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Applying African American Jeremiad Rhetoric As Culturally Competent Health Communication Online
Old Dominion University ODU Digital Commons English Theses & Dissertations English Summer 2019 Adding Soul to the Message: Applying African American Jeremiad Rhetoric as Culturally Competent Health Communication Online Wilbert Francisco LaVeist Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/english_etds Part of the Communication Technology and New Media Commons, Health Communication Commons, Journalism Studies Commons, and the Speech and Rhetorical Studies Commons Recommended Citation LaVeist, Wilbert F.. "Adding Soul to the Message: Applying African American Jeremiad Rhetoric as Culturally Competent Health Communication Online" (2019). Doctor of Philosophy (PhD), dissertation, English, Old Dominion University, DOI: 10.25777/1h52-sr85 https://digitalcommons.odu.edu/english_etds/94 This Dissertation is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. ADDING SOUL TO THE MESSAGE: APPLYING AFRICAN AMERICAN JEREMIAD RHETORIC AS CULTURALLY COMPETENT HEALTH COMMUNICATION ONLINE by Wilbert Francisco LaVeist B.A. May 1988, The Lincoln University of Pennsylvania M.A. December 1991, The University of Arizona A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY TECHNOLOGY AND MEDIA STUDIES OLD DOMINION UNIVERSITY AUGUST 2019 Approved by: Kevin A. Moberly Avi Santo Daniel P. Richards Alison R. Reed ABSTRACT ADDING SOUL TO THE MESSAGE: APPLYING AFRICAN AMERICAN JEREMIAD RHETORIC AS CULTURALLY COMPETENT HEALTH COMMUNICATION ONLINE Wilbert Francisco LaVeist Old Dominion University, 2019 Director: Dr. -
Sports Publishing Fall 2018
SPORTS PUBLISHING Fall 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON 5th Floor 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada 52–54 St John Street New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 Clerkenwell t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 London, EC1M 4HF e: shawn.abraham@ e: [email protected] e: [email protected] e: IPSUK_enquiries@ ingramcontent.com ingramcontent.co.uk India All Other Markets and Australia Penguin Books India Pvt. Ltd. General International Enquiries Ordering Information: NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Grantham Book Services Orders and Distribution DLF Cyber City, Phase - III 1400 Broadway, -
A History of African American Theatre Errol G
Cambridge University Press 978-0-521-62472-5 - A History of African American Theatre Errol G. Hill and James V. Hatch Frontmatter More information AHistory of African American Theatre This is the first definitive history of African American theatre. The text embraces awidegeographyinvestigating companies from coast to coast as well as the anglo- phoneCaribbean and African American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles – from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and ahalf centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals, and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are produc- tions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, are conveyed in this volume. errol g. hill was Professor Emeritus at Dartmouth College, Hanover, New Hampshire before his death in September 2003.Hetaughtat the University of the West Indies and Ibadan University, Nigeria, before taking up a post at Dartmouth in 1968.His publications include The Trinidad Carnival (1972), The Theatre of Black Americans (1980), Shakespeare in Sable (1984), The Jamaican Stage, 1655–1900 (1992), and The Cambridge Guide to African and Caribbean Theatre (with Martin Banham and George Woodyard, 1994); and he was contributing editor of several collections of Caribbean plays. -
The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161). -
Football Program
Inlcrre.rence ,vlth torwnrd r,ass. (It venally on orrense. ,, hen 1nterter ence occurs beyond line or scrlm· ma1te, 15 yards and loss or down. ) Safety, PHILIP MORRIS' SUPERIORITY RECOGNIZED BY EMINENT. MEDICAL AUTHORITIES! This finer-tasting cigarette is also far more considerate of your nose and throat ... scientifically proved far less irritating to the smoker's nose and throat! So- ~l PHlllP MORRIS A SCOTT America's FINEST Cigarette LAWN ., 0. M. SCOTT & SONS • • MARYSVILLE OHIO Ohio State Football Results Dunlap Hats And Attendance, 1945 Scores Attendonce Say it with Flowers Arrow Shirts '' Ohio State 47, Missouri 6 ............ 41,299 '' Ohio State 42, Iowa O .................. 49,842 We Deliver on Call '' Ohio State 12, Wisconsin O ........ 69,235 ''' Ohio State 13, Purdue 35 ............ 73,585 R. AD. 1201 Ohio State 20, Minnesota 7 .......... 56,040 THOS. L. CAREY ''' Ohio State 16, Northwestern 14 .. 74,079 Ohio State 14, Pittsburgh O .......... 25,000 Lead off The Evening (estimated l '' Ohio State 27, Illinois 2 .............. 70,287 Custom Built Clothes Ohio State 3, Michigan 7 .......... 85,200 with * Home gomes. WILKE Note. Ohio Stote ronked first in college foot boll attendonce in the United Stotes in 1945; second $50 Up to University of Pennsylvonia in home ottendance. t Home attendance .......... 387 ,327 FLOWERS Abroad .......................... 166,240 • :t:Total .......................... 544,567 She Will Give You a Cheer 30 E. Broad St. New q t home record. Previous home high ( 1944 l, 336,802. »« Chamber of Commerce Bldg., Cols., 0 . :j: New seasons record. P rev i o us season's high l 1941), • 486,468. -
