Grosvenor Prints Tel: 020 7836 1979 19 Shelton Street [email protected] Covent Garden www.grosvenorprints.com WC2H 9JN Catalogue 105

Item 145: A Vision of Judgment by Robert Cruikshank

Cover: Detail of item 40 Back: Detail of Item 148

Registered in No. 305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Ra ment. C.E. Ellis. E&OE VAT No. 217 6907 49 1. Etch'd from an original Painting of 3. Arms of the Trading Companies, Hospitals, Rembrandt, now in the Collection of Mr Inns of Court, Scocieties &c. Plate IV. Hudson of Great Queen Street. Engraved for Noorthouck's History of By T: Worlidge Portrait Painter, in the Piazza London. Covent Garden [c.1757-8] Longmate sculp. [London: R. Baldwin, 1773.] , platemark 195 x 140mm (7¾ x 5½"), . 240 x 190mm (9½ x 7½"). with thread margins. £160 Trimmed into plate on left, notch in bottom Unidentified portrait supposedly after edge. Repaired tear on left. £65 Rembrandt, showing sitter in his study. Thirty costs-of-arms, including those of the Thomas Worlidge (1700-66) specialised in Russia, South Sea, Turkey or Levant and either copied from, or in the style of Virginia Companies. Rembrandt. Ex: Collection Hon. C. Lennox- Stock: 55350 Boyd. Stock: 55261 4. Arms of the City Companies, Scocieties &c. Plate III. Engraved for Noorthouck's History of London. Longmate sculp. [London: R. Baldwin, 1773.] Engraving. 240 x 190mm (9½ x 7½"). Trimmed into plate at sides. £65 Thirty costs-of-arms of City Companies, alphabetically from Pewterers to Woomen, and trading companies including those of the African, Hudson's Bay and East India Companies. Stock: 55351

5. [Pair of images of elaborate tombs, one with title.] The Tomb of the worthy Patroness of the Hon.ble & Ancient Family of the Cousins. Born in the 719th Year of the World, Died 1201 Years before the Birth of the Messiah. Æt 81. [n.d., .1780.] Two etchings, printed in sepia. Each 310 x 2. [Bound collection of 42 medallion portraits 200mm (12¼ x 8"). One trimmed within engraved by Simon Thomassin.] plate, repaired tear, both with old ink mss., [Published by Thomassin, plates dated laid on album paper. £320 between 1696-1710.] One tomb has a classical theme; the second Folio, large paper copy, contemporary full has Masonic symbolism. calf, 42 engraved plates, each c. 230 x 180mm Stock: 55247 (9 x 7"). Rebacked, spine distressed, hinges strained, a little spotting throughout. Small 6. Oak, near Bisham, Berks. foxing hole in 'Victor Amadeus II'. £4000 W.m Delamotte 1805? Drawn & Etched by 42 portraits of European monarchs, nobles W.m De la Motte. Pub.d as the Act directs by and popes, in medallions set on plinths. W.m De la Motte G.t Marlow Jan.ry 1806. They include Louis XIV and the Dauphin, Rare soft ground etching. Sheet 495 x 370mm Louis Prince de Condé, Philippe V of Spain, (19½ x 14½"). Trimmed within plate top and Victor Amadeus II of Savoy, John III Sobieski left; remains of album paper on reverse. of Poland, several German electors and £180 Popes Innocent XII and Clement XI. For A country lane, with a foraging donkey in England there are two Jacobite portraits of the foreground. James II dated 1695 & 1701 (1st state of 2nd), William Delamotte (1775-1863), painter and so after his overthrow, and one of the Old drawing-master at the Royal Military Pretender as James III, although portraits of College at Sandhurst. Roger Baynton- William & Mary and Queen Anne are also Williams: Art of the Printmaker, Plate 90. present. Not in Sharpe. James II & III in Sharpe. Stock: 55243 Stock: 55186 7. Tapisseries du Roy, ou sont Representées les Quatre Elemens. I Bailly in. Le Clerc Sculp. [n.d., c.1668.] Engraving. 420 x 295mm (16½ x 11½"). Thread margins. Slight loss left corner. £140 A decorative frontispiece to a set of of the Four Elements, with vignettes of the Elemetns in a triumphal array. Stock: 55354

8. Tapisseries du Roy, ou sont Representées les Quatre Saisons. I Bailly in. Le Clerc Sculp. [n.d., c.1668.] Engraving. 420 x 295mm (16½ x 11½").

Thread margins. £140 12. Wales. A decorative frontispiece to a set of London J. Fairburn 110, Minories [n.d., engravings of the Four Seasons, with c.1800.] vignettes of the Seasons in a triumphal array. Rare etching with original hand colour. Stock: 55353 Sheet 200 x 150mm (8 x 6"). Trimmed within

9. Tapisseries du Roy, ou sont Representez les printed border, edges soiled. £130 Quatre Elemens et les Quatre Saisons de A pair of young lovers representing Wales, L'Année. with the girl wearing a black top hat. To the I Bailly in. [n.d., c.1668.] left are mountain goats. Stock: 55333 Engraving. 415 x 285mm (16¼ x 11¼").

Trimmed to plate. £75 13. Agriculture. A decorative frontispiece to a set of G.B. Cipriani Inv. I.M. Delattre Sculp.t. engravings of the Four Elements and Four London. Publish'd March 31st; 1788, for the Seasons. It takes the form of a monument, Proprietor, by Palmer & Fielding No. 163 with the Four Elements in a triumphal array Strand. above and the Four Seasons on the plinth Stipple. 180 x 165mm (7 x 6½"), with very below.

Stock: 55352 large margins. Uncut. £160 A cherub holding a sickle, seated on the 10. Devises Pour les Tapisseries des Quatre handle of a spade in a cloud. Stock: 55310 Elemens.

[n.d., c.1668.] 14. Temple of Flora or [...] Engraving. 415 x 285mm (16¼ x 11¼"). [Engraved by P.W. Tomkins after Edward Thread margins. £140 Burney.] Published as the Act Directs June A decorative frontispiece to a set of 1804 by D.r Thornton, Hynd St. engravings of the Four Elements, with Stipple, proof, Sheet 180 x 335mm (7 x 13¼"). vignettes of the Elements in a triumphal Trimmed within plate right and bottom, array. Stock: 55355 lettering of title only slightly inked. Stain bottom right. £130 11. Ireland. An allegorical figure of Flora, seated in a London J. Fairburn 110, Minories [n.d., chariot drawn by winged cherubs, published c.1800.] as a vignette on the title page of Dr Robert Rare etching with original hand colour. Thornton's magnificient 'Temple of Flora', Sheet 195 x 145mm (7¾ x 5¾"). Trimmed the grandest British botantical book. The within printed border. £130 absence of the artist and engraver's A pair of young lovers representing Ireland, signatures and the scant inking of the letters with a harp top left. of the title suggest this is proof impression of Stock: 55332 the vignette. Stock: 55245 15. [Bassett Hounds.] joyous greeting they receive from their Henry Wilkinson. [signed in pencil.] [n.d., family on their return. c.1960.] William Redmore Bigg (1755-1828) Etching. 250 x 300mm (10 x 11¾"). Edition: specialised in genre scenes, often depicting 73/75 very large margins £180 children and acts of charity. Because of the An etching by artist Henry Wilkinson (1921- popularity of his paintings he could 2011) who specialised in sporting dogs and commission the best engravers to produce scenes. prints from his works, including Jones, Stock: 55301 Robert Dunkarton, William Ward and John Raphael Smith. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 55284

17. Harrow School. Drawn by Marcus A. Boss. Vincent Brooks, Day & Son, Ltd, London W.C.2 [n.d., c.1930]. Chromolithograph. Sheet 355 x 430mm (14 x 17"). £190 A view of the Old Speech Room Gallery from the junction of Church Hill and High Street. Stock: 55248

18. Highgate School [pencil]. Wallace Hester [pencil signature]. [n.d., c.1912.] Etching with 'Artist's Proof' blindstamp number 17 in ink. 260 x 200mm (10 x 8"). Narrow margins, paper toned. £95 The Chapel of Sir Roger Cholmeley's School at Highgate (Highgate School), established by Royal charter in 1565. Stock: 55300

19. King's College Chapel, The Public Library, and East End of the Senate House, in the 16. Black Monday or the Departure for School. University of Cambridge. [&] Dulce Domum or the Return from Drawn & Engraved by Tho.s Malton. Pub. School. June 25th 1798 by David Hood, Printseller, Painted by W.R. Bigg A. Engraved by John Cambridge. Jones. Principal Engraver to his Royal Coloured aquatint. 400 x 540mm (15¾ x Highness the Duke of York [&] Engraved by 21¼"), with small margins. Repaired tear John Jones. Extraordinary Engraver to his entering plate on right. £480 R.H. the Prince of Wales, and Principal From King's Parade. Engraver to his R.H. the Duke of York. Pub.d Stock: 55298 as the act directs. Dec.r ye 1st, 1790 by W. R. Bigg No.11 Tavistock Row Covent Garden. 20. A View of Baliol College (a), Trinity College (b), &c. in the University of Pair of . 485 x 610mm (19 x 24"). Oxford. 'Black Monday' trimmed to plate, re- I. Donowell Arch. del. Published according margined to two sides; 'Dulce Domum' to Act of Parliament Feb. 1755 & Sold by trimmed into plate, re-margined on left. John Tinney at ye Golden Lion in Fleetstreet, £450 London. Two of the most famous education scenes: Etching, 18th century watermark. 295 x the first shows two boys leaving for 435mm (11½ x 17"). Several repaired tears in boarding school; the second shows the margins, one entering image at top, crease 24. The Westminster Society. For Insurance on top right. £320 Lives and Survivorships, and Granting After John Donowell (1753 - 1786; fl.), Annuities. architect and topographical draughtsman [n.d., c.1800.] working in London. Engraved trade card. Sheet 90 x 130mm (3½ Stock: 55291 x 5"). Trimmed within image and laid on album paper. £160 21. Peremptory Sale, under a Deed of Established 1792. BM Banks,7.26. Assignment. Catalogue of the Stock of Stock: 55204 Berlin Wools, Patternsm & other Fancy Materials for Needlework, in every variety, 25. [9 writing sheets with vignette rustic scenes --- A Few Lots of Household Furniture, of Crofton, West Yorkshire.] Shop Countersm Show Cases, Fixtures, and Crofton. CC. [n.d., c.1826.] Fittings, Removed for Convenience of Sale, 9 lithographs. Each sheet c. 230 x 190mm (9 x To be Sold by Auction by T. Mallam & 7½"). Two sheets watermarked 'J Green & Son. at the Sar Hotel, Large Room, on Son 1826'. £280 Friday, the 18th Day of May, 1855, at Eleven Writing sheets with scenes of rustic O'Clock, without the slightest reserve. buildings in Crofton, West Yorkshire, home Printed by H. Cooke & Co., Oxford. of Bronte sisters. Green & Son in Hayle Mill, Letterpress auction poster. Sheet 565 x Kent operated from 1815. 440mm (22¼ x 17¼"). A few nicks and tears Stock: 55339 to edges. £180 Aposter advertising an auction, listing the 364 lots, including Berlin tapestry. Mallams Auctioneers was founded in 1788 and still flourishes. Stock: 55356

22. Smiling Kate. Publish'd Feb.1st 1796 by C. Sheppard, No 74, Little Britain, London. Scarce coloured etching. 250 x 170mm (10 x 8"). Paper toned and creased, a stain in verse. £140 An etched ballad songsheet, with an image of a sailor saying goodbye to his sweetheart before setting sail on a man o' war. Stock: 55192

23. Alveston House Academy, 10 Miles from Bristol on the Gloucester Road. Conducted 26. Der Pardel über einem Cameel. by Mr W. Libert. For the Education of a Joh. El. Ridinger inv. et del. M. El. Ridinger select number of Young Gentlemen intended for the Universities & sculps. Aug Vin. [Augsburg, c.1760.] Engraving, watermark M. Heusler, 350 x Professional or Mercantile Pursuits. W. Baker Engraver Bristol. [n.d., c.1861.] 290mm (13¾ x 11½"). Some wear to margins. Steel engraving on card, printed on both £160 sides. Sheet 95 x 125mm (3¾ x 5"). A little A family of big cats bringing down a camel in a cave. Despite being described as staining. £130 The trade card for a school, with an leopards, the cats look more like a lioness illustration of the school on one side and a and her cubs. list of the subjects taught on the other. W. Johann Elias Ridinger (1698-1767) is Libert was a schoolmaster in Cardiff before regarded as one of the best German engravers of animals, especially horses, becoming headmaster at Alveston in 1861. Stock: 55196 hounds and hunting scenes Stock: 55342

27. [Elijah and the death of the widow's son.] And it came to pass after these things that the Son of the Woman the Mistress of the house fell sick, and his sickness was so sore that there was no breath left in him. Kings Book 1st Cap 17th. Painted by Prince Hoare. Engraved by James Walker. Published as the act directs May 6th, 1782 by J. Walker. No. 51, Great Portland Street, Portland Place. Rare , 18th century watermark. 400 x 355mm. (15¾ x 13¾"). Narrow margins on three sides. £280

While sheltering the prophet Elijah in her Painted by W. Martin. Engraved by W. home Zarephath a widow grieves for her Ward. [London. Pub.d Dec.r 16, 1795 by son, holding a veil to her face. Elijah appeals W.Martin, Hamilton Street, Piccadilly.] to God and the boy is restored to life. Mezzotint, printed in colours and hand- After Prince Hoare (1755-1834), portrait and finished. Sheet 515 x 610mm (20¼ x 24"). history painter, writer on art and Trimmed within plate, losing explanatory playwright. Ex Collection of the Hon. text, multiple repaired tears. £180 Christopher Lennox-Boyd. Cardinal Stephen Langton standing behind Stock: 55299 the altar in Bury St Edmund's in 1213,

pointing to the charter of liberties, the barons 28. [The Denial of St Peter] Quid Trepidas? of England raising their hands in agreement. Gerardus Segers inven. S. à Bolswert Sculp. The Charter of Liberties was issued by [n.d., c.1640.] Henry I upon his ascension to the throne in Engraving. Sheet 375 x 470mm (14¾ x 18½"). 1100, addressing abuses of royal power, such Trimmed to plate, several small tears. £290 as over-taxation of the barons, the abuse of A night scene: St Peter stands at the end of a vacant sees, and the practices of simony and table, lit by fire-light. Two soldiers (wearing pluralism. It was generally ignored by medieval dress) play cards. Stock: 55349 monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the 29. The Warrant to Colonel Francis Hacker &c, nobles that their liberties had been for Beheading of K.Charles the First... A guaranteed a century before. In the face of View of the Place and Manner of K. such unified opposition King John opened Charles the First's Execution. negotiations and the Magna Carta was [London: Edward Seymour, 1764.] signed two years later. Engraving. Sheet 195 x 225mm (7¾ x 8¾"). The quality of the colour printing is Trimmed within plate. £140 particularly good. Frankau 55. The execution of Charles I outside Stock: 55215 Banqueting House. From 'The Complete 31. [Une Scène de l'Inquisition.] History of England' by Edward Seymour. Stock: 55341 C.te de Forbin pinx.t. S.W. Reynolds Grav. du Roi d'Angleterre Sculp. Déposé. A Paris 30. Charter of Liberties. [Cardinal Langton, chez Schroth Editeur M.d de Tabl.x et Archbishop of Canterbury, producing to Dessin, Rue St,, Honoré No. 353, bis et à the Barons and the rest of the Assembly at Londres chez Colnaghi fils et C.ie Pall mall S.t Edmund's Bury, the Charter granted by East [n.d., c.1830]. Henry the 1st, in which that Monarch Chine collé mezzotint, proof before title. 530 pledged himself to abolish the arbitrary x 400mm (20¾ x 15¾"), with very large Laws of the Normans then in force... margins. Some spotting. Uncut. £240 Engraved from the Original Picture in the In a tower room a monk and nun question a Gallery of the University of Oxford.] chained man in oriental dress. In the floor is a trapdoor with a ladder. In the background

