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The District Messenger the District Messenger
The District Messenger THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON no. 72 19th April 1988 210, Rainsford Road, Chelmsford, Essex. CM1 2PD Tony Medawar has sent me some very expensive publicity for a very expensive series of handmade puppets, including Holmes, by Jane and Jorge of 122 Church Way, Iffley, Oxford 0X4 4EG. The figures are 70cm tall (2 foot 6?), of ceramic, wood & wool, and can be had as puppets, standing figures or automata. Prices £400 and up. A photo shows Holmes to be sensationally ugly. Catherine Cooke reminds me that Val Andrews ' SHERLOCK HOLMES 8c THE EMINENT THESPIAN (Ian Henry, £8.95) is now out, and points out that Rosalind Ashe 's LITERARY HOUSES (Dragon 's World, £8.95 or £5.95 paperback) has a guided tour of Baskerville Hall. The State Library of Victoria, Australia recently staged a Sherlock Holmes Centenary Exhibition & has published a 56 page commemorative catalogue, HOLMES AWAY FROM HOME at Aus. $8 + Aus. $6 post overseas (limited edition Aus. $75 + Aus. $10 post). I hope to review this soon. Two other books I 've not yet mentioned are M.J. Trow 's 5th Inspector Lestrade novel, LESTRADE & THE BROTHER OF DEATH (Macmillan, £9-95) and Arthur Conan Doyle 's DOCTORS: TALES FROM MEDICAL LIFE (Greenhill Books, £8.95), both now out. Vosper Arthur (Spynishlake, Doddiscombsleigh, Exeter, Devon) has 7 spare copies of the prog- ramme for SHERLOCKS LAST CASE, recently produced at the Nederlander Theater in New York, available to first claimants at £1.50 each inclusive. Good reports from both Carol Whitlam & David Stuart Davies of the 1st meeting proper of the Northern Musgraves. -
The Front Page First Opened at the Times Square Theatre on August 14, 1928, It Was Instantly Heralded As a Classic
SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP 2 DIRECTOR’S NOTES SCAVENGING FOR THE TRUTH BY GRAHAM ABBEY “Were it left to me to decide between a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.” – Thomas Jefferson, 1787 When The Front Page first opened at the Times Square Theatre on August 14, 1928, it was instantly heralded as a classic. Nearly a century later, this iconic play has retained its place as one of the great American stage comedies of all time. Its lasting legacy stands as a testament to its unique DNA: part farce, part melodrama, with a healthy dose of romance thrown into the mix, The Front Page is at once a veneration and a reproof of the gritty, seductive world of Chicago journalism, firmly embedded in the freewheeling euphoria of the Roaring Twenties. According to playwrights (and former Chicago reporters) Charles MacArthur and Ben Hecht, the play allegedly found its genesis in two real-life events: a practical joke carried out on MacArthur as he was heading west on a train with his fiancée, and the escape and disappearance of the notorious gangster “Terrible” Tommy consuming the conflicted heart of a city O’Conner four days before his scheduled caught in the momentum of progress while execution at the Cook County Jail. celebrating the underdogs who were lost in its wake. O’Conner’s escape proved to be a seminal moment in the history of a city struggling Chicago’s metamorphosis through the to find its identity amidst the social, cultural “twisted twenties” is a paradox in and of and industrial renaissance of the 1920s. -
Torrance Press
Paqe B-8 THE PRESS Sund«y, February 26, Tele-Visions 'Bqchner Real Lover in 'Hong Kong' BY THORTON KANE Channel 9 to HOW COME9 Why don't we sec anything new and dif-j KABC's Englishman fcrcnt on TV? As a disgruntled viewer who has asked that 1 question about twice a v/eek for the past five or six years,! %vt were forced to accept a flat answer last week. That an Wows Tract Wives swer is in the three-month ratings published by all the KM.)-TV viewers will get B\ JOHN BARRY national rating services. double opportunity to Press TV Editor "Candid Camera" is the hit of the season, with rating^, watch the newest Los Ange .This is not one of those "he was born here, went to school at such and such hovering around the ?>1% mark for nearly every show., les entry into the a place, etc." pieces so prevalent profession in television magazines today. It's rather H story inspired by Another newcomer that has gone over the top is "The Andyi al ranks the Griffith Show." We mean no discredit to these shows 1 Los Angeles the person who shares my name in a tract, house in suburbia both ere excellent entertainment. : Angels on Saturday, March Los Angeles. When "Hong Kong" (.Channel 7's attempt to 111. buck the highly rated- * """ - -- ---- What is signiifcant is that "Candid Camera" is one of, the first shows ever seen on TV and dates back to the ! KH.I-TV. which wMI tele "Wagon Train" series on! for fear the smokey haze in earliest days of the industry. -
