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Montana Kaimin, May 4, 1979 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-4-1979 Montana Kaimin, May 4, 1979 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, May 4, 1979" (1979). Montana Kaimin, 1898-present. 6834. https://scholarworks.umt.edu/studentnewspaper/6834 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Aber Day Kegger picket proposed by labor council By MARK ELLSWORTH Max Weiss, a legal counselor at Lawry said there would be no Montana Kalmfn Reporter the University of Montana, said the "line to cross" that could cause problem with a secondary boycott trouble. He said the picket is a A meeting Wednesday night is that those involved can be held potentially "explosive issue," but between the Aber Day Kegger liable for any loss of business by the group is “trying to keep it as promoters and the Missoula the third party. cool as it can." Trades and Labor Council took But in some instances, Weiss Amid all the rising sentiment place to discuss a possible picket said, if the boycott is “in against Coors, there is still no at the kegger site to protest formational in nature, and peace word that MLAC is planning to serving Coors beer. -
All Shook up As Sung by Elvis Presley
All Shook Up As sung by Elvis Presley Brass Band Arr.: Jirka Kadlec Adapt.: Bertrand Moren Elvis Presley / Otis Blackwell EMR 32315 st + 1 Full Score 2 1 B Trombone nd + 1 E Cornet 2 2 B Trombone + 5 Solo B Cornet 1 B Bass Trombone 1 Repiano B Cornet 2 B Euphonium nd 3 2 B Cornet 3 E Bass rd 3 3 B Cornet 3 B Bass 1 B Flugelhorn 1 Piano / Keyboard (optional) 2 Solo E Horn 1 Bass Guitar / String Bass (optional) 2 1st E Horn 1 Electric Guitar (optional) 2 2nd E Horn 1 Tambourine 2 1st B Baritone 1 Bongos 2 2nd B Baritone 1 Drum Set Print & Listen Drucken & Anhören Imprimer & Ecouter www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Be Happy Track Titel / Title Time N° EMR N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Big Band Concert Band 1 Hard Headed Woman (De Metruis) 2’36 EMR 12585A EMR 32310 EMR 12585B 2 Magnificat (Kadlec) 3’13 EMR 12638 EMR 32311 - 3 Sway (Molina / Ruiz) 3’18 EMR 12597A EMR 32312 EMR 12597B 4 My Way (Reveaux / François) 3’45 EMR 12150 EMR 32207 EMR 23569 5 Burning Love (Linde) 2’50 EMR 12590A EMR 32313 EMR 12590B 6 Fighting Trombones (Schiltknecht) 1’36 EMR 12547 EMR 32314 - 7 All Shook Up (Presley) 2’30 EMR 12575A EMR 32315 EMR 12575B 8 Be Happy (Reift) 2’45 EMR 12646 EMR 32316 - 9 Ocean Drive (Naulais) 3’50 EMR 12560 EMR 32317 EMR 31112 10 Hard To Say I’m Sorry (Cetera / Foster) 3’27 EMR 12636 EMR 32318 EMR 31223 11 Solitaire (Sedaka) 3’55 EMR 11405 EMR 32319 - 12 Rumba Del Amor (Reift) 2’46 EMR 12529 EMR 32320 - 13 Cubamania (Naulais) 4’44 EMR 12657 EMR 32321 EMR 31670 14 Rock And Roll Music (Berry) 2’37 EMR 12623A EMR 32322 EMR 12623B Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
Engineering Geology and Seismology for Public Schools and Hospitals in California
The Resources Agency California Geological Survey Michael Chrisman, Secretary for Resources Dr. John G. Parrish, State Geologist Engineering Geology and Seismology for Public Schools and Hospitals in California to accompany California Geological Survey Note 48 Checklist by Robert H. Sydnor, Senior Engineering Geologist California Geological Survey www.conservation.ca.gov/cgs July 1, 2005 316 pages Engineering Geology and Seismology performance–based analysis, diligent subsurface for Public Schools and Hospitals sampling, careful reading of the extensive geologic in California literature, thorough knowledge of the California Building Code, combined with competent professional geological work. by Robert H. Sydnor Engineering geology aspects of hospital and public California Geological Survey school sites include: regional geology, regional fault July 1, 2005 316 pages maps, site-specific geologic mapping, geologic cross- sections, active faulting, official zones of investigation Abstract for liquefaction and landslides, geotechnical laboratory The 446+ hospitals, 1,400+ skilled nursing facilities testing of samples, expansive soils, soluble sulfate ±9,221 public schools, and 109 community college evaluation for Type II or V Portland-cement selection, campuses in California are regulated under California and flooding. Code of Regulations, Title 24, California Building Code. Seismology aspects include: evaluation of historic These facilities are plan–checked by senior–level seismicity, probabilistic seismic hazard analysis of Registered Structural Engineers within the Office of earthquake ground–motion, use of proper code terms Statewide Health Planning and Development (OSHPD) (Upper–Bound Earthquake ground–motion and Design– for hospitals and skilled nursing facilities, and the Basis ground–motion), classification of the geologic Division of the State Architect (DSA) for public schools, subgrade by shear–wave velocity to select the correct community colleges, and essential services buildings. -
October 2019
OCTOBER 2019 OFFICERS President George Walsh Vice President Jeff Mumford Treasurer Neil Leary Secretary Paula Anderson Ex Officio Frank Vallese DIRECTORS AT LARGE Bill Clarke Dave Coll COMMITTEES GOLF Kent Sanderson-Chairman [email protected] Paula Anderson Sue Bennett 5:00 pm | $24 per person Adele Fronczek CCWGA Pres.(Cynthia Hunsberger) Paul Schaffran Chuck Widder FINANCE Neil Leary-Chairman [email protected] Bill Clarke Dave Coll Tom Creager Tom Hunsberger Jay Middleton William Mumford MEMBERSHIP Phil Barton-Chairman [email protected] Bill Clarke Music by Rick Artz Sign up by emailing David Dabney Eddie Ghabour [email protected] Steve Morgan From Tappy Phillips Dan Simmons Love Seed Mama Jump or call 302.539.1446 ext. 2 GREENS Frank Vallese-Chairman [email protected] Jeff Baxter Richard Corrigan Mark Decker Cynthia Hunsberger Carolyn Pesce Tom Pomilla Harry Steele Dave Wheeler Adopt-a-hole (Sue Bennett) HOUSE Donna Villani-Chairman [email protected] Pam Browne Gloria Farrar BJ Hildebrand Jan Parsons Donna Tanguay Brenda Thompson Cripple Creek Golf & Country Club | 29494 Cripple Creek Drive | Dagsboro, Delaware 19939 302.539.1446 | www.cripplecreekgolf.com Page 2 GREENS COMMITTEE REPORT by Frank Vallese General Manager Head PGA Professional I would like to take this opportunity to thank Pete Fronczek for his Brian Trout above and beyond service to Cripple Creek. Pete, was Chairman of [email protected] the Greens Committee for the last ten years! Over that time he worked hand in hand with Glen MacDonald to make so many of Assistant Golf Professional the magnificent changes to our golf course that we are enjoying Ryan Diehl today. -
Iffi. Tul Mtal WJ) Col Ry
If you have issues viewing or accessing this file contact us at NCJRS.gov. -- ---- --_. ------ - ------ ---_._--- TRANSFER OfF KNOWLEDGE WORKSHOP Iffi. tUl mtal WJ) COl ry cnHil1l «ll Mm<2lle§§ Y@lJ11ttin ,f "'. ,,~ lo, ,,'. ~1" <. 'IT OF THE YOUTH AUTHORITY CRIMINAL JUSTICE PLANNING 107292 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been granted by VA -+Ir. CA. Deparbnent of the ~' Authroity Office of Criminal JUstice Planning to the National Criminal Just/ce Reference Service (NCJRS). Further reproduclion outside of the NCJRS system requires permis sion of the copyright owner. Additional copies may be obtained from: Department of the Youth Authority 4241 Williamsbourgh Drive Sacramento, California 95823 /072'12.. State of California GEORGE DEUKMEJIAN, Governor Youth and Adult Correctional Agency N.A. CHADERJIAN, Secretary DEPARTMENT OF THE YOUTH AUTHORITY JAMES ROWLAND, Director CRAIG L. BROWN, Chief Deputy Director FRANCISCO J. ALARCON, Deputy Director ADMINISTRATIVE SERVICES BRANCH WILBUR A. BECKWITH, Deputy Director PAROLE SERVICES BRANCH RONALD W. HAYES, Deputy Director PREVENTION & COMMUNITY CORRECTIONS BRANCH C. A. TERHUNE, Deputy Director INSTITUTIONS AND CAMPS BRANCH Cosponsored by -
A Hard Days Night Angie About a Girl Acky Breaky Heart All Along the Watchtowers Angels All the Small Things Ain`T No Sunshine A
A hard days night Angie About a girl Acky breaky heart All along the watchtowers Angels All the small things Ain`t no sunshine All shook up Alberta Alive And I love her Anna (go to him) 500 miles 7 nation army Back to you Bad moon rising Be bop a lula Beds are burnng Big monkey man Bitter sweet symphony Big yellow taxi Blue suede shoes Born to be wild Breakfast at Tiffany`s Bonasera Brown eyed girl Can`t take my eyes off of you Californication Change the world Cigarettes and alcohol Cocain blues Baby,Come back Chasing cars Come together Creep Come as you are Cocain Cotton fields Crazy Country roads Crazy little thing called love Dont look back in anger Don't worry be happy Dancing in the moonlight Don`t stop belivin` Dance the night away Dead or alive Englishman in NY Every breath you take Easy Faith Feel like making love Fortunate son Fields of gold Further on up the road Free falling Gimme all your lovin' Gimme love Gimme all your love Great balls of fire Green grass of home Happy Hello Heart-shaped box Have you ever seen the rain Hello Mary Lou Highway to hell High and dry Hey jude Hotel california Human touch Hurt Hound dog (ISun Can't is shining Get No) Satisfaction I'm yours I don't wanna miss a thing I saw her staning there I got stripes I walk the line Imagine I`m a believer It`s my life (D) Impossible Jamming Johny be goode Keep on rockin` in a free world Knockin` on the heavens door Kingston town La bamba (E) Lay down Sally Learn to fly Light my fire Let her go Let it be Love is all around Layla Learning to fly Living next door -
The Doobie Brothers Best of the Doobies - Volume II Mp3, Flac, Wma
The Doobie Brothers Best Of The Doobies - Volume II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Best Of The Doobies - Volume II Country: US Released: 1981 Style: Pop Rock, Classic Rock MP3 version RAR size: 1693 mb FLAC version RAR size: 1630 mb WMA version RAR size: 1529 mb Rating: 4.4 Votes: 953 Other Formats: AHX MP1 AAC MIDI VOX MP2 MP3 Tracklist Hide Credits Little Darling (I Need You) A1 Written-By – Brian Holland, Lamont Dozier, Edward Holland, Jr.* Echoes Of Love A2 Written-By – Earl Randle, Patrick Simmons, Willie Mitchell You Belong To Me A3 Written-By – Carly Simon, Michael McDonald One Step Closer A4 Written-By – Carlene Carter, John McFee, Keith Knudsen What A Fool Believes A5 Written-By – Kenny Loggins, Michael McDonald Dependin' On You B1 Written-By – Michael McDonald, Patrick Simmons Here To Love You B2 Written-By – Michael McDonald One By One B3 Written-By – Bobby Lakind, Michael McDonald Real Love B4 Written-By – Michael McDonald, Patrick Henderson Minute By Minute B5 Written-By – Lester Abrams, Michael McDonald Companies, etc. Copyright (c) – Warner Bros. Records Phonographic Copyright (p) – Warner Bros. Records Licensed To – Columbia House Manufactured By – Columbia House Credits Bass, Vocals – Willie Weeks Congas, Vocals – Bobby Lakind Drums, Vibraphone, Marimba – Chet McCracken Drums, Vocals – Keith Knudsen Engineer – Donn Landee (tracks: A1 to A3, A5 to B2, B5), Jim Isaacson (tracks: A4, B3, B4) Guitar, Vocals – John McFee, Patrick Simmons Keyboards, Synthesizer, Vocals – Michael McDonald Mastered By – Bobby Hata Producer – Ted Templeman Saxophone, Organ, Vocals – Cornelius Bumpus Notes Timings: Program 1: 17:30 Program 2: 19:17 Other versions Category Artist Title (Format) Label Category Country Year The Doobie Best Of The Doobies Warner Bros. -
Otis Blackwell: Songwriter to “The King”
Country Music Hall of Fame® and Museum • Words & Music • Grades 3-6 Otis Blackwell: Songwriter to “The King” As the songwriter of two of Elvis Presley’s career-making hits, Otis Blackwell will always be linked to the man known as the King of Rock & Roll. But so many artists have recorded Blackwell’s songs that his work reaches far beyond Presley’s shadow. The many hits Blackwell wrote made him one of rock & roll’s most influential songwriters. Born February 16, 1932, in Brooklyn, New York, Blackwell grew up next to a movie theater and developed a passion for Hollywood’s singing cowboys and their western music. “Like the blues, it told a story,” he once said. “But it didn’t have the same restrictive construction. A cowboy song could do anything.” Blackwell began writing songs in his teens, but turned his attention to performing after winning a local talent show. He soon tired of the road, however, choosing instead to focus on songwriting while working a day job pressing clothes at a New York tailor shop. Presley soon followed this success with “All Shook Up,” which Blackwell penned after his publisher shook a bottle of soda and Blackwell’s demo tape of “Don’t Be Cruel” caught the ear of jokingly challenged him to write a song about it. Presley, who was then looking to expand his popularity from the South to the nation as a whole. Taking cues from Blackwell’s vocal Building on his early success, Blackwell continued to write phrasing, Presley turned the song into a 1956 sensation that topped for Presley, and he created a string of hit songs for other the country, R&B, and pop charts alike. -
Aug-Sept 1980
MODERN DRUMMER VOL. 4 NO. 4 FEATURES: KEITH KNUDSEN and CHET MCCRACKEN Keith Knudsen and Chet McCracken, drummers for the pop- ular Doobie Brothers, relate how the advantages outweigh the difficulties working in a two drummer situation. The pair also evaluate their own performance styles and preferences within the musical context of the band. 12 JOE COCUZZO Having worked professionally since the age of 19, Joe Co- cuzzo has an abundance of musical knowledge. His respect for and understanding of the drummer's position within the music has prepared him for affiliations with Buddy DeFranco, Gary McFarland, Don Ellis, Woody Herman and Tony Bennett. 20 ED GREENE Ed Greene has the distinction of being one of Los Angeles' hottest studio drummers. Greene explains what it's like to work in the studios while trying to keep your personal musical goals alive, and what the responsibilities of a studio musician entail. He also speaks on the methods used in a recording studio and how the drums are appropriately adjusted for each session. 29 THE GREAT JAZZ DRUMMERS, INSIDE STAR INSTRUMENTS 26 PART II 16 MORRIS LANG: N.Y. PHILHARMONIC VETERAN 24 COLUMNS: EDITOR'S OVERVIEW 2 SHOW AND STUDIO READERS' PLATFORM 4 Music Cue by Danny Pucillo 46 ASK A PRO 7 UP AND COMING IT'S QUESTIONABLE 8 Rob the Drummer: A New Kid on the Street ROCK PERSPECTIVES by Karen Larcombe 48 A Practical Application of the Five Stroke Roll by David Garibaldi 32 DRUM MARKET 56 STRICTLY TECHNIQUE CLUB SCENE Wrist Versus Fingers Space Saving and the Custom Set by Forrest Clark 34 by Rick Van Horn 60 JAZZ DRUMMERS' WORKSHOP Coordinating Accents Independently PRINTED PAGE 70 by Ed Soph 38 RUDIMENTAL SYMPOSIUM DRIVER'S SEAT Rudimental Set Drumming Avoiding Common Pitfalls by Ken Mazur 74 by Mel Lewis 42 TEACHER'S FORUM INDUSTRY HAPPENINGS 78 An Overview by Charley Perry 44 JUST DRUMS 79 Two years ago, MD mailed questionaires to 1,000 randomly selected subscribers in an effort to obtain a profile of a typical MD reader. -
EMR 12467A Don't Be Cruel (B = Big Band) MS = 8M
Don’t Be Cruel As sung by Elvis Presley Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare 6 Arr.: Jirka Kadlec Elvis Presley / Otis Blackwell EMR 12467A st 1 Score 2 1 Trombone + nd 8 Flute 2 2 Trombone + rd 1 Oboe (optional) 1 3 Trombone + th 1 Bassoon (optional) 1 4 Trombone + 1 E Clarinet (optional) 2 Baritone + st 5 1 B Clarinet 2 E Bass nd 4 2 B Clarinet 2 B Bass rd 4 3 B Clarinet 1 Tuba 1 B Bass Clarinet (optional) 1 Piano / Keyboard (optional) 1 B Soprano Saxophone (optional) 1 Bass Guitar / String Bass (optional) 2 1st E Alto Saxophone 1 Electric Guitar (optional) 1 2nd E Alto Saxophone 1 Tambourine 2 1st B Tenor Saxophone 1 Congas 1 2nd B Tenor Saxophone 1 Drum Set 1 E Baritone Saxophone (optional) 1 E Trumpet / Cornet (optional) Special Parts Fanfare Parts st 2 1 B Trumpet / Cornet st 2 1st Flugelhorn nd 1 1 B Trombone 2 2 B Trumpet / Cornet nd nd 2 2 Flugelhorn rd 1 2 B Trombone 2 3 B Trumpet / Cornet rd 1 3rd B Trombone 2 3 Flugelhorn 2 4th B Trumpet / Cornet 1 4th B Trombone 2 1st F & E Horn 1 B Baritone 2 2nd F & E Horn 1 E Tuba 1 B Tuba Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Streets Of San Francisco Track Titel / Title Time N° EMR N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Big Band Concert Band 1 Streets Of San Francisco (Williams) 2’56 EMR 12381A EMR 32038 EMR 12381B 2 Whose Side Are -
Neg(Oti)Ating Fusion: Steely Dan's Generic Irony by Ethan Krajewski A
Neg(oti)ating Fusion: Steely Dan’s Generic Irony by Ethan Krajewski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2018 © 2018 Ethan Patrick Krajewski To my parents for music and language Acknowledgements My biggest thanks go to my advisor, Professor Julian Levinson, as a teacher, mentor, and friend, for helping me think, talk, write, and (most importantly, I think) laugh about seventies rock music. You’ve helped make this project fun in all of its rigor and relaxed despite all of the stress that it’s caused. I’d also like to thank Professor Gillian White for leading our cohort toward discipline, and for keeping us all grounded. Also for her spirited conversations and anecdotes, which proved invaluable in the early stages of my thinking. I wouldn’t be here writing this if it weren’t for Professor Supriya Nair, who pushed me to apply for the program and helped me develop the intellectual curiosity that led to this project. The same goes for Gina Brandolino, who I count among my most important teachers and role models. To the cohort: thank you for all of your help over the course of the year. You’re all so smart, and so kind, and I wish you all nothing but the best. To Ashley: if you aren’t the best non-professional line editor at large in the world, then you’re at least second or third. I mean it sincerely when I say that this project would be infinitely worse without your guidance. -
'!2G00BJ-Hbfjdh! Guitar and Saxophone Are Welcome Extras That Never Drown out the Impressive Leader of the Group
Minute By Minute Warner BSK 3193 The Doobie Brothers personnel Tom Johnston (voc); Patrick Simmons (g, voc); Michael McDo- nald (keyb, voc); Jeffrey Baxter (g); Norton Buffalo (hca); Tiran Porter (b, voc); John Hartman, Keith Knudsen (dr); Bobby LaKind (cga); a.o. tracks Here To Love You; What A Fool Believes; Minute By Minute; De- pendin' On You; Don't Stop To Watch The Wheels; Open Your Eyes; Sweet Feelin'; Steamer Lane Breakdown; You Never Change; How Do The Fools Survive? How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following catalogue # momentous words: »We are all Doobie brothers«. Later, when in possession of all his 3193 faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the set contents 1 LP / standard sleeve, insert style of Stevie Wonder. That Minute By Minute, the first album to appear in the post- Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the pricecode two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael SC01 McDonald. Subtle, gently electrified groove epitomizes the main focus of this album. release date Its laid back, colourful and glittering sounds are rounded out with powerful rhythms November 2019 and warm sounds (What A Fool Believes).