a skull and hourglass sit on an open book on 34. Margaret's Tomb. Her bloom was like the a chair. Whitman 367. springing flower. [...] And every charm is Stock: 55216 fled. Henry Bunbury, Esq. del.t. F. Bartolozzi R.A. sculp.t. London Publish'd May 10, 1799, by Tho.s Macklin, Poets Gallery, Fleet Street. Fine stipple, printed in colours and hand finished. 430 x 505mm (17 x 20"), on Whatman paper, with very large margins. Inscription weakly inked in places. Bit of foxing in title. £280 An illustration to David Mallet's poem 'William and Margaret', c.1724, depicting three young women in a churchyard, with an old man leaning on a tombstone. From Macklin's 'One hundred 32. Falstaff at Justice Shallows Mustering his pictures/Prints illustrative of the most Recruits. Vide, Second part of Henry IV, celebrated British Poets'. De Vesme: 1446. II. Act 3, Sc.3. Stock: 55213 H. Bunbury Esq.r Del.t. N. Gardiner Sculp.t. London, Published June 1, 1792 by Thos. 35. Priams Prayer on his Departure for the Macklin, Poets Gallery Fleet Street. Grecian Camp. Stipple, printed in brown, proof with Painted by W,,m Hamilton R.A. Engraved scratched letter title and no dedication. 415 x by A Fogg. London Pub,,d as the Act directs, 480mm (16¼ x 19"). Repaired tears in May 15, 1801, by A. Fogg, No: 55 New Bond margin, one entering title. Creasing bottom Street. left. Very large margins on 3 sides. £260 Rare stipple. Sheet 480 x 575mm (19 x 22¾"). Falstaff seated at a table, preparing to Trimmed within plate, cracks in folds taped, interview a timid young man, as another some staining. £260 potential recruit is sent away with bowed Following the death of Hector, King Priam head. of Troy is escorted by Hermes (in the form of This state lacks the dedication to Frederica an eagle) to Achilles to beg for the return of Charlotte, Duchess of York, owner of the his son's body. Stock: 55218 original drawing. Stock: 55394 36. Sheep-Shearing. 33. Falstaff at Justice Shallow's Mustering his Painted by W. Hamilton, R A. Engraved by Recruits. Vide, Second part of Henry IV, F. Bartolozzi R. A. Engraver to his Majesty. Act 3, Sc.3. From an Original Drawing in London Pub.d as the Act directs. Sep.r 5. the Collection of Her Royal Highness the 1798. by P. W. Tomkins. No. 49. New Bond Dutchess of York, to whom this Plate is by Street. Her Royal Highnesses most Gracious Stipple and etching, chine-collé, title in open Permission humbly Dedicated by Her letters. 485 x 390mm (19 x 15¼"), with very Royal Highnesses most obed.t Serv.t Tho.s large margins. Crease in unprinted area on Macklin. left, slight foxing, margins bit messy. £190 H. Bunbury Esq.r Del.t. N. Gardiner Sculp.t. A scene of a family shearing sheep outside a London, Published June 1, 1792 by Thos. farmhouse. It was used as a chapter heading Macklin, Poets Gallery Fleet Street. for James Thomson's ''The Seasons''. Another Stipple. Sheet 415 x 480mm (16¼ x 19"). state has the title 'Summer'. De Vesme 1799. Trimmed to plate, repaired tear in unprinted Stock: 55225 area on left. £280 Falstaff seated at a table, preparing to interview a timid young man, as another potential recruit is sent away with bowed head. Stock: 55395 37. A Map of the East India Islands, agreeable A night scene view of Tétouan, a port on the to the most approved Maps and Charts, by Mediterranean coast of Morocco, an Mr. Kitchin. infamous pirate base. In 1829, only two years [engraved by Thomas Kitchin.] [London, before this print was published, the Austrian c.1785.] Empire had bombarded the city in reprisal Engraved map. 345 x 385mm (13½ x 15¼"), for piratical attacks. Very atmospheric. with very large margins. Original folds, Stock: 55330 some slight staining, some areas weakly inked. £250 A map of the East Indies, with the Malay Peninsula, Indochina, Indonesia and the Philippines. New Guinea has yet to be mapped properly. Originally published in 'Millar's New Complete & Universal System of Geography'. Stock: 55316

38. [Marine Society.] For the Service of Our Country. S. Wale delin.t et donavit. T. Major sculp.t et donavit. [London: Marine Society, c.1770.] Etching, part 18th century watermark. 115 x 180mm (4½ x 7"), with large margins. Two tears, one entering plate, taped. £190 The trade card of the Marine Society, a charity founded in 1756 by Jonas Hanway (1712-86), to encourage young men to go and join the Royal Navy during the Seven Years' 40. The Death of General Wolfe at Quebec. War. Later the Scociety turned to the [after Edward Penny.] London, Printed for education of poor boys in preperation for R.Sayer & J. Bennett, No. 53 Fleet Street, as their joining the navy, as depicted here. the Act directs, 10th Oct.r 1779. Ragged boys are being directed to Britannia Rare mezzotint with strong original colour. outside the Marine Society's Warehouse, 350 x 245mm (13¾ x 9¾"). Some wear to the where they are dressed as cadets. top margin, with repairs. £850 As well as founding the Marine Society in Wolfe being attended by the Surgeon Robert 1756, Hanway was a vice president of the Adair, having been shot during the Battle of Foundling Hospital, instrumental in the the Plains of Abraham, prior to the British establishment of the Magdalen Hospital and taking Quebec during the Seven Years' War. a commissioner for victualling the navy Stock: 55309 (experimenting with ways to alleviate scurvy amongst seamen). He is said to be the first 41. Australasian Dog, or Dingo. male Londoner to carry an umbrella, facing Heath sculp. 1800 Jan.y 1. London, Publish'd down heckling hackney coachmen. by G. Kearsley, Fleet Street. Stock: 55195 Engraving. Sheet 120 x 205mm (4¾ x 8"). Trimmed within plate. £60 39. [Tétouan] View of Tetuan on the Coast of From George Shaw's 'Systematic Natural Barbary. Pirate chased by a French Frigate. History'. Drawn by Baugean & G. Webster. Engravd Stock: 55357 by J. Dower. Published by J. Dower & G. Webster, 6, Cumming Place, Pentonville, 42. [Betel & Dusky Pademelon] Areek-vrugt en Jan.y 1st, 1821. Betelblat; Filander. Rare aquatint, printed in blue and black, M Oool s. [Amsterdam: R. en G. Wetstein, J. with touches of hand colour. 240 x 325mm Oosterwyk & H. van de Gaete, 1714.] (9½ x 12¾"), with large margins. £320 Engraving, 18th century watermark. 330 x 180mm (13 x 7"), very large margins. £130 Two natural history illustrations on one 47. Woolly Kangaroo. Macropus Lanigerus. sheet from Cornelis de Bruyn's 'Reizen over Lewin del.t. New Holland. H. Kearsley Sc. Moskovie, door Persie en Indie'. Above is a London, Published by G.B. Whittaker, March betel leaf with areca nut; below is The Dusky 1827. Pademelon, a marsupial of New Guinea Fine coloured engraving. Sheet 220 x 130mm (Latin name 'Thylogale brunii', for de (8½ x 5"). Trimmed to platemark. £90 Bruyn). From 'The Animal Kingdom' by Georges Stock: 55363 Léopold, Baron de Cuvier, published 1827- 35. 43. Kangaroo. The artist, John William Lewin (1770-1819, Warner sc.. [n.d., c.1800.] son of bird artist William Lewin), was Coloured etching. 160 x 115mm (6¼ x 4½"), Australia’s first professional artist to arrive with large margins on 3 sides. Trimmed into in the young colony as a free man. plate on right. £80 Stock: 55359 A portrait of a kangaroo, based on George Stubb's 1772 painting 'Kongouro from New Holland'. From William Smellie's translation of Buffon. CLB. 384. Stock: 55361

44. Kanguru. P. Mazell sculp. [n.d., c.1790.] Coloured etching. Sheet 155 x 145mm (6 x 5¾"). Trimmed into plate, laid on album paper. £75 A portrait of a kangaroo, based on George Stubb's 1772 painting 'Kongouro from New

Holland'. CLB: 384 48. Four Prize Wethers. Bred and Fed by Stock: 55360 Edward George Bernard Esq.r MP of

Gosfield Hall Essex. To whom this Print is 45. Didelphis. 1. The Virginian Opossum. 2. most respectfully Dedicated by his The Kanguroo. 3.4.5. Specimens of the Obedient servants the Publishers. Suckling Foetus. H. Strafford pinx. J. Graf printer to Her J. Chapman sc. London Published as the Act Majesty. On Stone by J. W. Giles. London directs March 12, 1803 by J. Wilkes. Published by Mess.rs Fores at their Sporting Engraving. 235 x 190mm (9¼ x 7½"), with & Fine Print Repository, 41 Piccadilly. large margins on 3 sides. Tear in left margin, London, 1837. stitch holes affecting plate on left. £75 Coloured lithograph. 430 x 565mm. Small Illustrations of maruspials of America repaired hole. £1200 (Didelphis) and Australia, published in the A pastoral scene of four wether sheep by 'Encyclopaedia Londinensis''. Stock: 55364 Gosfield Lake, Essex; Gosfield Hall can be seen faintly in the background. The plate is 46. Tufted-Tailed or Mountain Kanguroo. dedicated to Edward George Barnard (1778- London, Published by G.B. Whittaker, Feb.y 1851) and he is credited with breeding the 1825. sheep pictured. Barnard became very Fine coloured engraving. 135 x 220mm (5¼ x wealthy and purchased Gosfield Hall and 8¾"). Trimmed to platemark. £90 the surround estate in 1824. He was elected From 'The Animal Kingdom' by Georges for the newly enfranchised borough of Léopold, Baron de Cuvier, published 1827- Greenwich in 1832 as an MP for Labour and 35. held the seat until his death. Stock: 55358 Stock: 54986

49. [Sclater's monal] Lophophorus Sclateri. Published in Thornton's 'Temple of Flora', W. Foster. [n.d., c.1900.] the first series of flower prints to have the Chromolithograph. Sheet 255 x 165mm (10 x plant in its natural habitat. Although 6½"). Some spotting. £65 originally from South America the plant is A male pheasant of the Eastern Himalayas, shown here climbing a column, with a named for British zoologist Philip Lutley Grecian temple in the background. State iii of Sclater. iii. Dunthorne, p.251: "One of the best examples The artist, William Foster (1853-1924), was of colour printing". the son of Myles Birket Foster, and the only Stock: 55285 child to become an artist. As well as his serious ornithological work William 52. The Rev.d John Carr, M.A. late Fellow of illustrated children's books (including an Trinity College, Cambridge. Master of the 1889 edition of Lear's Nonsene Drolleries) Grammar School Durham, and Professor of Mathematics in the University of Durham. and contributed many illustrations to Ob.t 1833. Æt. 47. Proof. periodicals. Stock: 55233 Painted by J. Hastings Esq. Engraved by C. Turner A.R.A. London. Published Sept.r 1.st 50. [White Eared Pheasant] Crossoptilon 1836 for the Proprietors by Mr. C. Turner, Tibetanum. No. 50. Warren St. Fitzroy Square. F. Waller Chromo Lith. 18 Hatton Garden, Proof mezzotint. 305 x 230mm (12 x 9"), with London. [n.d., c.1900.] very large margins. Some foxing, bit dusty. Chromolithograph. Sheet 255 x 160mm (10 x £160 6¼"). £75 Portrait of John Carr (1786-1833), dressed in The white eared pheasant (Crossoptilon an academic gown over a dark tailcoat, crossoptilon), also known as 'Dolan’s Eared seated in a library with one hand resting on Pheasant' or 'Bee's pheasant', native to alpine a book. Whitman 98. Stock: 55252 China and Tibet. Stock: 55234 53. Martin Folkes Esq.r. President of the Royal Society. Tho.s Hudson Pinx.t. Ja.s Mc.Ardell Fecit. [n.d. c.1750.] Mezzotint. 355 x 255mm (14 x 10"), with large margins. Creasing £230 Martin Folkes, (1690-1754), English antiquary, President of the Royal Society from 1741, replacing Sir Hans Sloane. His portrait was also painted by William Hogarth CS: 68; Goodwin: 145. Stock: 55311

54. Eleazar Wigan Writing Mr. At the Hand and Pen on Great Tower Hill London, MDCLXXXXV. Penna Vetat Mori. I. Closterman Pinxit. I. Sturt Sculpsit. 96. [1696.] Fine engraving. 280 x 205mm (11 x 8"). Small margins. £380 51. The Quadrangular Passion Flower. Portrait of writing master Eleazar Wigan, Henderson pinx.t. Hopwood sculp.t. used as the frontispiece of his 1696 "Practical London. Published by Dr Thornton June 1st arithmetick an introduction to ye whole art 1802. wherein the most necessary rules are fairly Aquatint with stipple, printed in colours and describ'd in the usuall hands adorn'd with hand-finished. Sheet 520 x 405mm (20½ x great variety of flourishes perform'd by 16"). Trimmed within plate, small tear in top command of hand design'd to be interleav'd edge. £950 for ye more speedy fitting of youth for merchandise or trade". BM: 1881,0611.333. Stock: 55206

55. Géricault. Lith.a de Chabert, rue Cassette, No 20 [after Theodore Géricault]. [n.d., c.1840.] Tinted lithograph. Printed area 300 x 265mm (11¾ x 10½"), with large margins. £160 A self portrait of artist Théodore Géricault (1791-1824) as a young man, painted 1816. A pioneer of the Romantic movement, he is best known for 'The Raft of the Medusa'. Stock: 55290

56. Geofy Chaucer. Geo. Naylor H C. fecit [n.d. c.1780.] A very fine mezzotint. Plate 150 x 105mm (6 x 4¼), with small margins. £180 58. Sam. Pepys. Car. et. Iac. Angl. Regib. A. Geoffrey Chaucer (1343-1400) was an Secretis. Admiraliae. Mens cujus que is est English author, poet, philosopher, Quisque. bureaucrat, courtier and diplomate. He G: Kneller pinx: R: White Sculp: [n.d. c.1690.] wrote many works throughout his lifetime, Engraving. Sheet: 145 x 90mm (5¾ x 3½"). although he is remembered best for his Trimmed to image. £240 unfinished narrative The Canterbury Tales. Portrait of Samuel Pepys, bust length in an O'D undescribed; CS: undescribed. oval frame on a pedestal, wearing long wig, Stock: 55260 lace cravat, and gown. Frontispiece to his 'Naval memoirs' (1690). 57. Authentic Homer Light's whole Fountain Samuel Pepys FRS (1633-1703) was an flows, Immense! Feirce Dazling yet, & English naval administrator and Member of Torrent Glows: His Temper'd Beam the Parliament who is now most famous for the Mantuan Band reflects, Shines Sweeter, & diary he kept for a decade while still a his Fairest Rays Selects: Thine Milton Both, relatively young man. He rose to be Chief but not Both These Alone, Thou, Like Secretary to the Admiralty under both King Elysium, Know'st Another Sun. J.R. jun. Charles II and subsequently King James II. J. Richardson. f. [n.d. c.1730]. Stock: 55265 Etching. 200 x 145mm (8 x 5¾). Trimmed within plate. Crease centre. £130 59. [Mary Robinson] Melania. John Milton [1608 - 1674], poet. By Jonathan R. Cosway Pinx. J. Condé Sculp. London, Richardson [1667 - 1745] after a portrait Published May 2, 1792, by J. Condé; & attributed to William Faithorne. Richardson Molteno, Colnaghi, & Co. Pall Mall. was a portrait painter who etched a few Stipple and etching, printed in brown. Sheet plates himself, and the master of Thomas 155 x 110mm (6 x 4¼"). Trimmed to plate. Hudson and George Knapton. His 'Theory of Laid on album sheet at corners. £130 Painting' published in 1715 inspired the Oval portrait of Mary Robinson (1757-1800), young to become an artist. poet and actress. Writing under the It seems Richardson's son, also J. Richardson, pseudonym 'Melania', she was known as the has etched the lettering. There are interesting 'English Sappho'. Another nickname was traces throughout of working processes in 'Perdita' for her role in Shakespeare's 'The the plate, including evidence of the original Winter's Tale' in 1779, which brought her to positioning of the first word of the the attention of George, Prince of Wales, inscription, 'Authentic…' who offered her £20,000 to be his mistress. Stock: 55267 After Richard Cosway (1742-1821). Daniell: 121. Stock: 55335 60. Shakspere. 63. [Princess Elizabeth Stuart] Elizabeth Drawn Engraved and Published by T H Ellis, Steward 2.d Daughter to the Late King. 51, Jewin Street, City, London. [n.d., c.1850.] From thy afflicted Vaile, that Cypresse Stipple and etching. Sheet 435 x 330mm (17¼ Bower... x 13"). Trimmed within plate. £190 [Engraed by Francis Barlow after Sir Peter After the Chandos portrait of William Lely.] Sould by P. Stent [n.d., c.1660.] Shakespeare. Rare etching, 17th century watermark. Sheet Stock: 55289 165 x 110mm (6½ x 4¼"). Trimmed within plate. £230 Portrait of Princess Elizabeth (1635-50), second daughter of Charles I and Henrietta Maria, first published as the frontispiece of an edition of 'Electra' by Sophocles in 1649, the year of her father's trial and execution. Elizabeth died a year later from pneumonia. This example, published by Peter Stent, probably dates to the Restoration. Stock: 55392

