Gentrifying Lisbon Downtown

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Gentrifying Lisbon Downtown “Vintage Nightlife”: Gentrifying Lisbon downtown JORDI NOFRE Nofre, Jordi (2013). “Vintage Nightlife”: Gentrifying Lisbon downtown. Fennia 191: 2, pp. 106–121. ISSN 1798-5617. Over last two decades, culture has played a very important role in large-scale urban transformations. In that sense, nightlife promotion has become one of the most important strategies for urban regeneration in post-industrial cities. This paper explores the newly emerged vintage-style nightlife in the former harbour quarter of Cais do Sodré (Lisbon downtown). To do this, I focus on a recently renewed hostel building called Pensão Amor – formerly frequented by sailors and prostitutes, and today considered the coolest nightlife venue in the Portu- guese Capital. After presenting an updated state of the art exploration of gentri- fication and nightlife, I argue in the second part of my paper that Pensão Amor is currently playing a key role in the gentrification of the urban nightscape in the Cais do Sodré neighbourhood, where its traditional nightlife is today being sup- planted by a vintage-style nightlife. Furthermore, I argue that the consumption of this recently promoted vintage nightlife as a new form of social distinction can be also seen as the (re)production strategy of a socially and morally sani- tized nightlife which marginalizes everyone who is seen as inappropriate, or in other words, socially perilous to the city branding of Lisbon. Keywords: vintage style, nightlife, social distinction, gentrification, Cais do Sodré Lisbon Jordi Nofre, Faculty of Social & Human Sciences, New University of Lisbon, Ave- nida de Berna, 26-C 1069-061 Lisbon, Portugal. E-mail: [email protected] Introduction: the rise of the 'ludic' city therefore synonymous with success in the every- day life of our post-Fordist “ludic cities” (Baptista Over the past three decades, many worldwide cit- 2005). This new kind of leisure aims at promoting ies have reshaped their spaces, mainly through citizens as leisure producers, consumers of cul- culturally-led strategies for urban regeneration. tural products, and consumers of leisure spaces New forms of social organization, leisure, and cul- (Lefebvre 1968). tural consumption, among other factors, have re- More than 30 years later, the document entitled cently led to the conversion of many downtowns Culture, The Engine of the 21st Century European into urban themed parks (Lefebvre 1968; Hanni- Cities (approved by the Eurocities Committee in gan 1998; Baptista 2005). The inner city thus be- September 2001) took into account what Henri comes a theatre of consumption that is socially Lefebvre then had already pointed out about the and politically controlled (Ritzer 1993, 1998, consolidation of culture as one of the key strate- 2010) formed by hubs of corporative leisure, gies of large-scale urban transformations, which which plays a key role in the city branding pro- aim at converting citizens into consumers and cess. These new means of consumption – or, in the creators of culture. In that sense, nightlife promo- terms of George Ritzer (2010), these new cathe- tion plays a significant role in several processes of drals of consumption – have favoured the emer- culture-led urban renovation and gentrification in gence of leisure as an organizer of contemporary today’s European cities (Chatterton & Hollands social practices in the greatest post-Fordist cities, 2003; Nofre & Martin 2009; Hael 2011). At the as it prevails in family, professional, and civic life same time, gentrification has become a key pro- (Baptista 2005). Fiesta, fun, and relaxation are cess of urban and social transformation in reshap- URN:NBN:fi:tsv-oa8231 DOI: 10.11143/8231 FENNIA 191: 2 (2013) “Vintage Nightlife”: Gentrifying Lisbon downtown 107 ing contemporary worldwide cities over the last • Informant 7: male, 30 years, postdoctoral re- decades. This is the case of Lisbon and Cais do search fellow, foreigner (Spaniard); interview Sodré, one of its former harbour quarters. So in carried out inside Pensão Amor, on 12 No- vember 2011, at about 2:15 a.m. focusing on this case study, this paper will explore • Informant 8: male, 50 years (approx.), police, how the conversion of an abandoned hostel Lisbon; interview carried out on 6 June 2012, (called Pensão Amor), formerly frequented by mar- at about 2:30 a.m. ginal prostitutes and sailors over the last century, has been playing a key role in the gentrification of Together with the ethnographic fieldwork, a first Cais do Sodré through the newly-promoted vin- cartography of Lisbon’s nightlife was carried out – tage style where the old, the decadent, and the but not included in this text – to better contextualize sordid have been re-signified to become part of a the role that Cais do Sodré has in the nightlife sys- newly-created urban nightscape of social distinc- tem of the Portuguese capital. Therefore, this paper tion. does not pretend to discuss what the interviewed This paper