Language and the Internet
This page intentionally left blank Language and the Internet David Crystal investigates the nature of the impact which the Internet is making on language. There is already a widespread popular mythology that the Internet is going to be bad for the future of language – that technospeak will rule, standards be lost, and creativity diminished as globalization imposes sameness. The argument of this book is the reverse: that the Internet is in fact enabling a dramatic expansion to take place in the range and variety of language, and is providing unprecedented opportunities for personal creativity. The Internet has now been around long enough for us to ‘take a view’ about the way in which it is being shaped by and is shaping language and languages, and there is no one better placed than David Crystal to take that view. His book is written to be accessible to anyone who has used the Internet and who has an interest in language issues. DAVID CRYSTAL is one of the world’s foremost authorities on language, and as editor of the Cambridge Encyclopedia database he has used the Internet for research purposes from its earliest manifestations. His work for a high technology company involved him in the development of an information classification system with several Internet applications, and he has extensive professional experience of Web issues. Professor Crystal is author of the hugely successful Cambridge Encyclopedia of Language (1987; second edition 1997), Cambridge Encyclopedia of the English Language (1995), English as a Global Language (1997), and Language Death (2000). An internationally renowned writer, journal editor, lecturer and broadcaster, he received an OBE in 1995 for his services to the English language. -
Colm Feore Essais Et Bonheurs Marie-Claude Fortin
Document generated on 09/28/2021 4:56 a.m. Entre les lignes Le magazine sur le plaisir de lire au Québec Colm Feore Essais et bonheurs Marie-Claude Fortin Traduire Volume 5, Number 2, Winter 2009 URI: https://id.erudit.org/iderudit/682ac See table of contents Publisher(s) Les éditions Entre les lignes ISSN 1710-8004 (print) 1923-211X (digital) Explore this journal Cite this article Fortin, M.-C. (2009). Colm Feore : essais et bonheurs. Entre les lignes, 5(2), 14–17. Tous droits réservés © Les éditions Entre les lignes, 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ENTRE LES LIGNES Colm Feore Essais et bonheurs Il a incarné tour à tour, et toujours avec autant de talent, Glenn Gould, Pierre Elliott Trudeau, Macbeth et le stoïque Martin Ward, le «bon» de Bon Cop, Bad Cop. L'été prochain, à Stratford, Ontario, où il habite, il jouera Cyrano de Bergerac dans une production dirigée par son épouse, Donna Feore. Entre deux épisodes du tournage de la série « 24 », à L.A., et le tour nage à Montréal du film The Trotsky, de Jacos Tierney, Colm Feore nous parle des livres de sa vie. -
Cinematic Hamlet Arose from Two Convictions
INTRODUCTION Cinematic Hamlet arose from two convictions. The first was a belief, confirmed by the responses of hundreds of university students with whom I have studied the films, that theHamlet s of Lau- rence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda are remarkably success- ful films.1 Numerous filmHamlet s have been made using Shakespeare’s language, but only the four included in this book represent for me out- standing successes. One might admire the fine acting of Nicol Williamson in Tony Richard- son’s 1969 production, or the creative use of ex- treme close-ups of Ian McKellen in Peter Wood’s Hallmark Hall of Fame television production of 1 Introduction 1971, but only four English-language films have thoroughly transformed Shakespeare’s theatrical text into truly effective moving pictures. All four succeed