64. His Royal Highness William Augustus Duke of Cumberland &c. D.M. [David Morier] Pinx.t. J. Faber Fecit 1753. Mezzotint. 320 x 220mm (12½ x 8¾"), with large margins. £230 Prince William Augustus, Duke of Cumberland (1721 - 1765), in armour. 61. [Peter Richard Hoare.] A second state was issued with his date of Painted by Catterson Smith. Engraved by death added. Chaloner Smith 105, state i of ii. William Walker. Private Plate [n.d., c.1850]. Stock: 55303 Mezzotint on chine collé, proof before title. 530 x 405mm (20¾ x 16"), with very large 65. The Last Words of Richard Gascoigne Esq. margins. Small tear in india paper repaired. [n.d., c.1720.] £280 Engraving. Sheet 265 x 250mm (10½ x 9¾"). Three-quarter seated portrait of Peter Trimmed within plate. £280 Richard Hoare (1803-77), a senior partner of Portraits of Richard Gascoigne and George Hoares Bank and High Sheriff of Devon in Collingwood, both Jacobites executed for 1860 who built Stourhead. treason in 1716. 'The Last Words' reproduces Stock: 55288 the text of a letter he wrote as a condemned man, protesting his innocence, and 62. Effigies Elizabethæ Reginæ Angliæ etc. published as a pamphlet, 'A True Copy of R. White sculp: [Printed for Richard the Paper Delivered to the Sheriffs of Chiswell at the Rose and Crowne in St. Pauls London, by Richard Gascoigne'. Church yard.] [n.d., c.1700.] Stock: 55390 Engraving, part 1820 watermark, sheet 235 x 150mm (9¼ x 6"). Trimmed to plate. £130 66. Daniel Malden who made two surprizing From Gilbert Burnet's 'History of the Excapes out of Newgate. Reformation', first published 1681. Portrait Drawn by J. Clarke Painter. Engrav'd for J. of Queen Elizabeth I (1533 - 1603), in Stanton Distiller, and given Gratis to all his inscribed oval frame on pedestal, wearing Customers to his Distillers Magazine [n.d., crown and holding orb and sceptre; royal c.1736]. arms and Latin lettering below. O'Donoghue: Engraving. Sheet 200 x 145mm (8 x 5¾"). 42. Trimmed close to printed border, some wear Stock: 55262 to edges and inscription area. Damaged but very rare. Loss at top right. £180 A portrait of Daniel Malden, burglar and 68. [Henry Edward Bunbury] Master Bunbury. street robber, in handcuffs. Sentenced to Painted by Sir Josua Reynolds. Engraved by hang at Newgate, he twice broke out of the Francis Harward. London, Publish'd Nov.r condemned cell, the second time succeeding 1st 1781 by Fra.s Haward, Lambeth Marsh at getting out of the prison in June 1736. near the Turnpike. Captured in September, he was hung in Mezzotint. 375 x 275mm (14¾ x 10¾"), with November and dissected at Surgeons’ Hall. very large margins. £280 The publisher, J. Stanton, was a distiller A portrait of Henry Edward Bunbury (1778- before the 1736 'Act for Laying a Duty upon 1860), son of the caricaturist Henry William the Retailers of Spirituous Liquors and Bunbury, as a small child, hands on thighs. Licensing the Retailers thereof' drove him Later he joined the Army, serving in Holland out of business. He started publishing his (1799), Egypt (1801) and Italy (1806). He was 'Distillers Universal Magazine' the same Under-Secretary of State for War and the year. Published every Saturday, 10 numbers Colonies from 1809 to 1816, becoming a are known to have been issued, but interest Lieutenant-General. In 1815 he was was not great, prompting him to issue responsible for informing Napoleon of his premium prints such as this as lures. sentence of deportation to St Helena. Stock: 55208 Hamilton p.11. Chaloner Smith 1 ii. Stock: 55231

69. [Allegories of the industries of English Counties] Hertfordshire. Sussex. Cornwall. Lancashire. [n.d., c.1840.] Lithograph with original hand colour. Sheet 385 x 280mm (15¼ x 11"). A little wear to edges, some surface soiling. Foxing, repaired tear bottom centre. £130 Idealised scenes of women and children representing the industry of the four counties: sequentially corn, sheep, fishing and spinning. Very rare complete.

Stock: 55240 67. The Alchymist. He's in Belief of Chymistry,

so bold,/ if his Dream last, he'll turn the 70. [Allegories of the industries of English Age to Gold. Counties] Cheshire. Kent. Norfolk. Teniers pinx.t. W. Baillie sculp.t. Early Dorsetshire. impression [n.d., c.1840.] Etching. 220 x 190mm (8¾ x 7½"). Thread Lithograph with original hand colour. Sheet margins. £260 385 x 280mm (15¼ x 11"). A little wear to An alchemist in his workshop, using bellows edges, some surface soiling. Foxing. £130 to make his fire burn hotter, etched by Idealised scenes of women and children Captain William Baillie (1723-1810) after representing the industry of the four David Teniers the younger (1610-90). counties: sequentially cheese-making, hop- Baillie retired from the army in 1761 with the growing, turkey and chicken farming and rank of Captain and thereafter devoted butter-making. Very rare complete. himself to and dealing. He Stock: 55238 specialised in imitating old-master drawings and prints, using a variety of printmaking 71. [Allegories of the industries of English techniques. Counties] Northumberland. Devonshire. Stock: 55334 Herefordshire. Befordshire.

[n.d., c.1840.] Lithograph with original hand colour. Sheet 385 x 280mm (15¼ x 11"). A little wear to edges, some surface soiling. Foxing. £130 Idealised scenes of women and children edges, some surface soiling. Foxing, two representing the industry of the four small tears at top. £130 counties: sequentially sailors, milk, apples Idealised scenes of women and children and market gardening. Very rare complete. representing the industry of the four Stock: 55239 counties: sequentially pottery, horses, spinning and glove-making. Very rare complete. Stock: 55241

75. Le Libéral. [&] Le Mécontent. M.lle Hulot Sculp.t. [&] C. Hulot Sculp.t. [Le Mécontent] A Paris, chez Noël, Rue St Jacques No 16. Déposé au Bureau des Estampes. Pair of engravings with etching. 'Liberal' sheet 240 x 200mm (9½ x 8"), 'Mecontent' sheet 245 x 180mm (9¾ x 7"). Both trimmed within plate, 'Liberal' trimmed into bottom of title, losing publication line. £260 A pair of portraits of men, one smiling, the other in tears, engraved by Caroline Hulot. 72. [Allegories of the industries of English Stock: 55320 Counties] Wiltshire. Gloucestershire. 76. Nottinghamshire. Derbyshire. George Bidder, of Devonshire, AET.13. [n.d., c.1840.] Whose extraordinary power of Calculation Lithograph with original hand colour. Sheet developed itself without instruction & 385 x 280mm (15¼ x 11"). A little wear to reached an unprecedented height before he attained his seventh year. From a Miniature edges, some surface soiling. Foxing £130 in the possession of the Rev.d Tho.s Idealised scenes of women and children Jephson, of St. John's College Cambridge. representing the industry of the four Painted by Miss Hayter. Engraved by J.H. counties: sequentially pig farming; pin- Robinson. London, Published June 25, 1819, making, embroidery and hosiary. Very rare by Colnaghi & Co. Cockspur Street. complete. Stock: 55237 Proof. Engraving. 245 x 175mm (9½ x 7"). Cut inside platemark. Some foxing. Laid on 73. [Allegories of the industries of English album sheet at edges. £180 Counties] Buckinghamshire. Essex. George Parker Bidder (1806-1878), the Hampshire. Worcestershire. English engineer, architect and calculating [n.d., c.1840.] prodigy. In 1834 Robert Stephenson, whose Lithograph with original hand colour. Sheet acquaintance he had made in Edinburgh, 385 x 280mm (15¼ x 11"). Tear entering offered him an appointment on the London image top right, some surface soiling. & Birmingham Railway, and in the Foxing. £130 succeeding year or two he began to assist Idealised scenes of women and children George Stephenson in his parliamentary representing the industry of the four work, which at that time included schemes counties: sequentially tatting, cows, rabbits for railways between London and Brighton and porcelain painting. Very rare complete. and between Manchester and Rugby via the Stock: 55242 Potteries. In 1837 he was engaged with Stephenson in building the Blackwall 74. [Allegories of the industries of English Railway, and it was he who designed the Counties] Staffordshire. Yorkshire. peculiar method of disconnecting a carriage Northamptonshire. Oxfordshire. at each station while the rest of the train [n.d., c.1840.] went on without stopping, which was Lithograph with original hand colour. Sheet employed in the early days of that line when 385 x 280mm (15¼ x 11"). A little wear to it was worked by means of a cable. He also advised on the construction of the Belgian railways; with Robert Stephenson he made pamphlets as well as a portrait of George the first railway in Norway, from Christiania Fox, founder of the Quaker movement. to Eidsvold; he was engineer-in-chief of the Thomas Paine lived with him when Danish railways, and he was largely composing The Rights of Man in 1791, and concerned with railways in India, where he Rickman had to go into hiding for selling strongly and successfully opposed break of Paine's works in 1792. In 1819 Rickman gauge on through routes. published a 'Life of Thomas Paine'. In 1860 he was elected president of the Stock: 55331 Institution of Civil Engineers. He was also one of the founders of the Electric Telegraph 78. Henry Brougham Esq.r M.P. The Queen's Company, which enabled the public Attorney General. generally to enjoy the benefits of telegraphic Sketched by A. Wivell in the House of Lords. communication. In hydraulic engineering, he T. Wright Sculp. Proof 2/6. London, was the designer of the Victoria Docks Published by Tho.s Kelly, 17, Paternoster (London). Bidder also investigated the Row, Feb. 24, 1821. practicality of steam trawlers in conjunction Stipple and etching. Plate 190 x 140mm (7½ x 5½"), with very large margins £110 with Samuel Lake. Stock: 55257 Henry Brougham, 1st Baron Brougham and Vaux (1778-1868), defending Queen Caroline at her 'trial' in 1820, for which he gained popular renown. Brougham was a radical lawyer and MP who tirelessly campaigned for the advancement of education and reform. In 1810 he entered Parliament as a Whig and immediately promoted legislation against slave trading. He served as Lord Chancellor from 1830 to 1834 and played a leading part in drafting and promoting the Reform Bill of 1832 with Lord Grey. In 1802 he co-founded the Whig periodical the 'Edinburgh Review' with Sydney Smith. He helped establish the London Mechanics Institutes (1824), the Society for the Diffusion of Useful Knowledge (1826), and the non- denominational University College London (1828). Stock: 55268

79. [John Michelburn] Vera Effiges Johannis Michelburn Armiger Gubernatoris

Derrensis A. D 1686. If Valour Crownd 77. Thomas Clio Rickman. Painted by Hazlett. Engraved by Ja.s with Victory may Claim, A Lawfull Title to Holmes. Pubished as the Act directs Feb.y Immortall Fame. No Name will in our British Annals Shine, More Bright No 1800, by Thomas Clio Rickman, Bookseller, Glory be more Just yn Thine. Stationer & Printer &c. Upper Mary-le-bone [n.d., c.1700.] Street, London. Rare engraving. Sheet 260 x 160mm (10¼ x Scarce & rare stipple. 340 x 235mm (13¼ x 6¼"). Trimmed within plate. Stain in first 9¼"). Small margins. £290 verse of title. £180 A half-length portrait of the publisher, Colonel John Michelburn (1647-1721), Thomas Rickman (1761-1834), nicknamed defender of Derry during the siege of 1689, 'Clio' because of his style of poetry, with said to have raised the ''Bloody Flag'' on the Paine's 'Rights of Man' open. Royal Bastion. Following the death of Henry Born a Quaker but disowned by them after Baker he was chosen as governor by the marrying outside the faith, he set himself up besieged. as a bookseller in 1783, publishing political When Conrad von Rosen, commander of the 83. Henry Earl of Harewood, Viscount Jacobite army, herded the local Protestants Lascelles & Baron Harewood. Lord under the city walls to dispirit the defenders, Lieutenant of the West Riding of the Michelburn's answer was to erect a gallows County of York. on the Royal Bastion, and threaten to hang Painted by John Jackson Esq.r R.A. Engraved all the Jacobite prisoners. James II saw what by S.W. Reynolds Engraver to the King. a public relations disaster this was and Pub.d by the Engraver Bayswater June 1820. overruled Rosen. Mezzotint. 430 x 330mm (17 x 13"), with very Stock: 55391 large margins. A little wear to edges of margins. £260 80. Dodici Sonate de Violino e Basso A three-quarter length portrait of Henry Composte da Felice Giardini Dedicate a sua Lascelles (1767-1841), published the year he Altezza Il Serenissimo Principe Freditario became the 2nd Earl of Harewood. He had di Brounsuic e di Lunebourg. Londra been MP for Yorkshire (1796-1806 & 1812- MCCLXV. 18), Westbury (1807-12), Pontefract (1812) G.B. Cipriani del. F. Bartolozzi sculp. and Northallerton (1818-20). He also served [London, 1765.] as Lord Lieutenant of the West Riding of Etching. 290 x 210mm (11½ x 8¼"), with very Yorkshire (1819-41). large margins. £260 After the Slavery Abolition Act of 1833, A cover of a book of music, with a medallion Lascelles received a £26,307 (now worth £2.5 portrait of Felice Giardini (1716-96) on a million) in compensation for the 1277 slaves plynth with two putti. Giardini was a violin he owned in Barbados and Jamaica. Whitman virtuoso and child prodigy. A good friend of 131. Bach. De Vesme 1874 Stock: 55228 Stock: 55254

81. W.A. Mozart. at the age of seven. A. Weger sc. Augener & Co. London. [n.d., c.1870.] Steel engraving. Sheet size: 285 x 190mm (11¼ x 7½"). £75 A portrait of Mozart, aged seven, in profile to the right, playing the piano. Wolfgang Amadeus Mozart (1756-1791) was one of the most influential composers of the Classical era. Composing chamber music, piano suites, opera, symphonies, choral music and concertos. Stock: 55264

82. Warren Hastings.

Holl, sculp. 84. William Wilberforce, Esq. To Sir Robert Stipple, watermark 1817. Sheet 115 x 125mm Harry Inglis Bar.t M.P. This Plate is with (4½ x 5"). Trimmed from larger sheet. £50 permission dedicated By his obliged and Portrait of Warren Hastings (1732-1818), the faithful Servant George Richmond. Proof. first Governor-General of India, 1773-85. He Painted by George Richmond. Engraved by was famously impeached for corruption in Samuel Cousins. London, May 20th 1834, 1787 but was acquitted in 1795. In 1814 he Published for the Proprietor, George was made a Privy Councillor. Richmond Esq.r by Colnaghi Son & Co. Stock: 55327 Printsellers to the Royal Family, 14 Pall Mall

East. Fine mezzotint, chine collé proof impression. 530 x 365mm (20¾ x 14¼"). £750 A full length portrait of Abolitionist William Wilberforce (1759-1833), seated informally at his house in Battersea Rise in 1832, painted a 87. [Robert Philip] Father Philips confessor to year before his death. Henrietta Maria, was by many supposed, to Richmond later wrote: 'it is curious to think influence that bigotted princess... it was engraved by Samuel Cousins at the [n.d., c.1800.] cost of 200 guineas, sold immensely, yet for Etching. 120 x 80mm (4¾ xx 3¼"). £70 the original picture I received but £13.8s; but Oval portrait of Robert Phillip (d.1747), it was a turning point in my professional life, Scottish Roman Catholic priest. Ordained in and made me largely known to a wide circle Rome, he returned to Scotland in 1612 and of very excellent people, the friends and was sentenced to death the following year admirers of W. Wilberforce.' (Stirling, for conducting Mass. When his sentence was Richmond Papers, p 38). See NPG 4997 for commuted to banishment he moved to Richmond's painting. , but coming to England in 1628 to be Stock: 55286 confessor to Henrietta Maria of France when she married Charles I. In this role he was 85. Granville Sharp. [From a Model in Wax by accused of being a Papal spy, then Miss C. Andras.] committed to the Tower of London for W. Worthington sculp. Pub. by R. Bowyer, refusing to be sworn on the Anglican Bible Pall Mall, Jan. 1. 1810. before a House of Lords committee. He Engraving. 145 x 120mm, (5¾ x 4¾"). Cut joined the queen in exile in the Hague at the within plate mark. Some creasing, very small outbreak of the Civil War, never to return. abrasion near top of head. £95 Stock: 55326 Granville Sharp (1735-1813) was a Scholar and philanthropist and was one of the first English campaigners for the abolition of the slave trade. He formulated the plan to settle freed slaves in Sierra Leone, and founded the St George's Bay Company, a forerunner of the Sierra Leone Company. His efforts led to both the founding of the Province of Freedom, and later on Freetown, Sierra Leone, and is thus considered to be one of the founding fathers of Sierra Leone. Taken from a white glass medallion by Catherine Andras (1775-1860). Stock: 55259

