Simon L. Dolan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
La Traviata’ Makes for a Chilly Evening in LA
OperaOnline.us Worldwide reviews for a worldwide audience Act II party scene Photo: Robert Millard Marta Domingo’s new 1920s ‘La Traviata’ makes for a chilly evening in LA. GIUSEPPE VERDI LA TRAVIATA LOS ANGELES OPERA JUNE 13, 2006 By Carol Jean Delmar OperaOnline.us Although Los Angeles Opera’s new production of “La Traviata” boasts some pretty fancy chirping, “it just ain’t got no soul” -- even though there is a jazz band on the stage of the Dorothy Chandler Pavilion in the Act II party sequence. It’s a young “Traviata.” Violetta is no longer the Parisian courtesan Verdi patterned after Marie Duplessis, renamed Marguerite Gautier, in Alexandre Dumas’ “La Dame aux Camélias,” a memoristic novel, then play, which Dumas wrote based on his ill-fated love affair with Duplessis, who died of tuberculosis in 1847 at the age of 23. Because of the morés of the times, early productions of “Traviata” were set in the 1700s, since audiences simply wouldn’t tolerate an opera based on the life of a young man of class having a steady relationship with a fallen woman, even if she had indeed acquired the social graces of the élite. Of course later productions were modernized to the mid-1800s. But Marta Domingo’s new production is far more youthful. She has moved the action to the 1920s. And although the synopsis in the program places it in Paris, Domingo clearly assigns it to the flapper era in the United States, according to her program note. The production has a decidedly American flair to it, with art-deco disco touches, mirrored spinning balls hanging from the rafters, and Ziegfield Follies-type dancers flitting around the stage. -
WILLIE DOHERTY B
WILLIE DOHERTY b. 1959, Derry, Northern Ireland Lives and works in Derry EDUCATION 1978-81 BA Hons Degree in Sculpture, Ulster Polytechnic, York Street 1977-78 Foundation Course, Ulster Polytechnic, Jordanstown FORTHCOMING & CURRENT EXHIBITIONS 2020 ENDLESS, Kerlin Gallery, online viewing room, (27 May - 16 June 2020), (solo) SOLO EXHIBITIONS 2018 Remains, Regional Cultural Centre, Letterkenny, Ireland Inquieta, Galeria Moises Perez de Albeniz, Madrid, Spain 2017 Galerie Peter Kilchmann, Zurich, Switzerland Remains, Art Sonje Center, Seoul, South Korea No Return, Alexander and Bonin, New York, USA Loose Ends, Matt’s Gallery, London, UK 2016 Passage, Alexander and Bonin, New York Lydney Park Estate, Gloucestershire, presented by Matt’s Gallery + BLACKROCK Loose Ends, Regional Centre, Letterkenny; Kerlin Gallery, Dublin, Ireland Home, Villa Merkel, Germany 2015 Again and Again, Fundaçao Calouste Gulbenkian, CAM, Lisbon Panopticon, Utah Museum of Contemporary Art (UMOCA), Salt Lake City 2014 The Amnesiac and other recent video and photographic works, Alexander and Bonin, New York, USA UNSEEN, Museum De Pont, Tilburg The Amnesiac, Galería Moisés Pérez de Albéniz, Madrid REMAINS, Kerlin Gallery, Dublin 2013 UNSEEN, City Factory Gallery, Derry Secretion, Neue Galerie, Museumslandschaft Hessen Kassel Secretion, The Annex, IMMA, Dublin Without Trace, Galerie Peter Kilchmann, Zurich 2012 Secretion, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen LAPSE, Kerlin Gallery, Dublin Photo/text/85/92, Matts Gallery, London One Place Twice, -
Enrique Ferrer
Enrique Ferrer Nace en Madrid. Comienza sus estudios en el Real Conservatorio Superior de Música de Madrid, donde estudia bajo la dirección de la Mª Luisa Castellanos en la Cátedra de Pedro Lavirgen. En 1989 es contratado por José Tamayo en su compañía La Antología de la Zarzuela para una tourne mundial. En 1993 fue premiado en el Concurso Nacional de Canto “Ciudad de Logroño”. Un año más tarde gana una beca de estudios en la academia The Academy of Vocal Arts de Filadelfia, Estados Unidos, donde estudia con los maestros Cristopher Macatsoris y Bill Shuman. Protagoniza las óperas, “Falstaff “,“Don Giovanni”, “Così fan tutte” y “Don Pasquale”, El Mesías y varios conciertos en el Carnegie Hall de New York. Obtiene grandes