ANNUAL REPORT 2016 WELCOME
9 Lunchtime Talks on 10 Saturday Special Tours 20 Family Art JAMs 10 Looking Inward 12 Eyes on Art Tours 7 Fun for the Young 9 exhibitions on 9 exhibitions on 10 exhibitions served 234 Meditative Art Tours served 122 visitors programs served served 148 visitors served 399 visitors children and 169 parents served 57 visitors 72 children and 52 adults
The 80th anniversary of The Fralin Museum of Art at the remains on view in our Cornell Entrance Gallery. Jacob Lawrence: Struggle…From the History of the American People offered a unique look at this under studied series of the painter’s University of Virginia provided a remarkable platform that body of work. allowed the Museum to shine throughout 2015–2016. Richard Serra: Prints, generously loaned by the Jordan Schnitzer Family Foundation, With engaging exhibitions and educational community programming drawing rave reviews, showcased the contemporary artist’s lithography, and Two Extraordinary Women: The Lives we are diligently working to bring new and diverse audiences through our doors. Our work and Art of Maria Cosway and Mary Darby Robinson, offered a compelling look at two complex attracts more than 25,000 annual visitors and this report aims to illustrate the impact and remarkable late 18th-century women, one of whom was closely connected to of our efforts through stories, statistics and photographs. Through this year-in-review, Thomas Jefferson. we hope to highlight the generosity of our donors, as well as the dedicated engagement of our volunteers, members and staff. Your hard work and support is making art a vital I extend my sincere thanks to M. Jordan Love, the Museum’s academic curator and experience for our entire University and surrounding communities. We thank you for Rebecca Schoenthal, our curator of exhibitions. These remarkably talented museum your generous efforts that help us achieve our mission. professionals served critical roles as interim co-directors, following Bruce Boucher’s departure for his new post in London. They have my utmost appreciation and admiration Cavaliers Collect, curated by our previous director, Bruce Boucher, was a stunning view for their stewardship during this time frame. into the distinguished private collections of many UVA alumni, parents and friends. This stellar exhibition highlighted our long history, as well as the Museum’s role at the You—our dedicated community of patrons and volunteers—enable the Museum to heart of this great University. Cavaliers engaged collectors and art lovers alike with our bring distinguished arts programming to the University and Charlottesville communities. work and offered a ‘sneak peek’ into an opportunity to expand The Fralin, which would We are your Museum and are most grateful for your support of our work in connecting showcase more of our incredible collection and add vital teaching spaces for our growing others with the power of art in a way that would engender Mr. Jefferson’s pride. arts education programs.
Collection: Sol LeWitt and Photography exposed visitors to the artist’s oeuvre and his influence on other photographic artists, through both an exhibition and the Wall Drawing 686, which Matthew McLendon Director and Chief Curator 2 Annual Report | 2016 Annual Report | 2016 3 FINANCIAL OUTLOOK
In 2015–2016, the Museum continued to exceed fundraising BUDGETED REVENUES targets and we further refined our budgeting and reporting. lUniversity & Commonwealth (63%) $1,900,000 Private gifts, endowed funds and financial support from the University continue to fuel l Private Gifts & Support (20%) $3,002,000 the Museum’s work in 2017. We are most grateful for the leadership support from The $586,000 total budgeted Joseph and Robert Cornell Memorial Foundation, whose remarkable investment has l revenues Museum Endowments (14%) 2016 enabled us to leverage the quality of both our exhibitions and educational programming $427,000 to new heights. l Grants (2%) The Museum’s operating budget was increased to $3M in 2015-2016, due to the $64,000 implementation of the University’s new financial model, which requires each school l Fees & Other (1%) and unit to manage all elements of its expenses and revenues. $25,000
A significant grant from the Andrew W. Mellon Foundation enabled the Museum to add a BUDGETED EXPENSES new Curator of the Indigenous Arts of the Americas. Funded through a collaborative l Exhibitions & Programs (44%) grant application between The Fralin and the Kluge-Ruhe Aboriginal Art Collection and spearheaded by UVA’s College of Arts and Sciences, Adriana Greci Green oversees a $1,309,000 growing collection of Native American and Pre-Columbian art and will develop original l Operations (22%) $3,002,000 exhibitions and programming in these areas, to make our collection more accessible $665,000 total budgeted and engage even wider, more diverse audiences. expenses l Museum Utilities & 2016 Facilities Management* (18%) The Fralin Museum of Art anticipates steady growth in staffing and is planning several $555,000 major exhibitions in 2017–2018, which will coincide with the University’s Bicentennial celebration. l Special Events & Fundraising (11%) $329,000 l Marketing (5%) $144,000
*Includes utilities, maintenance and service providers. 4 Annual Report | 2016 Annual Report | 2016 5 CLICK HERE EXHIBITION SUMMARY Cavaliers Collect EXHIBITIONS AND PROGRAMS August 28 – December 20, 2015 Curated by Bruce Boucher, Director
EDUCATION HIGHLIGHTS Cavaliers Collect provided outstanding selections for The Fralin Museum of Art’s annual Writer’s Eye program, a poetry and prose competition celebrating its 29th year in 2015–2016.
The exhibition provided students with an opportunity to engage with widely diverse artworks, as they considered the inspiration they could gain from portraits by Robert Henri and Gerald Brockhurst, a Sally Mann photograph, a Sir Anthony Caro sculpture, Jennifer Bartlett’s At Sand Point 35, and a bronze Tibetan Vairochana Buddha. More than 4,300 students and adults toured the Cavaliers Collect exhibition as part of Writer’s Eye, and it inspired more than half of the 1,821 entries to the competition, and 30 of the 51 winning entries.
Writer’s Eye Winner Misshapen Beauty by Eleanor Brown Inspired by Sir Anthony Caro’s Picnic, 2003 1st Place, Poetry, Grades 6–8 Buford Middle School
life is unfair, it is full of broken glass, open wounds, and rough edges. every choice chisels away at our heart, rubs away at what makes us human. stripping away innocence, rendering you with nothing but ghastly scars that will always remind you of the splintered and defeated person you have become, your cold demeanor and misshapen beauty.
Studio of Sir Anthony van Dyck, Flemish, active in England, 1599–1641. Portrait of King Charles I, c. 1640. Oil on canvas, 42 x 35 1/2 in (106.7 x 90.2 cm). The exhibition was made possible through the generous support of U.S. Trust, The Fralin Museum Volunteer Board, Arts Enhancement Grant Courtesy of Neville and John H. Bryan. from the Office of the Provost and the Vice Provost for the Arts and co-sponsored by the UVA Arts Council: Enriching the Arts on Grounds, WTJU 91.1 FM, albemarle Magazine, and Ivy Publications LLC’s Charlottesville Welcome Book.
6 Annual Report | 2016 Annual Report | 2016 7 EXHIBITIONS AND PROGRAMS (cont.)
Cavaliers Collect August 28 – December 20, 2015 Curated by Bruce Boucher, Director
ENGAGEMENT EVENTS The Cavaliers Collect exhibition offered a unique opportunity to celebrate and appreciate the quality and breadth of the collections of UVA alumni and friends of the Museum, during The Fralin’s 80th anniversary.
On September 11th, President Theresa Sullivan graciously opened her Carr’s Hill home for a private reception, to thank exhibition lenders for participating in this remarkable show. This lovely reception was followed by a private exhibition viewing and social gathering at the Museum.
The following morning, U.S. Trust, an exhibition sponsor, invited lenders to a moderated discussion with Senior VP and Director of Doyle Auction House, Reid Dunavant. Panelists included Museum director and exhibition curator, Bruce Boucher, art collector and lender Thompson Dean (Col ’79) and Michael E.S. McCarthy, Managing Director, Trust Fiduciary Executive for the Office of Chief Fiduciary at U.S. Trust. Attendees were treated to a lively discussion on pertinent issues related to high-end collecting, including collecting motivations, the fine art auction market and estate planning.
8 Annual Report | 2016 Annual Report | 2016 9 CLICK HERE EXHIBITION SUMMARY Collection: Sol LeWitt and Photography EXHIBITIONS AND PROGRAMS (cont.) August 14 – December 20, 2015 Curated by William Wylie, Professor, Department of Art
EDUCATION HIGHLIGHTS Dot by Gabriella Hansen Sol LeWitt and Photography provided Inspired by Sol LeWitt’s WD 686, 1991 1st Place Poetry, Grades 3-5 the context for the implementation of A.R. Ware Elementary School LeWitt’s Wall Drawing 686, created on a wall of the Cornell Entrance Gallery Sun rising high, color on a butterfly, On paper, an explosion of lead from the by five individuals, over a five day ideas in your head. time period. Polka dot on a little girl’s dress, the dark eye of an eagle that leaves me breathless. Led by Professor Wylie, the team worked to fill a A planet, high up in the sky to see, five-foot diameter circle with 25,000 five-inch lines, This little dot, all a mystery. using a number five pencil. The installation provided inspiration for the following Museum programs: Writer’s Eye, Family Art JAMs, Eyes on Art, and Looking Inward. In September, PBS made a short documentary on the Eyes on Art program for people with Alzheimer’s and their caregivers. Together participants discussed LeWitt’s work and created a collaborative drawing on an 8 x 8-foot piece of paper.
CLICK HERE VIDEOWriter’s OFEye WALL Winner DRAWING 686
Sol LeWitt, American, 1928–2007. A Sphere Lit From the Top, Four Sides, and All Their Combinations, 2004. 28 Pigment inkjet prints. 18 x 18 in (45.7 x 45.7 cm) each. Courtesy of the LeWitt Collection, Chester, CT. Photograph courtesy of Fraenkel Gallery, San Francisco. © 2016 The Sol LeWitt Estate / Artists Rights Society (ARS), New York
This exhibition was made possible by the generous support of the Office of the Provost & the Vice Provost for the Arts, UVA Arts Council: Enriching the Arts on Grounds, Ray A. Graham Endowed FUNd, the Studio Art Department, WTJU 91.1 FM, albemarle Magazine, and Ivy Publications LLC’s Charlottesville Welcome Book.