86. Rev.d Solomon Hirschel. Chief Rabbi of the German Jews in London. Engraved by Ridley for the European 88. Sir Joseph Banks Bar.t President of the Magazine from an Original Painting by Royal Society. Drummond. London. Published by J. Painted by J. Russell R.A. Crayon Painter to Asperne, No. 32 Cornhill. April 2, 1811. His Majesty, and to His Royal Highness the Stipple. Plate: 155 x 120mm (6 x 5"), with Prince of Wales_ Engraved by J. Collyer A._ narrow margins £120 Published as the Act directs May 16th 1789. A portrait of Rabbi Solomon Hirschel (1761 - Sold by W. Dickenson, Bond Stre. J. Cary, 1842), head and shoulders to front, looking Strand, W. DArling, Newport Str. T. to right, with beard and tall fur hat, wearing Simpson St Pauls Church Yard, and J. bands and light patterned gown. An Collyer White Lion Row, Islington. Price 3s. illustration to the European Magazine. Stipple, sheet 175 x 110mm (7 x 4¼"). Hirschel was the Chief Rabbi of Great Trimmed within plate mark. £140 Britain, from 1802 to 1842. He is best Sir Joseph Banks (1743-1820), English remembered for his unsuccessful attempt to naturalist, botanist and patron of the natural stop the spread of Reform Judaism in Britain sciences holding a 'Carte de la Lune par J. by excommunicating its leaders. Russell' (map of the moon by J. Russell). Stock: 55266 Stock: 55263

91. [M.r Thomas Weston.] [M. Dahl pinx. John Faber fecit 1723.] [1726.] Rare & scarce mezzotint. Sheet 270 x 200mm (10¾ x 8"). Trimmed into image on 4 sides, losing inscription area. £260 Three-quarter length portrait of Thomas Weston (d.1728), astronomer, the frontispiece to 'A copy-book written for the use of the young-gentlemen at the Academy in Greenwich'. As an indentured assistant to Astronomer Royal John Flamsteed, he helped Flamsteed draught his celestial atlas, the 'Atlas Coelestis'. He is depicted with Flamsteed in the mural on the ceiling of the Painted Hall in the Old Royal Naval College, Greenwich. He founded Weston’s Academy in 89. James Ferguson F:R:S: Greenwich in 1712, to give maritime training John Townsend pinx.t. Publish'd Dec.r 7th to pupils including orphans from the Royal 1776. Printed for Robert Stewart Engraver & Hospital. After several changes of name and modeller of portraits in wax No 15 Millman location, Weston’s Academy became the Streets, Bedford Row, Holborn. Burney’s [Royal] Academy at Coldharbour, Fine mezzotint. 355 x 255mm (14 x 10"), with Gosport. W. 3165; C.S. 379. large margins. £520 Stock: 55302 James Ferguson (1710-76), Scottish astronomer, instrument maker and popular 92. John Peter Boileau Esq.r. Private Plate. lecturer on scientific subjects. Apart from Painted by Keeling. Engraved by Thomas three months at a grammar school he was Lupton. [n.d., c.1830.] self-taught. His 'Astronomy explained upon Mezzotint. 350 x 270mm (13¾ x 10¾"), with Sir Isaac Newton's Principles' was first very large margins. £240 published in 1756 and was still being Half-length portrait of John Peter Boileau published in 1811. CD: 5, See 6167 for PBL. (1747-1837), quill and letter addressed to him W. 965-3 at Tacolnestone Hall behind. He served with Stock: 55230 the East India Company in India until 1786, becoming a 'nabob', wealthy enough to buy 90. Hugh E. Strickland [facsimile autograph]. the Hall in Norfolk. In 1804 he also bought a T. H. Maguire. M & N Hanhart Imp.t. [n.d., house in Mortlake which he named c.1850.] Castlenau House (his full name was Boileau Tinted lithograph on chine collé. Printed de Castlenau, being descended from area 320 x 240mm (12½ x 9½"), withvery Hugenots who had fled France during the large margins. Slight mark on volume. £260 religious wars); he is commemorated with Half-length portrait of Hugh Edwin roads in Barnes called Castlenau and Boileau Strickland (1811-53), geologist and naturalist. Road. He wrote 'The Dodo and Its Kindred' in Stock: 55227 1848, and edited Agassiz's 'Bibliographia Zoologie', which he holds in his left hand. 93. Her Grace The Duchess of Devonshire. He died by accidently stepping into the path [after Lady Diana Beauclerk.] Macklin of a train while examining geological strata excud.t [n.d., c.1785]. visible in cuttings on the Manchester Rare stipple. Sheet 215 x 150mm (8½ x 6"). Sheffield & Lincolnshire Railway. Trimmed within plate. £90 Stock: 55297 An oval portrait of Georgiana Cavendish, Duchess of Devonshire, an extract from a portrait by Lady Diana Beauclerk. This version gives the duchess a less flattering profile than the 1779 aquatint by Bartolozzi (NPG D19693), suggesting it is copied from the stipple published by Thomas Watson in James Palmer (1740-1826) was treasurer of 1782 (BM K,67.148). Christ's Hospital 1798-1824. The school still Stock: 55328 owns the original oil. Stock: 55253 94. [John Cecil, 6th Earl of Exeter] The Lord Burleigh. 97. [Sir John Sucking] Sucklin whose numbers W. Wissing Pinx. J. Smith Fecit. [n.d., c.1700.] could invite / Alike to wonder and delight / Rare mezzotint. Sheet 340 x 240mm (13¼ x And with new spirit did inspire / The 9½"). Trimmed into image. £220 Thespian Scene and Delphick Lyre;... John Cecil (1674-1721), , 6th Earl of Exeter, W. Marshall fecit. [London, c.1646.] known as Lord Burghley from 1678 to 1700. Engraving. Sheet 165 x 100mm (6½ x 4"). CS 28, state ii of iv, with the plate cut down and Trimmed to image, tipped on album paper. title transferred into the plate. £160 Stock: 55246 Sir John Suckling (1609-c.1641), Cavalier poet best known for his poem 'Ballade upon a Wedding'. He was also a gambler and invented the card game cribbage. He is said to have spread packs of marked playing cards around the country and then travelled to aristocratic houses to cribbage, winning around £20,000. He fled to the Continent in 1641 before being found guilty of high treason by Parliament, where he died in vague circumstances. This portrait was issued as the frontispiece to 'Fragmenta Aurea. A Collection of All Incomparable Peeces Written by Sir John Suckling and Published by A Friend to Perpetuate His Memory', Collector's Mark. Stock: 55344

95. [William Nowell.] 98. [Charles Kemble] Falstaff. ''A plague on all C. Maucourt Pinx.t er Fecit. [n.d., c.1760.[ cowards! still say I.'' Hanry IV, Part 1., Act Scarce & rare mezzotint. Sheet Sheet 335 x 2, Sc. 4. Proof. Plate 3. 245mm (13¼ x 9¾"). Trimmed to image on RJL [monogram of Richard James Lane]. J. three sides, a few nicks to edges. £280 Graf Printer to her Majesty. London, May A three-quarter length portrait of an affluent 1840, published by Mess.rs Colnaghi and man in fur-lined coat and brocade waistcoat, Puckle, No 23 Cockspur Street. holding a glass, a bottle of hock on the table Lithograph, proof on chine collé. Printed next to him. The subject was originally area 270 x 170mm (10¾ x 6¾"), with very identified as Thomas Nowell (1710-80), a large margins. £160 coffin plate chaser (a maker and engraver of Charles Kemble (1775-1854) as Falstaff, coffin ornaments), but the Challoner Smith seated with a glass in his hand. From Corrections has amended this to William Richard Lane's 'Sixteen Portraits of Charles Novell (d.1761), publican of the Jerusalem Kemble'. Tavern, 55 Britton Street, Clerkenwell. CS: 3. Stock: 55293 Stock: 55304 99. [Charles Kemble] Macbeth. 'Accursed be 96. James Palmer Esq.r Late Treasurer of the tongue that tells me so!'' Macbeth Act 5, Christ's Hospital. from the original picture Sc. 7. Proof. Plate 9. by Sir Thomas Lawrence in the Court RJL [monogram of Richard James Lane]. J. Room. Graf Printer to her Majesty. London, May Engraved by H.J. Robinson. [n.d., c.1830.] 1840, published by Mess.rs Colnaghi and Chine collé steel engraving. Sheet 255 x Puckle, No 23 Cockspur Street. 185mm (10 x 7¼"). Slight cockling of india paper. £50 Lithograph, proof on chine collé. Printed Street, Printseller to His Majesty & the Duke area 270 x 170mm (10¾ x 6¾"), with very & Duchess of York. large margins. £160 Mezzotint. 505 x 355mm (19¾ x 14"). A little Charles Kemble (1775-1854) as Macbeth, one surface wear. Small margins. £260 of Richard Lane's 'Sixteen Portraits of Arthur Murphy (1727-1805), Irish barrister, Charles Kemble'. born in Roscommon, writer and actor, Stock: 55294 reading at a table. Murphy wrote over twenty farces, comedies and tragedies 100. [Charles Kemble] Othello. 'How comes it, including Three Weeks after Marriage (1764) Michael, you are thus forgot?'' Othello, Act and Know Your Own Mind (1777). After the 2, Sc.3. Proof. Plate 10. 1777 oil on canvas in the National Portrait RJL [monogram of Richard James Lane]. J. Gallery by Nathaniel Dance (1735 - 1811). Graf Printer to her Majesty. London, May Frankau 208, ii, Chaloner Smith 63 ii. 1840, published by Mess.rs Colnaghi and Stock: 55229 Puckle, No 23 Cockspur Street. Lithograph, proof on chine collé. Printed area 270 x 170mm (10¾ x 6¾"), with very large margins. £260 Charles Kemble (1775-1854) as Othello, one of Richard Lane's 'Sixteen Portraits of Charles Kemble'. Stock: 55295

101. Henry Augustus Mug, A Witty Cockney. Sung with unbounded Applause by Mr. Liston, in the New Play called The Africans; or War, Love, and Duty: written by George Colman, the Younger. The Music Composed and Selected by Mr. Kelly. Publish'd Sept.r. 1. 1808 by Lauire & Whittle, 53 Fleet Street, London. 103. [Humphry Repton.] Hand-coloured etching with letterpress, 1807 [S. Shelley del. W. Holl fecit.] [London watermark. Sheet: 265 x 220mm (10½ x 8¾"). Publish'd June 4th 1802, by J. Taylor, High Trimmed into platemark. £180 Holborn.] John Liston (c.1776-1846), comic actor, on Scarce & rare stipple, unlettered proof. 340 x stage in the role of Mug, enslaved in Africa 280mm (13¼ x 11"). Thread margins, laid on by 'a trading blackamoor', becoming 'his album sheet. Foxing. £660 black Mandingo Majesty's white Minister of A half-length portrait of Humphry Repton State'. (1752-1818), the last great English landscape George Colman the younger (1762-1836), designer of the eighteenth century, was manager of the Haymarket Theatre and eventually published as the frontispiece to the most successful playwrights of his age. his 'Observations on the Theory and Practice His three-act musical 'The Africans' was of Landscape Gardening' (Abbey Scenery based on Jean-Pierre Claris de Florian's 390). A very fine impression. 'Selico, Nouvelle Africaine'. An anti-slavery Stock: 55312 piece, it depicted the European slave traders 104. as ridiculous characters. BM Satire 11205. [Frederick Peter Delmé-Radcliffe] A Stock: 55380 Dalme_Tian. Booking the Colonel. This Sketch is dedicated to the Greeks. No.1 102. Arthur Murphy Esq.r. From an original Turf Characters____"Quoth Hudibrass I Picture in the Possession of Miss Thrales. smell a Rat..... Nath.l Dance Esq.r R.A. pinx.t. W. Ward [Monogram of Paul Pry - William Heath] sculp Mezzotinto Engraver to His R.H. the Esq.r del.. Pub June 26 1829 by T. McLean 26 Duke of York. London Published Oct.r 5th Haymarket Sold Publisher of P. Prys 1803, by John P. Thompson, Great Newport Caricatures. Hand-coloured etching. 370 x 260mm (14½ x 10¼"), on paper watermarked 'J Whatman Turkey Mill 1828', with large margins. £280 Frederick Peter Delmé-Radcliffe (1804-1871), the noted gentleman jockey in charge of the King's Stud, depicted as a thin man in riding dress with top-hat and top-boots, holding out a betting-book. The performance of the king's horse 'The Colonel' at the Ascot Gold Cup on June 18th disappointed William IV; a letter appeared in the 'Sporting Magazine', signed by 'Independence', claiming the horse had been seen being hacked by a drunken rider only four days before the race. Delmé-Radcliffe issued a denial, but had difficulty getting it published. Heath gives a nod to the author of the letter by referencing the Greek struggle for independence. 107. [Daniel O'Connell.] The Boy thats lost his 'Paul Pry' was the pseudonym of William place Entirely. Heath. BM Satires: 15932. Stock: 55401 [Monogram of Paul Pry - William Heath] Esq.r. Pub May 20 1829 by T McLean 26 105. [Bob Foster, the Flying Barber]. _ Sape Haymarket sole publisher of P. Prys velut qui currebat fugiens hostem. _ Caricatures. J.K. Baldrey Sculpt.t. Pub.d Feb.y 23 1785 by Etching with fine hand colour 360 x 260mm J.K. Baldrey, Cambridge. (14¼ x 10¼"), with large margins, with Etching. Sheet 150 x 100mm (6 x 4"). partial watermark of 1827. Bit browned. Trimmed to plate. £75 £180 A man running with a covered pot of hot A glum Daniel O'Connell stands wearing a water and his barber's bowl and towel. green tail coat and a hat with a shamrock, a Foster was a hairdresser to Clare Hall, shillelagh in one hand and a knotted eccentric but honest, noted for his rapidity in handkerchief-bundle in the other. walking, talking, and shaving. BM Satires O'Connell attempted to take his seat for 6834. Clare on 15 May but, as the Catholic Relief Stock: 55384 Act only applied to persons returned after the Act, he was turned away. His offer to 106. A Quartette in Character. take a new oath was also rejected. [Monogram of Paul Pry - William Heath] 'Paul Pry' was the pseudonym of William Esq.r. Pub May 1829 by T McLean 26 Heath. BM Satires: 15759. Haymarket sole publisher of P. Prys Original Stock: 55400 Caricatures. Etching with fine hand colour 260 x 360mm 108. [Thomas Townshend, Lord Sydney.] (10¾ x 14¼"), with large margins. £280 JS[ayers] f. Published by Ja.s Bretherton 14th The quartet of mail-coach characters are (l-r): July 1784. King George IV, his Prime Minister the Duke Etching. Sheet 165 x 110mm (6½ x 4¼"). of Wellington, George's mistress Lady Trimmed to plate, laid on album paper. Conyngham, and Home Secretary Robert Losing part on left top. £180 Peel (a cage of rats in his left hand). All four Caricature portrait of Thomas Townshend caricatures were issued as separate prints. (1733 - 1800), 1st Viscount Sydney, standing 'Paul Pry' was the pseudonym of William with his hat held out in his right hand, his Heath. BM Satires: 15746. left on his sword. He served as Pitt's Stock: 55399 Secretary of State for the Home Department. Sydney, New South Wales, is named after him. By James Sayers (1748 - 1823). Sayers's shortly demand the remaining 12s/6d''), caricatures were so powerful and direct in gives the opposing iew that Emancipation their purpose that Fox is said to have would not satisfy the Irish. BM Satire: 15728. declared that they did him more harm than Stock: 55408 all the attacks made on him in parliament or

the press. BM Satires 6640. 111. [Wellington] Oh What a Falling Off Was Stock: 55385 There _ fully accow/utred the Hero Lay. Review - Pl 2. [Monogram of Paul Pry - William Heath] Esq.r. Pub May 29 1829 by T McLean 26 Haymarket- Sole Publisher of P. Pry Caricature. Etching with fine hand colour. 255 x 370mm (10 x 14½"), with large margins. £260 The Duke of Wellington, in full dress uniform including a bearskin, falls into a muddy puddle. On the 28th of May 1829 Wellington, whilst at a review in Hyde Park, fell from his horse and was cheered by the crowd. BM Satires

109. [Frances Vane, Marchioness of 15773. Londonderry] One of the Tenth - When I Stock: 55406 was an Infant gossips would say - when I grew older I'de be a soldier. &c.r. Hyde 112. A parody upon the poem of Alonzo the Park May 27 1829. Sketched at the Review. Brave and the Fair Imogene. Being a [William Heath.] Pub May 28, 1829 by T. Juvenile Attempt at Poetry, by Charles Few. McLean 26 Haymarket Sole Publisher of P. Eckstein. Published 4 1798 by Laurie & Pry caricatures. Whittle, 53 Fleet Street, London. Etching with very fine colour. 260 x 375mm Etching with letterpress. Sheet 435 x 275mm (10¼ x 14¾"), paper watermarked 'J (17¼ x 10¾"). Folds. £180 Whatman 1828', with large margins. £360 A party at dinner is terrified by the Lady Londonderry riding sidesaddle on a appearance of a ghost appearing through the galloping horse, in a skirted approximation split wainscot, accompanied by flashes of of the uniform of the 10th Hussars (regiment light. The verses relate that the girl had been of her husband, Charles Vane, 3rd Marquess false to her betrothed, who had gone to of Londonderry), with false moustache. India, and had married in his absence. He At the review Lord Wellington fell from his returns to curse and destroy her. BM Satire horse but was unhurt. BM Satire 15930. 9503. Stock: 55405 Stock: 55376

110. Porro unum est necessarium. 'His ambition 113. Countryman in London. will lead him to attempt that one thing.' - Printed and Published by W. Davison Vide Napoleon Bonaparte's prophecy. Alnwick. [n.d., c.1816.] Tho.s Jones fec.t. Pub.d by Paul Pry Esq.re at Woodblock, 170 x 235mm (6¾ x 9¼"). £120 his Observatory, Windsor [n.d., 1829). A satire on the bewilderment of a rustic in Coloured etching. Sheet 255 x 355mm (10 x the metropolis: a barker offers him a bill, 14"), watermarked 'J Whatman 1823'.. 'Milse's Wild Beasts', pointing to a sign Trimmed to plate at top, faded. £160 inscribed 'Royal Tiger'. The Yale Center for A satire on Wellington's struggle to achieve British Art suggests this is an exhbition of Catholic emancipation, with him reading a George Stubbs' painting. 'Life of Oliver Cromwell', suggesting the By William Davison (1780 - 1858), publisher option of military despotism. In the of popular prints and satires, and background the feathers of Wellington's hat pharmacist, usually referred to as Davison of hide the face on George IV's portrait. Alnwick. In the period between 1812 and A letter from Daniel O'Connell (reading ''We 1817, Davison produced a number of have had but 7s/6d in the pound we shall caricatures, amusing if somewhat crudely executed plates often based on better known 116. High Life below Stairs as was represented prints. Peter Isaac suggests that the majority at Cashiobury the seat of The Earl of Essex. date to about 1816. YCBA PN6173 .C68. Mr Orde del. J.s Bretherton f. 23d Feby 1774. Stock: 55381 Etching, 18th century watermark. 265 x 295mm (10½ x 11¾"). Tears in edges in very large margins taped. £280 A scene from James Townley’s farce 'High Life Below Stairs', first performed in London in 1759. A cook sits between a coachman and a black servant called Kingston, both of whom are drunk on their master's wine. The three argue about who is going to answer the knock on the door. Thomas Orde sketched this caricature while taking part in a private production of the play. Not in BM Satires, but BM 1948,0214.510. Stock: 55209

117. The Old Cheese; An Original Tale, Recited by Mr Fawcett, at Covent-Garden Theatre. Published 1st February 1798 by Laurie &

114. A Bond-Street Lounger; or, A Man with Whittle, 53 Fleet Street, London. Two Suits to His Back. Written by George Etching with letterpress, 18th century Saville Carey. watermark. Sheet 440 x 240mm (17¼ x 9½"). Published 24th. June 1800. by Laurie & Trimmed within plate on three sides. £230 Whittle, 53, Fleet Street, London. A farmer throws cheeses across a table, Etching with letterpress. Sheet 395 x 220mm smashing plates and windows. The verses (15½ x 8¾"). Trimmed wthin plate on three relate the tale of a loutish and hen-pecked sides. £260 husband who gives an exhibition of his The verse tells of a 'flashy Hibernian Blade' domestic authority to impress his guests, but whose blarney allows him to live above his is finally quelled by his wife. BM Satire 9332. means, until this scene, in which he is Stock: 55375

arrested. Not in BM Satire, but 1985,0119.135.

Stock: 55368 118. Patience; or, A Bad Job: An original tale. Written by the Author of Speculation. 115. Columbus Breaking the Egg. Published 20th Nov.r 1798 by Laurie & Printed and Published by W. Davison Whittle, 53 Fleet Street, London. Alnwick. [n.d., c.1815.] Etching with letterpress. Sheet 435 x 230mm Woodblock, 160 x 235mm (6¼ x 9¼''). (17 x 9"). Trimmed within plate on three Trimmed to plate at top. £130 sides. £160 A print after a scene by William Hogarth Having delivered a sermon on the patience which shows Christopher Columbus of Job, a parson loses his temper with a demonstrating, having cracked an egg in servant who has spilled a cask of ale. When order to make it stand, that a discovery reproached by his wife the parson asks 'Did appears simple only after an inventive mind Job e'er lose A Barrel of such Ale?'. BM Satire has made it known. Etching published by 9335. Stock: 55374 William Davison, publisher of popular

prints and satires, and pharmacist, usually 119. The Polite Alderman, Advancing to Future referred to as Davison of Alnwick after the Happiness. ''Madam will you honor me Northumberland town where he lived. In with your hand at the Lord Mayors Ball'' _ the period between 1812 and 1817, Davison ''With a great Deal of pleasure Mr produced a number of caricatures often Alderman''. based on better known prints. After BM Published 1.st Aug.st 1792, by Rob.t Sayer & Satire 3192. C.o Fleet Street London. Stock: 55382 Etching. Sheet 200 x 245mm (8 x 9½"). Trimmed to platemark. £120 A fat alderman to an equally stout lady who curtseys, her hands in an enormous muff, from which a small dog looks out. BM Satires 8215. Stock: 55369

120. The Rider and Sand-Boy. Woodward del.t. Hayden, Printer, Brydges Street, Covent Garden (n.d., c.1810.] Coloured etching, with letterpress. Sheet 380 x 225mm (15 x 8¾"), part J. Whatman 123. Taste A-La-Mode as in the year 1735 being watermark. Trimmed within plate. £190 the Contrast to the Year 1745. 77. A scene of four wags tease a sand-boy (a Boitard Inv.t. Evan Davis sculp. Printed for seller of sand for scouring and sopping up Carrington Bowles, Map & Printseller in St liquids), illustrating a verse probably written Pauls Church Yard London [n.d., c.1765.] by William Meyler of Bath (1755-1821). Coloured etching, 18th century watermark. The publication of the poem in the Hereford 240 x 325mm (9½ x 12¾"). Mounted in album Journal in July 1796 is the earliest known use paper. £360 of the term 'sandboy', as in 'happy as a Satire on fashion, purporting to show the sandboy'. dress of 1735, with a crowd of people in St Stock: 55199 James's Park in front of Buckingham House. First published by Robert Sayer in 1749, as 121. The Sweating Sickness; or, The Imaginary one of his first publications. BM Satires 2151. Malady. (A Bona Fide Fact.) Stock: 55203 John Rider, Printer, Little Britain. Published 2d Dec.r 1799 by Laurie & Whittle, N° 53, 124. The School of Projects. Fleet Street, London. [by Samuel De Wilde.] Published for the Etching with engraving, with letterpress Satirist, Octr 1st 1809. by S. Tipper verse, 18th century watermark. Sheet 400 x Leadenhall (Street. 250mm (15¾ x 9¾"). Trimmed, some Etching with aquatint. Sheet 205 x 375mm (8 spotting. £190 x 14¾"). Trimmed within plate and folded, A trick played on a member of a dining club: as issued, stitch holes in right margin. £160 by concealing butter in the rim of his hat, the A satire on some of the outlandish projects other members persuade Tom Ruby that he being touted to investors. On the left is a has sweating sickness and should retire to model of a bridge from the Earth to the bed, missing the feast. BM Satires 9504; Moon, a plan devised by Ralph Dodd, who Bodleian Library Broadside Ballads Bod7009. is depicted boring a hole through the Earth, Stock: 55377 a satire on his plan to dig a dry tunnel from Gravesend to Tilbury (before Brunel's 122. The Adventures of Young Whipstitch: a Thames Tunnel). In the centre is Frederick Tale. Albert Winsor (1763-1830), pioneer of gas Published 12th Aug.t 1796 by Laurie & lighting, whose system was to be used to Whittle, 53 Fleet Street, London. light both Dodd's tunnel and his proposed Etching with letterpress. Sheet 430 x 225mm Strand Bridge. On the right is William (17 x 8¾"). Trimmed within plate on three Robert Henry Brown, manager of the Golden sides. £230 Lane Brewery, and also Chairman of the A broadside verse telling the story of a Hope Insurance Company and promoter of a young blade being taken advantage off by Cattle Insurance Company. To his left is more seasoned men in a drinking den. Not in George Leybourne, a supporter of the cattle BM Satires. Stock: 55373 insurance scheme, said to have had a plan for making a sheep grow as large as an ox. BM Satires 11439. Stock: 55212

125. Mousieur Kaniferstane. (or, I Do Not An interior scene with two sisters sitting Understand You.) An Original Tale. close together on a sofa, one wearing a hat Published 4th Oct.r 1796 by Laurie & with 'King' inscribed on the hat-band. The Whittle, 53 Fleet Street, London. other holds a tea cup and points at a letter. Etching with letterpress, W. Elgar Stock: 55307 watermark. Sheet 410 x 220mm (16 x 8¾"). Trimmed within plate on three sides. £230 A broadside verse telling the story of a French marquis who mistakes a Dutchman saying 'Ik kan niet Verstaan (I do not understand)' for the man's name. Not in BM Satires. Stock: 55372

126. Political Chemist and German Retorts or Desolving the Rhenish Confederacy. [Thomas Rowlandson.] Pub.d December 14 1813 by R. Ackermann N 101 Strand. Hand-coloured etching. Sheet: 250 x 340mm (9¾ x 13¼"). Trimmed, a little staining. Repaired and made up in title far left. £260 A satirical scene in which a tiny Napoleon is placed into a stove by the allied sovereigns, commenting on various allied victories over the French. BM Satires 12122. Stock: 46475

127. A Laudable Partnership or Souls and Bodies, cured without loss of Time. 129. Corporal Cartouch teaching Miss Camp- Pub.d Sept.r 3 1795 by S W Fores N° 50 Love her Manual Exercise. From an Piccadilly the Corner of Sackville Street - Original Picture Painted by Mr Collett. Folios of Caracatures lent out for the London, Printed for R. Sayer & J. Bennett, Evening. Map & Printsellers, no. 53, Fleet Street, as the Etching. 250 x 355mm (9¾ x 14"), paper Act directs, 4th. Jan.y 1780. watermarked 'J Whatman 1794'. Three small Rare mezzotint with strong original colour. repairs. £120 350 x 250mm (13¾ x 9¾"). Some expert A quack doctor and a dissenting parson restoration. £680 share a stage, under a sign 'The cheapest A soldier drilling an attractive young Booth in the Fair'. The quack sells cures for woman, tilting up her chin while she stands the body and refers customers to his partner shouldering a musket on the right, for cures of the soul. The preacher sells 'All mimicked by a monkey sitting on a music my last books of Sermons going for two book and holding a flute. A drummer boy pence a piece cheaper by one penny than look on, smiling. you can buy them on those days that I This print was published during the preaches in the fields: and if any of you American War of Independence. Stock: 55308 ketched a cold at that time I'd advise you to

apply to my partner for a bottle or two of his 130. The Press Gang or English Liberty Stuff.' BM Satires 8741. Display'd. Engrav'd for the Oxford Stock: 55211 Magazine. [1770] 128. Visit to a Sister. 249. Published 1st. June, 1789, by R. Sayer, 53, Engraving. 180 x 110mm (7 x 4¼"). £160 Fleet Street, London. A satire on the callousness of the press gangs Rare mezzotint with original hand colour. kidnapping men for naval service, after the 350 x 250mm (13¾ x 9¾"). Trimmed to plate Spanish seized the British fort of Port Egmont on the Falkland Islands in 1770. on three sides, margins rebuilt. £420 Both sides prepared for war but, when The lack of blood caused rumours that the France declined to support Spain, the duel was a stunt, inspiring satires such as Spanish allowed the British to return. BM this. BM Satires 3914. Satire 4410. Stock: 55193 Stock: 55191

131. The Recruiting Serjeant. Engrav'd for the Oxford Magazine. [1770] Engraving. 180 x 110mm (7 x 4¼"). Three worm holes in the left edge, some ink offset. £160 A recruiting serjeant stands in a village tempting the villagers to enlist with promises, while two old soldiers walk by complaining about the reality of service. BM Satire 4411. 134. The Blessings of Military Law-Givers. Stock: 55190 [Monogram of Paul Pry - John Phillips?] Esq.r. Pub by S. Gans, 15 Southampton St. 132. Refin'd Taste. Eternal Infamy, that Wretch Strand, July 28 1829_Sole publisher of Paul Confound, / Who Planted first this Vice on Pry's Caricatures. English Ground. / A Crime that Spite of Etching with fine hand colour. 240 x 355mm Sense and Nature reigns. / and Poisons (9½ x 14"). Trimmed to printed border and Genial Love & Manhood Stains. Vid. Rod. laid on album paper. £240 Random. A court scene with the accused (a coachman) R.St.G.M. Inv.t. [Richard St George being the only civilian, the judge and lawyer Mansergh.] [n.d, c.1780.] all wearing huge bearskins. Wellington Etching, 180 x 255mm (7 x 10"). £220 stands next to the accused, dressed as a A scene from Tobias Smollett's 'Adventures Grenedier Guard. According to the of Roderick Random': a civilian eyeing up a prosecutor, the coachman was guilty of soldier through a glass. A large beauty spot 'breaking the line of a Corporal's guard, my on the soldier's cheek covers a pockmark Lud, to the great damage and detriment of from veneral disease. the military honor of this vast empire'. A Numbered 'V.2' upper left and '6' upper satire of Wellington as a military autocrat. right. The plate was originally published by Although 'Paul Pry' was initially a Mary Darley, but was later issued by Robert pseudonym of William Heath (1794-1840), Sayer and Laurie & Whittle. BM Satires: 5173. this print is a pirate, probably by John See Ref: 51697 for coloured image. Stock: 55383 Philips. Eventually Heath gave up the monogram because of its wide use. BM Satire 133. The Bagshot Frolick or the Pot-Lid & 15841. Stock: 55413 Inkhorn.

[1762.] 135. [William Boyd, 4th Earl of Kilmarnock] Etching. Sheet 190 x 285mm (7½ x 11¼"). Miss Cameron. Miss Macdonald. How Trimmed within plate, affecting title. £160 happy could I be with either / were t'other A satire of the duel between John Wilkes and dear Charmer away. / Beg. Op. / But since I Lord William Talbot, fought on 5th October am destin;d for Neither / At present, no 1762 over Wilkes' mockery of Talbot in the longer I'll Stay. 'North Briton'. Talbot holds a pot-lid and a [London Magazine, 1747.] spit, Wilkes a quill and and ink pot. Talbot is Engraving. Sheet 110 x 175mm (4½ x 6¾"). attended by Smollett while Wilkes is backed Trimmed within plate. £280 by Churchill. Three medallion portraits: an untitled one of The duel was fought with pistols on Bagshot William Boyd, 4th Earl of Kilmarnock (1709- Common: despite firing at only eight yards, 1746), flanked by portraits of two women, neither man was hit and the pair then went with lines from John Gay's 'Beggar's Opera'. to a local tavern to share a bottle of claret. It was published as anti-Jacobite propaganda, suggesting the Earl was having A satire on 'cits' and on the addresses affairs with Jacobite ladies. deploring seditious meetings and approving Boyd was executed for treason in 1746, after of the measures taken against them. George the failure of the 1745 Jacobite Rebellion. suggests that the speaker could be Alderman Sharpe 699.ii; BM Satires 2853. Samuel Birch (1757-1841), a fervent Stock: 55249 supporter of the Volunteer Regiments and lieutenant-colonel commandant of the 1st regiment of Loyal London volunteers, later Lord Mayor of London. BM Satires 8700. Stock: 55201

138. The Triple Alliance or A New System of D- RB-SH-RE Politics. [n.d., c.1768.] Etching, 18th century watermark. 265 x 350mm (10½ x 13¾"), with very large margins. Folds with a few small splits. £160 A satire on the 1768 general election in 136. A Slap at the Charleys or a Tom and Jerry Derbyshire, with two gentlemen is lark. _ vide New Police Bill. conversation with two nobles under a scale [Monogram of Paul Pry - William Heath] with a Cap of Liberty outweighed by two Esq.r. Pub May 29 1829 by McLean coronets. Haymarket. The election was fought between Lord Etching with fine hand colour., watermark George Cavendish, George Bagnall Clarke 1821?, 260 x 370mm (10¼ x 14½"), with large (both elected) and Sir Henry Harpur. margins. £280 Elections there were always decided by the Peel and Wellington as Tom and Jerry, two influence of the Cavendishes, the family of rakish men about town, scrapping with the the Duke of Devonshire, the local landlord. Charleys, members of the district watch, as Not in BM Satires, but BM 1896,1118.106. one of the old watchboxes is knocked over. Stock: 55205 A satire on the replacement of the district watch system with Peel's new police force. 139. The Rocking Horse. A Scene at Court. 'Paul Pry' was the pseudonym of William [Monogram of Paul Pry - John Phillips?] Heath. BM Satires: 15769. Esq.r. Pub. by S. Gans, 15, Southampton Stock: 55398 Street, Strand July 16, 1829 - sole publisher of Paul Pry's Original Caricatures 137. Deputy Pendulum's Motion for an Etching with fine hand colour. Sheet 245 x Address. 340mm (9¾ x 13¼"). Trimmed to printed I C [Isaac Cruikshank]. Lond. Pub November border and laid on album paper. £260 29 1795 by S W Fores N 50 Piccadilly. Folios George IV as a frightened small boy, falling of Caracatures Lent out for the Evening. backwards from a rocking-horse with the Coloured etching, 18th century watermark. head of John Bull, supported by his mistress 345 x 255mm (13½ x 10"). Trimmed within Lady Conyngham. Wellington tries to plate at bottom, tears taped, creasing and restrain the hose, pulling at the bridle. stains. £130 A satrire suggesting that Wellington and A man in old-fashioned dress stands holding Conyngham had used the King as a tool, an 'Address' is in his right hand, with a exploiting him to force Catholic document inscribed 'obervation' [sic] Emancipation upon John Bull. protruding from his coat-pocket, before a Although 'Paul Pry' was initially a disinterested audience. His extensive speech pseudonym of William Heath (1794-1840), under the image warns about 'that bold this print is a pirate, probably by John Monster Sedition who Stalks abroad in Philips. Eventually Heath gave up the Broad Day Light Gemmen to destroy our monogram because of its wide use. BM Glorious Constitution & Throw the Balance Satires 15835. of power from its place'. Stock: 55411 As Home Secretary Peel had initially opposed Catholic Emancipation, but u- turned, supporting his mentor Wellington's repeal of the Test Act (1828) and the Roman Catholic Relief Act 1829. The Peel family fortune came from the textile factories that used 'Spinning Jennies'. Although 'Paul Pry' was initially a pseudonym of William Heath (1794-1840), this print is a pirate, probably by John Philips. Eventually Heath gave up the monogram because of its wide use. BM Satires 15853. Stock: 55396

142. A Political Reflection. [Monogram of Paul Pry - William Heath.] Esq. Pub. by T. McLean 26 Haymarket London. Etching with hand colour. 260 x 370mm (10¼ x 14½"), watermarked 'J Whatman 1828), 140. For the Trial of Warren Hastings. Seventh with large margins. Colour slightly faded. Day. Peter Burrell by Great Chamberlain. J.S. [James Sayers] [n.d., 1788.] £260 Etching. 180 x 125mm (7 x 5"), with large A scene in a nursery in which the 'Great Babe' George IV lies asleep in a cradle margins. Small tear taped. £320 A burlesque of the admission ticket for the watched over by his mistress Lady impeachment trial of Warren Hastings. Conyngham. On the right Wellington lowers The original was issued by Sir Peter Burrell, the crown on to his head as he admires Deputy Great Chamberlain; here the rams' himself in the mirror. On the floor is a model heads on the three battering-rams of his of Buckingham Palace as reconstructed by armorial have been replaced with the heads Nash. of , and Sir A satire of Lady Conyngham's use of her Philip Francis; and the raised arm has a influence over George to support scourge instead of an olive sprig. On the left Wellington. BM Satire 15521. Stock: 55407 is a weeping judge; on the right Justice, looking up in terror at the scourge of the 143. Recruiting Party. Now's Your Time My armorial; and underneath is a view of Lads- Whigs & Tories- Christians, Jews & Westminster Hall, with Fox declaiming. BM Turks- no distinction made. Satires 7276. See BM 1868,0808.5692 for an [Monogram of Paul Pry - John Phillips?] extensive description. Esq.r. Pub. by S. Gans 15 Southampton St. Stock: 55194 Strand. Etching with fine hand colour. Sheet 240 x 141. Spinning Bobby. [Monogram of Paul Pry - John Phillips?] 345mm (9½ x 13½"). Trimmed to printed Esq.r. Pub. Sep.r 1, 1829, by S. Gans, 15, border, laid on album paper. £260 Southampton Street, Strand. Sole publisher Wellington, dressed in his military uniform of Paul Pry's Caricatures salutes, to George IV. Beside Wellington Etching with fine hand colour. Sheet 230 x stands James Scarlett, into whose hand 355mm (9 x 14"). Trimmed to printed border Wellington places a coin marked 'Attorn[ey]'. George IV's mistress Lady and laid on album paper. £260 Robert Peel sits on a spinning top on a table, Conyngham drums as Robert Peel plays the spun by the Duke of Wellington, while flute. George IV looks on in terror. Wellington Wellington found it difficult to gather stands on a pile of petitions. The top has ministers once elected, so this satire suggests knocked into the crown, breaking it. that he was bribing Scarlett, who had resigned from the post of Attorney-General when Wellington came to power in 1828, to skull marked 'Memento [Mori]'. Behind return. George IV sleeps, a bottle of brandy on the This a pirated copy of William Heath's satire, table before him. even copying his Paul Pry monogram, An attack on Wellington aiming for probably by John Phillips. See BM Satire: sovereign power, his non-intervention in 15812 for Heath's original. Portugal and failure in actions in the Russia- Stock: 55404 Turkey dispute. BM Satires 16049. Stock: 55397 144. The Borrow'd Plume. [Monogram of Paul Pry - John Phillips?] 146. New Mode of Military Discipline. Esq.r. Pub.d 1829 by S. Gans. Southampton A Sharpshooter [John Phillips] fec. Pub by G. Street. Strand. Humphrey 24 St James's St May 1829. Fine hand-coloured etching. Sheet 240 x Coloured etching. 260 x 360mm (10¼ x 340mm (9½ x 13¼"). Trimmed to printed 14¼"), with large margins on 3 sides. Colour border and laid on album paper. £260 slightly faded. £240 Wellington sits astride a giant quill with the Wellington gives George IV a military 'Bill for the Relief of Roman Catholics' flogging, with the king being braced on the attached, which has been thrown into the back of the grossly fat Lady Conyngham. eye of George IV, blinding him. Grey flies Conyngham, George's last mistress, put behind complaining 'you have stole one of pressure on the king to support Wellington's my feathers'. efforts to achieve Catholic Emancipation. A satire on Wellington's influence over John Phillips used the pseudonym 'A George IV in the run up to the Catholic Sharpshooter' to issue caricatures; he is Relief Bill. The king suffered from cataracts. suspected of also using William Heath's Although 'Paul Pry' was initially a 'Paul Pry' monogram. BM Satires 15754. pseudonym of William Heath (1794-1840), Stock: 55403 this print is a pirate, probably by John Philips. Eventually Heath gave up the 147. The Retreat - or - The Glorius 18th of June monogram because of its wide use. BM 1829!! Satires: 15678. Don Juan Fecit [Isaaac Rovert Cruikshank]. Stock: 55412 Pub.d by Treguar Cheapside. Where folios of Caricature are sent to any part of the Country, to select from Huzza!! [n.d., 1829.] Etching with hand colour. 245 x 350mm (9¾ x 13¾"). £260 The Duke of Wellington runs down a dusty country road from Cambridge to London, carrying George Bankes on his shoulders, the latter's head being hidden by the plume from the Duke's cocked hat. They are chased by a parson-don with a small boy on his shoulders, who cracks a whip. A label inscribed 'Cavendish Square' identified the

145. [Wellington] A Vision of Judgment!!! boy as William Cavendish (1808-1901, [by Robert Cruikshank] Pub.d by Tregear afterwards seventh Duke of Devonshire), Cheapside [n.d, c.1829]. who had beaten Bankes in the Cambridge Etching with fine hand colour. 255 x 350mm University by-election. BM Satires 15818. Stock: 55410 (10 x 11¾"), with very large margins. £380 A haggard Wellington lying on a sofa is startled by a vision of Charon on the River Styx, which features Canning, holding up a banner inscribed 'Turkey Portugal Russia', Percival in a blood-stained robe and Castlereagh with a slit throat. At Wellington's feet are a crown, mitre and a

148. [The] Sweets of Liberty. 45. Painted by J. Collet. Engrav'd by S. Okey. Publish'd according to Act of Parliament May 31st 1770 and Sold by S. Okey the engraver [illegible, but also Reake, John Smith & John Swan]. An extremely rare mezzotint with engraving, with hand colour. Sheet 465 x 520mm (18¼ x 20½"). Trimmed close to plate, tear affecting title, some surface wear with parts of the inscription area illegible. £1450 A scene outside the Fleet Prison with sellers selling ballads in support of John Wilkes, centred on a young woman holding up a ballad 'An irregular Ode to Wilkes & Liberty'. A buyer has '45' chalked on his back by a boy. On the left another woman presses 'Wilkes & Bull' on an unwilling Scotsman and behind a woman sells 'Parson Horne & the Devil' to prisoners reaching out through a barred window of the prison. Not in BM but see 1872,1012.4775 for a smaller format version, 'The City Chanters', also engraved by Okey. Royal Academy 17/914. Stock: 55366

149. The British Bull Baited by Mungrels. [Plate 150. Receiving Absolution for Past Heresies. 3.] Pl.2_ [n.d., c.1769.] [Monogram of Paul Pry - William Heath.] Engraving. Sheet 240 x 320mm (9½ x 12½"). Esq. Pub by T Mc Lean 26 Haymarket. [n.d. Trimmed into plate and around title, losing c.1830]. plate number, repairs to old folds, backed Etching with hand colour. 265 x 365mm (10½ with archival paper. Damaged. £130 x 14½"), with large margins. Colour slightly The bull, wearing a collar marked 'Liberty' faded. £240 attacked by dogs. Satire on Catholic emancipation: a A satire of the Massacre of St George's caricatured papal legation watch as a Fields, 1768, when troops read the Riot Act cardinal gives absolution to Lyndhurst, Peel, and opened fire, killing half-a-dozen people, and Wellington, who kneel before them. BM including William Allen, who was shot after Satires: 15740. he had been chased to a nearby inn. His Stock: 55409 name appears on the obelisk. BM Satires 4328, their example dated 1769 in ink. Stock: 55379 letterpress. Letterpress trimmed, losing 80% of text. Creased where folded. £220 An allegorical scene of a wedding, illustrating a text that calculates the benefits of matrimony to a married man, in response to a similar text showing the costs. Stock: 55207

154. Russian Nupials or the Lock'd Jaw and Frost-Bitten Nose. Sung with unbounded Applause by Mr Fawcett, at the King's Theatre in the Haymarket , in the New Grand Melo-Dramatic Opera, called ''The Exile,'' written by John Frederick Reynolds, Esq. (The Music sold by Messrs. Goulding, and Co. New Bond Street.) [Isaac] Cruikshank Del. Publish'd Dec. 1. 151. The Enrag'd Batchelor, or the Plague of a 1808. by Laurie & Whittle, 53. Fleet Street, Single State. Batter'd, deseas'd, and past his London. youthfull Pranks... 30. Etching with letterpress. Sheet 285 x 225mm Boitard Inv.t et Delin. W. Proud sculp. (11¼ x 8¾"), watermarked 1814. Trimmed Printed for Carington Bowles, next the within plate on three sides. £160 Chapter House, in St Pauls Church yard, Outside a snowbound cottage a man is London [n.d., c.1760]. confronted by his wife, who breaks off his Engraving, 18th century watermark. 345 x frozen nose. Both wear coats with fur hoods. 250mm (13½ x 9¾''), with large margins. A Behind is a sleigh drawn by a reindeer. little wear in corners of margins. £380 Underneath the image are six verses telling An aging bachelor glares at a baby in a the story. BM Satires 11210; non of the three basket in his house, left by one of his examples listed on the BM site have the verses.

mistresses. Not in BM Satires. Stock: 55367 Stock: 55371

155. [The Duke of York and Mary Anne Clarke] 152. John Hobbs, John Hobbs. Sung by Mr. Royal Love Letters. Lovegrove, with unbounded Applause, in Published by M.C. Springsguth [n.d., c.1809.] ''Any Thing New,''at the Lyceum Theatre, Coloured etching with letterpress, 18th Strand. century watermark. Sheet 325 x 200mm (12¾ Published 12th August, 1811, by Whittle and x 8"). Mounted in album paper at sides. Laurie, N°.53, Fleet Street, London. £280 Etching with letterpress. Sheet 300 x 245mm An officer seated at a writing desk turns to (11¾ x 9¾"). Trimmed to plate at sides. £180 gaze at a portrait of a woman on the wall. William Lovegrove (1778-1816) as Jeremiah Underneath is a love poem and a quoted Babble, singing the story of shoe-maker John extract from a love letter. Hobbs who, 'having caught a Tartar', tries to Mary Anne Clark (1776-1852) was the sell his wife. Failing, he tries to hang himself mistress of Prince Frederick, Duke of York but is saved by his wife and they reconcile. and Albany from 1803 to 1809, when she BM Satires 11838. Stock: 55378 testified before the House of Commons that she had sold army commissions with the 153. The Ladies Advocate; or An Apology for Duke's knowledge. He severed all ties and Matrimony. In Answer to the Batchelor's she published 'The Authentic and Impartial Monitor. Life of Mrs. Mary Anne Clarke, Including H. Gravelot inv. et sculp. Published Numerous Royal and Other Original Letters, according to Act of Parliament by John and Anecdotes of Distinguished Persons, Osborn in Pater-Noster Row 1741. Which Have Escaped Suppression, with a Engraved broadside, 18th century Compendious View of the Whole watermark. 165 x 240mm (6½ x 9½"), set in Proceedings, Illustrative of the Late Important Investigation of the Conduct of His Royal Highness the Duke of York, &C. She looks out of a window as he sings to her: &C. and a Curious Poem'. Here the Duke's ''I ling'ring fall a victim to dispair, / Scorned love poem and letters are quoted, with a by the World, by Justice, and by Thee''. Not satirical illustration. Not in BM. in BM; the Bodleian 'Broadside Ballads Online' Stock: 55200 only has the letterpress. Stock: 55202