sucesos de público y de crítica que lo califica como “unas de las grandes promesas jóvenes de la lirica”. Es finalista en el Concurso Internacional de Canto en Philadelphia “Luciano Pavarotti”. El Maestro se muestra entusiasmado por las dotes vocales y artística del joven tenor. Premiado en el Concurso Internacional de Canto Jaime Aragall en Barcelona. Durante 1995 formó parte de una producción de “Luisa Fernanda” en el Teatro Colón de Bogotá. En 1997 debuta en el Teatro Lírico Nacional de la Zarzuela “El Rey que Rabió” de R. Chapí, “La Fama del Tartanero” del mismo Teatro, “La Canción del Olvido”, “Don Gil de Alcalá” en producción del Teatro de la Zarzuela. Ha participado en varias grabaciones para televisión de zarzuelas como “Los Gavilanes” y “La del Manojo de Rosas”. Desde el 2004 participa en todas las galas de zarzuela de año nuevo que se realizan en el Auditorio Nacional de Música de Madrid. -
La Traviata Dido and Aeneas / Bluebeard's Castle Sondra
La Traviata GIUSEPPE VERDI September 13 – 28, 2014 Production made possible by generous gifts from The Milan Panic Family and Barbara Augusta Teichert. Special underwriting support from Joyce and Aubrey Chernick. HENRY PURCELL / Dido and Aeneas / Bluebeard’s Castle BÉLA BARTÓK October 25 – November 15, 2014 Production made possible by the generous support of the Tarasenka Pankiv Fund (Tara Colburn). Support for the guest conductor provided by the Beatrix F. Padway and Nathaniel W. Finston Conductors Fund. Sondra Radvanovsky in Recital November 8, 2014 DANIEL CATÁN / Florencia en el Amazonas MARCELA FUENTES-BERAIN November 22 – December 20, 2014 Underwriting support from the Jane and Peter Hemmings Production Fund, a gift from the Flora L. Thornton Trust. Original production supported by Edward E. and Alicia Garcia Clark, an Anonymous Donor, AT&T, and Drs. Dennis and Susan Carlyle. THE FIGARO TRILOGY JOHN CORIGLIANO / The Ghosts of Versailles WILLIAM M. HOFFMAN February 7 – March 1, 2015 Production made possible in part by a generous gift from the Ann and Gordon Getty Foundation. T H E F I G A R O T R I L O G Y The Barber of Seville GIOACHINO ROSSINI February 28 – March 22, 2015 Production made possible by generous funding from The Seaver Endowment and from The Alfred and Claude Mann Fund, in honor of Plácido Domingo. Noah’s Flood BENJAMIN BRITTEN March 6 – 7, 2015, at the Cathedral of Our Lady of the Angels Production made possible with generous underwriting support from the Dan Murphy Foundation. T H E F I G A R O T R I L O G Y The Marriage of Figaro WOLFGANG AMADEUS MOZART March 21 – April 12, 2015 Production made possible by a generous gift from The Carol and Warner Henry Production Fund for Mozart Operas. -
GROWING INTERNATIONAL SALES Global Segmentation Toolkit Using Segmentation to Win International Sales CONTENTS
GROWING INTERNATIONAL SALES Global Segmentation Toolkit Using segmentation to win international sales CONTENTS − Introduction − Culturally Curious − Social Energisers − Great Escapers − Understanding experiential tourism − The experience wheel − The 5 stage digital consumer journey − Direct and indirect sales channels − Overview − Air and ferry routes − Snapshot of the market − 5 steps to developing your sales plan − Overseas sales action plan template − Fáilte Ireland − Tourism Ireland INTRODUCTION In 2013 Irish tourism saw a significant and well deserved growth in overseas visitor numbers with many markets now back or close to peak performance levels. Overall growth of 7.2% in 2013 was reflected in an increase from Great Britain (GB) of +5.6%, the United States (US) +14.5%, Germany + 7.7% and France + 9.4%. For the first nine months of 2013, corresponding overseas revenue grew by +13% and holidaymakers by +13%. With growth of +11% between December 2013 and February 2014, the positive start to 2014 is reflected in all the main source markets; visitors from North America (US & Canada) have increased by +17%; GB +14%; Germany +16% and France + 5%. Tourism Ireland’s target for 2014 is 8.2m overseas visitors, an increase of 1 million over 2013. While the trading environment in most source markets remains challenging there are positive indicators. To secure this growth Ireland must win additional market share in the main markets and in a determined effort to do this, the tourism agencies on the island of Ireland are jointly implementing a new, evidence-based consumer global segmentation model. This model provides new, unique insights about the key consumer segments; their motivations, the kinds of experiences they will buy, associated market differentiators and the key channel intermediaries they use. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Billboard Magazine
Pop's princess takes country's newbie under her wing as part of this season's live music mash -up, May 31, 2014 1billboard.com a girl -powered punch completewith talk of, yep, who gets to wear the transparent skirt So 99U 8.99C,, UK £5.50 SAMSUNG THE NEXT BIG THING IN MUSIC 200+ Ad Free* Customized MINI I LK Stations Radio For You Powered by: Q SLACKER With more than 200 stations and a catalog of over 13 million songs, listen to your favorite songs with no interruption from ads. GET IT ON 0)*.Google play *For a limited time 2014 Samsung Telecommunications America, LLC. Samsung and Milk Music are both trademarks of Samsung Electronics Co. Ltd. Appearance of device may vary. Device screen imagessimulated. Other company names, product names and marks mentioned herein are the property of their respective owners and may be trademarks or registered trademarks. Contents ON THE COVER Katy Perry and Kacey Musgraves photographed by Lauren Dukoff on April 17 at Sony Pictures in Culver City. For an exclusive interview and behind-the-scenes video, go to Billboard.com or Billboard.com/ipad. THIS WEEK Special Double Issue Volume 126 / No. 18 TO OUR READERS Billboard will publish its next issue on June 7. Please check Billboard.biz for 24-7 business coverage. Kesha photographed by Austin Hargrave on May 18 at the MGM Grand Garden Arena in Las Vegas. FEATURES TOPLINE MUSIC 30 Kacey Musgraves and Katy 5 Can anything stop the rise of 47 Robyn and Royksopp, Perry What’s expected when Spotify? (Yes, actually.) Christina Perri, Deniro Farrar 16 a country ingenue and a Chart Movers Latin’s 50 Reviews Coldplay, pop superstar meet up on pop trouble, Disclosure John Fullbright, Quirke 40 “ getting ready for tour? Fun and profits. -
La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo
< Back to previous page Home > Arts & Entertainment > Theatre | Region: United States > Southern California La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo By Ester Molayeme Sep 17, 2006 Special to The Epoch Times LOS ANGELES—Opening the 2006/07 Season of the LA Opera is the special presentation of Giuseppe Verdi's La Traviata, visually stunning, with the world renowned cast of Renée Fleming, Rolando Villazόn, and Renato Bruson. La Traviata marks LA Opera's first filming of the stage performance for DVD release by Decca. The sold-out Opening Night Gala on Saturday, September 9, 2006, at the Dorothy Chandler Pavilion, was marked by spectacular elegance. Fashionably dressed celebrities walked on the Pavilion's red carpet under the bright, reflecting chandeliers. Receiving a warm welcome was the LA Opera's new music director, James Conlon, who was for over 25 years associated with the Metropolitan Opera, for 10 years as the Principal Conductor of the Paris Opera, and who appeared in many of the world's most important opera companies, such as La Scala, and the Royal Opera House Covent Garden, among others. La Traviata is one of Verdi's most performed operas for its extraordinary arias filled with beautiful coloratura. Early in the performance we see the American soprano Renée Fleming shining as the beautiful, charming, and very vulnerable Violetta Valéry, who bears her soul to her new admirer, Alfredo Germont. SOPRANO: Renée Fleming stars in La Traviata as Violetta. (Andrew Eccles/Decca) In "Un di' felice eterea" Alfredo declares his love for Violetta with touching sincerity. -
What Is Cool Edit Pro LE?