10 Annual Report | 2016 Annual Report | 2016 11 CLICK HERE EXHIBITION SUMMARY Jacob Lawrence: EXHIBITIONS AND PROGRAMS (cont.) Struggle... From the History of the American People September 3, 2015 – June 5, 2016 Organized by Elizabeth Hutton Turner, Professor, Department of Art
EDUCATION HIGHLIGHTS Jacob Lawrence’s Struggle series provided a unique opportunity to engage with an array of history teachers and students throughout the community and across Grounds.
Professor Elizabeth Hutton Turner taught two seminar courses on the series, researching the history and provenance of the works, as well as original source documents consulted by Lawrence during their creation. Albemarle High School brought a class studying critical race theory for a two-hour program exploring Jacob Lawrence, as well as the Navajo Weavings, and the Object Study Gallery. In response to the exhibition, Walker Elementary School created a unit for their art classes devoted to Lawrence’s work, and over 160 students created artwork inspired by Lawrence’s style of dynamic Cubism.
Harvey Ross, a private collector from New York, gave a gallery talk about his interest in the works of Jacob Lawrence and how he came to focus his collecting efforts on theStruggle series in particular.
Jacob Lawrence, American, 1917–2000. In all your intercourse with the natives, treat them in the most friendly and conciliatory manner which their own conduct will admit . . . –Jefferson to Lewis & Clark, 1803, (#18), 1956. Egg tempera on hardboard, 20 x 24 in (50.8 x 61 cm). Collection of Harvey and Harvey-Ann Ross. © 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
This exhibition was made possible through the generous support of The McIntire Department of Art, Mr. Harvey Ross, The Jacob Lawrence Foundation, the Page-Barbour Fund, UVA Arts Council, WTJU 91.1 FM, albemarle Magazine, and Ivy Publications LLC’s Charlottesville Welcome Book.
12 Annual Report | 2016 Annual Report | 2016 13 CLICK HERE EXHIBITION SUMMARY Richard Serra: Prints EXHIBITIONS AND PROGRAMS (cont.) January 29 – May 8, 2016 From the Collections of Jordan D. Schnitzer and his Family Foundation Curated by Rebecca Schoenthal, Curator of Exhibitions
EDUCATION HIGHLIGHTS Richard Serra: Prints showcased the artist’s early lithography from 1972, to recent prints from 2015.
Sculptural in nature, these images inspired arts education programs for a wide age range. Richmond-based print artist Kris Iden led a popular Family Art JAM, in which she used Serra’s heavily textured prints to inspire children and parents to create saturated mono-prints.
Lender Jordan D. Schnitzer graciously offered remarks at the exhibition opening, as well as at Final Friday. More than 900 University students attended this popular and lively event on Grounds.
Bowdoin College Museum Co-Director Anne Goodyear presented a special lecture on Serra’s work and Rebecca Schoenthal, curator of exhibitions, gave a public talk on the exhibition. Richard Serra, American, b. 1938. Paths and Edges #2, 2007. Etching, edition 39/60. 25 3/4 x 39 1/2 in (65.4 x 100.3 cm). Collection of Jordan D. Schnitzer. © 2016 Richard Serra / Artists Rights Society (ARS), New York
Support for this exhibition and related educational and outreach programs has been made possible by a grant from the Jordan Schnitzer Family Foundation. This exhibition was made possible by a generous gift from The Fralin Museum Volunteer Board. We also wish to thank our in-kind donors: WTJU 91.1 FM and Ivy Publications LLC’s Charlottesville Welcome Book.
14 Annual Report | 2016 Annual Report | 2016 15 Casting Shadows: Selections from EXHIBITIONS AND PROGRAMS (cont.) the Permanent Collection featuring the FUNd April 15 – August 14, 2016 Two Extraordinary Women: The Curated by the University Museums Interns, under Lives and Art of Maria Cosway and the guidance of M. Jordan Love, Academic Curator, with the following interns: Noora Al-Saadawi, Emily Mary Darby Robinson Dance, Golara Haghtalab, Judy Lee, Margaret January 29 – May 1, 2016 Lineberger, Gabrielle Patterson, Emily Ross, Karen Shufflebarger, Amy Woo, Xiaoying Zheng Curated by Diane Boucher, Guest Curator Fon peoples, Benin, Africa. Appliqué Cloth, ca. 1960. Cotton EDUCATION HIGHLIGHTS EDUCATION HIGHLIGHTS and thread. 33 3/16 x 44 15/16 in (84.3 x 114.1 cm). Gift of For the second consecutive year, the University Museums In February, the Museum hosted “National Museum Donald F. Miller, 1996.14.2. Internship class curated an exhibition as a central part of Mashup Day,” a unique gallery learning experience. their coursework in the academic-year-long seminar and Upon arrival, experimenters were assigned into groups internship. They collaborated to select their theme, of three and headed to study an object in the Museum. Fish and Fowl chose and researched the works, wrote wall text and In 45 minutes, they developed a 5-7-minute experience January 29 – June 19, 2016 led public exhibition programs. Casting Shadows: around their work that would be presented and Selections from the Permanent Collection featuring the activated with the full group. Participants dreamed Curated by Alicia Dissinger, Barringer-Lindner FUNd explored the metaphorical shadows of issues up innovative interpretive experiences for Museum Curatorial Fellow such as war, slavery, poverty and sexism. artworks, including using artworks as roadmaps, as inspiration for improvisational theatre, as meditative Navajo Weaving: Geometry of the The Fish and Fowl exhibition and Navajo Weaving: Geometry of tools, and as the subjects of an international art Warp and Weft the Warp and Weft were made possible by a generous gift from collecting expedition. The result was refreshingly Arts$. Casting Shadows was made possible by a generous gift creative and enormously fun! January 29 – April 10, 2016 from Arts$ and the UVA Parents Fund. We also wish to thank our in-kind donors: WTJU 91.1 FM and Ivy Publications LLC’s Curated by Mary Jo Ayers, Adjunct Curator, Native Charlottesville Welcome Book. The exhibition was embraced by both students on American Art Grounds, as well as those throughout our community. Diane Boucher offered two public talks, taught two “Curating the Casting Shadows OLLI (Osher Lifelong Learning Institute) classes and EDUCATION HIGHLIGHTS toured special guests from Monticello. In addition, docents Francesco Bartolozzi, Italian, 1727–1815 after Richard Cosway, British, Fish & Fowl and Navajo Weaving provided extraordinary exhibition gave me a profound provided tours to the Regency Society of Virginia and 1742–1821. Maria Cosway, 1785. Stipple and engraving. 9 1/2 x 6 1/8 opportunities for hands-on projects in our Early Visions in (24.1 x 15.6 cm). Lent by the Langhorne Collection, 2014.EL.1.5. sense of academic and professional the University of Virginia’s Women’s Center. program, our partnership with Boys & Girls Clubs of Central Virginia, where University students are paired empowerment. It was amazing to with Club members in mentoring relationships for be trusted by The Fralin to curate “The Museum Mashup Night at eleven weeks of creative activities. The program embodies The Fralin’s dual mission to provide meaningful learning an exhibition, something usually The Fralin was most memorable opportunities for both University students and the delegated to the expert specialists and the energy and excitement community, by harnessing the skills and enthusiasm of University students to deliver innovative educational and curators.” was palpable. Creating interactive, programming. The Fon appliquéd cloth (pictured above) provided dynamic inspiration for the creation -Emily Ross interesting ways to talk about a of personal emblems by the program’s participants and piece of artwork was fun and their University student mentors. After a lively discussion of weaving techniques in Geometry of the Warp and Weft, enlightening to both witness the students became deeply invested in completing This exhibition was made possible by a generous gift from Frances and implement!” their own colorful weavings on public display for friends Massey Dulaney. We also wish to thank our in-kind donors: WTJU and family at the City Space Gallery. 91.1 FM and Ivy Publications LLC’s Charlottesville Welcome Book. -Emma Terry