158. Design for a Regency. William Heath. Pub July 8 1830 by T. McLean 26 Haymarket London. Hand-coloured etching. 255 x 360mm (10 x 14¼), with large margins. Colour slightly faded. £220 Princess Victoria as a child, sitting on Prince Leopold's knee, holding the sceptre, the crown falling over her eyes. The Duchess of Kent looks on from the throne. To the right is Wellington, standing over the royal chair in the Council Chamber, with William IV sitting to the side. Behind are the Grenadier 156. A Sale of Fox Hounds. Guards, standing to attention with bayonets Pub.d March 17th 1812 by W.m Holland fixed. No.11 Cockspur Street. When William IV came to the throne in 1830, Hand-coloured etching. Sheet 240 x 345mm Victoria was the next in line to the throne, (9½ x 13½"). Trimmed to plate on right.; ink aged 11, raising the question of who would identifications under the image. £360 be regent if William died before Victoria A satire of the Prince of Wales as an came of age. auctioneer knocking down a pack of hounds Heath had previously issued his work under with the human faces of the cabinet, held by the pseudonym 'Paul Pry' but reverted to his Sheridan, while a 'Grey' horse (held by John own name because of fakers. BM Satires: MacMahon, who had just become keeper of 16162. the privy purse and private secretary to the Stock: 55402 Prince Regent) neighs in opposition. Not in BM Satires. 159. [Imitation Banknote] N°.... I Promise to Stock: 55197 pay to Messrs Aiches, Wantes & Jem Jackal[l,] or Bearer, One Penny, when the 157. [George IV and Caroline of Brunswick] Spirit of a London audience s[hall] have The Beggar's Petition. Pity the sorrows of a been subdued by A Hero of the Buskin, poor old man... Jew Vagrants & Thiefta[kers and ] when I.R. Cruikshank fecit. London: Published by the Private Boxes of a Theatre shall be J. Dawson, Camden Town; and Sold by dedicated to Diana. London: the 1st day of Every Bookseller and Newsman in the November 180[9]. For Self, Catcall, Kingdom. Entered at Stationers' Hall. Price Buglehorn, Trumpet, Bell, Rattle, Hiss & One Shilling. Printed by W. Smith, King Groa[n.] OP. Street, Seven Dials [n.d., c.1819]. Sold by J. Luffman 377 Strand, London. Price Rare coloured etching with letterpress, Two Pence. watermark T. Edmonds 1819. Sheet 410 x Scarce etching. Sheet 90 x 190mm (3½ x 7½"). 260mm (16 x 10¼"). Tears entering image at Restored, with some loss of text. £230 top, edges with archival tape on reverse, A satirical attack on the violence at the some other wear and loss at bottom. £260 Covent Garden Garden during the 'Old Price George as a beggar, baggage marked 'Vice' Riots' of 1809. on his back, crown held out as a begging Following the burning down of the original bowl, on the road from The Royal Lodge in building in 1808, a new theatre was erected, Windsor Great Park (''The Cottage'') to opening in September 1809. The manager, Brandenburg House, Hammersmith, home actor John Philip Kemble, raised prices to of his estranged wife, Caroline of Brunswick. cover the expense. On the opening night the audience refused to leave and Kemble called Caricature of William Henry Fortescue in the Bow Street police, finally clearing the (1722-1806), Earl of Clermont, known as the building at 2am. As the protests continued 'Father of the Turf'. He gallops on a pony, Kemple started hiring security, including the closely followed by a tall trooper with a boxer Daniel Mendoza (probably the 'Jew drawn sword on a large horse, knocking Vagrant' mentioned here), leading to violent over a chimney-sweep who has dropped his brawls. By the time Kemble admitted defeat brush and shovel. after 64 days it is estimated that 20 people This caricature was first published by Harris had died and many more injured. BM Satires in 1800, followed by Hannah Humphrey in 11424, i of ii (later published by Fores). 1802. This example has no publication line. Stock: 51286 BM Satires 9585. Stock: 55198

162. [Arnauts playing Draughts.] Gérome del. Ch. Courtry Sculp.t. [1872.] Etching. 185 x 230mm (7¼ x 9"). Trimmed to plate on three sides. £85 Two Albanians soldiers playing draughts, one smoking a hookah. Jean-Léon Gérôme (1824-1904, painter known for his Orientalist scenes, son-in-law of print publisher and art dealer art dealer Adolphe Goupil. See V&A SP.292. for a titled version engraved by Valentin, published by Virtue & Co, 1856. Stock: 55347

163. [The young man losing a game of cards.] Wat syn wy ... voord beroyd. [Engraved by Jan van de Velde II.]

160. The Unlucky Surprise. [&] The Bengall [Amsterdam: Claes Janszoon Visscher, Minuet. c.1633.] Pub.d. Accor.g to Act Nov.r 1 1773 by Etching. 175 x 120mm (6¾ x 4¾"). Slight tape MDarly Strand [& Nov 3.]. stains at corners. Small margins. £190 Fine pair of etchings on one sheet, 18th A man wearing a plumed hat, holding century watermark. Each 460175 x 245mm (7 playing cards in his left hand. From 'The x 9¾"), with very large margins. Slight paper Mirror of Vanity', a series of seventeen plates toning. Uncut. £460 with Dutch verses by Samuel Ampzing. Two satires. Above a portly, middle-aged Stock: 55346

man opens a door to find his young wife in 164. [The Breland, or the Prodigal.] Pellicus hinc an embrace. Below, two figures in profile Modulis... face each other for a minuet dance in a Jac. Callot fec. Con: Meyer fecit et excudit. panelled interior, satirising a nabob (a man [Engraved c.1680 but much later.] who had gained significant wealth with the Engraving. 215 x 280mm (8½ x 11"), with East India Company) and his wife, preparing very large margins. Impression weak, for their new place in society. 'Bengall' BM printer's crease centre of image. £220 Satires: 5174. Unlucky Surprise not in BM. Stock: 55387 A night scene, with the Prodigal Son playing cards by candle-light, engraved by Conrad 161. A Charge at Ascot 1800. Clear the Course! Meyer (1618-89) after Jacques Callot (c.1592- or Virtue in Danger. 1635) . [London: John Harris, c.1800.] Stock: 55348 Coloured etching, title etched by Gillray. 245 x 400mm (9¾ x 15¾"). Trimmed to plate at sides, narrow margins top and bottom. £320 165. [Dutch card players] 7. Etching with engraving. Sheet 460 x 320mm [n.d., c.1700.] (18 x 12¼"). Trimmed within plate on three Etching. 80 x 125mm (3¼ x 5"), with very sides, cracks in folds, some staining, laid on large margins. £160 card. Damaged. £160 An interior with men playing cards and A plate with notated hunting-calls, drinking. illustrated with ten panels, showing a roe Stock: 55345 buck, a buck, a hinde, a stag, a royal hart, a hare, a fox, an otter, and a badger, and a 166. The Pharo Table. Engraved for the Carlton scene of a stag hunt. House Magazine. The plate (frontispiece) appeared folded into Published by W. & J. Stratford, No 112 Nicolas Cox's 'Gentleman's Recreation'. BM Holborn Hill, June 1, 1792. 1994,1211.2. Engraving. 110 x 180mm (4¼ x 7"), with 4pp. Stock: 55210 text. Trimmed within plate on left with text. Large margins on 3 sides. £80 A scene of a Faro card party, with men and women around a table. The text is a warning about sharp practices in apparently genteel drawing rooms and the ease with which huge losses could be accrued. Faro, a hugely-popular gambling game before being superceded by Poker, was notoriously crooked: 'Hoyle’s Rules of Games' once included a warning that not a single honest faro bank could be found in the United States. Famous players included Casanova, Charles James Fox, Wyatt Earp 170. Going out in the Morning. Le sortie des Chasseurs au Matin. and Doc Holliday. Stock: 55321 J. Seymour inv.t. T. Burford del. et fec.t. Published according to Act of Parliament 167. [Performing horse.] [n.d., c.1760]. [n.d., c.1680.] Mezzotint with etching. Sheet 250 x 350mm Etching. Sheet 100 x 95mm (4 x 3¾"). (9¾ x 13¾"). Trimmed to image on three Trimmed within plate, laid on album paper. sides, within plate at bottom, a little wear to £60 edges. Damaged. £220 A horse rears on its hind legs, a baton in its A fox hunting scene originally published by mouth, watched by an audience in the Thomas Burford in 1753, by here with date stands. A man raises another baton, a pair of erased, and more riders and hounds added. dice at his feet. one of six that Laurie & Whittle issued as a Stock: 55343 set in 1794. See BM 2010,7081.2857 for earlier state, listing this state as iii of v according the the 168. Salmon Trout. Lennox Boyd database of mezzotints. J. Scott Jun.r sc.t. Published by Sherwood & Stock: 55306 Co, April 1 1827. Engraving. 140 x 205mm (5½ x 8"). Trimmed 171. Unkenneling the Fox-Hounds. Lacher la to plate at top, stitch holes within plate at Meute. 210. bottom. £60 [engraved by Thomas Burford after either Probably published in the 'Sporting himself or James Seymour.] London Magazine'. Published 22nd May 1787 by Rob.t Sayer, 53 Stock: 55329 Fleet Street. Mezzotint with etching. 250 x 355mm (9¾ x 169. The Ancient Hunting Notes with Marsh's 14"). Narrow margins, a little wear to edges, & Coll. Cook's Additions. laid on archival paper. £260 Sold by J:Wilcox in Little Brittain, J:Batley in A fox hunting scene originally published by Pater Noster Row, and J:Sachfield in Thomas Burford c.1753, one of six that Lincoln's Inn Square [n.d., c.1725]. Laurie & Whittle issued as a set in 1794. BM 2010,7081.2883, listing it as state v of vi The interior of the Egyptian Hall during the according the the Lennox Boyd database of exhibition of Mexican artifacts collected by mezzotints. William Bullock, proprietor of the hall, on a Stock: 55305 visit in 1822. The exhibits include a circular calendar and snake statues. This lithograph is probably from 'A descriptive catalogue of the exhibition, entitled Ancient and Modern Mexico: containing a panoramic view of the present city, specimens of the natural history of New Spain'. Stock: 55322

174. Fair in Hyde Park. August, 1814. I.G. [Lady Julia Gordon.] Etching 155 x 270mm (6 x 10½"). Nicks in edges. Short tear in image. £160 The Jubilee Fair, part of the Peace Celebrations of 1814, one of the most 172. [The Watford Tunnel Collapse, 1835.] A spectacular events ever held in Hyde Park. Man that is Married. Air. _ Love Sick The 500 booths had everything from sword Looby.The Swiss Toy Girl. [WITH OLD swallowers to printing presses producing INK MSS] This Song Belonged to James views of the scene. Carrick one of the Unfortunate of the Ten Lady Julia Gordon (1775-1867, neé Julia who was Buried in the Watford Tunnel and Isabella Levina Bennet) was a pupil of both this was Buried with Him from the 16th J.M.W. Turner and Thomas Girtin. Her July 1835 Till the 18th August 1835 and he husband, General Sir James Willoughby was the Last Found. Gordon, was Quartermaster General during Pitts' Printer, Toy & Marble Warehouse, 6 the Peninsular Wars. Great st Andrew street, Seven Dials. Stock: 55250 Letterpress broadside song sheet. Sheet 250 x 200mm (9¾ x 8"). Some wear to old folds. 175. [Bromley and Sheppard's Colleges] £280 Bromley College in Kent Founded and A songsheet with the lyrics to two ballads. Endowed by John Warner late B.p of According to the ink mss the sheet was Rochester for Twenty Clergymens buried with its owner in the collapse of the Widdows and a Chaplaine AD 1672. This Watford Tunnel while it was being dug for Plate is Humbly inscribed to Lee Warner the London & Birmingham Railway. Esq. of Walsingham in the County of Although the tunnel was mostly solid chalk Norfolk 1720. there were areas made unstable by seams of Thomas Badeslade delin: John Harris sculp. gravel; a night crew, removing wooden [c.1720.] struts to prepare for bricking the walls of a Engraving. 355 x 440mm (14 x 17¼"). Wear ventilation shaft, were buried 80 feet down in top corners of margin, paper toned. Small under gravel, chalk and timbers. Despite margins. Repair top right corner. £280 working around the clock, it still took over a A view of the original Bromley College, month to extricate the bodies. Bodleian before the building of Shappard's College in 1840. Designed by Captain Richard Rider, Ballads Online Bod12422. Stock: 55370 Master Carpenter to the Crown, the almshouse is the oldest building in Bromley 173. Exhibition of Ancient Mexico at the and is a Grade 1 listed building. Egyptian Hall Piccadilly. Stock: 55244 Lith. & Printed by A. Aglio 30 Newman St Oxford St. [London: William Bullock, 1825?] Lithograph. Sheet 185 x 360mm (7¼ x 14¼"). Trimmed to image on three sides, original folds. £260 176. North Front of Windsor Castle. G. Samuel del.t. T. Sutherland sculp.t. Pub. Feb 1. 1819 by W H Pyne 36 Upper Charlotte Street, Fitzroy Square. Fine aquatint, printed in black and blue and hand finished. 250 x 320mm (9¾ x 12½"), watermarked '1818 J Whatman Turkey Mill'. Cut to platemark. £190 A view of Windsor Castle from the Thames. This was the frontispiece to vol I of Pyne's 'History of the Royal Residences'. Stock: 55338

180. Fairfield. A Settlement of the United 177. [Windsor Castle.] Brethren near Manchester. Published Jan.y 1st 1802 by S. Howitt Panton Drawn by E.Erxleben. Engraved by Rob.t Street Haymarket. Havell & Son. Published Jan.y 1, 1818, by E. Coloured aquatint. 165 x 220mm (6½ x 8¾"), Erxleben, Fairfield. with very large margins. Slight soiling in sky Coloured aquatint on Whatman paper, on left. £130 watermarked 1817. 380 x 530mm. Mint With the Edward III Tower and the Round condition. £750 Tower

Stock: 55336 With a key to the important buildings. Stock: 55414

178. The Fox Public House on Old Windsor Green. Paul Sandby Fecit. Printed for Robert Wilkinson, 125, Fenchurch Street [n.d., c.1800]. Aquatint printed in brown. Sheet 245 x 340mm (9½ x 13¼"). Trimmed into plate on three sides. £140 A large tavern surrounded by trees by a pond, still extant as the Fox and Castle, 21 Burfield Road, Old Windsor. The pond has

been filled in. Gunn 333. 181. Views of Fleetwood on Wyre in the County Stock: 55337 of Lancaster From Original Drawings on

Stone by William Gawin Herdman. 179. A View of Gravesend, in the County of Printed by T. Physick Manchester [n.d., Kent. Vüe du Gravesend dans le Comté de 1838]. Kent. No.21. Illustrated title and seven plates (complete), J.no Boydell Delin. & Sculp. Publish'd all tinted lithographs with hand colour. Each according to Act of Parliament, & Sold by J. sheet c.385 x 485mm (15¼ x 19"), very large Boydell Engraver at the Unicorn the Corner margins. Mount burn around images, one of Queen Street Cheapside London. 1752. plate trimmed to image and new margin Coloured engraving. 255 x 410mm (10 x 16"), added. £580 with very large margins. £280 A rare series of eight views of Fleetwood, a A view of sailing ships, rowing boats and fishing village just to the north of Blackpool, other small vessels on the River Thames at recording of the area before the urban Gravesend, Kent, from ''A Collection of One planning of Peter Hesketh-Fleetwood and Hundred Views In England and Wales''. Decimus Burton, begun 1836, regarded as Adams (London): 47.21. Stock: 55223 the first of the Victorian era. Herdman (1805-82) was a self-taught painter who painted over 2000 watercolours on the environs of Liverpool. He exhibited at the RA from 1834-1861. Rare: not listed in Abbey. Stock: 55222

