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Suche Nach Den Geheimnisvollen Buch Das Buch im Buch. Untersuchungen zu einem Motiv in der gegenwärtigen literarischen Kommunikation Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Barbara Bayer-Schur aus Göttingen Göttingen, im Juli 2011 Prüfungsfach: Komparatistik 1. Gutachter: Prof. Dr. Gerhard Lauer (Neuere deutsche Literatur, Seminar für Deutsche Philologie) 2. Gutachterin: Prof. Dr. Simone Winko (Neuere deutsche Literatur, Seminar für Deutsche Philologie) 1 Inhalt I. Einleitung................................................................................................................................................7 1 Ausgangssituation...........................................................................................................................7 2 Aufriss der Fragestellung...............................................................................................................9 2.1 Der fiktionsinterne und der fiktionsexterne Leser.................................................................12 3 Forschungsstand...........................................................................................................................13 3.1 Skizze des Forschungsstands zu Buch und Lesen im Roman..............................................13 3.2 Die vorliegende Untersuchung als Forschungsdesiderat ......................................................18 4 Vorgehen........................................................................................................................................19 5 Gang der Untersuchung ..............................................................................................................22 II. Fiktionale Darstellungen des ‚Buchs im Buch’ bis in die 1990er Jahre und postmoderne Einflüsse auf die Verwendung des Motivs ..............................................................23 1 Der Roman etabliert sich auf dem deutschen Buchmarkt......................................................23 1.1 Der Roman wird zur Leitgattung .............................................................................................23 1.2 Kritik an der ‚Vielleserei’............................................................................................................26 1.3 Das ‚Buch im Buch’ als neuer Weg des Erzählens ................................................................27 1.3.1 Herausgeberfiktionen .........................................................................................................27 1.3.2 Der Autor wird sichtbar − Autorenverehrung ...............................................................29 2 Das absolute und das einzige Buch............................................................................................30 2.1 Der romantische Roman............................................................................................................30 2.2 Das Buch als Lebensbuch – Novalis’ Heinrich von Ofterdingen (1802, posthum)....................32 3 Der Bücher lesende Held ............................................................................................................35 4 Der fiktionalisierte Büchernarr...................................................................................................38 5 Das Buch als magisches Objekt..................................................................................................41 6 Das Buch potenziert: Die Bibliothek im Roman.....................................................................42 7 Zitierung des Buchs im Buch......................................................................................................43 8 Das Buch in gegenwärtigen literarischen Strömungen............................................................45 9 ‚Buch im Buch’ und postmoderne Einflüsse............................................................................47 10 Zusammenfassung ...................................................................................................................51 III. Typologie des Buch-Motivs................................................................................................................55 1 Zur Motivuntersuchung ...................................................................................................................55 1.1 Zu Korpus und Motivuntersuchung........................................................................................55 1.1.1 Korpus an untersuchten Romanen...................................................................................56 1.1.1.1 Identifikation der Korpus-Titel.................................................................................56 1.1.1.2 Untersuchungsspektrum & Genre............................................................................58 1.1.1.3 Abgrenzung zu ausgelassenen Themenbereichen...................................................59 1.1.1.4 Situation auf dem deutschen Buchmarkt .................................................................62 1.1.1.5 Zusammenstellung des Korpus.................................................................................62 1.1.2 Zur Motivuntersuchung.....................................................................................................64 1.1.2.1 Motiv vs. Thema..........................................................................................................65 1.1.2.2 Das ‚Buch im Buch’: Motiv, Metapher, Kollektivsymbol......................................69 2 Die Suche nach dem Buch − „Der Mythos vom letzten Exemplar eines Buchs“..................70 2.1 Die Suche nach dem Buch ........................................................................................................71 2.1.1 Der Buchsucher als Detektiv.............................................................................................72 2.1.1.1 Detektiv- und Kriminalroman...................................................................................72 2.1.1.2 Inchbold und Corso – zwei genarrte Antihelden ...................................................72 2.1.1.3 Der Buchsucher − Eine typische Detektivfigur .....................................................76 2.1.1.4 Sherlock Holmes − William von Baskerville...........................................................77 2.1.1.5 Erzählsituation im Detektivroman............................................................................79 2.1.2 Die Suche als Queste..........................................................................................................82 2.1.2.1 Don Quijote als Suchender........................................................................................83 2 2.1.2.2 Der Weg als Labyrinth................................................................................................85 2.2 Der Mythos des einen oder letzten Buchs ..............................................................................86 2.3 Schlussfolgerung .........................................................................................................................91 3 „Jedes einzelne Buch hat eine Seele.“ − Buch und Leben..........................................................92 3.1 Anthropomorphisierung des Buchs: Lebendige Bücher.......................................................92 3.1.1 Der Mensch wird zum Buch .............................................................................................94 3.1.1.1 Die Verwandlung: Der Leser wird zum Buch.........................................................94 3.1.1.2 Subtile, figurative Wandlung in ein Buch.................................................................96 3.1.2 Interaktion Buch und Leser...............................................................................................98 3.1.2.1 Immersion des realen Lesers....................................................................................101 3.1.3 Das Buch als Ersatz für Essen & Trinken, Liebe, Zuhause .......................................103 3.1.3.1 Buch und Essen & Trinken .....................................................................................103 3.1.3.2 Buch und Liebe und Partnerschaft .........................................................................105 3.1.3.3 Buch und Zuhause ....................................................................................................107 3.1.4 Buch und Tod....................................................................................................................108 3.1.4.1 Der ‚Friedhof der Vergessenen Bücher’ in Der Schatten des Windes.....................108 3.1.4.2 Der Leser als Gefahr für das Buch .........................................................................110 3.2 Schlussfolgerung .......................................................................................................................111 4 „Ich möchte wissen, wie es war, er zu sein.“ − Auf den Spuren des Autors.........................111 4.1 Der Autor im Zentrum............................................................................................................112 4.2 Vom Autor besessen ................................................................................................................115 4.3 Der Autor, der das Leben verändert......................................................................................116 4.4 Das Leben des Autors nachleben...........................................................................................118 4.4.1 Figur,
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