16 Annual Report | 2016 Annual Report | 2016 17 CONSERVATION ACQUISITIONS
The Fralin Museum of Art’s ongoing DRAWINGS AND list of conservation needs and priorities WATERCOLORS William Baziotes, American, 1912–1963 includes 19th-century French color Figures in Smoke #2, 1947 Watercolor, ink, and graphite pencil on lithograph prints that had been stored medium weight tan wove paper, 12 x 17 in a tube. 15/16 in. (30.5 x 45.6 cm) Museum Purchase from Art Acquisitions The prints had darkened and embrittled, due to oxidation. Fund, 2016.4 Condition issues included water stains, tears, creases, Robert Kipniss, American, b. 1931 holes at the corners from tacks or nails, and areas of Study for Presentation: Trees, 1999 separation of the paper from the thin fabric backing. Graphite pencil on paper, 11 1/2 x 10 In preparation for the 2017 exhibition on collections care 1/2 in (29.2 x 26.7 cm) and conservation, these prints were sent to Northeast Gift of James F. White, 2015.7.4 Document Conservation Center in Andover, MA, for treatment proposals, stabilization and conservation. Robert Kipniss, American, b. 1931 Study for Presentation: Trees, 1999 William Baziotes, American, 1912–1963. Figures in Smoke #2, 1947. Watercolor, ink, and Bronze et al, Ltd., Fine Art Conservation, Chesterfield, VA Graphite pencil on paper, 11 1/2 x 10 graphite pencil on medium weight tan wove paper, 12 x 17 15/16 in (30.5 x 45.6 cm). Andrew Baxter, Chief Conservator (annual inspection and cleaning) 1/2 in (29.2 x 26.7 cm) Museum Purchase from Art Acquisitions Fund, 2016.4. Jean Arp, French, b. Germany, 1886–1966 Gift of James F. White, 2015.7.5 © Estate of William Baziotes Oriforme, modeled 1962, fabricated 1977 Stainless steel, 89 3/4 x 84 1/2 x 23 5/8 in (227.97 x 214.63 William Chapin Seitz, American, 1914–1974 x 60 cm) The Thistle, 1974 PHOTOGRAPHS Jackson, Mississippi, September 1962. A Courtesy of the National Gallery of Art, Washington, To the Ink on paper, 16 x 13 in (40.6 x 33 cm) Danny Lyon, American, b. 1942 year after the Freedom Rides, segregation American People in Gratitude—Leon Chalette, Arthur Lejwa Gift of Carol Clark, William McCall Civil Rights Portfolio 1962–1964 signs still stand outside the Jackson, and Madeleine Chalette Lejwa, 1978.22.1 Vickery 1957 Professor Emerita, Amherst Gelatin silver prints, printed in 2010, Mississippi, bus terminal. 2015.4.6 College, 2015.14.2 11 x 14 in (27.9 x 35.6 cm) each Fine Art Conservation of Virginia, Richmond VA Alfred Choubrac, French, 1853–1902. Imp. Ateliers Choubrac. Museum purchase with support Jackson, Mississippi, 1962. From the bus. Scott Nolley, Chief Conservator Ambassadeurs / E. Fougère, ca. 1890s. Lithograph on paper mounted PAINTINGS from the Curriculum Support Fund, 2015.4.7 Louis Mathieu Didier Guillaume, French, 1816–1892 on fabric, 48 x 32 in (121.92 x 81.28 cm). Bequest of Buzz Mill- Sam Francis, American, 1923–1994 McIntire Department of Art, and Vice Maximilian Schele De Vere (1820-1898), ca. 1887 er. The Alan Groh-Buzz Miller Collection, 1999.12.105.1. Untitled (SF92-22), 1992 Provost for the Arts Oxford, Mississippi, 1962. Waiting for Oil on canvas , 30 1/8 x 25 1/8 in (76.5 x 63.8 cm) Acrylic on paper, 53 1/8 x 105 7/8 in James Meredith, the first African American (135 x 269 cm) to register at the University of Mississippi. Gift of Mrs. Schele De Vere, 0.660 Cairo, Illinois, 1962. Demonstrators at This image also became a popular SNCC Alfred Choubrac, French, 1853–1902 Bequest of Robert Kirkwood Landon, 2016.2 the “all white” swimming pool. 2015.4.1 poster with the slogan “Is he protecting you?” Givens Conservation Studio, Richmond VA Imp. Ateliers Choubrac Robert Kipniss, American, b. 1931 2015.4.8 Carol Boyers Givens, Conservator Ambassadeurs / E. Fougère, ca. 1890s Cairo, Illinois, 1962. The public swimming Presentation: Trees, 2004 Lithograph on paper mounted on fabric, 48 x 32 in. (121.92 x 81.28 cm) pool has been changed into a “private pool” Pair of Moccasins, late 19th c. Oil on canvas, 28 x 22 in (71.1 x 55.9 cm) Nashville, Tennessee, 1962. Demonstration Bequest of Buzz Miller. The Alan Groh-Buzz Miller Collection, in order to remain segregated. 2015.4.2 Plains region, possibly Lakota peoples Gift of James F. White, 2015.7.1 at a Tic Toc restaurant: Lester MacKinney, Leather and glass beads, 9 3/4 x 4 x 3 in (24.8 x 10.2 x 7.6 cm) 1999.12.105.1 Albany, Georgia, 1962. Segregated drinking Bernice Reagon, and John O’Neal. 2015.4.9 Gift of Nancy, Lady Astor, 1937.5.92.a-b Val Lewton, American, 1937–2015 fountains in the county courthouse in Emile Levy, French 1826–1890 Salem Generation, 1989 Albany, Georgia. 2015.4.3 Danville, Virginia, June 1963. Led by the Northeast Document Conservation Center, Andover MA Imp. Emile Levy & Cie Acrylic on canvas, 50 x 80 in (127 x 203.2 cm) SNCC, demonstrations begin in Danville, Michael Lee, Director of Paper and Photograph Conservation Théatre du Chatelet / Germinal / Emile Zola, ca. 1884–1888 Gift of Claudia Minicozzi, 2015.11 Albany, Georgia, 1962. The picture of which are brutally suppressed by police. Lithograph on paper mounted on fabric, 51 x 37 in (129.54 x Jules Chéret, French, 1836–1932 Albany gang leader Eddie Brown, calmly 2015.4.10 93.98 cm) Imp. Jules Chéret & Cie William Chapin Seitz, American, 1914–1974 being carried off by the Albany police, Bequest of Buzz Miller. The Alan Groh-Buzz Miller Collection, Theatre de la Gaite / Orphée aux Enfers / M. J. Offebach, 1878 The Family, 1958 is widely distributed as the image of the Danville, Virginia, June 1963. The mass 1999.12.105.9 Lithograph on paper mounted on fabric, 46 in x 22 1/2 in Mixed media on canvas board, 21 1/2 x 14 classic non-violent arrest. 2015.4.4 meeting in Danville is so crowded that it (116.84 x 57.15 cm) in (54.6 x 35.6 cm) overflows out into the yard.2015.4.11 Bequest of Buzz Miller. The Alan Groh-Buzz Miller Collection, Gift of Carol Clark, William McCall Albany, Georgia, 1962. A street in Albany. 1999.12.105.8 Vickery 1957 Professor Emerita, Amherst 2015.4.5 College, 2015.14.1 18 Annual Report | 2016 Annual Report | 2016 19 Shepard Fairey, American, b. 1970 Vivi La Revolucion, 2008 ACQUISITIONS (cont.) Serigraph, 24 x 31 in (61 x 78.7 cm) Gift of the Heather and Tony Podesta Collection, 2015.6.2
Francisco de Goya y Lucientes, Spanish, Danville, Virginia, June 1963. James Forman, Birmingham, Alabama, 1963. Dr. Martin Eadweard Muybridge, British, 1830–1904 1746–1828 the SNCC executive secretary works the Luther King, Jr., just before he speaks at Animal Locomotion, plate 684, ca. 1887 Gatesca pantomima (Feline Pantomime), crowd at the Danville mass meeting. An the funeral for the girls. 2015.4.23 Collotype print, 9 7/16 x 12 7/16 in plate 73 from Los desastres de la guerra hour later, he is stopped and searched by (24 x 31.6 cm) (The Disasters of War), ca. 1820–1824 police holding shotguns and automatic Selma, Alabama, 1963. Entrance to the Gift of Timothy M. and Virginia P. Etching, burin, and burnisher, 9 3/4 x weapons. 2015.4.12 City Cafe. 2015.4.24 Michel, 2016.3.2 13 1/2 in (24.8 x 34.3 cm)
