Notes on Mexican Women Then and Now1
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The Impact of the Mexican Revolution on Spanish in the United States∗
The impact of the Mexican Revolution on Spanish in the United States∗ John M. Lipski The Pennsylvania State University My charge today is to speak of the impact of the Mexican Revolution on Spanish in the United States. While I have spent more than forty years listening to, studying, and analyzing the Spanish language as used in the United States, I readily confess that the Mexican Revolution was not foremost in my thoughts for many of those years. My life has not been totally without revolutionary influence, however, since in my previous job, at the University of New Mexico, our department had revised its bylaws to reflect the principles of sufragio universal y no reelección. When I began to reflect on the full impact of the Mexican Revolution on U. S. Spanish, I immediately thought of the shelf-worn but not totally irrelevant joke about the student who prepared for his biology test by learning everything there was to know about frogs, one of the major topics of the chapter. When the day of the exam arrived, he discovered to his chagrin that the essay topic was about sharks. Deftly turning lemons into lemonade, he began his response: “Sharks are curious and important aquatic creatures bearing many resemblances to frogs, which have the following characteristics ...”, which he then proceeded to name. The joke doesn’t mention what grade he received for his effort. For the next few minutes I will attempt a similar maneuver, making abundant use of what I think I already know, hoping that you don’t notice what I know that I don’t know, and trying to get a passing grade at the end of the day. -
The Mexican Revolution.Pdf
The Mexican Revolution How did Mexico achieve its independence? • Mexico achieved its independence from Spain in 1821 – Achieved with the help of men like Padre Morelos • Developed a constitution in 1824 similar to the US What problems did the new Mexican nation face? • Serious problems: – Issues with the Catholic Church – Issues over class / wealth – No experience with democracy – Issues with the US (“the Colossus of the North”) • Mexico also lacked a strong / honest leader Mexico’s Long Dictator History Mexico’s Issues with the Catholic Church Mexico’s Long History of the Poor General Antonio Lopez de Santa Anna Issues with Texas The Texas War for Independence The Alamo The Mexican War Los Niños Héroes Santa Anna’s Leg How did the wars with Texas and the United States effect Mexico? • The wars with Texas and the US caused much turmoil in the Mexican government – Constant disputes for power / revolts • Issues between the rich, poor, and the Church added to the chaos Who was Benito Juarez? • Benito Juarez was a reformer president – 1806-1872 • Background: – Born into a poor Indian family – Lawyer / Judge – Former governor • Wanted to help reform Mexico for the better How did Juarez reform Mexico for the better? • Juarez introduced a reform movement called “La Reforma” – Less power for the Church – Land reform for the poor – More education • Juarez’s political enemies rebelled – Civil war / foreign intervention (Europe) The Mexican War of Reform (1857-1861) French Intervention in the War / Conquest (1861-67) Mexican Emperor Maximilien Emperor -
Emily Edmonds-Poli and David A. Shirk 2009- Contemporary Mexican Politics
CONTEMPORARY MEXICAN POLITICS EMILY EDMONDS-POLI and DAVID A. SHIRK ContempMexPolPBK.indd 1 10/16/08 12:23:29 PM #/.4%-0/2!29 -%8)#!.0/,)4)#3 CONTEMPORARY MEXIC AN POLITICS Emily Edmonds-Poli and David A. Shirk ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Plymouth, UK ROWMAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Rowman & Littlefield Publishers, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Edmonds, Emily. Contemporary Mexican politics / Emily Edmonds-Poli and David A. Shirk. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-7425-4048-4 (cloth : alk. paper) ISBN-10: 0-7425-4048-0 (cloth : alk. paper) ISBN-13: 978-0-7425-4049-1 (pbk. : alk. paper) ISBN-10: 0-7425-4049-9 (pbk. : alk. paper) 1. Mexico--Politics and government--2000- I. Shirk, David A., 1971- II. Title. F1236.7.E36 2009 320.972--dc22 2008031594 Printed in the United States of America ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
University of California, San Diego
UC San Diego UC San Diego Electronic Theses and Dissertations Title The Mining Life : : A Transnational History of Race and Family in the U.S.-Mexico Borderlands, 1890-1965 Permalink https://escholarship.org/uc/item/6pz445h3 Author Maiorana, Juliette Charlie Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Mining Life: A Transnational History of Race and Family in the U.S.-Mexico Borderlands, 1890-1965 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Juliette Charlie Maiorana Committee in charge: Professor Rebecca Plant, Chair Professor G. Mark Hendrickson Professor Pamela Radcliff Professor Paul Spickard Professor Shelley Streeby 2013 Copyright Juliette Charlie Maiorana, 2013 All rights reserved. The Dissertation of Juliette Charlie Maiorana is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2013 iii Dedication This work is dedicated to my momma—Lucinda Miriam González, Heinrichs, Spalding, -
Hermila Galindo. Sol De Libertad
Hermila Galindo. Sol de libertad Rosa María Valles Ruiz GERNIKA Esta obra editorial se sometió a dictamen arbitral por especialistas en el área, bajo la modalidad doble ciego. ©D.R. Hermila Galindo. Sol de libertad Rosa María Valles Ruiz ©D.R. Ediciones Gernika, S.A. Latacunga No. 801 Col. Lindavista 07300 México, D.F. % yFax:55865262y55868324 e-mail: [email protected] ISBN: 978-607-9083-79-3 Segunda edición, revisada y aumentada, 2015 Cuidado de la edición Ma. de los Ángeles González Callado Diseño gráfico Ofelia Fandiño Ugalde Diseño de la portada Fernando Ramos González Impreso y encuadernado en México Printed and bound in Mexico A Luis Echeverría Álvarez, expresidente de México, por su amistad auténtica al propiciar mi encuentro con Alfonso Ballesteros Topete, nieto de Hermila Galindo Acosta. Al ingeniero Emiliano Hernández Camargo, queridísimo amigo, autor del prólogo de esta segunda edición, quien despertó en mí el interés por profundizar en la apasionante y seductora vida de Hermila Galindo Acosta. Al ingeniero Maximiliano Silerio Díaz, Coordinador Operativo del Comité de conmemoraciones del 450 aniversario de la ciudad de Durango, por su colaboración para la segunda edición de este libro. A la Dra. Fátima del Rosario González Huízar, directora del Instituto Estatal de la mujer Duranguense, por su colaboración para la segunda edición de este libro. A la Mtra. Ma. de los Ángeles González Callado, por la inteligencia, talento y creatividad que imprimió a esta edición. Agradecimientos Al Comité de Festejos del 450 Aniversario de la Ciudad de Durango, por su apertura hacia el trabajo intelectual y la difusión de la historia de Hermila Galindo. -
The Mexican Revolution and the Relevant Present Anton Schulzki – William J
The Mexican Revolution and the Relevant Present Anton Schulzki – William J. Palmer High School, Colorado Springs Objectives for the day Attendees will examine the relationship between the United States and Mexico Attendees will discuss the historical impact of the Mexican Revolution on Mexico and the relationship between the United States Attendees will develop techniques for using relevant connections in class What is the connection between these two individuals? What is the connection between these two events? United States troops at the U.S.- Remains of Columbus New Mexican border 2018 Mexico after Villa raid 1916 Mexican Revolution K-N-L What do you Know What do you Need to know (what do you want to know) What have you Learned “So close to the United States, so far from God” – Porfirio Diaz Revolution was the single greatest political, social and cultural event in the 20th century 1million to 1.5 million died as a result (total population of approx.. 15 million) 300,000 to 450,000 emigrated to the United States from 1910-1930 United States invaded/attacked/intervened in the Mexican Revolution at least three different times – including the 1916-1917 Punitive Expedition Constitution of 1917 seen as a model for constitutions written in Latin America in the 20th century – including Cuban Led to a development of Mexican cultural expressions including muralists and corridos Popular vision of the Mexican Revolution How I approach the Mexican Revolution A topic of study for the International Baccalaureate program Entire unit -
Women in Progress and the Power of Patriarchy: a Transnational Comparison Of, Japan, Mexico, and Britain
Copyright By Alyson Lindsey Moss 2019 Women in Progress and the Power of Patriarchy: A Transnational Comparison of, Japan, Mexico, and Britain By Alyson Lindsey Moss A Thesis Submitted to the Department of California State University Bakersfield In Partial Fulfillment for the Degree of Master of Arts in History 2019 Committee Members: Dr. Marie Stango Dr. Cliona Murphy Dr. Christopher Tang Women in Progress and the Power of Patriarchy: A Transnational Comparison of Japan, Mexico, and Britain By Alyson Lindsey Moss This thesis has been accepted on behalf of the Department of History by their supervisory committee: C~;tshrist ACKNOWLEDGEMENTS This project - this tim e consuming, mentally arduous, and three country com parative project - would not have been possible without the support of many wonderful people. If I sound verbose, it is because I have much to say about all those who have helped me write, think, revise, and relax in moments of need. First, to my partner in life and in love, Jeffrey Newby - who read numerous drafts and revisions, and whose own st udying was interrupted with questions from me trying to make sense in my tim es of disorder: thank you, my love. To Dr. Marie Stango, who read each chapter as I finished, and set tim e aside to help me conceptualize terms, comparisons, and context: thank you so much for helping me each step of the way; I could not have continued without your guidance and encour agement. And thank you for challenging m e to do m ore – I have grown so much because of you. -
The Start of the 20Th Century: Mexico As Metaphor of Latin America
Convenit Internacional 17 jan-abr 2015 Cemoroc-Feusp / IJI - Univ. do Porto The Start of the 20th Century: Mexico as Metaphor of Latin America Areli González1 California State University-Fullerton Resumen: Este artículo explora la identidad utópica de México en 1920, por medio de la reproducción de arte, de dos escritores mexicanos, Octavio Paz y Juan Rulfo. Se argumenta en este ensayo que México es el vocero de América Latina en términos políticos, movimientos sociales, y económicos. Lo que sucedería en México durante los años de 1920 es la creación de una nación utópica que más adelante se transformaría en la experiencia de América Latina; y por medio de esta creación ilusoria de un lugar perfecto se refleja en el arte las discrepancias de esta creación. Muestra al lector una visión de México y su utopía. Palabras Clave: México; utopía; arte; Juan Rulfo; Octavio Paz. Abstract: This article explores the utopian identity of Mexico in the 1920s through the reproduction of the arts by Octavio Paz and Juan Rulfo. It is argued that Mexico is the spokesperson of Latin America in terms of politics, social movements, and economy. What happened in Mexico during the 1920s as the creation of a utopic nation was later experienced in other Latin American countries in years to come. Through this creation of a fanciful, perfect place, the artwork reflects the discrepancies of the same, and shows to the viewer that Mexico was and still is a utopia. Keywords: Mexico, Utopia, Art, Juan Rulfo, Octavio Paz. Yo vengo a hablar por vuestra boca muerta. A través -
Legacies of the Mexican Revolution” a Video Interview with Professor Aurora Gómez-Galvarriato
DISCUSSION GUIDE FOR “LEGACIES OF THE MEXICAN REVOLUTION” a video interview with Professor Aurora Gómez-Galvarriato Organizing • What were the immediate and long-term legacies of the Mexican Questions Revolution within Mexico? • What legacies of the Mexican Revolution were intended from its outset? Which were achieved and which were not achieved? Summary Aurora Gómez-Galvarriato is a Professor of Historical Studies at Colegio de México. In this 18-minute video, Professor Gómez-Galvarriato discusses how perceptions of the legacies of the Mexican Revolution have changed over time. She talks about the immediate legacies of the Revolution, intended outcomes that did not materialize, and the legacies that have persisted until today. Objectives During and after viewing this video, students will: • identify the immediate and long-term consequences of the Mexican Revolution; • discuss to what extent the goals of the original revolutionaries were achieved by the end of the Mexican Revolution; and • evaluate whether the benefits of the Mexican Revolution justified the costs. Materials Handout 1, Overview of the Mexican Revolution, pp. 5–10, 30 copies Handout 2, Video Notes, pp. 11–13, 30 copies “LEGACIES OF THE MEXICAN REVOLUTION” DISCUSSION GUIDE 1 introduction Handout 3, Perspectives on the Legacies of the Mexican Revolution, p. 14, 30 copies Handout 4, Synthesis of Perspectives, pp. 15–16, 30 copies Handout 5, Assessing the Mexican Revolution’s Costs and Benefits, p. 17, 30 copies Answer Key 1, Overview of the Mexican Revolution, pp. 18–19 Answer Key 2, Video Notes, pp. 20–21 Answer Key 3, Perspectives on the Legacies of the Mexican Revolution, p. -
Soldaderas and the Staging of the Mexican Revolution 1
Soldaderas and the Staging of the Mexican Revolution 1 Alicia Arrizón Si Adelita se fuera con otro la seguiría por tierra y por mar. Si por mar en un buque de guerra Si por tierra en un tren militar. Adelita, por Dios te lo ruego, calma el fuego de esta mi pasión, porque te amo y te quiero rendido y por ti sufre mi fiel corazón. 2 If Adelita should go with another I would follow her over land and sea. If by sea in a battleship If by land on a military train. Adelita, for God’s sake I beg you, calm the fire of my passion, because I love you and I cannot resist it and my faithful heart suffers for you. 3 “La Adelita” was one of the most popular songs of the Mexican Revolution (1910–1920). According to some sources (see Soto 1990:44), this ballad was originally inspired by a Durangan woman who had joined the Maderista movement4 at an early age. Troubadours made the song—and Adelita her- self—a popular emblem of the Revolution. As Baltasar Dromundo put it, “las guitarras de todas partes se iban haciendo eruditas en ese canto hasta que por fin la Revolución hizo de ella su verdadero emblema nacional” (guitar ists from all over were becoming experts in that song and it became the true em- blem of the Revolution) ( 1936:40). Significantly, Adelita’s surname, as well as the family names of many other soldaderas (soldier-women), remained virtually unknown. However, the popular songs composed in honor of these women contributed enormously to their fame and to documenting their role in the Revolution. -
Copy of Five Artists of the Mexican Revolution
Five Artists of the Mexican Revolution How were artists influenced by the events of the Mexican Revolution? Grades 9-12 Lesson: Five Artists of the Mexican Revolution Grade Band: 9-12 Arts Subject: Visual Arts Other Subject: Language Studies, History SUMMARY In this 9-12 lesson, students will create original artwork demonstrating the style of an early 20th-century artist of the Mexican Revolution. They will research how art was influenced or created in response to major events, artists, and personalities of the Mexican Revolution. PREPARATION Learning Objectives Students will: ● Research and gather information about the Mexican Revolution, including prominent revolutionary figures and artists. ● Analyze the style and recurring themes of Mexican artists. ● Create artwork using contemporary events and the style of one of the artists studied. ● Describe connections between how the artists were influenced by Mexico’s history, political figures, and influence on original artwork. Recommended Materials Editable Documents: Before sharing these resources with students, you must first save them to your Google account by opening them, and selecting “Make a copy” from the File menu. ● Slide: Mexican Artists ● Brief Synopsis: History of Mexico ● Inquiry Project: Mexican Revolution Leaders ● Capture Sheet: Mexican Revolution Political Figures ● Slide: Mexican Revolution Timeline ● Capture Sheet: Artist Inquiry Websites ● TweenTribune ● Newsela ● PBS Teacher Background Review the Brief Synopsis: History of Mexico. Note: This lesson can be adapted for the Spanish language classroom. Lesson Connection: Five Artists of the Mexican Revolution Copyright The Kennedy Center. All rights reserved. Materials may be reproduced for educational purposes. Updated April 2021 Prerequisites Basic knowledge of the Mexican War of Independence and key vocabulary: communism, fresco, Marxism, mural, satire, surrealism, symbolism. -
The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920
Godfather of the Mexican Revolution: The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Rubalcaba, Christian Jesus. 2011. Godfather of the Mexican Revolution: The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920. Master's thesis, Harvard University, Extension School. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37367556 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Godfather of the Mexican Revolution: The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920 Christian Jesus Rubalcaba A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University March 2011 Copyright 2011 Christian Jesus Rubalcaba Abstract Most of the academic attention devoted to the Mexican Revolution (1910-1920) in recent times has focused on revolutionary leaders. Inspiration for this thesis comes from a desire to understand an important participant of the Revolution, Venustiano Carranza, whose story deserves further investigation because of his catalytic role in the ten-year conflict. This thesis poses the argument that fluctuations in the rhetoric of Carranza’s Constitutionalist campaign reflect a sense of willingness on his part to adapt strategically to new contexts; however, to show deep conviction, he always stood behind a platform that was characterized by an unwavering faith in the political doctrine of constitutionality.