presents the first results of a 2-year people told, but it carries out a first approach to the ethnographic fieldwork study of nightlife and ur- gentrification of Cais do Sodré and the rise of a “dis- ban change in post-industrial Lisbon. The presence tinguished” urban nightscape in downtown Lisbon of many urban processes like nightlife-based gen- based on the promotion of newly-created “vintage- trification together with outlawed activities like style” nightlife. drugs dealing, prostitution, and laundering money This paper uses as its starting point the definitions through drinks consumption and entrance fees de- of “vintage” and “gentrification” appearing in the mands the use of methodological eclecticism online version of the American Heritage Dictionary, (Hannerz 1980; Wynne & O'Connor 1998) to ex- which defines the second of these terms as the res- plore the Cais do Sodré’s urban nightscape (Fig. 1). toration of deteriorated urban property, especially Hence, after conducting a 15-month participant in working-class neighbourhoods carried out by the observation, 32 people were interviewed in loco. middle and upper classes. At first glance, one might The subjects of such informal interviews com- distinguish that which is abandoned, derelict, old, prised four bouncers, three policemen, and 25 or simply vintage. In that sense, the Oxford Ad- customers (the venue’s owners rejected being in- vanced American Dictionary refers to the term “vin- terviewed).1 Most of interviews were manually tage” as something typical of a period in the past registered in a small field notebook. The following and of high quality. Having in mind such linguistic list characterizes the informants used in this paper: distinctions and focusing on the case study of Cais do Sodré, the text below will attempt to show how • Informant 1: male, 29 years, PhD Student, Lis- a new cool nightscape – which is today playing a bon; interview carried out on 28 January 2012, key role in gentrifying Cais do Sodré – can be seen at about 2:00 a.m. inside Pensão Amor and as the result of promoting a vintage-style nightlife manually registered. • Informant 2: male, 37 years, security staff mem- that is synonymous with a consumption space of ber, Lisbon; interview carried out on 15 Febru- social distinction, as has been previously pointed ary 2012, at about 0:30 a.m (his statements out. were registered in situ for obvious reasons of When it comes to ethical issues, this research has safety). involved tracking the localization and observation • Informant 3: female, 23 years, undergraduate of people, and the personal data of interviewees has student, Barreiro (Lisbon metropolitan area); in- terview carried out on 14 March 2012, at 10:00 been manually recorded in a fieldwork notebook. a.m. at her Faculty building. Interviewees were informed about the purpose and • Informant 4: male, 24 years, undergraduate stu- the scientific nature of this research and were asked dent, Lisbon; interview carried out on 14 March to give oral consent to use their narratives. Because 2012, at 10:00 a.m. at his Faculty building. interviewees have not had the right to check and • Informant 5: male, 34 years, software develop- emend the final transcription before the storage pro- er, Lisbon; interview carried out inside Pensão Amor, on 12 November 2011, at about 2:15 cess, or the right to evidence parts of their narra- a.m. tives, their non-identified status has been strictly • Informant 6: female, 38 years, real-estate in- maintained, and the complete transcriptions of in- vestor, Lisbon; interview carried out inside terviews have been stored in a database only acces- Pensão Amor, on 12 November 2011, at about sible to the author of this manuscript. Finally, no 2:15 a.m. participants in this research were underaged. 108 Jordi Nofre FENNIA 191: 2 (2013) Fig. 1. Localization of Cais do Sodré (Lisbon downtown). Source: Nofre (c) 2013. FENNIA 191: 2 (2013) “Vintage Nightlife”: Gentrifying Lisbon downtown 109 Studying gentrification as cultural Sharon Zukin (1982) mixed both the production- consumption and social distinction and consumption-side models of explanation. In the due course of time, her work has become a new epistemological paradigm for studying recent pro- Although the term “gentrification” can be origi- cesses of gentrification in worldwide cities. nally found in Memoirs and Proceedings of the During the 1990s, many authors have underlined Manchester Literary & Philosophical Society writ- the rapid (re)production of gentrification around the ten in 1888 (Atkinson & Bridge 2008), it acquired world. However, some have suggested the exist- a contemporary meaning when the British sociolo- ence of two kinds of gentrification; on the one gist Ruth Glass (1964) used it in her book London: hand, “US gentrification”, and on the other hand, Aspects of Change. According to Glass, Islington’s “European gentrification” (Musterd & van Weesep population of a low economic class was being re- 1991; Lees 1994; Lees & Bondi 1995).
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