Museum purchase with support from Danville, Virginia, June 1963. SNCC Mississippi, 1963. A house in the Mississippi Eadweard Muybridge, British, 1830–1904 the Theodore Caplow Fund, 2015.13.1 workers Bob Zellner, Bernice Reagon, Delta. 2015.4.25 Animal Locomotion, plate 689, ca. 1887 Dottie Miller (Zellner), and Avon Rolling. Collotype print, 7 3/4 x 15 in (19.7 x 38.1 cm) Francisco de Goya y Lucientes, Spanish, 2015.4.13 Mississippi, 1963. The Clarksdale, Mississippi, Gift of Timothy M. and Virginia P. 1746–1828 police as ministers from the National Michel, 2016.3.3 No se puede saber por qué (One Can’t Danville, Virginia, June 1963. A crowd Council of Churches march to the local Tell Why), plate 35 from Los desastres watches the demonstrators returning to church. 2015.4.26 Shirin Neshat, Iranian, b. 1957 de la guerra (The Disasters of War), ca. the city hall steps. 2015.4.14 Ghada from Our House is on Fire series, 2013 Mark Dion, American, b. 1961. When Dinosaurs Ruled the Earth from World in a Box, 2015. Suite 1810–1820 Georgia, 1963. Charles Sherrod, head Digital pigment print, 26 x 17 1/2 in of 27 prints (lithography, cyanotype, digital, screen print, etching, letterpress and woodcut) in a Etching, burnished lavis, drypoint, and Savannah, Georgia, 1963. In Savannah, of the SNCC effort in SW Georgia and (66 x 44.5 cm) custom-made oak wood storage box with etching, letterpress cover image and lithography, 13 1/8 x burin, 10 x 13 1/2 in (25.4 x 34.3 cm) hundreds of young people were going to jail Randy Battle (seated) visit a supporter in Gift of the Robert Rauschenberg 10 3/16 x 1 5/8 in (33.3 x 25.9 x 4.1 cm). Museum purchase with support from the FUNd, 2016.6. Museum purchase with support from in a movement led by Hosea Williams of the Georgia countryside. 2015.4.27 Foundation, 2016.1.1 © Mark Dion/Graphicstudio/USF the Theodore Caplow Fund, 2015.13.2 the SCLC. Here, police arrest whites that are harassing demonstrators. 2015.4.15 Atlanta, Winter 1963–64. Arrests during Shirin Neshat, Iranian, b. 1957 Paul César Helleu, French, 1859–1927 mass demonstrations downtown. 2015.4.28 Sayed from Our House is on Fire series, 2013 Untitled (portrait of the artist’s wife Alice The Leesburg, Georgia, Stockade, 1963. Digital pigment print, 26 x 17 1/2 in at age 20), ca. 1900 SCULPTURE KOREAN Arrested for demonstrating in Americus, Atlanta, Winter 1963–64. As demonstrators (66 x 44.5 cm) Robert Strini, American, b. 1942 Dragon Jar, Chosen Dynasty (1392–1910), Drypoint in brown ink, 15 1/2 x 12 3/4 teenage girls are kept in a stockade in the block traffic a mob begins to abuse them with Gift of the Robert Rauschenberg Comet, 1991 early 19th c. in (39.4 x 32.4 cm) countryside. For one month their parents kicks, blows and burning cigarettes. An Foundation, 2016.1.2 Plywood covered with modeling paste Ceramic, 11 x 10 x 10 in (27.9 x 25.4 x Gift of George C. Kenney, 2015.8.1 do not know where they are. 2015.4.16 anonymous woman walking by with a box and chestnut bark, 58 x 24 x 22 in 25.4 cm) of typing paper confronts the mob and (147.3 x 61 x 55.9 cm) Gift of Dr. and Mrs. Hans and Anna PRINTS Paul César Helleu, French, 1859–1927 The March on Washington, August 28, 1963. for a while holds them at bay. 2015.4.29 Mark Dion, American, b. 1961 Gift of Michael T. and Sylvia Gage by Riddervold, 2015.16.1 Untitled (portrait of the artist’s wife Alice 2015.4.17 When Dinosaurs Ruled the Earth from exchange with the artist, 2015.9 at age 20), ca. 1900 Atlanta, Winter 1963–64. One of the SNCC World in a Box, 2015 Bowl, Koryo Dynasty (918–1392), n.d Drypoint in black ink, 15 1/2 x 12 3/4 in Birmingham, Alabama, 1963. 2015.4.18 workers and high school student Taylor Suite of 27 prints (lithography, cyanotype, Celadon, 3 1/4 x 7 3/4 x 7 3/4 in (8.3 x (39.4 x 32.4 cm) AFRICAN Washington’s numerous arrests. 2015.4.30 digital, screen print, etching, letterpress Mask, n.d. 19.7 x 19.7 cm) Gift of George C. Kenney, 2015.8.2 Birmingham, Alabama, 1963. The windows and woodcut) in a custom-made oak wood Democratic Republic of Congo, Lega peoples Gift of Dr. and Mrs. Hans and Anna of the Sixteenth Street Baptist Church, where Atlanta, Winter 1963–64. A Toddle House storage box with etching, letterpress Wood and pigment, 11 1/2 x 5 1/4 x 2 Riddervold, 2015.16.2 Robert Kipniss, American, b. 1931 four fourteen-year-old girls were killed by in Atlanta has the distinction of being cover image and lithography, 13 1/8 x 1/2 in (29.2 x 13.3 x 6.4 cm) Apparition II, 2005 a KKK bomb. The bomb exploded next to occupied during a sit-in by some of America’s 10 3/16 x 1 5/8 in. (33.3 x 25.9 x 4.1 cm) Gift of Gilbert and Jean Jackson, 2015.15 Mezzotint, 10 1/8 x 9 3/8 in (25.7 x 23.8 cm) DONORS TO THE the wall and up through the floor during most effective organizers. In the room are Museum purchase with support from Gift of James F. White, 2015.7.2 COLLECTION a Sunday school class. 2015.4.19 Taylor Washington, Ivanhoe Donaldson, the FUNd, 2016.6 Robert Kipniss, American, b. 1931 INDIAN Carol Clark Joyce Ladner, John Lewis behind Judy Bagta, Indian, Mewar at Devgarh, Copper plate for Apparition II mezzotint, Michael T. and Sylvia Gage Birmingham, Alabama, 1963. Jimmy Hicks, Richardson, George Green, and Charles Albrecht Dürer, German, 1471–1528 active ca. 1761–1814 2005, copper plate, 9 1/4 x 9 7/8 in Gilbert and Jean Jackson Julian Bond, John Lewis, and Jeremiah X Neblett. 2015.4.31 The Woman of the Apocalypse and the The Horse Haikval and a Syce (ascribed (23.5 x 25.1 cm) George C. Kenney stand across the street from the bombed Seven-Headed Dragon from the Apocalypse, on the reverse to Bagta, Mewar at Gift of James F. White, 2015.7.3 Robert Kirkwood Landon Bequest church. 2015.4.20 Cambridge, Maryland, 1964. Clifford Vaughs, 1496 – 1498 Devgarh), ca. 1790–1800 Donald McCord a SNCC photographer, is arrested by the Woodcut on laid paper, 15 3/8 x 11 in Opaque color and gold on paper, 9 1/2 James McNeill Whistler, American, Timothy M. and Virginia P. Michel Birmingham, Alabama, 1963. Crowds National Guard. 2015.4.32 (39.1 x 28 cm) x 12 3/8 in (24.1 x 31.4 cm) 1834–1903 Claudia Minicozzi wait along the funeral route. 2015.4.21 Museum purchase with support of the Gift of Donald McCord, 2015.10 San Biagio from The Second Venice set, 1880 Heather and Tony Podesta Collection Eadweard Muybridge, British, 1830–1904 Theodore Caplow Fund, 2015.12.1 Etching and drypoint on antique laid Robert Rauschenberg Foundation Birmingham, Alabama, 1963. The SNCC Animal Locomotion, plate 690, ca. 1887 paper, 8 1/8 x 12 in (20.6 x 30.5 cm) Dr. and Mrs. Hans O. Riddervold workers Emma Bell, Dorie Ladner, Dona Collotype print, 6 1/2 x 18 in (16.5 x 45.7 cm) Shepard Fairey, American, b. 1970 Museum purchase with support of the James F. White Richards, Sam Shirah and Doris Derby Gift of William Wylie, 2016.3.1 Hope, 2008 Theodore Caplow Fund, 2015.12.2 William Wylie at the funeral of the murdered girls. Serigraph, 17 1/2 x 13 3/8 in (44.5 x 34 cm) 2015.4.22 Gift of the Heather and Tony Podesta Collection, 2015.6.1
20 Annual Report | 2016 Annual Report | 2016 21 Untitled (Big Bug) from the Science series, 1958–1961 LOANS Gelatin silver print, 19 x 15 1/8 in (48.3 x 38.4 cm) Gift of Mr. and Mrs. Harry Burn, 1985.47.11
LOANS TO THE Gerhard Richter, German, b. 1932 James McNeill Whistler, American, Untitled (Moth) from the Science series, Karmin (Carmine), 1994 1834–1903 1946 COLLECTION Oil on canvas, 79 x 79 in. (200.7 x 200.7 cm) Reading by Lamplight, 1858 Gelatin silver print, 20 x 16 in (50.8 x Jean Arp, French, b. Germany, 1886–1966 Courtesy of the Thompson Dean Collection Etching, 6 1/4 x 4 5/8 in. (15.9 x 11.7 cm) 40.6 cm) Oriforme, modeled 1962, fabricated 1977 Gift of John Barton Payne, 1920.2.40 Gift of Mr. and Mrs. Harry Burn, Stainless steel, 89 3/4 x 84 1/2 x 23 William Sandy, Australian, Pitjantjatjara, 1985.47.13 5/8 in (227.97 x 214.63 x 60 cm) b. 1944 Tsukioka Yoshitoshi, Japanese, 1839–1892 Courtesy of the National Gallery of Papunya, Northern Territory Lunacy–Unrolling Letters from the One Japanese Beetle from American High Art, Washington, To the American Bush Tucker Dreaming, 1988 Hundred Aspects of the Moon series, 1889 School Biology, ca. 1948 People in Gratitude—Leon Chalette, Papunya, Northern Territory Color woodcut print, 13 3/4 x 9 1/4 in. Gelatin silver print, 13 1/2 x 10 1/2 in Arthur Lejwa and Madeleine Chalette Acrylic on canvas, 66 x 65 3/4 in (34.9 x 23.5 cm) (34.3 x 26.7 cm) Lejwa, 1978.22.1 (167.6 x 167 cm) Museum Purchase with funds from Gift of Mr. and Mrs. Harry Burn, Courtesy of the Kluge-Ruhe Aboriginal the E. Rhodes and Leona B. Carpenter 1985.47.2 England Banggala, Australian, Art Collection, 1989.7011.006 Foundation, 1997.27.2 Gun-nartpa, ca. 1925–2001 Light Through Prism, Cambridge, Maningrida, Northern Territory Georges Seurat, French, 1859–1891 Lent to the Hirshhorn Museum and Massachusetts from the Science series, Rainbow Serpents, 1988 Cadet from Saint-Cyr, 1884 Sculpture Garden, Washington, DC, for 1958–1961 Maningrida, Northern Territory Oil on wood, 6 x 9 1/2 in (15.24 x 24.13 cm) the exhibition Marvelous Objects: Surrealist Gelatin silver print, 11 x 14 in (27.9 x 35.6 cm) Natural ochres and acrylic on canvas, Anonymous Loan Sculpture from Paris to New York, October Gift of Mr. and Mrs. Harry Burn, 74 1/2 x 46 in. (189.2 x 116.8 cm) 29, 2015–February 15, 2016. 