1 Statistics by Format (Unit Basis — Value Basis) ........................................................................ 4 1. Total Recorded Music — Production on Unit Basis.................................................................... 4 2. Total Audio Recordings — Production on Unit Basis .................................................................. 4 3. Total CDs — Production on Unit Basis ...................................................................................... 4 4. Total Recorded Music — Production on Value Basis ................................................................. 5 5. Total Audio Recordings — Production on Value Basis ............................................................... 5 6. Total CDs — Production on Value Basis .................................................................................... 5 7. CD Singles — Production on Unit Basis .................................................................................... 6 8. 5" CD Albums — Production on Unit Basis ............................................................................... 6 9. Music Videos — Production on Unit Basis ................................................................................ 6 10. CD Singles — Production on Value Basis .................................................................................. 7 11. 5" CD -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5 -
Science Fiction
Science Fiction The Lives of Tao by Wesley Chu When out-of-shape IT technician Roen Tan woke up and started hearing voices in his head, he naturally assumed he was losing it. He wasn’t. He now has a passenger in his brain – an ancient alien life-form called Tao, whose race crash-landed on Earth before the first fish crawled out of the oceans. Now split into two opposing factions – the peace-loving, but under-represented Prophus, and the savage, powerful Genjix – the aliens have been in a state of civil war for centuries. Both sides are searching for a way off-planet, and the Genjix will sacrifice the entire human race, if that’s what it takes. Meanwhile, Roen is having to train to be the ultimate secret agent. Like that’s going to end up well… 2014 YALSA Alex Award winner The Testing (The Testing Trilogy Series #1) by Joelle Charbonneau It’s graduation day for sixteen-year-old Malencia Vale, and the entire Five Lakes Colony (the former Great Lakes) is celebrating. All Cia can think about—hope for— is whether she’ll be chosen for The Testing, a United Commonwealth program that selects the best and brightest new graduates to become possible leaders of the slowly revitalizing post-war civiliZation. When Cia is chosen, her father finally tells her about his own nightmarish half-memories of The Testing. Armed with his dire warnings (”Cia, trust no one”), she bravely heads off to Tosu City, far away from friends and family, perhaps forever. Danger, romance—and sheer terror—await. -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
Ifpi Digital-Music-Report-2009.Pdf
DIGITAL MUSIC REPORT 2009 New BusiNess Models for a ChaNgiNg eNviroNMeNt. ifPi DIGITAL MusiC rePORT 2009 Contents p3 n Introduction: Music has embraced the future with new business models – Will governments secure a future for digital content? p4 n Section 1: Shaping a new era in digital music – Digital music: key facts and figures p8 n Section 2: New business models for a changing environment – The shift to ‘music access’ – More choice in music downloads – Social networks and ad-supported services deliver - New frontiers: brands, games and merchandising – Public performance: getting fair value for music – Digital music goes global – three countries in focus p18 n Section 3: The core mission – investing in talent – Cutting through the digital noise – Adding value to artists – Broadening services – Marketing an album in the digital world – A team sharing the same vision: The manager’s view p22 n Section 4: Monetising music in an era of free - the role of ISPs and governments – A future for local music and film? France and Spain in focus – From concept to reality: governments start to move on ISP cooperation p26 n Section 5: Education – the campaign for hearts and minds – Young People, Music and the Internet – Pro-music.org – National campaigns p28 n Section 6: Creative voices speak out – When did intellectual property become free? – music managers speak out – Commerce in the era of “free” – a common challenge for creative industries p30 n Section 7: Pre-release piracy: industry steps-up action 2 iNTRODUCtioN Music has embraced the future with new business models – will governments secure a future for digital content? By John Kennedy, chairman testimony to the commercial value of and chief executive, ifPi. -
Fiction Catàleg
Spring 2021 Fiction Rights Guide Creative Management 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS THE REDSHIRT THE ALMOST QUEEN RAFT OF STARS WHITE ON WHITE THE ROCK EATERS BEND YOU TO REMAIN IMPOSTER SYNDROME NEXT SHIP HOME SURVIVE THE NIGHT WALK THE VANISHED EARTH THREE WORDS FOR GOODBYE THE MAN WHO SOLD AIR IN THE HOLY LAND NOBODY, SOMEBODY, ANYBODY WILD CAT THE BACHELOR CHEVY IN THE HOLE THE LAST MONA LISA THE COMMUNITY BOARD IMMEDIATE FAMILY FOR THE LOVE OF THE BARD THE BODY SCOUT THE WILD ONE O, BEAUTIFUL NONE OF THIS WOULD HAVE HAPPENED... THE UNKNOWN WOMAN OF THE SEINE MORE OF EVERYTHING ALL HER LITTLE SECRETS FLIGHT THE LIGHT PIRATE ISLANDERS GO HOME, RICKY! EXOSKELETONS CAIRO CIRCLES THE MYTHMAKERS THE REDSHIRT A Novel By Corey Sobel NA October 2020 / University Press of Kentucky Final PDF Available Shortlisted for 2020 Center for Fiction’s First Novel Prize Corey Sobel challenges tenacious stereotypes in this compelling debut novel, shedding new light on the hypermasculine world of American football. The Redshirtintroduces Miles Furling, a young man who is convinced he was placed on earth to play football. Deep in the closet, he sees the sport as a means of gaining a permanent foothold in a culture that would otherwise reject him. Still, Miles’s body lags behind his ambitions, and recruiters tell him he is not big enough to com- pete at the top level. His dreams come true when a letter arrives from King College. -