Getting Started Thank you for purchasing the Roland ED UA-30 USB Audio Interface. This manual tells how to set up the UA-30, and explains basic operation. To avoid problems and enjoy optimal performance, please perform the setup correctly as described in this manual. Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” ( P.2, P.4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Getting Started should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright © 1999 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Used for instructions intended to alert The symbol alerts the user to important instructions the user to the risk of death or severe or warnings.The specific meaning of the symbol is injury should the unit be used determined by the design contained within the improperly. triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of injury or material The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that damage should the unit be used must not be done is indicated by the design contained improperly. -
The St. Petersburg Times
NO. 619 FRIDAY, NOVEMBER 10, 2000 WWW.SPTIMES.RU CENTRAL BANK RATE Of Nudity and Smirnov Versus Plagued by the 27.65 27.72 27.70 Severed Heads Smirnov ... Sanctions Curse 27.75 27.80 Mariinsky gets new version Rival brothers in feud for Irap sees an alarming rise in 27.85 27.90 of Strauss opera. Page 10. vodka company. Page 6. fatal diseases. Page 18. 11/01 11/02 11/03 11/09 11/10 U.S. Caught in Electoral Quagmire By David Royse tally by The Associated Press. The orig- In response to the Gore campaign’s risk doing so at the expense of our Buchanan said “ineptitude” in ballot THE ASSOCIATED PRESS inal “final” margin had been reported request for a manual recount, Palm democracy.” design may have caused many TALLAHASSEE, Florida — George at 1,784. Beach County agreed to hand-count More than a thousand Gore sup- Democrats to vote for him inadver- W. Bush’s lead over Al Gore in crucial The recount, required under state ballots in three precincts Saturday. porters demonstrated outside a govern- tently. Florida shrank to fewer than 400 votes law because of the close result, was still With the outcome of the presidential ment building in downtown West Palm James A. Baker III, the former sec- on Thursday, with allegations of irregu- in progress late Thursday, some 48 race in the balance, allegations on both Beach, demanding another election in retary of state brought in by Bush to larities swirling and several thousand hours after polls closed. sides became increasingly heated. -
Kitty Mcnamee Commercials: Corporate
Kitty McNamee Commercials: MADD PSA Choreographer Dir. Derek Taylor / Taylor Prods Uniqlo Color Bottoms Choreographer Dir. Yoichi Komatsu / Monster Grey Ant Sunglass Launch Director Hysterica Prod Proactiv Choreographer Dir. Victoria Simpson / Lieberman Prods Hexbug Choreographer Dir. Paul Lazarus / Rockhard Films Corporate: Adobe MAX Choreographer Dir. David Mackie / Nokia Theater Flash on the Beach Choreographer Dir. Gmunk / Black Swan Prods Black Swan/Surreal4Real Choreographer Dir. Nicole Disson / Vibiana Prods X-Box Choreographer Dir. Kenneth Hughes / SONY Fashion Week Director/Choreographer Grey Ant / NYC Hello Kitty's 40th Birthday Creative The Lime Hotel Party Director/Choreographer WET Design Creative Wynn, Macau Consultant/Choreographer Film: The Yellow Room Director/Choreographer Hysterica Prods Summer Dance Choreographer G-4 Choreographer Dir. Anna Biani / Flying Turtle & Stephen Berez Entelechy Choreographer Dir. Ariana Delawari / Delawari Productions Laura Marling-When Brave Choreographer Dir. Fred & Nick / Virgin Bird Saved Records Anytime With Bob Kushell Choreographer Dir. Bob Kushell / SONY What were you thinking? Choreographer Dir. Sean Mewshaw / RipFest Miscellaneous: Hysterica Dance Co. Alex Theatre Choreographer Bouncy / Los Angeles El Portal/Nvitational Choreographer The Wheel / Los Angeles LA County Museum of Art Choreographer New Music / Los Angeles White Wave Perf Space Choreographer Wave Rising Festival / NYC Unknown Theater Choreographer Crust / Los Angeles Ford Amphitheatre Choreographer Hysterica X / Los -
La Traviata Resources
LA TRAVIATA RESOURCES Books/Plays The Cambridge History of Nineteenth-Century Music Author: Jim Samson. Notes: Provides basic reference information and history of nineteenth- century music. Illustrated. English. 772 pages. Cambridge University Press. 2001. Camille: A Play in Five Acts By: Alexandre Dumas Jr. Translator: Matilda Heron. English. 72 pages. Kessinger Publishing. 2009. Camille: The Fate of a Coquette (play) By: Alexandre Dumas. Translator: Henriette Metcalf. Notes: Broadway revival, which opened in 1935. The production starred Richard Waring and Eva Le Gallienne. Samuel French. 1959. La Dame aux Camélias (novel) By: Alexandre Dumas (Fils). Translator: David Coward. Notes: Dumas's subtle and moving portrait of a woman in love is based on his own love affair with a desirable courtesan in Paris. English. 256 pages. Oxford University Press. 2008. La Dame aux Camélias (novel) By: Alexandre Dumas. Notes: This is the touching story of the romance between Armand Duval, Dumas' alter ego, and the beautiful courtesan Marguerite Gaultier. Marguerite sacrifices her own happiness for Armand's sake, only to result in a tragic conclusion. Dumas, fils, has written a moving and engrossing book that reveals the effects of love on human nature. French Edition. 422 pages. Pocket. 2000. La Traviata (full Score) By: Giuseppe Verdi. Notes: This is the complete orchestral and vocal score of Verdi's sentimental favorite. Ideal companion for the student or opera fanatic who really wants to see what Verdi wrote for whom. English. 432 pages. Dover Publications. 1990. Sarah Bernhardt: The Art of High Drama Author: Carol Ockman. Contributor: The Jewish Museum, NY. Notes: Sarah Bernhardt’s (Marguerite in the film La dame aux camélias) importance extended beyond the world of theater—she was an icon, a target of admiration and scorn, an artist, and a trendsetter.