1985.47.3 Courtesy of the Kluge-Ruhe Aboriginal Georges Seurat, French, 1859–1891 Art Collection, 1997.0014.002 The Rose-Colored Skirt, 1884 Joseph Cornell, American, 1903–1972 Soap Bubbles, New York from the Science Oil on wood, 5 x 9 1/2 in (12.7 x 24.13 cm) Untitled (Harlequin Jumping Jack), ca. series, 1945–1946 Chauncey Bradley Ives, American, Anonymous Loan 1935–1938 Gelatin silver print, 11 x 14 in (27.9 x 35.6 cm) 1810–1894 Box construction, 13 7/8 x 12 1/8 x 2 Gift of Mr. and Mrs. Harry Burn, Ruth, ca. 1849 Mick Namarari Tjapaltjarri, Australian, 1/2 in. (35.2 x 30.8 x 6.4 cm) 1985.47.4 Marble, 23 1/4 x 12 1/2 x 9 1/2 in (59.1 John Roddam Spencer Stanhope, British, 1829–1908. Night, 1878. Pintupi, ca. 1927–1998 Gift of The Joseph and Robert Cornell x 31.8 x 24.1 cm) Oil on board, 40 x 25 3/4 in (101.6 x 65.41 cm). Museum purchase Papunya, Northern Territory Memorial Foundation, 2002.15.1 Magnetism with Key, Cambridge, with assistance from Donna and Lee Bronson, 1979.16. Lent by Chrysler Museum of Art, Wallaby Dreaming at Tjunginpa, 1990 Massachusetts from the Science series, Norfolk, VA, Gift of James Ricau and 1958–1961 Papunya, Northern Territory Lent to the John Michael Kohler Arts Squash Blossom Necklace, mid-20th c. Traveling exhibition organized by The Museum Purchase, 86.479 Gelatin silver print, 14 x 11 in (35.6 x 27.9 cm) Acrylic on canvas, 72 x 53 in (182.9 x Center, Sheboygan, WI, for the exhibition Diné (Navajo peoples), Arizona, New Mexico Fralin Museum of Art: Realms of Earth and 134.6 cm) Photography and the Scientific Spirit, Gift of Mr. and Mrs. Harry Burn, Edward Hopper, American, 1882–1967 Silver and turquoise, 28 x 4 3/4 x 5/8 Sky: Indian Painting from the 15th to the Courtesy of the Kluge-Ruhe Aboriginal October 30–February 21, 2016. 1985.47.5 Railroad Crossing (Z. 23), 1923 in (71.12 x 12.07 x 1.59 cm) 19th Century, August 22–December 21, 2014; Art Collection, 1990.7014.001 Gift of Marian Rabinowitz, 2003.18.1 Drypoint, 7 x 9 in (17.78 x 22.86 cm) Untitled (Fossil Tree Trunks) from the Berenice Abbott, American, 1898–1991 The Frances Young Tang Teaching Museum Courtesy of Norfolk Southern Corp. Science series, 1958–1961 LOANS FROM THE Magnetism & Electricity I, Cambridge, Lent to the Virginia Museum of Fine and Art Gallery at Skidmore College, Massachusetts from the Science series, Gelatin silver print, 18 x 15 in (45.7 x 38.1 cm) Edward Hopper, American, 1882–1967 COLLECTION Arts, Richmond, VA, for the British Saratoga Springs NY, January 31–May 17, 1958–1961 Gift of Mr. and Mrs. Harry Burn, Railroad Crossing (Z. 24), 1922 Lent to the Haggerty Museum of Art, Arts and Crafts Gallery, October 2015; San Antonio Museum of Art, Gelatin silver print, 14 x 11 in (35.6 x 27.9 cm) 1985.47.7 Etching, 8 x 10 in (20.32 x 25.4 cm) Marquette University Milwaukee, WI, 2010–September 2018. San Antonio TX, November 6, 2015– for the exhibition Page Turners: Women Gift of Mr. and Mrs. Harry Burn, 1981.98.21 February 14, 2016; William King Museum Courtesy of Norfolk Southern Corp. Lent to the Virginia Museum of Fine Arts, and Letters, January 21–May 22, 2016. John Roddam Spencer Stanhope, of Art, Abingdon VA, September 2– Parabolic Mirror, Cambridge, Massachusetts Richmond, VA, for the American Indian Hiram Powers, American, 1805–1873 British, 1829–1908 December 1, 2016. from the Science series, 1958–1961 Gallery, June 1, 2015–June 1, 2018. Bust of Clytie, modeled ca. 1855–1867, Pierre-Paul Prud’hon, French, 1758–1823 Night, 1878 Reading (Une lecture), 1822 Gelatin silver print, 14 x 11 in (35.6 x 27.9 cm) Oil on board, 40 x 25 3/4 in (101.6 x carved after 1868 Silver and Turquoise Box, 20th c. Crayon lithograph, 7 5/16 x 5 7/8 in. Gift of Mr. and Mrs. Harry Burn, 1981.98.23 65.41 cm) Marble, 26 1/4 x 17 5/8 x 10 1/8 in. Diné (Navajo peoples), Arizona, New Mexico (66.7 x 44.8 x 25.7 cm) (18.5 x 14.9 cm) Museum purchase with assistance from Untitled (Bones), n.d. Silver and turquoise, 4 x 3 1/2 x 1 1/2 in Lent by Chrysler Museum of Art, Museum purchase with Curriculum Donna and Lee Bronson, 1979.16 Gelatin silver print, 19 7/8 x 16 in (10.2 x 8.9 x 3.8 cm) Norfolk, VA, Gift of James Ricau and Support Fund, 2010.5.3 (50.5 x 40.6 cm) Gift of Willard R. Sprowls in memory Museum Purchase, 86.507 Gift of Mr. and Mrs. Harry Burn, 1985.47.10 of Mary V. Sprowls, 1985.9.39
22 Annual Report | 2016 Annual Report | 2016 23 $5,000-$9,999 Carla O. Bradshaw and HONOR ROLL James W. Bradshaw Merry Stokely Walker Dougherty and Patrick A. Dougherty Elaine M. Hadden Drysdale and Douglas D. Drysdale Blair Groh Ege Hampton Barringer Luzak and Kevin Luzak Madison Lane & Rugby Road Charitable Trust Cynthia Briggs Kittredge and Frank D. Kittredge, Jr. Thatcher A. Stone Vinie Zhang Miller and J. Sanford Miller Elsie Wilson Thompson and William M. Thompson, Jr. “I give to The Fralin because I want others to $2,500-$4,999 have the same opportunity to see extraordinary Isabelle P. Carr and J. Dabney Carr, Jr. Margaret K. Fowler and John D. Fowler works and objects, with the hope that even one Elizabeth D. Moyer and person may be forever transformed by the Michael C. Powanda Sheridan W. Nicholson and power of art. The mere thought of sharing Thomas F. Nicholson Charlotte Miller Russell my passion for art with others, compels Avril V. Somlyo me to give. I am also grateful that my son, The Fralin Museum of Art gratefully THE FRALIN FUND Susan Scott Stanley and acknowledges all contributions received The Museum recognizes and thanks the following donors Michael C. Stanley Walker (Col ‘19), can enjoy the Museum, with for their gifts of unrestricted support to The Fralin Fund, Arnold Swartz between July 1, 2015 and June 30, 2016. which is the Museum’s annual operating fund. Your all of its efforts to engage students.” Philanthropic support, such as support paves the way for our work with audiences $1,000-$2,499 -Merry Stokely Walker Dougherty and Family Acquavella Family Foundation membership, gifts to The Fralin Fund, on Grounds and throughout the region. We thank you for your partnership with us! Donna Acquavella and memorial and honorary gifts, as well as William R. Acquavella Travis Long Acquavella and Jeffrey L. Soutendijk $250-$499 endowment gifts and those earmarked $50,000 AND ABOVE Nicholas W. Acquavella James C. Steward and Jay Pekala Carol R. Angle, M.D. Lee Newman Barry and Michael F. Barry Marjorie B. Burris and Gordon C. Burris Teresa A. Sullivan and Douglas Laycock for special purposes, are the lifeblood of Estate of Theodore A. Cooper Cheryl Thompson Byron and Martha Ann Colombini and Donna Graff Tadler and Richard D. Tadler The Joseph and Robert Cornell Memorial Foundation Robert G. Byron our exhibitions, arts education programs, Carlo E. Colombini David N. Tsoupros Tessa G. Ader and Richard M. Ader Lyle Gray Dawson Danwell Foundation lectures, learning endeavors and Rosemary Hill-Erdman and Joseph Erdman Judith B. Dutterer and Dennis Dutterer Florence L. Wellons and Ruth C. Cross $500-$999 Carol J. Hogg and David E. Hogg engagement opportunities for all ages. Harry A. Wellons, Jr., M.D. Ann McCauley Askew Catherine C. Kramer, M.D., and Cynthia Terry Galant and Mark E. Galant Diane Boucher and Bruce A. Boucher Christopher M. Kramer, M.D. $20,000-$49,999 Harriet K. Gardner and John N. Gardner Charles J. Brown Cynthia K. Fralin and W. Heywood Fralin, Sr. Anne Lindemann and Laura H. Hamilton and Jacqueline S. Brownfield and Albert P. Lindemann, Jr.* G. Bernard Hamilton Irving H. Brownfield* Elizabeth Palmer Mossman $10,000-$19,999 Bertie D. Heiner and William H. Atwood Margaret Melody Doyle Anonymous Allison St. Clair Schildwachter and Marybess M. Johnson and June Heintz and Frank Heintz W. L. Lyons Brown, Jr. Charitable Foundation Thomas L. Schildwachter, M.D. William C. Johnson, Jr. Jil Harris and H. Hiter Harris III A. Cary Brown-Epstein and Steven E. Epstein Dorothy H. and Ellin K. Mattie W. L. Lyons Brown, Jr. Fund Peter O. Lawson-Johnston Mona Riordan and Robert W. Riordan A. Cary Brown-Epstein and Steven E. Epstein Elizabeth Sidamon-Eristoff and Joanne B. Robinson Alice Cary Brown and W. L. Lyons Brown Hunter Lewis Deceased donors are indicated with an asterisk (*). Ann R. Piper and Thomas L. Piper III
24 Annual Report | 2016 Annual Report | 2016 25 $5,000-$9,999 Anonymous HONOR ROLL (cont.) Carla O. Bradshaw and James W. Bradshaw $1,000-$4,999 $100-$249 Dori Selene Rockefeller Deborah L. Robinson-Minneman Anonymous John M. Abolt Frances E. Sargent and Thomas J. Minneman Harsch Investment Properties, LLC Ruth M. Bell and Malcolm Bell III Mary Louise Seilheimer and Rebecca K. Schoenthal and Jordan D. Schnitzer Margaret W. Brooke and J. F. Brooke III Charles H. Seilheimer, Jr. Gerhard S. Schoenthal Robert E. McConnell Foundation H. Tracey Brownfield Signature Financial Management Inc. Rosemary Schoenthal Polly P. McConnell Michael E. Callaway Anne L. Slaughter and Jacqueline M. Schweiger and Mary Winston Richardson Sara E. Cary and Freeman H. Cary, M.D.* Edward R. Slaughter, Jr. Raphael Schweiger Mary V. Connell Ashbrooke Tullis Mike Shifflette UP TO $999 Sharon Hooper Cott and James L. Cott Dale Walden Patricia B. Short and Anthony T. Short Rebecca Burch Anzelone Julia Crampton and Sonia Irene Webb and Bradley J. Webb Patrick S. Slebonick Margaret S. Baker and Richard S. Crampton, M.D. David F. Whelan Amy Roberson Spence Donnie L. Baker Georgia S. Davidson Charles L. Whited, Jr. Patrick W. Stanley Kathleen E. Belcher Patricia F. Davis and Edward W. Davis Leah Hildreth Stearns and Sara E. Cary and Freeman H. Cary, M.D.* Nancy F. Dettor UP TO $99 Joseph N. Tombs Janet Cheeseman and Connor Lancaster Fralin and Donnie L. Baker and Margaret S. Baker Nicole A. Dillingham and Anonymous Jennifer L. Sulzberger and Charles A. Cheeseman Robert P. Fralin Alan Barker Henry G. Dillingham Noora Al-Saadawi Robert Ducharme Mary V. Connell Karen Buswell Fralin and Kathleen E. Belcher Olivia A. Dillingham Sarah Althoff and Matthew Althoff Susan Early Via Rosemary Connelly William H. Fralin, Jr. Sara E. Cary and Freeman H. Cary, M.D.* Timothy M. Duffey Alan Barker Ashli C. White and Eduardo D. Elena Paula M. Dobos Katherine Fralin Walker and Janet Cheeseman and Margaret M. Grove Ruth L. Barolsky and Paul Barolsky Jean O. Wilhelm and Charlotte S. Ellinger Edward B. Walker Charles A. Cheeseman Caroline M. Bergeron Morton C. Wilhelm, M.D.* Carole Ann Forsyth and John Forsyth Andrea R. Gruber Rosemary Connelly Joyce M. Grunewald and Sarah Mason Bingham and Martha E. Williams Ruthann French The following donor made a gift in Paula M. Dobos Paul J. Kauffmann, Jr. Teresa M. Haller Charlotte Hudgins Zito Donna B. Harris and Collas G. Harris honor of Sara E. Cary: Charlotte S. Ellinger Laura F. Hawthorne and Eric Denby Jennifer McDonald Brecht and Shelley H. Husband and Nancy F. Herman Carole Ann Forsyth and Peter J. Brecht Christopher W. Husband Nancy F. Herman SPECIAL GIFTS John Forsyth Christine Ossolinski Hollins and Patrick D. Burton and Staci Vella Katsias and John H. Katsias The Museum gratefully acknowledges The following donor made a gift in Ruthann French Hunter Hollins Latisha Lynn Hayes Stephanie M. Katsias gifts to endowments, exhibitions, honor of Paul Barolsky: Donna B. Harris and Susan M. Howell Louise W. Dawson and Katherine Leis and Alan E. Leis events, educational programs, and Sara Nair James Collas G. Harris S. Cooper Dawson IV Kristine S. O’Neill Thesa Lorna Jolly realized bequests made during this Shelley H. Husband and Irene Matsuura Kandt and Rhonda K. and Christian K. Deck Lois Petersen past fiscal year. The following donors made a gift in Christopher W. Husband Raymond S. Kandt, M.D. Elizabeth Poe Foster Karen L. Peterson honor of Olivia A. Dillingham: Katherine Leis and Alan E. Leis Aileen W. Kelly and James L. Kelly* Marjory B. Giuliano Regency Society of Virginia $10,000-$99,999 Nicole A. Dillingham and Kristine S. O’Neill Jane W. Kerewich Ann Lawrence Grasty Danni Schreffler Bank of America Henry G. Dillingham Karen L. Peterson Anna M. Hodges UVA Department of Neuroscience Helen Kielbasa and Jody Kielbasa The Joseph and Robert Cornell Lois Petersen Miriam Kleiman and Jason B. Steinbaum Sarah D. Humphrey Patricia Wade Memorial Foundation The following donors made gifts in UVA Department of Neuroscience Geraldine D. Kruger Margretta Hurwitz and Rosalind S. Waters Tessa G. Ader and Richard M. Ader honor of Amy Roberson Spence: Patricia Wade L. David Lea, Jr. Shepard R. Hurwitz, M.D. Martha K. Wertz and Kenneth L. Wertz Rosemary Hill-Erdman and Ann Lawrence Grasty Rosalind S. Waters Jacob C. Levenson Annalee Kathleen Jackson Joseph Erdman Patrick W. Stanley Martha K. Wertz and Kenneth L. Wertz Joan C. Martin and Joseph R. Martin, Jr. Sara Nair James Frances Massey Dulaney Diana Opal Kaw HONORARY GIFTS Lorna D. Miller and Eugene J. Meyung Cynthia K. Fralin and The Museum acknowledges gifts Caitlin E. Kingston The following donor made a gift in Newcomers Club of Greater Charlottesville W. Heywood Fralin, Sr. received in honor of the following MEMORIAL GIFTS Jude Summer Laughlin The Museum acknowledges gifts received memory of Mrs. Deborah Tullis: Mary Janice Peskin and Shirley S. French and Robert L. French friends. Ashbrooke Tullis Henry M. Peskin Emily E. Lazaro and Anthony P. Lazaro Joyce Lowinson Kootz, M.D. in memory of the following departed Natalie B. May friends and members of our community. Mary Cary W. Peterson and Ellen Bayard Weedon Foundation Signature Financial Management, Inc. Elizabeth Natoli Clifton M. Peterson Mary W. Pollock, Eugene P. Pollock, made a gift in honor of the following: Marianne L. Padgett The following donors made gifts in Diane I. Ritter and Rogers C. Ritter Eugene E. Pollock, and Cynthia K. Fralin and Shelby D. Patterson memory of Lynn Siemon: Meylin Areas-Pollock W. Heywood Fralin, Sr. Chris E. Pikrallidas Anonymous Rebecca Burch Anzelone
26 Annual Report | 2016 Annual Report | 2016 27 BENEFACTOR Vicky C. Eicher and Lawrence R. Eicher FRIEND HONOR ROLL (cont.) ($1,000 TO $2,499) Gay R. Frix (UP TO $199) Ronald E. Becker Joy Peterson Heyrman and John Heyrman Eleanor P. Abbot Paula Christman-Bracker and Mary A. Howard and Grace Alexander and Frank Alexander Earl F. Bracker A. E. Dick Howard Marian S. Alexander Ruth C. Cross Martha Irby Hunt Sarah Althoff and Matthew Althoff MATCHING GIFT Debbie Rice Gayle Gardner and Joel B. Gardner Gloria S. Huston and Robert F. Huston Ann McCauley Askew CONTRIBUTORS Felicia W. Rogan Younghee Kim-Wait and Jarett F. Wait Freda B. Johnson Anna C. Askounis Charles Lewis Whited, Jr. Mary L. Laing and Donald Laing III Miriam Kleiman and Nicole Audibert ExxonMobil Foundation Jason B. Steinbaum Margaret K. Fowler and John D. Fowler Ellen R. Susi Royanne H. Bailey MEDIA AnaMarie Liddell and Bill Moretz Lynne Bair Anne Lindemann and Carolyn McClellan and Albert P. Lindemann, Jr.* AND OTHER PATRON Barbara Baker Jay McClellan Nina Stutts Barnes and Dennis W. Barnes GE Foundation ($500 TO $999) Meredith Mercer SPONSORS Carol R. Angle, M.D. Ruth L. Barolsky and Paul Barolsky Charlotte S. Ellinger albemarle Magazine, Carden Jennings Christina B. Moyer and Dennis K. Moyer Mary Jo Ayers and Carlos R. Ayers, M.D. Nancy K. Bass and David H. Bass Johnson and Johnson Publishing Co., Ltd. Mary W. Reiman Diane Boucher and Bruce A. Boucher Rhetta B. Bearden and Jimmy Bearden Harriet K. Gardner and Harvest Moon Catering Catherine J. Rotolo Sara E. Cary and Freeman H. Cary, M.D.* Dolores G. Bedell John N. Gardner Ivy Publications LLC’s “Our relationship Kathleen D. Stock and Richard H. Stock Janis Chevalier and Virginia B. Benfield and Steven A. Jarvis T. Rowe Price Foundation Charlottesville Welcome Book Sara O. Watson and Robert L. Chevalier, M.D. Meredith Bennett Mike Shiffelette Charlottesville Family Magazine with the Museum Frederick L. Watson, Jr. Camilla S. Fair and Robert R. Fair William H. Bennett WTJU 91.1 Martha K. Wertz and Kenneth L. Wertz started in our late Ann Snyder Harrod Sarah E. Betzer and Sheila R. Crane PLANNED GIFTS Lossie N. Wilkinson and Mary Melinda Hope and Terrill C. Hope Victoria K. Blackford The Fralin gratefully acknowledges those twenties, as a place J. Harvie Wilkinson III MUSEUM MEMBERS Allison H. Innes and Donald J. Innes, M.D. Karen A. Boeschenstein and individuals who have made provisions Marilyn J. Wright and Paul M. Wright, Jr. for the Museum in their estate plans. The Fralin recognizes and thanks all to meet outside of Jill Marie Lord and Stephen C. Byrd Warren C. Boeschenstein The following list reflects commitments members who have joined, renewed, Edith Reyer McHenry and Leslie L. Bouterie and Larry R. Bouterie from living donors recorded since or increased their memberships in the our professional Henry D. McHenry, Jr. January 1, 2000: past fiscal year. Our dynamic membership lives. Here, we soon Elizabeth Palmer Mossman program provides critical financial support Virginia S. Paul Anonymous to the Museum, while providing interesting developed a set of Joanne B. Robinson Tessa G. Ader and Richard M. Ader opportunities for engagement, whether Patricia Squires and Patrick J. Spann Carol R. Angle through educational programming, friends—paintings Susan R. Stein and Kenneth S. Abraham Calypso Bamford* exhibitions, or special events. and people. Over the Ronald E. Becker SPONSOR Marjorie B. Burris and Gordon C. Burris DIRECTOR’S CIRCLE years, involvement ($200 TO $499) Jeanne C. Chamales and John P. Chamales ($5,000 AND ABOVE) Cyndy Alaimo and Len Alaimo Ellen L. Climo and Marc L. Lipson Acquavella Family Foundation in the Museum Elizabeth E. Askew Linda R. and George E. Davies Donna Acquavella and has led to lasting Louisa C. Barrett Frances Massey Dulaney William R. Acquavella Ruth M. Bell and Malcolm Bell III Joseph Erdman Travis Long Acquavella and connections with Sarah Mason Bingham and Cynthia K. Fralin and Nicholas W. Acquavella Teresa M. Haller W. Heywood Fralin, Sr. artists and students; Lanier S. Bogen and Eugene M. Bogen Kenneth S. Giniger CURATOR’S CIRCLE the University and Nancy J. Bolton G. Bernard Hamilton ($2,500 TO $4,999) Anna French Brantley Mary L. Laing and Donald Laing III James C. Steward and Jay Pekala Charlottesville Rosemary M. Burns Peter O. Lawson-Johnston Cheryl Thompson Byron and J. Sanford Miller communities.” Robert G. Byron Ruth Morris and David B. Morris -Allison H. Innes and Donald J. Innes, M.D. Isabelle P. Carr and J. Dabney Carr, Jr. Susan S. Northington and Betsy F. Casteen and John T. Casteen III Robert P. Northington Martha Ann Colombini and Priscilla A. Randall Carlo E. Colombini Sharon Hooper Cott and James L. Cott Julia B. Curtis and John R. Curtis, Jr. Joan E. Dinardo and Joseph C. Dinardo Daniel J. Ehnbom
28 Annual Report | 2016 Annual Report | 2016 29 Ekaterina V. Makarova and Janice M. Powell Lynne A. Tillack and Jagdish K. Kumar Sherry Prestwich-Bell Thomas W. Tillack, M.D. HONOR ROLL (cont.) Rennie Custis Mapp and Rafael C. Alvarado Marian Adelaide Rabinowitz and Lamar S. Toole and John H. Toole Margaret M. Marsh Seymour Rabinowitz, M.D. Ingeborg V. Van Hook and Margareta Mattsson and Nick Mattsson Lisa A. Reilly James M. Van Hook Marita P. McClymonds Lois B. Rochester and Andrea S. Vest and Charles T. Vest Karen Boyette Alice B. McCorry and Michael E. McCorry Dudley F. Rochester, M.D. Ellen Casey Wagner and Paul R. Wagner Thomas M. Breeden Ellen C. McKenna Phyllis Jaffrey Ross and Constance P. Warnock Norman A. Brenbridge, M.D. Jane L. McLaughlin and William T. Ross, Jr., M.D. Rosalind S. Waters Marion R. M. Buswell David J. McLaughlin Michele M. Sale Eve Watters and Ian D. Henry Alice P. Cannon and Jonathan Z. Cannon Nancy T. McMurdo and Kellie R. Sauls Charlotte Weathersby and Virginia Cenedella A. Edward McMurdo II Jean M. Scanlan William C. Weathersby, Sr. Marcia Day Childress and Janet B. Meistrell Sandra L. Schlesinger and William C. Weathersby, Jr. James F. Childress Heather A. Meixler Benjamin Schlesinger Edith Weber and Hans-Jurgen Weber Georgean K. Ciocca William R. Mellen Janet Schwerdt Elizabeth K. Wharton Valerie Cole Bonita M. Metz and Michael L. Metz Carolyn P. Shepherd and Ann Wheat Martha Parkinson Craddock and Katherine Lynne Meyer Clyde W. Shepherd, Jr. Jean C. Wheby and George B. Craddock, Jr., M.D. Virginia Pender Michel and Patricia M. Shutts Munsey S. Wheby, M.D. Ruth Crane and Douglas A. Crane Timothy M. Michel Mary U. Sihler and William W. Sihler Elizabeth Wheeler Peter V. Daniel, Jr. Judith Mickelson Joan K. Smith and Robert T. Smith Deborah A. White and Roy E. Cadoff Linda Richter Davies and Chita Middleton and W. Stuart Smith Jon B. Whitlock George E. Davies Frederick S. Middleton III Rose Ann G. Soloway and Jean O. Wilhelm and Rhonda K. Deck and Christian K. Deck Jarrett Millard and Stephen E. Millard Irving H. Soloway Morton C. Wilhelm, M.D. Lucille H. Digges and Kennerly H. Digges Janet Knapp Miller Joan T. Sours Rebecca Sue Williams and Marjorie A. Donnelly Margaret E. Mohrmann, M.D., Elizabeth A. Stafford Michael E. Williams, M.D. Colin J. Dougherty and Deborah E. Healey, M.D. Janice F. Stalfort and John A. Stalfort II Susan D. Williams Cheryl K. Early and John E. Early III Alison F. Montgomery Virginia Harmon Stokes Rise L. Wilson and Adam Wilson Jan Elmore and James H. Elmore Sarah Mullen and Matthew S. Hedstrom Helena Taylor and Beverly J. Wispelwey and Lisa Eorio and Clifford A. Maxwell Theresa Nackley Peyton T. Taylor, Jr., M.D. Brian Wispelwey, M.D. Jeanette P. Ern and Ernest H. Ern Beatrix Ost-Kuttner and Ludwig Kuttner Josephine Taylor Jane N. Wright Tarina S. Esclapez Darlene Radka Paulsen and Will Paulsen Virginia L. Tegtmeyer Elizabeth D. Yancey and E. D. B. Yancey Patricia Falcon and William D. Falcon Karen K. Pearson and Larry E. Pearson Emma McQuade Terry Carter C. Ziegler Phyllis P. Feil and Ralph L. Feil Mary Janice Peskin and Henry M. Peskin Gisela Thomlinson Grace I. Zisk and Burton I. Zisk Sallie V. P. Feild Elizabeth Prentice Piper Marta Tice Christine M. Zunz and Olivier Zunz Kay Fendley Janet Posner and Avrom Posner Elizabeth W. Fernald and James A. Fernald III Shelby Fischer Joyce M. Grunewald and Pamela S. Jiranek and Mary Jane V. Ford and Edward R. Ford Paul J. Kauffmann, Jr. Robert J. Jiranek, Jr. Laura Forester Meredith Strohm Gunter and Sally M. Jones and Zane E. Jones Brian S. Fox Bradley H. Gunter Rosemarie E. Koch and Herbert Koch Suzanne T. Freeman and Erin F. Hall Phyllis Koch-Sheras and Peter L. Sheras Richard S. Minturn Nancy K. Hall McCrea S. Kudravetz and Whitney French* and Rafal Kalemba* Fiona P. Hamilton-Little David W. Kudravetz Melinda Byrd Frierson and Melissa Harrison and John P. Harrison III Rebecca L’Ecuyer and Henry F. Frierson, Jr., M.D. Florence Hauser and Walter Hauser Thomas J. L’Ecuyer, M.D. Judith M. Gannon and Nan Hawkins and E. Richard Knox Ock K. Lee, M.D. Lawrence W. Gannon DeArliss G. Henderson and Betty M. Lee Victoria E. Gilbert and Stanley D. Henderson Mary Legrand and Paul H. Legrand Christopher Maksymowicz Janine Higgins and William Easton Judith E. Lesiak Grace E. Giras and Theo C. Giras Brian E. Hogg Anne Lindemann and Lawrence O. Goedde Elizabeth B. Hopkins and Albert P. Lindemann, Jr.* Risa Goluboff and Robert K. Hopkins, Jr. Tara Little and John V. Little Richard C. Schragger Heather Humphrey Kimberly Cameron Lytle and Graves Fine Art Gallery Sara Nair James Vincent A. Lytle Lisa Jevack Lucy Macon 30 Annual Report | 2016 Annual Report | 2016 31 HONOR ROLL (cont.) DOCENTS
MAD TOM SOCIETY STUDENT Claire Golladay Will Pedrick COMMUNITY The Museum acknowledges members of the DOCENTS Katharine Graham Kathryn Perez DOCENTS Mad Tom Society, who created a direct and Laurel Abowd Lydia Gregory Katherine Phillips Anna Askounis lasting impact on the arts at UVA through Noora Al-Saadawi Giovanna Grigsby-Rocca Zeke Reed Mary Jo Ayers an annual purchase of contemporary art for Nazar Aljassar Caroline Hagood Parks Remcho Marge Bailey The Fralin’s permanent collection. The Mad Hayley Anderson Caitilin Hall Bess Renn Marsha Berger Tom Society made its final acquisition for Mary Kate Bailey Samantha Heitsch Mary Winston Richardson Sarah Bingham the Museum in June 2016 with For David Catherine Beall Katherine Hitchcock Shannah Rose Heather Burns Wojnarowicz, 2000, by Kiki Smith. Hannah Beaver Eliza Hodgson Talia Rosen Ann Corcoran Rachel Bender Caroline Hollis Emily Ross Margaret Costigan Ellen W. Chaffin Caroline Blank Meg Huckaby Sarah Russell Gay Frix Lisa Jevack Andrew Boyer Annalee Jackson Elvera Santos Catherine Genovese Kai’li A. Millner and Thomas W. Millner Sarahbeth Brecht Stephanie Katsias Cassidy Savarino Rocky Genovese Leah Hildreth Stearns and Joseph N. Tombs Jack Carlin Caitlin Kingston Amanda Selsky June Heintz Elizabeth N. Wright Jackson Casady Sophie Korchek Cristopher Serrano Melinda Hope Nicole Chaney Jace Krakovitz Emily Shu Melissa Kansky Kristen Clevenson Tessa Laplante Molly Snelling Leslie Shaw “Kiki Smith’s subject matter Elizabeth Collett Emma Lewis Evan Steinberg Martha Wertz Katherine Colver Alice Lin Rachel Stuckey fits in well with many of Claire Councill Lucie Lyon Cristina Thompson Pete Dailey Nick Milkovich Lal Toker our photographs by Lauchlan Davis Delaney Mitchell Arrietta van der Voort Berenice Abbott, which Olivia Dillingham Brenna Monk Ty Vanover Emily Dukas Grace Mountcastle Julia Vennitti focus on biology. I can Liz Feeser Madeline Nagy Amy Woo Anna Friedrich Erin O’Reilly Cameron Wooddell anticipate it being of Meredith Gallo Chanmee Pak Susan Xie Stephen Giannotti Amanda Patton Harriet Zhao interest to the sciences , Olivia Peabody Kiki Smith, American, b. 1954. For David Wojnarowicz, 2000. Etching, drypoint and Katherine Gobel but also our print-making aquatint, 23 1/4 x 19 1/4 in (59.1 x 48.9 cm). Gift of the Mad Tom Society, 2016.5. classes and our Writer’s © Kiki Smith, Courtesy Pace Gallery “One of the reasons I love Writer’s NEW! STUDENT ENGAGEMENT Eye competition COUNCIL Eye tours so much is that school because of its narrative Born from the passion and dedication of Fralin Student Docents, the Student Engagement Council was formed in kids are still questioning the world possibilities.” Spring 2015 and began its work of deepening and diversifying they live in, and have not yet University student engagement with the Museum. The SEC -M. Jordan Love, Academic Curator collaborates with Museum staff to design, coordinate, and completely accepted things such market opportunities that broaden The Fralin’s student constituency and amplify its visibility on Grounds. as sexist beauty standards and racism as ‘the norm.’ They bring Hannah Beaver Mary Winston Richardson The Fralin produces this Honor Roll each year. While every effort has been made to ensure the accuracy of the information included a fresh, curious perspective to the in this report, we apologize for any inadvertent errors or omissions it may contain. If your records suggest that an error has been Claire Councill Cassidy Savarino made in how we have included you in the listing(s), please contact Sarah Althoff, Director of Annual Giving, at 434.243.8874 or Caroline Hollis George Zaras table, and I am so glad when we can [email protected]. As always, we are most grateful for your support of The Fralin Museum of Art at the University of Virginia. Stephanie Katsias bring art to that conversation as a learning tool!” -Participant 32 Annual Report | 2016 Annual Report | 2016 33 VOLUNTEER BOARD ADVISORY BOARD
VOLUNTEER SPOTLIGHT OFFICERS MEMBERS EX-OFFICIO MEMBERS The Fralin Museum of Art Volunteer Board John T. Casteen III, Chair Nicholas Acquavella Matthew McLendon, Director and honored the late Josephine “Jo” Rowan for Thomas L. Piper III, Co-Vice Chair Richard M. Ader Chief Curator, The Fralin Museum her legacy of volunteerism at their spring Elsie Wilson Thompson, Co-Vice Chair Tessa G. Ader of Art celebration. Pictured here is Jo’s daughter, Carol R. Angle Lawrence Goedde, Professor and Chair, Lisa Milbank, and her husband, Joe. Also COMMITTEE CHAIRS James W. Bradshaw Department of Art Marjorie B. Burris, Governance Nancy L. Brody Jody Kielbasa, Vice Provost for the Arts & at that time, Harriet and John Gardner Janis Chevalier, Volunteer Board Charles J. Brown Director of The Virginia Film Festival were named the recipients of the Ruth and Ruth C. Cross, Collections Isabelle P. Carr Richard Guy Wilson, Commonwealth Robert Cross Volunteer Service Award for Margaret M. Doyle, Betsy Casteen Professor and Chair, Department their work as part of the Bayly Boys, who Marketing/Public Relations Sharon Hooper Cott of Architectural History bartend for Final Fridays, as well as Harriet’s Shirley S. French, Education Merry Walker Dougherty Elizabeth Wright, Director of Development work with the flowers and plants committee. Kevin Luzak, Development Blair Groh Ege We are grateful to the Volunteer Board Joseph Erdman for helping promote the Museum in the Jackson Gilbert community, organizing members’ trip, James B. Godfrey supporting such events as Final Fridays, Amrie Grammer and giving more than $61,000 in support Dennis Kernahan of Museum exhibitions and the Writer’s Terry J. Lockhart J. Sanford Miller Eye program. Lauren Scott Miller Richard Morrow Joanne B. Robinson OFFICERS MEMBERS Allison Innes Charlotte Miller Russell Julia Lockhart Simon Janis Chevalier, Chair Mary Jo Ayers** Ann Catherine Jacob* Avril V. Somlyo Elizabeth Palmer Mossman, Vice-Chair Sally Barber* Marybess M. Johnson Susan Scott Stanley Suzanne Berry, Corresponding Secretary Louisa C. Barrett* Sally Jones James C. Steward Diane Boucher, Recording Secretary Ruthe Battestin* Rosemarie E. Koch Thatcher Stone Susan M. Howell, Treasurer Barbara Battiston Rebecca L’Ecuyer Marsha Berger Mary-Mac L. Laing COMMITTEE CHAIRS Anne May Bowen Pattye Leggett* June Heintz, Docent Representative Peggy Caplow Anne Lindemann Janis Chevalier, Events Anne Chesnut Tara Little MUSEUM STAFF Ellin Mattie Suzanne Berry, Flowers and Plants Georgean Ciocca Matthew McLendon, Director and Emily Lazaro, Docent Coordinator Derry Miller-Meyung* ADJUNCT CURATORS Faye A. Warner, Gallery Guild Martha Ann Colombini Chief Curator Lynn Lee, Assistant Registrar Sarah Mullen* Mary Jo Ayers, Native American Art Susan M. Howell, Handbook Katherine S. Donovan Diana Lindemann, Accounting Specialist Sally C. Nelson* Dean Dass, Contemporary Prints Jacqueline S. Brownfield, Judith Dutterer Sarah Althoff, Director of Annual Giving M. Jordan Love, Academic Curator Christine Page Daniel Ehnbom, South Asian Art Hospitality & Season’s Celebration Camilla S. Fair* Jennifer Brecht, Development Associate Riley McCall, Tour Coordinator Sally Roberts Lawrence Goedde, Prints and Drawings Gunilla Godfrey & Carolyn McClellan, Phyllis P. Feil* Patrick Burton, Exhibitions Coordinator Mohammad Mottaghi, Security Officer Kathleen Joy Stock Jeff Hantman,Native American Art Members’ Trips Harriet K. Gardner David Chennault, Chief Operating Officer Chloé Skye Nagraj, Curatorial Assistant Virginia Lee Tegtmeyer Stephen Margulies, Volunteer Sara E. Cary, Membership Erica V. Goldfarb Andy Clifford,Lead Preparator Mai Pham, Assistant to the Director Lyn B. Warren* Curator Emeritus Virginia S. Paul, Carol W. Stevenson Robin Halsey Jack Comer, Senior Security Officer R. L. Robinson, Chief Security Officer Florence Lee Wellons William Wylie, Photography & Ellen Susi, Nominating Elain Heffelfinger* Rhonda Deck, Marketing Manager Rebecca Schoenthal, Martha K. Wertz Ruth C. Cross, Service Bertie D. Heiner* Steve Fenig, Security Officer Curator of Exhibitions Susan Downie Wheeler Current staff list as of Spring 2017. Linda H. Hord* Adriana Greci Green, Curator of the Shirley Sites, Security Officer Jane Anne Young** Mary A. R. Howard* Indigenous Arts of the Americas Leah Stearns, Martha Irby Hunt Hunter Hollins, Collections and Digital Resources Coordinator Alicia Hurt* *Associate Member **Honorary Member Installation Manager Donald Ubben, Security Officer Aimee Hunt, Associate Academic Curator Elizabeth Wright, Director of Development Jean Lancaster, Collections Manager 34 Annual Report | 2016 Annual Report | 2016 35 Contact Museum Hours Visitor Parking TEL 434.924.3592 Monday: Closed For parking information, visit the Museum website WEB uvafralinartmuseum.virginia.edu Tuesday: 10am–5pm or call 434.924.3592. MAIL PO Box 400119 Wednesday: 10am–5pm Charlottesville VA 22904-4119 Thursday: 10am–7pm Museum Accessibility Friday: 10am–5pm Join/Support Saturday: 10am–5pm The Museum is fully accessible to individuals with Sunday: 12pm–5pm disabilities, however please note that the elevator will TEL 434.243.8874 be out of service beginning mid-May through the end 155 Rugby Road of July 2017. For more information, please call the Near the Rotunda reception desk at 434.243.5584. #FralinMuseumUVA Admission to the Museum is free of charge. Photos: Leah Stearns unless otherwise noted Donations are greatly appreciated. © The Rector and Visitors of the University of Virginia