Our World: Keeping the Beat
National Aeronautics and Space Administration NASA eClipsTM Educator Guide NASA’s Our World: Keeping the Beat Educational Product Educators & Students Grades 3-5 EG-2010-002-LaRC www.nasa.gov eClips Keeping the Beat National Standards: National Science Education Standards (NSES) Grade Level: 3-5 Science as Inquiry Abilities necessary to do scientific inquiry Subjects: Life Science Life Science Structure and function in living systems Physical Science Teacher Preparation Motions and forces Time: Science in Personal and Social Perspectives 30-45 minutes Personal health Lesson Duration: Three 55-minute classes. International Society for Technology in Education: National Educational Technology Standards (ISTE/NETS) Time Management: This lesson may take lon- ger with younger students Digital Citizenship or with students who have Exhibit a positive attitude toward using technology little prior knowledge about that supports collaboration, learning, and the circulatory system. productivity. National Health Education Standards Standard 1: Students will comprehend concepts related to health promotion and disease prevention to enhance health Describe the relationship between healthy behaviors and personal health Standard 5: Students will demonstrate the ability to use decision-making skills to enhance health Identify health-related situations that might require a thoughtful decision EDUCATOR GUIDE EDUCATOR NASA eClips™ 1 NASA’S Our WOrld: KeepiNg THE BEAT Lesson Overview: Materials List Students measure and record their pulse rate before and after physical activity to learn more about the heart. Engage Students have the opportunity to use a math model to look Per student for patterns in the pulse rate data. Students participate in • Student Guide (students a Cardiac Relay to deepen their understanding of the could answer all questions circulatory system. -
The Recording Industry in Japan 2008 CONTENTS
RIAJ YEARBOOK 2008 The Recording Industry in Japan 2008 CONTENTS Overview of Production of Recordings and Digital Music Delivery in 2007 ....1 Statistics by Format (Unit Basis — Value Basis) ..............................................................4 1. Total Recorded Music — Production on Unit Basis............................................................4 2. Total Audio Recordings — Production on Unit Basis ........................................................4 3. Total CDs — Production on Unit Basis ..............................................................................4 4. Total Recorded Music — Production on Value Basis ........................................................5 5. Total Audio Recordings — Production on Value Basis ......................................................5 6. Total CDs — Production on Value Basis ............................................................................5 7. CD Singles — Production on Unit Basis ............................................................................6 8. 5" CD Albums — Production on Unit Basis........................................................................6 9. Music Videos — Production on Unit Basis ........................................................................6 10. CD Singles — Production on Value Basis ..........................................................................7 11. 5" CD Albums — Production on Value Basis ....................................................................7 12. Music Videos — Production on Value -
Kirkus Reviewer, Did for All of Us at the [email protected] Magazine Who Read It
Featuring 247 Industry-First Reviews of and YA books KIRVOL. LXXXVIII, NO. 22 K | 15 NOVEMBERU 202S0 REVIEWS THE BEST BOOKS OF 2020 SPECIAL ISSUE The Best 100 Fiction and Best 200 Childrenʼs Books of the Year + Our Full November 15 Issue from the editor’s desk: Peak Reading Experiences Chairman HERBERT SIMON President & Publisher BY TOM BEER MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] John Paraskevas Editor-in-Chief No one needs to be reminded: 2020 has been a truly god-awful year. So, TOM BEER we’ll take our silver linings where we find them. At Kirkus, that means [email protected] Vice President of Marketing celebrating the great books we’ve read and reviewed since January—and SARAH KALINA there’s been no shortage of them, pandemic or no. [email protected] Managing/Nonfiction Editor With this issue of the magazine, we begin to roll out our Best Books ERIC LIEBETRAU of 2020 coverage. Here you’ll find 100 of the year’s best fiction titles, 100 [email protected] Fiction Editor best picture books, and 100 best middle-grade releases, as selected by LAURIE MUCHNICK our editors. The next two issues will bring you the best nonfiction, young [email protected] Young Readers’ Editor adult, and Indie titles we covered this year. VICKY SMITH The launch of our Best Books of 2020 coverage is also an opportunity [email protected] Tom Beer Young Readers’ Editor for me to look back on my own reading and consider which titles wowed LAURA SIMEON me when I first encountered them—and which have stayed with me over the months. -
RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018
Statistics RIAJ YEARBOOK Trends 2019 The Recording Industry in Japan 2019 Contents Overview of Production of Recordings and Digital Music Sales in 2018 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital