Polynomial Methods for Fast Procedural Terrain Generation
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Perlin Textures in Real Time Using Opengl Antoine Miné, Fabrice Neyret
Perlin Textures in Real Time using OpenGL Antoine Miné, Fabrice Neyret To cite this version: Antoine Miné, Fabrice Neyret. Perlin Textures in Real Time using OpenGL. [Research Report] RR- 3713, INRIA. 1999, pp.18. inria-00072955 HAL Id: inria-00072955 https://hal.inria.fr/inria-00072955 Submitted on 24 May 2006 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. INSTITUT NATIONAL DE RECHERCHE EN INFORMATIQUE ET EN AUTOMATIQUE Perlin Textures in Real Time using OpenGL Antoine Mine´ Fabrice Neyret iMAGIS-IMAG, bat C BP 53, 38041 Grenoble Cedex 9, FRANCE [email protected] http://www-imagis.imag.fr/Membres/Fabrice.Neyret/ No 3713 juin 1999 THEME` 3 apport de recherche ISSN 0249-6399 Perlin Textures in Real Time using OpenGL Antoine Miné Fabrice Neyret iMAGIS-IMAG, bat C BP 53, 38041 Grenoble Cedex 9, FRANCE [email protected] http://www-imagis.imag.fr/Membres/Fabrice.Neyret/ Thème 3 — Interaction homme-machine, images, données, connaissances Projet iMAGIS Rapport de recherche n˚3713 — juin 1999 — 18 pages Abstract: Perlin’s procedural solid textures provide for high quality rendering of surface appearance like marble, wood or rock. -
Fast, High Quality Noise
The Importance of Being Noisy: Fast, High Quality Noise Natalya Tatarchuk 3D Application Research Group AMD Graphics Products Group Outline Introduction: procedural techniques and noise Properties of ideal noise primitive Lattice Noise Types Noise Summation Techniques Reducing artifacts General strategies Antialiasing Snow accumulation and terrain generation Conclusion Outline Introduction: procedural techniques and noise Properties of ideal noise primitive Noise in real-time using Direct3D API Lattice Noise Types Noise Summation Techniques Reducing artifacts General strategies Antialiasing Snow accumulation and terrain generation Conclusion The Importance of Being Noisy Almost all procedural generation uses some form of noise If image is food, then noise is salt – adds distinct “flavor” Break the monotony of patterns!! Natural scenes and textures Terrain / Clouds / fire / marble / wood / fluids Noise is often used for not-so-obvious textures to vary the resulting image Even for such structured textures as bricks, we often add noise to make the patterns less distinguishable Ех: ToyShop brick walls and cobblestones Why Do We Care About Procedural Generation? Recent and upcoming games display giant, rich, complex worlds Varied art assets (images and geometry) are difficult and time-consuming to generate Procedural generation allows creation of many such assets with subtle tweaks of parameters Memory-limited systems can benefit greatly from procedural texturing Smaller distribution size Lots of variation -
Synthetic Data Generation for Deep Learning Models
32. DfX-Symposium 2021 Synthetic Data Generation for Deep Learning Models Christoph Petroll 1 , 2 , Martin Denk 2 , Jens Holtmannspötter 1 ,2, Kristin Paetzold 3 , Philipp Höfer 2 1 The Bundeswehr Research Institute for Materials, Fuels and Lubricants (WIWeB) 2 Universität der Bundeswehr München (UniBwM) 3 Technische Universität Dresden * Korrespondierender Autor: Christoph Petroll Institutsweg 1 85435 Erding Germany Telephone: 08122/9590 3313 Mail: [email protected] Abstract The design freedom and functional integration of additive manufacturing is increasingly being implemented in existing products. One of the biggest challenges are competing optimization goals and functions. This leads to multidisciplinary optimization problems which needs to be solved in parallel. To solve this problem, the authors require a synthetic data set to train a deep learning metamodel. The research presented shows how to create a data set with the right quality and quantity. It is discussed what are the requirements for solving an MDO problem with a metamodel taking into account functional and production-specific boundary conditions. A data set of generic designs is then generated and validated. The generation of the generic design proposals is accompanied by a specific product development example of a drone combustion engine. Keywords Multidisciplinary Optimization Problem, Synthetic Data, Deep Learning © 2021 die Autoren | DOI: https://doi.org/10.35199/dfx2021.11 1. Introduction and Idea of This Research Due to its great design freedom, additive manufacturing (AM) shows a high potential of functional integration and part consolidation [1]-[3]. For this purpose, functions and optimization goals that are usually fulfilled by individual components must be considered in parallel. -
Generating Realistic City Boundaries Using Two-Dimensional Perlin Noise
Generating realistic city boundaries using two-dimensional Perlin noise Graduation thesis for the Doctoraal program, Computer Science Steven Wijgerse student number 9706496 February 12, 2007 Graduation Committee dr. J. Zwiers dr. M. Poel prof.dr.ir. A. Nijholt ir. F. Kuijper (TNO Defence, Security and Safety) University of Twente Cluster: Human Media Interaction (HMI) Department of Electrical Engineering, Mathematics and Computer Science (EEMCS) Generating realistic city boundaries using two-dimensional Perlin noise Graduation thesis for the Doctoraal program, Computer Science by Steven Wijgerse, student number 9706496 February 12, 2007 Graduation Committee dr. J. Zwiers dr. M. Poel prof.dr.ir. A. Nijholt ir. F. Kuijper (TNO Defence, Security and Safety) University of Twente Cluster: Human Media Interaction (HMI) Department of Electrical Engineering, Mathematics and Computer Science (EEMCS) Abstract Currently, during the creation of a simulator that uses Virtual Reality, 3D content creation is by far the most time consuming step, of which a large part is done by hand. This is no different for the creation of virtual urban environments. In order to speed up this process, city generation systems are used. At re-lion, an overall design was specified in order to implement such a system, of which the first step is to automatically create realistic city boundaries. Within the scope of a research project for the University of Twente, an algorithm is proposed for this first step. This algorithm makes use of two-dimensional Perlin noise to fill a grid with random values. After applying a transformation function, to ensure a minimum amount of clustering, and a threshold mech- anism to the grid, the hull of the resulting shape is converted to a vector representation. -
CMSC 425: Lecture 14 Procedural Generation: Perlin Noise
CMSC 425 Dave Mount CMSC 425: Lecture 14 Procedural Generation: Perlin Noise Reading: The material on Perlin Noise based in part by the notes Perlin Noise, by Hugo Elias. (The link to his materials seems to have been lost.) This is not exactly the same as Perlin noise, but the principles are the same. Procedural Generation: Big game companies can hire armies of artists to create the immense content that make up the game's virtual world. If you are designing a game without such extensive resources, an attractive alternative for certain natural phenomena (such as terrains, trees, and atmospheric effects) is through the use of procedural generation. With the aid of a random number generator, a high quality procedural generation system can produce remarkably realistic models. Examples of such systems include terragen (see Fig. 1(a)) and speedtree (see Fig. 1(b)). terragen speedtree (a) (b) Fig. 1: (a) A terrain generated by terragen and (b) a scene with trees generated by speedtree. Before discussing methods for generating such interesting structures, we need to begin with a background, which is interesting in its own right. The question is how to construct random noise that has nice structural properties. In the 1980's, Ken Perlin came up with a powerful and general method for doing this (for which he won an Academy Award!). The technique is now widely referred to as Perlin Noise (see Fig. 2(a)). A terrain resulting from applying this is shown in Fig. 2(b). (The terragen software uses randomized methods like Perlin noise as a starting point for generating a terrain and then employs additional operations such as simulated erosion, to achieve heightened realism.) Perlin Noise: Natural phenomena derive their richness from random variations. -
State of the Art in Procedural Noise Functions
EUROGRAPHICS 2010 / Helwig Hauser and Erik Reinhard STAR – State of The Art Report State of the Art in Procedural Noise Functions A. Lagae1,2 S. Lefebvre2,3 R. Cook4 T. DeRose4 G. Drettakis2 D.S. Ebert5 J.P. Lewis6 K. Perlin7 M. Zwicker8 1Katholieke Universiteit Leuven 2REVES/INRIA Sophia-Antipolis 3ALICE/INRIA Nancy Grand-Est / Loria 4Pixar Animation Studios 5Purdue University 6Weta Digital 7New York University 8University of Bern Abstract Procedural noise functions are widely used in Computer Graphics, from off-line rendering in movie production to interactive video games. The ability to add complex and intricate details at low memory and authoring cost is one of its main attractions. This state-of-the-art report is motivated by the inherent importance of noise in graphics, the widespread use of noise in industry, and the fact that many recent research developments justify the need for an up-to-date survey. Our goal is to provide both a valuable entry point into the field of procedural noise functions, as well as a comprehensive view of the field to the informed reader. In this report, we cover procedural noise functions in all their aspects. We outline recent advances in research on this topic, discussing and comparing recent and well established methods. We first formally define procedural noise functions based on stochastic processes and then classify and review existing procedural noise functions. We discuss how procedural noise functions are used for modeling and how they are applied on surfaces. We then introduce analysis tools and apply them to evaluate and compare the major approaches to noise generation. -
Tile-Based Method for Procedural Content Generation
Tile-based Method for Procedural Content Generation Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David Maung Graduate Program in Computer Science and Engineering The Ohio State University 2016 Dissertation Committee: Roger Crawfis, Advisor; Srinivasan Parthasarathy; Kannan Srinivasan; Ken Supowit Copyright by David Maung 2016 Abstract Procedural content generation for video games (PCGG) is a growing field due to its benefits of reducing development costs and adding replayability. While there are many different approaches to PCGG, I developed a body of research around tile-based approaches. Tiles are versatile and can be used for materials, 2D game content, or 3D game content. They may be seamless such that a game player cannot perceive that game content was created with tiles. Tile-based approaches allow localized content and semantics while being able to generate infinite worlds. Using techniques such as aperiodic tiling and spatially varying tiling, we can guarantee these infinite worlds are rich playable experiences. My research into tile-based PCGG has led to results in four areas: 1) development of a tile-based framework for PCGG, 2) development of tile-based bandwidth limited noise, 3) development of a complete tile-based game, and 4) application of formal languages to generation and evaluation models in PCGG. ii Vita 2009................................................................B.S. Computer Science, San Diego State -
Prime Gradient Noise
Computational Visual Media https://doi.org/10.1007/s41095-021-0206-z Research Article Prime gradient noise Sheldon Taylor1,∗, Owen Sharpe1,∗, and Jiju Peethambaran1 ( ) c The Author(s) 2021. Abstract Procedural noise functions are fundamental 1 Introduction tools in computer graphics used for synthesizing virtual geometry and texture patterns. Ideally, a Visually pleasing 3D content is one of the core procedural noise function should be compact, aperiodic, ingredients of successful movies, video games, and parameterized, and randomly accessible. Traditional virtual reality applications. Unfortunately, creation lattice noise functions such as Perlin noise, however, of high quality virtual 3D content and textures exhibit periodicity due to the axial correlation induced is a labour-intensive task, often requiring several while hashing the lattice vertices to the gradients. months to years of skilled manual labour. A In this paper, we introduce a parameterized lattice relatively cheap yet powerful alternative to manual noise called prime gradient noise (PGN) that minimizes modeling is procedural content generation using a discernible periodicity in the noise while enhancing the set of rules, such as L-systems [1] or procedural algorithmic efficiency. PGN utilizes prime gradients, a noise [2]. Procedural noise has proven highly set of random unit vectors constructed from subsets of successful in creating computer generated imagery prime numbers plotted in polar coordinate system. To (CGI) consisting of 3D models exhibiting fine detail map axial indices of lattice vertices to prime gradients, at multiple scales. Furthermore, procedural noise PGN employs Szudzik pairing, a bijection F : N2 → N. is a compact, flexible, and low cost computational Compositions of Szudzik pairing functions are used in technique to synthesize a range of patterns that may higher dimensions. -
A Cellular Texture Basis Function
A Cellular Texture Basis Function Steven Worley 1 ABSTRACT In this paper, we propose a new set of related texture basis func- tions. They are based on scattering ªfeature pointsº throughout 3 Solid texturing is a powerful way to add detail to the surface of < and building a scalar function based on the distribution of the rendered objects. Perlin's ªnoiseº is a 3D basis function used in local points. The use of distributed points in space for texturing some of the most dramatic and useful surface texture algorithms. is not new; ªbombingº is a technique which places geometric fea- We present a new basis function which complements Perlin noise, tures such as spheres throughout space, which generates patterns based on a partitioning of space into a random array of cells. We on surfaces that cut through the volume of these features, forming have used this new basis function to produce textured surfaces re- polkadots, for example. [9, 5] This technique is not a basis func- sembling ¯agstone-like tiled areas, organic crusty skin, crumpled tion, and is signi®cantly less useful than noise. Lewis also used paper, ice, rock, mountain ranges, and craters. The new basis func- points scattered throughout space for texturing. His method forms a tion can be computed ef®ciently without the need for precalculation basis function, but it is better described as an alternative method of or table storage. generating a noise basis than a new basis function with a different appearance.[3] In this paper, we introduce a new texture basis function that has INTRODUCTION interesting behavior, and can be evaluated ef®ciently without any precomputation. -
Coherent Noise
Coherent Noise User manual Table of Contents Introduction...........................................................................................5 Chapter I. .............................................................................................6 Noise Basics........................................................................................6 Combining Noise. ................................................................................8 CoherentNoise library...........................................................................9 Chapter II............................................................................................12 Noise generators................................................................................12 Generator base class.......................................................................12 ValueNoise.....................................................................................13 GradientNoise................................................................................14 ValueNoise2D and GradientNoise2D...................................................16 Constant.......................................................................................16 Function........................................................................................17 Cache...........................................................................................17 Patterns........................................................................................18 Cylinders....................................................................................18 -
Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise
Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise Aline Weber, Lucas N. Alegre Jim Torresen Bruno C. da Silva Institute of Informatics Department of Informatics; RITMO Institute of Informatics Federal Univ. of Rio Grande do Sul University of Oslo Federal Univ. of Rio Grande do Sul Porto Alegre, Brazil Oslo, Norway Porto Alegre, Brazil {aweber, lnalegre}@inf.ufrgs.br jimtoer@ifi.uio.no [email protected] ABSTRACT of possibilities when composing|for instance, by suggesting We introduce a machine learning technique to autonomously a few possible novel variations of a base melody informed generate novel melodies that are variations of an arbitrary by the musician. In this paper, we propose and evaluate a base melody. These are produced by a neural network that machine learning technique to generate new melodies based ensures that (with high probability) the melodic and rhyth- on a given arbitrary base melody, while ensuring that it mic structure of the new melody is consistent with a given preserves both properties of the original melody and gen- set of sample songs. We train a Variational Autoencoder eral melodic and rhythmic characteristics of a given set of network to identify a low-dimensional set of variables that sample songs. allows for the compression and representation of sample Previous works have attempted to achieve this goal by songs. By perturbing these variables with Perlin Noise| deploying different types of machine learning techniques. a temporally-consistent parameterized noise function|it is Methods exist, e.g., that interpolate pairs of melodies pro- possible to generate smoothly-changing novel melodies. -
Package 'Ambient'
Package ‘ambient’ March 21, 2020 Type Package Title A Generator of Multidimensional Noise Version 1.0.0 Maintainer Thomas Lin Pedersen <[email protected]> Description Generation of natural looking noise has many application within simulation, procedural generation, and art, to name a few. The 'ambient' package provides an interface to the 'FastNoise' C++ library and allows for efficient generation of perlin, simplex, worley, cubic, value, and white noise with optional pertubation in either 2, 3, or 4 (in case of simplex and white noise) dimensions. License MIT + file LICENSE Encoding UTF-8 SystemRequirements C++11 LazyData true Imports Rcpp (>= 0.12.18), rlang, grDevices, graphics LinkingTo Rcpp RoxygenNote 7.1.0 URL https://ambient.data-imaginist.com, https://github.com/thomasp85/ambient BugReports https://github.com/thomasp85/ambient/issues NeedsCompilation yes Author Thomas Lin Pedersen [cre, aut] (<https://orcid.org/0000-0002-5147-4711>), Jordan Peck [aut] (Developer of FastNoise) Repository CRAN Date/Publication 2020-03-21 17:50:12 UTC 1 2 ambient-package R topics documented: ambient-package . .2 billow . .3 clamped . .4 curl_noise . .4 fbm .............................................6 fracture . .7 gen_checkerboard . .8 gen_spheres . .9 gen_waves . 10 gradient_noise . 11 long_grid . 12 modifications . 13 noise_cubic . 14 noise_perlin . 15 noise_simplex . 17 noise_value . 19 noise_white . 20 noise_worley . 21 ridged . 24 trans_affine . 25 Index 27 ambient-package ambient: A Generator of Multidimensional Noise Description Generation of natural looking noise has many application within simulation, procedural generation, and art, to name a few. The ’ambient’ package provides an interface to the ’FastNoise’ C++ library and allows for efficient generation of perlin, simplex, worley, cubic, value, and white noise with optional pertubation in either 2, 3, or 4 (in case of simplex and white noise) dimensions.