Jacques Butler “Jack”
1 The TRUMPET of JACQUES BUTLER “JACK” Solographer: Jan Evensmo Last update: July 7, 2019 2 Born: April 29, 1909 Died: 2003 Introduction: There is no doubt: Jacques Butler was well known in the Norwegian jazz community, because he was visiting Oslo in 1940 and recorded one 78 rpm. together with our own best jazz performers. So, we grew up with him! History: Raised in Washington, D.C., studied dentistry at Howard University, began playing trumpet at the age of 17. Moved to New York City, worked with Cliff Jackson in the late 1920s, with Horace Henderson (1930-1). Led own band (in New York and on tour) 1934-35, worked with Willie Bryant, then to Europe. Joined Willie Lewis band (late 1936), worked mainly with Willie Lewis until 1939, then toured Scandinavia from June 1939. Was in Norway at the commencement of World War II, returned to the U.S.A. in April 1940. Led own band, worked with Mezz Mezzrow (spring 1943), with Art Hodes (summer 1943- 44), with Bingie Madison (1945), with bassist Cass Carr (summer 1947). Worked in Toronto, Canada (1948). Returned to Europe in late 1950, led own band on various tours, then played long residency at ‘La Cigale’, Paris, from 1953 until returning to the U.S.A. in 1968. Still plays regularly in New York (at the time of writing). Appeared in the film ‘Paris Blues’ (1961). (ref. John Chilton). 3 JACK BUTLER SOLOGRAPHY SAMMY LEWIS & HIS BAMVILLE SYNCOPATORS NYC. June 14, 1926 Edwin Swayze (cnt, arr), Jack Butler (cnt, cl?), Oscar Hammond (tb), Eugene Eikelberger (cl, as), Paul Serminole (p), Jimmy McLin (bjo), Lester Nichols (dm), Sammy Lewis (vo). -
Football Bowl Subdivision Records
FOOTBALL BOWL SUBDIVISION RECORDS Individual Records 2 Team Records 24 All-Time Individual Leaders on Offense 35 All-Time Individual Leaders on Defense 63 All-Time Individual Leaders on Special Teams 75 All-Time Team Season Leaders 86 Annual Team Champions 91 Toughest-Schedule Annual Leaders 98 Annual Most-Improved Teams 100 All-Time Won-Loss Records 103 Winningest Teams by Decade 106 National Poll Rankings 111 College Football Playoff 164 Bowl Coalition, Alliance and Bowl Championship Series History 166 Streaks and Rivalries 182 Major-College Statistics Trends 186 FBS Membership Since 1978 195 College Football Rules Changes 196 INDIVIDUAL RECORDS Under a three-division reorganization plan adopted by the special NCAA NCAA DEFENSIVE FOOTBALL STATISTICS COMPILATION Convention of August 1973, teams classified major-college in football on August 1, 1973, were placed in Division I. College-division teams were divided POLICIES into Division II and Division III. At the NCAA Convention of January 1978, All individual defensive statistics reported to the NCAA must be compiled by Division I was divided into Division I-A and Division I-AA for football only (In the press box statistics crew during the game. Defensive numbers compiled 2006, I-A was renamed Football Bowl Subdivision, and I-AA was renamed by the coaching staff or other university/college personnel using game film will Football Championship Subdivision.). not be considered “official” NCAA statistics. Before 2002, postseason games were not included in NCAA final football This policy does not preclude a conference or institution from making after- statistics or records. Beginning with the 2002 season, all postseason games the-game changes to press box numbers. -
Crime, Violence and Apartheid in Selected Works of Richard Wright and Athol
