Gentrifying Lisbon Downtown

Gentrifying Lisbon Downtown

“Vintage Nightlife”: Gentrifying Lisbon downtown JORDI NOFRE Nofre, Jordi (2013). “Vintage Nightlife”: Gentrifying Lisbon downtown. Fennia 191: 2, pp. 106–121. ISSN 1798-5617. Over last two decades, culture has played a very important role in large-scale urban transformations. In that sense, nightlife promotion has become one of the most important strategies for urban regeneration in post-industrial cities. This paper explores the newly emerged vintage-style nightlife in the former harbour quarter of Cais do Sodré (Lisbon downtown). To do this, I focus on a recently renewed hostel building called Pensão Amor – formerly frequented by sailors and prostitutes, and today considered the coolest nightlife venue in the Portu- guese Capital. After presenting an updated state of the art exploration of gentri- fication and nightlife, I argue in the second part of my paper that Pensão Amor is currently playing a key role in the gentrification of the urban nightscape in the Cais do Sodré neighbourhood, where its traditional nightlife is today being sup- planted by a vintage-style nightlife. Furthermore, I argue that the consumption of this recently promoted vintage nightlife as a new form of social distinction can be also seen as the (re)production strategy of a socially and morally sani- tized nightlife which marginalizes everyone who is seen as inappropriate, or in other words, socially perilous to the city branding of Lisbon. Keywords: vintage style, nightlife, social distinction, gentrification, Cais do Sodré Lisbon Jordi Nofre, Faculty of Social & Human Sciences, New University of Lisbon, Ave- nida de Berna, 26-C 1069-061 Lisbon, Portugal. E-mail: [email protected] Introduction: the rise of the 'ludic' city therefore synonymous with success in the every- day life of our post-Fordist “ludic cities” (Baptista Over the past three decades, many worldwide cit- 2005). This new kind of leisure aims at promoting ies have reshaped their spaces, mainly through citizens as leisure producers, consumers of cul- culturally-led strategies for urban regeneration. tural products, and consumers of leisure spaces New forms of social organization, leisure, and cul- (Lefebvre 1968). tural consumption, among other factors, have re- More than 30 years later, the document entitled cently led to the conversion of many downtowns Culture, The Engine of the 21st Century European into urban themed parks (Lefebvre 1968; Hanni- Cities (approved by the Eurocities Committee in gan 1998; Baptista 2005). The inner city thus be- September 2001) took into account what Henri comes a theatre of consumption that is socially Lefebvre then had already pointed out about the and politically controlled (Ritzer 1993, 1998, consolidation of culture as one of the key strate- 2010) formed by hubs of corporative leisure, gies of large-scale urban transformations, which which plays a key role in the city branding pro- aim at converting citizens into consumers and cess. These new means of consumption – or, in the creators of culture. In that sense, nightlife promo- terms of George Ritzer (2010), these new cathe- tion plays a significant role in several processes of drals of consumption – have favoured the emer- culture-led urban renovation and gentrification in gence of leisure as an organizer of contemporary today’s European cities (Chatterton & Hollands social practices in the greatest post-Fordist cities, 2003; Nofre & Martin 2009; Hael 2011). At the as it prevails in family, professional, and civic life same time, gentrification has become a key pro- (Baptista 2005). Fiesta, fun, and relaxation are cess of urban and social transformation in reshap- URN:NBN:fi:tsv-oa8231 DOI: 10.11143/8231 FENNIA 191: 2 (2013) “Vintage Nightlife”: Gentrifying Lisbon downtown 107 ing contemporary worldwide cities over the last • Informant 7: male, 30 years, postdoctoral re- decades. This is the case of Lisbon and Cais do search fellow, foreigner (Spaniard); interview Sodré, one of its former harbour quarters. So in carried out inside Pensão Amor, on 12 No- vember 2011, at about 2:15 a.m. focusing on this case study, this paper will explore • Informant 8: male, 50 years (approx.), police, how the conversion of an abandoned hostel Lisbon; interview carried out on 6 June 2012, (called Pensão Amor), formerly frequented by mar- at about 2:30 a.m. ginal prostitutes and sailors over the last century, has been playing a key role in the gentrification of Together with the ethnographic fieldwork, a first Cais do Sodré through the newly-promoted vin- cartography of Lisbon’s nightlife was carried out – tage style where the old, the decadent, and the but not included in this text – to better contextualize sordid have been re-signified to become part of a the role that Cais do Sodré has in the nightlife sys- newly-created urban nightscape of social distinc- tem of the Portuguese capital. Therefore, this paper tion. does not pretend to discuss what the interviewed This paper presents the first results of a 2-year people told, but it