182. [The Mausoleum at Brocklesby.] Aquatint. 365 x 460mm (14¼ x 18"), paper [J.M.W. Turner R.A. pinx.t. F.C. Lewis fecit. watermarked 'E & P', with very large J. Wyatt R.A. Arch.t.] [n.d., c.1800.] margins. £260 Extremely rare aquatint, proof before letters. A view of Kirkstall Abbey from the banks of Sheet 515 x 675mm (20¼ x 26¾"). Trimmed the River Aire. The Cistercian abbey was within plate, tear into image at bottom founded c.1152, commandeered by Henry taped, binding stitches on top edge. VIII in 1539. The ruins have been open to the Creasing. £550 public since 1895. The Pelham Mausoleum, built in 1787 by Stock: 55217 James Wyatt for Charles Anderson-Pelham (1749-1823), 1st Baron Yarborough, for the 185. To Bell Lloyd Esq.r this View of Corwen on remains of his wife, Sophia Aufrere (1753- the River-Dee, is with the greatest respect 86). Based on the Temples of Vesta at Rome inscribed by his obedient and obliged and Tivoli, with twelve Doric columns and a Servants T. Walmsley and F. Jukes. balustraded copper dome, it is considered by From a Picture by T. Walmsley. Engrav'd by Pevsner to be Wyatt's masterpiece. Inside is F. Jukes. London Pub.d Nov.r 1 1792 by F. a statue of Sophia by Joseph Nollekens. Jukes No.10 Howland Street. Rawlinson 812 ii of ii. Aquatint with fine hand colour. 350 x Stock: 55214 445mm (13¾ x 17½"), with very large margins. Stitch markes in left margin. £280 183. [Halifax] To the Right Honorable Lord A view of a manor house under mountains. Viscount Morpeth, M.P. This View of By the banks of the Dee a man sits sketching, Halifax, taken from Beacon Hill, Is with probably a self-portrait by Walmsley. permission most respectfully dedicated by From the series ''Views in North Wales''. his Lordships obliged and obed.t humble Abbey Scenery: 512. Servant Henry Burn. Stock: 55221 Drawn from Nature and on Stone by Henry Burn. Printed by C.F. Cheffins, London. 186. Ragland Castle, Monmouthshire. Published by W. Birtwhistle, Bookseller, Antiquities No 3. Halifax; April 1847. Painted by W. Hodges. Engraved by V. Tinted lihograph. Sheet 370 x 540mm (14½ x Green, & F. Jukes. Published Oct.r 16th 1778 21¼"). A little damage to margins. £320 by V. Green, Mezzotinto Engraver to his A view looking west across Halifax, with Majesty &c. No 29, Newman Street, Oxford Halifax Minster in the centre, surrounded by Street, and at No 52, Strand. Se vend à factories. Londres, chez les Freres Torre, Marchands Stock: 55224 d'Estampes. Aquatint with burin engraving, printed in 184. Kirkstal Abbey near Leeds Yorkshire. From brown. Sheet 400 x 545mm (15¾ x 21½"). an Original Drawing in the Possession of Trimmed within plate, wear to edges. Bit Abraham Rhodes Esq.r. dusty. £260 F. Jukes Howland Street fecit. London Pub.d Raglan Castle, slighted by Parliamentary Nov 1st 1798 by F. Jukes No 10 Howland forces in 1646. Street Fitzroy Square. Stock: 55219 187. This Print of Mary Queen of Scots is dedicated to Sir Walter Scott Bar.t by his Obliged & Obed.t Humb. Ser.t W.m Fletcher. Painted by Farino. Engraved by Tho.s Hodgetts & Son. Published by W.m Fletcher, Edinburgh Oct.r 1828. Mezzotint. 310 x 230mm (12¼ x 9"). £180 With poem praising Mary by Henry Scott Riddell (1798-1870). See NPG D25084 for later state. See 34355 for dupicate. Stock: 55232 191. Veduta Interna del Sepolcro di S. Costanza, 188. Abbey near Limerick Ireland. Fabbricato da Constantino Magno, ed From an Original Drawing by T Walmsly. erroneamente detto il Tempio di Bacco, Engrav'd by F. Jukes. [n.d., c.1800.] inoggi Chiesa della Medesima Santa. Rare aquatint. Sheet 220 x 295mm (8¾ x Piranesi Architetto fec. Si vendono da Gio. 11½"). Trimmed into image at top, within Bouchard in Roma presso S. Marcello sulla plate at bottom, and close to plate at sides. via del Corso [n.d., c.1765]. Some staining. £180 Etching with engraving. 415 x 550mm (16¼ x A ruined church by a country road. 21¾"), with very large margins. Central Stock: 55324 crease as normal. £580 The interior of Santa Costanza, a 4th century 189. [France] Marie Antoinette D' Autriche. church on the Via Nomentana. The church Reine de France. Venient Legiones quce was used by Emperor Constantine as a neque me inulta, neque vos impunitos mausoleum for his daughter Constantina. patiantur. Tacit. Published by Giovanni [Jean] Bouchard M.ise De Lezay Marnesia pinx. L. Legoux before his partnership with Gravier in the Pupil of F. Bartolozzi R.A. Sculp. London, mid-1760s. Hind 37, state ii of iii. Published as the Act directs Dec.r 2. 1793. Stock: 55287 Stipple. Platemark: 155 x 125mm. (6¼ x 5"), with very large margins. £95 192. [Jean de Wit Raet Pensionaris van Holland Portrait of Marie Antoinette (1755 - 1793), &c.] bust-length, in profile to the right, wearing [J. de Bane pinxit. A Blooteling fecit.] [n.d., mourning veil and scarf; within circle. c.1670.] Born an Archduchess of Austria, Antoinette Mezzotint. 270 x 215mm (10¾ x 8½"). Thread was Dauphine of France from 1770 to 1774 margins. £240 and Queen of France and Navarre from 1774 Head and shoulders portrait in oval of Jan to 1792. She was the fifteenth and de Witt (1625-72), de facto leader of the penultimate child of Holy Roman Emperor Dutch Republic for nearly twenty years, Francis I and Empress Maria Theresa. until his opposition to the appointment of Stock: 55258 William of Orange as stadholder led to the

murder of him and his brother Cornelis. 190. Marseille. Vue prise au dessus de la Gare A state before the addition of the title in the du Chemin de Fer. Voyage Aérien en border. See BM 1950,0520.343 for the titled France. third state. Dessiné par Guesdon. Lith. par A. Cuvillier. Stock: 55323 Paris, publié par A. Hauser, boul. des Italiens 11. Imp. Lemercier à Paris. 193. Bull Fight, Seville. Tinted lithograph. Sheet 395 x 560mm (15½ x [Lithographed by Thomas Shotter Boys after 22"), with very large margins. £260 David Roberts.] [London Published Nov.r An elevated view of Marseilles from above 1st 1836 by Hodgson & Graves, 6, Pall Mall.] the railway station. Coloured tinted lithograph. Image 360 x Stock: 55296 475mm (14¼ x 18¾"), with large margins.

£280 A view of Plaza de toros de la Real two black Philadelphians, both over-dressed Maestranza de Caballería de Sevilla, with a à la mode, discuss the weather. bullfight in progress, with a picador in Clay, inspired by Edward Cruikshank's 'Life action. in London' series, published his 'Life in It was published in David Roberts's Philadelpia' series from 1828-1830. Of the 'Picturesque Sketches in Spain', his first fourteen aquatints ten were satires on the publication. Although the image is credited black populace (who were freed when to Boys, it is known that Roberts worked on Pennsylvania banned slavery in 1780), which every stone. The success of this work did much to enforce the negative stereotypes enabled Roberts to finance his important held even in the free North. Very popular, excursion to Egypt and the Holy Land. Abbey they inspired these copies, published in Travel 152. London. Stock: 55292 Stock: 55386

194. Atlas to the Modern State of Spain by J. Fr. Bourgoin[g,] Formerly Minister Plentipotentiary from France [to the] Court of Madrid. London: John Stockdale, Piccadilly. 1808. 4to, original wrappers; printed title, pp, ii (contents), folding engraved map and 25 numbered plates (of 28). Covers worn, lacking title label on front cover; title page missing right hand corner, edges creased and worn. £280 The plate volume of an English edition of the description of Spain written by Jean- François, baron de Bourgoing (1748-1811), a diplomat who was secretary to the French legation to Madrid, 1777-86. Stock: 55313 196. Map of the Country between Wills Creek and Fort du Quesne. [after Capt. Robert Orme.] [London: R. Griffiths & J. Hoey, 1759.] Engraved map. 195 x 120mm (7¾ x 4¾"). Trimmed into plate on right, a little spotting. £260 A map of southwestern Pennsylvania, northern Virginia and western Maryland, based on a map by Orme (c.1725 - 1781 or 1790), aide-de-camp to General Edward Braddock, showing the route from Wills Creek (Cumberland, Maryland) of the Braddock expedition to attack the French Fort du Quesne in 1755 (with George 195. Life in Philadelphia. Plate 3. ''How you Washington). It was published in 'The Grand find yourself dis hot Weader Miss Chloe?'' Magazine of Universal Intelligence and / ''Pretty well I tank you Mr Cesar only I Monthly Chronicle of Our Times' to aspire too much. illustrate accounts of the attacks on Fort du Eng.d by Cha.s Hunt [after Edward William Quesne in 1758 during the French and Clay]. London, Pub. by Harrison Isaacs, Indian Wars, which resulting in the Charles St Soho Sq.re. [n.d., c.1832.] founding of Pittsburgh on that site. Fine coloured aquatint, very large margins. The marked longitude is west from 235 x 190mm (9¼ x 7½"). £180 Philadelphia, suggesting the map was A satire from an English edition of Edward prepared in America. William Clay's 'Life in Philadelphia', with The 'Grand Magazine' only lasted from July Stuart (1755-1828), who first painted 1758 to November 1759. Jefferson in Philadelphia in 1800. Stock: 55187 Stock: 55251

197. A Plan of the Town and Fortifications of Montreal, or Ville Marie in Canada B. Cole sculp. [London: R. Griffiths & J. Hoey, c.1758.] Engraved map. 130 x 200mm (5 x 8") Trimmed into plate top. £160 A rare plan of Montreal, published in 'The Grand Magazine of Universal Intelligence and Monthly Chronicle of Our Times' during the French and Indian Wars, when the French settlement was a major target. The 'Grand Magazine' only lasted from July 1758 to November 1759. Stock: 55188 200. [An manuscript promissory note with the autograph of Lindley Murray, Quaker grammarian] Exch. £45 - Holdgate near York, 4th of 7th month, 1825. At sight, please pay to Wilson, Tweedy & Co., or their order, Forty five pounds, due to me from [old paper patch obscuring text] Lindley Murray. Ink mss. promissory note. Sheet 85 x 190mm (3¼ x 7½"). Slightly trimmed, laid on album paper, old clipping pasted over edge, mounted on album paper with steel- 198. A Map of the Island of St John Near Nova engraved portrait with matching facsimile Scotia lately taken from the French, 1758. [London: R. Griffiths & J. Hoey, c.1758.] signature. £190 Engraved map. 130 x 200mm (5 x 8") Lindley Murray (1745-1826), a Pennsylvania- born Quaker who, after a success law career, Trimmed into plate top. £140 A rare plan of Prince Edward Island, retired to Holdgate (near York, England) for published in 'The Grand Magazine of the sake of his health (1784). There, noticing Universal Intelligence and Monthly a lack of suitable lesson-books for a Friends' Chronicle of Our Times' during the French school for girls, he wrote 'English Grammar and Indian Wars. It illustrated an account of Adapted to the Different Classes of Learners' the Ile Saint-Jean Campaign, the part of the (1795). Published both in England and 'Expulsion of the Acadians', the French- America, running through nearly 50 editions speaking residents of P.E.I., Nova Scotia and and becoming the predominant grammar Cape Breton/ schoolbook. His 'English Reader' (1799) was The 'Grand Magazine' only lasted from July described by Abraham Lincoln as 'the best schoolbook ever put in the hands of an 1758 to November 1759. Stock: 55189 American youth'. Wilson, Tweedy & Co. were country bankers 199. European Magazine. Tho.s Jefferson, of High Ousegate, York. President of the United States of America. Stock: 55319 Painted by Stuart, in America. Published by J. Sewell, Cornhill June 1 - 1802. 201. Toussaint Louverture. Stipple. 172 x 114mm (10¾" x 4½"). Thread I. Martyn, Sculp. [n.d., c.1800.] margins, mounted in album paper. £50 Rare engraving, trimmed, at most 130 x Roundell portrait of (1743- 70mm (5 x 2¾"). £180 1826), supposedly after American Gilbert Medallion portrait of François-Dominique Toussaint Louverture (1743-1803), a Haitian military and political leader who led a 205. Caspian Tern. successful slave insurrection (1791-93, P. Mazell sculp. Published July 17 1789 by J. establishing the first Black-led government Stockdale. in the Americas. Etching with original hand colour. 265 x Stock: 55389 190mm (10½ x 7½"). Trimmed to plate on left, thread margins elsewhere. Paper tab 202. Sir Walter Raleigh's Conquest of the City stuck on edge, paper toning at bottom, old of St Joseph in the Isle of Trinidad. ink mss. £120 Engrav'd for the Universal Magazine 1750 A Caspian tern, as seen in New South Wales for J. Hinton at the K[ings] Arms in St. Pauls by a crew member of the First Fleet. Church Yard London. From 'The voyage of Governor Phillip to Engraving. 195 x 220mm (7¾ x 8¾") Slight Botany Bay' by Philip Arthur. loss in publisher's address, original folds. Stock: 55235 £160 St. Joseph, the capital of Spanish Trinidad, 206. An Epistle from Ould Jack to Isaac, What was attacked by Sir Walter Raleigh in 1595, Keeps the Rope and Anchor, About the during his expedition to find El Dorado. In Coves what uses his Snug. the centre is the Spanish Governor, Antonio New Zealand; Printed and Sold by my Uncle de Berrío, who was captured and Isaac what keeps the Snug, price 6d. each; interrogated for information about the where also, may be had a New Edition of location of the City of Gold. Hot Wheal Pies, being a treatise on Stomach This scene was copied from Theodore De Ache, price 3d. Price 8½ bound together. Bry's engraving in his 'Grand Voyages'. Rare letterpress broadside. Sheet 275 x Stock: 55388 205mm (10¾ x 8"). Repaired at top. Folded, 203. West Indies, agreeable to the most loss at top. £320 approved Maps and Charts, Mr. Kitchin. [engraved by Thomas Kitchin.] [London, c.1785.] Engraved map. 350 x 385mm (13¾ x 15¼"), with very large margins. Original folds, repaired tear in left margin, some slight staining in margins, some areas weakly inked. £220 A map of the West Indies, with a decorative title cartouches featuring aEuropean merchants and a slave. Originally published in 'Millar's New A humourous ballad describing the habitués Complete & Universal System of of a drinking den. The sixteen names are Geography'. obscured, suggesting they are real people; Stock: 55318 however there is no clue to where the inn was. 204. [Gum Tree] Vue d'un paysage Australien Stock: 51384 où figurent les Xanthorrhoea (sur l'arrière plan.) Off. Lith. & pict. in Horto Van 207. [Pacific Ocean] A New and Accurate Chart Houtteano. of the Discoveries of Cap.n Cook, and other [Paris: A Gand, 1849.] later Circumnavigators, exhibiting Norfolk Lithograph. Sheet 165 x 245mm (6½ x 9½"). Island, and Port Jackson where the new Settlement is formed, including The Whole £60 A shooting scene, with a gum tree. From van Coast of New South Wales; also the New Discoveries on the Coast of North America, Houtte's 'Flore des serres et des jardins de shewing Nootka Sound, Comprising l'Europe, ou Descriptions et figures des likewise the Pelew and other new plantes les plus rares et les plus méritantes'. Stock: 55362 Discovered Islands situated in the Pacific Ocean. Engrav'd by J. Lodge Jun.r. Engraved map. 440 x 345mm (17¼ x 13½"), From 1854 he lived in exile in England and with very large margins. Tear top centre Scotland, during which time he had a close entering plate, repaired, creasing. £150 relationship with Queen Victoria and Prince The Pacific Ocean, showing the discoveries Albert. of all three of James Cook's voyages, Stock: 55255 including New South Wales, New Zealand, Hawaii and the Bering Strait. The title 210. Adam Sireh-goona Munhi Rathanal, references the founding of the colony of Port (Formerly a High Priest of Boodhu,) Jackson in 1788 but the findings of George Educated in England by the Revd. Adam Vancouver in the American North West Clarke, L.L.D. (1791-95) and George Bass and Matthew A. Mosses del. R. Hicks sculp. [Published by Flinders (1798-9), including the Bass Strait Henry Fisher, Caxton, Liverpool.1821.] separating Tasman from the mainland, are Stipple engraving. Sheet 175 x 120mm (7 x 4¾"). Cut before publication line and inside lacking. Stock: 55315 platemark. £95 Stock: 55256

208. A New Map of China Drawn from Surveys made by order of the Emperor. Engraved for Millar's New Complete & Universal System of Geography. Engraved by T. Kitchin Hydrographer to his Majesty. [London, c.1785.] Engraved map. 350 x 385mm (13¾ x 15¼"). Original folds, some slight staining. £200 A map of China and Korea, with a decorative title cartouche featuring a pagoda and Chinese merchants. Stock: 55317

211. [Tanjung Tuan] Cape Ricardo, Straits of Malacaa. Drawn & Engraved by Tho.s & Will.m Daniell. Published by Mess.rs Longman, Hurst, Rees and Orme. Paternoster Row March 1. 1810. Coloured aquatint. 185 x 250mm (7¼ x 10"), with large margins. Laid on thick paper as issued, some wear to margins. £180 A view of Tanjung Tuan (or Cape Rachado, 'Broken Cape' in Portuguese), in Malacca From 'A Picturesque Voyage to India; by the way of China', a series of 50 hand-coloured aquatints, drawn and engraved by Thomas and William Daniell after sketches made during their travels between 1785 and 1794. 209. [Maharaja Duleep Singh.] Abbey: 516. [from a photograph by John Jabez Edwin Stock: 55236 Mayall.] [Maclure & MacDonald, c.1878.] Chromolithograph. Sheet 220 x 190mm (8¾ x 7½"). Trimmed, losing facsimile signature. £95 Maharaja Duleep Singh (1838-1893), the last Maharaja of the Sikh Empire, deposed aged 10, when the British annexed the Pubjab in 1849, following the Second Anglo-Sikh War.