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) Crime, violence and apartheid in selected works of Richard Wright and Athol Fugard: a study. Name: RODWELL MAKOMBE A thesis submitted in fulfilment of the requirements of the degree of Doctor of Literature and Philosophy in the Department of English and Comparative Studies at the University of Fort Hare Student Number: 200904755 Name of Institution: UNIVERSITY OF FORT HARE Supervisor: DR. M. BLATCHFORD Year: 2011 Contents DECLARATION .............................................................................................................. iii DEDICATION ..................................................................................................................iv ACKNOWLEDGEMENTS ............................................................................................... v ABSTRACT .....................................................................................................................vi CHAPTER ONE .............................................................................................................. 1 Crime, violence and apartheid: the postcolonial/criminological approach .................... 1 Statement of the Problem ......................................................................................... 1 Background .............................................................................................................. 2 Aims of the research ................................................................................................ -
BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
A Prison to School Pipeline for New Jersey's Youth
do social justice. NEW JERSEY INSTITUTE FOR SOCIAL JUSTICE The Institute’s mission is to empower urban residents to realize and achieve their full potential. Established in 1999 by Alan V. and Amy Lowenstein, the Institute’s dynamic and independent advocacy is aimed at toppling load-bearing walls of structural inequality to create just, vibrant, and healthy urban communities. We employ a broad range of advocacy tools to advance our ambitious urban agenda, including research, analysis and writing, public education, grassroots organizing, the development of pilot programs, legislative strategies, and litigation. Using a holistic approach to address the unique and critical issues facing New Jersey’s urban communities, the Institute advocates for systemic reform that is at once transformative, achievable in the state, and replicable in communities across the nation. NEW JERSEY INSTITUTE FOR SOCIAL JUSTICE Ryan P. Haygood, President and CEO Andrea McChristian, Associate Counsel (primary author) ACKNOWLEDGEMENTS The Institute gratefully acknowledges the generous support of the Public Welfare Foundation, and the excellent research assistance provided by Institute Legal Fellow Stephanie Butler and interns Katherine Petrie, Alyshia McGuire, Jaynor Diaz, Ronald Pierce, Nina Rosella, Emily Z. Deyring, and Gilbert Olusegun Oladeinbo. The Institute is also very grateful to our colleagues Elizabeth Weill-Greenberg, Demelza Baer, Scott Novakowski, Princeton Hynes, Retha Onitiri, James Williams, and Muddasra Munir for their invaluable substantive and editorial assistance. We would also like to thank the New Jersey Juvenile Justice Commission and the New Jersey Department of Education for providing us with important data that was included in this report. The Institute would like to thank our external reviewers of earlier drafts of this report: Antoinette Ellis-Williams, Elise Boddie, Esq., Douglas Eakeley, Esq., Charrnice Carney, Charity Haygood, Dr. -
The Business Issue
VOL. 52, NO. 06 • NOVEMBER 24 - 30, 2016 Don't Miss the WI Bridge Trump Seeks Apology as ‘Hamilton’ Cast Challenges Pence - Hot Topics/Page 4 The BusinessCenter Section Issue NOVEMBER 2016 | VOL 2, ISSUE 10 Protests Continue Ahead of Trump Presidency By Stacy M. Brown cles published on Breitbart, the con- WI Senior Writer servative news website he oversaw, ABC News reported. The fallout for African Americans, President Barack Obama, the na- Muslims, Latinos and other mi- tion's first African-American presi- norities over the election of Donald dent, said Trump had "tapped into Trump as president has continued a troubling strain" in the country to with ongoing protests around the help him win the election, which has nation. led to unprecedented protests and Trump, the New York business- even a push led by some celebrities man who won more Electoral Col- to get the electorate to change its vote lege votes than Democrat Hillary when the official voting takes place on Clinton in the Nov. 8 election, has Dec. 19. managed to make matters worse by A Change.org petition, which has naming former Breitbart News chief now been signed by more than 4.3 Stephen Bannon as his chief strategist. million people, encourages members Bannon has been accused by many of the Electoral College to cast their critics of peddling or being complicit votes for Hillary Clinton when the 5 Imam Talib Shareef of Masjid Muhammad, The Nation's Mosque, stands with dozens of Christians, Jewish in white supremacy, anti-Semitism leaders and Muslims to address recent hate crimes and discrimination against Muslims during a news conference and sexism in interviews and in arti- TRUMP Page 30 before daily prayer on Friday, Nov.