carries out a first approach to the ethnographic fieldwork study of nightlife and ur- gentrification of Cais do Sodré and the rise of a “dis- ban change in post-industrial Lisbon. The presence tinguished” urban nightscape in downtown Lisbon of many urban processes like nightlife-based gen- based on the promotion of newly-created “vintage- trification together with outlawed activities like style” nightlife. drugs dealing, prostitution, and laundering money This paper uses as its starting point the definitions through drinks consumption and entrance fees de- of “vintage” and “gentrification” appearing in the mands the use of methodological eclecticism online version of the American Heritage Dictionary, (Hannerz 1980; Wynne & O'Connor 1998) to ex- which defines the second of these terms as the res- plore the Cais do Sodré’s urban nightscape (Fig. 1). toration of deteriorated urban property, especially Hence, after conducting a 15-month participant in working-class neighbourhoods carried out by the observation, 32 people were interviewed in loco. middle and upper classes. At first glance, one might The subjects of such informal interviews com- distinguish that which is abandoned, derelict, old, prised four bouncers, three policemen, and 25 or simply vintage. In that sense, the Oxford Ad- customers (the venue’s owners rejected being in- vanced American Dictionary refers to the term “vin- terviewed).1 Most of interviews were manually tage” as something typical of a period in the past registered in a small field notebook. The following and of high quality. Having in mind such linguistic list characterizes the informants used in this paper: distinctions and focusing on the case study of Cais do Sodré, the text below will attempt to show how • Informant 1: male, 29 years, PhD Student, Lis- a new cool nightscape – which is today playing a bon; interview carried out on 28 January 2012, key role in gentrifying Cais do Sodré – can be seen at about 2:00 a.m. inside Pensão Amor and as the result of promoting a vintage-style nightlife manually registered. • Informant 2: male, 37 years, security staff mem- that is synonymous with a consumption space of ber, Lisbon; interview carried out on 15 Febru- social distinction, as has been previously pointed ary 2012, at about 0:30 a.m (his statements out. were registered in situ for obvious reasons of When it comes to ethical issues, this research has safety). involved tracking the localization and observation • Informant 3: female, 23 years, undergraduate of people, and the personal data of interviewees has student, Barreiro (Lisbon metropolitan area); in- terview carried out on 14 March 2012, at 10:00 been manually recorded in a fieldwork notebook. a.m. at her Faculty building. Interviewees were informed about the purpose and • Informant 4: male, 24 years, undergraduate stu- the scientific nature of this research and were asked dent, Lisbon; interview carried out on 14 March to give oral consent to use their narratives. Because 2012, at 10:00 a.m. at his Faculty building. interviewees have not had the right to check and • Informant 5: male, 34 years, software develop- emend the final transcription before the storage pro- er, Lisbon; interview carried out inside Pensão Amor, on 12 November 2011, at about 2:15 cess, or the right to evidence parts of their narra- a.m. tives, their non-identified status has been strictly • Informant 6: female, 38 years, real-estate in- maintained, and the complete transcriptions of in- vestor, Lisbon; interview carried out inside terviews have been stored in a database only acces- Pensão Amor, on 12 November 2011, at about sible to the author of this manuscript. Finally, no 2:15 a.m. participants in this research were underaged. 108 Jordi Nofre FENNIA 191: 2 (2013) Fig. 1. Localization of Cais do Sodré (Lisbon downtown). Source: Nofre (c) 2013. FENNIA 191: 2 (2013) “Vintage Nightlife”: Gentrifying Lisbon downtown 109 Studying gentrification as cultural Sharon Zukin (1982) mixed both the production- consumption and social distinction and consumption-side models of explanation. In the due course of time, her work has become a new epistemological paradigm for studying recent pro- Although the term “gentrification” can be origi- cesses of gentrification in worldwide cities. nally found in Memoirs and Proceedings of the During the 1990s, many authors have underlined Manchester Literary & Philosophical Society writ- the rapid (re)production of gentrification around the ten in 1888 (Atkinson & Bridge 2008), it acquired world. However, some have suggested the exist- a contemporary meaning when the British sociolo- ence of two kinds of gentrification; on the one gist Ruth Glass (1964) used it in her book London: hand, “US gentrification”, and on the other hand, Aspects of Change. According to Glass, Islington’s “European gentrification” (Musterd & van Weesep population of a low economic class was being re- 1991; Lees 1994; Lees & Bondi 1995).

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    16 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us