as popularizing treatments accessible to what Olivier’s collabora- tor Alan Dent called “un-Shakespeare-minded audiences.”2 They succeed as highly intelligent and original interpretations of the play capable of delight- ing any audience. Most of all, they are innovative and eloquent translations from the Elizabethan dramatic to the modern cinematic medium. It is clear that these directors have approached adapting Hamlet much as actors have long approached playing the title role, as the ultimate challenge that allows, as Almereyda observes, one’s “reflexes as a film-maker” to be “tested, battered and bettered.”3 An essential factor in the success of the films after Olivier’s is the chal- lenge of tradition. The three films that followed the groundbreaking 1948 version are what a scholar of film remakes labels “true remakes”: works that pay respectful tribute to their predecessors while laboring to surpass them.4 As each has acknowledged explicitly and as my analyses demonstrate, the three later filmmakers self-consciously defined their places in a vigorously evolving tradition of Hamlet films. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Corner Gas: the Movie
TABLE OF CONTENTS 3 ABOUT CORNER GAS: THE MOVIE 4 SHORT SYNOPSIS 5 CORNER GAS: THE LEGACY 8 Q&A: ON-SET WITH THE CAST AND PRODUCERS 14 CORNER GAS: THE MOVIE: FUN FACTS 18 CHARACTER DESCRIPTIONS 20 CAST BIOGRAPHIES 35 CREATIVE TEAM BIOGRAPHIES 41 ABOUT THE FUNDERS CORNER GAS: THE MOVIE 3 ABOUT CORNER GAS: THE MOVIE Just as it did when it began more than 10 years ago, the smash hit Canadian television franchise CORNER GAS continues to blaze new trails. Corner Gas: The Movie, a 90-minute feature film, is being distributed on multiple screens across Canada this holiday season. Beginning with an exclusive Cineplex Front Row Centre Events theatrical debut for five days only, the film is in select Cineplex and independent theatres across the country from Dec. 3 to 7, 2014. Tickets are on sale now at cornergasthemovie. com, or check local theatre listings. Following its theatrical release, Corner Gas: The Movie makes its super- simulcast network premiere on Wednesday, Dec. 17 at 8 p.m. ET/PT on CTV, CTV Two, and CTV GO. The movie debuts Monday, Dec. 22 at 8 p.m.ET/PT on The Comedy Network and a special sneak peek airs on The Movie Network Monday, Dec. 8 at 9 p.m. ET in advance of its CTV premiere. Corner Gas: The Movie will also be the first Canadian program to receive a first-look screening on Bell Media’s CraveTV when the premium subscription TV streaming service launches Thursday, Dec. 11. Headlined by creator and comedian Brent Butt, Corner Gas: The Movie stars the original award-winning ensemble cast including Gabrielle Miller, Eric Peterson, Fred Ewanuick, Janet Wright, Lorne Cardinal, Tara Spencer-Nairn, and Nancy Robertson. -
Uvisno "Acting Is Handed on from Actor to Actor
Inaide the Stratford Festival uviSNO "Acting is handed on from actor to actor. It's the only way to do it... from observing the people who came before you. That is really the way theatre goes" In OFFSTAGE ONSTAGE: Inside the Stratford Festival, Stratford cameras go backstage during an entire season to capture the creative spirit at the heart of a treasured Canadian theatre company. For five decades, the Festival's stage has been home to the world's great plays and performers. Award-winning director John N. Smith (The Boys of St. Vincent), given unprecedented access backstage, offers a fascinating look at the personalities and the production process behind live theatre performance. Peek into William Hutt's dressing room as he does his vocal warm-ups before Twelfth Night. Watch Martha Henry command the stage in Who's Afraid of Virginia Woolf? Observe an up-and-coming generation of young performers who learn from the masters. Meet dozens of artists, craftspeople and technicians who reveal their secrets, from shoemaking, sword fighting and sound effects to makeup and mechanical monkeys. Join us behind the scenes of Canada's premier classical theatre institution ... and discover the love for the stage that drives this artistic company. Resource guide on reverse side, DIRECTOR: John N. Smith PRODUCER: Gerry Flahive 83 minutes Order number: C9102 042 Closed captioned. A decoder is required. TO ORDER NFB VIDEOS, CALL TODAY! -800-267-7710 (Canada) 1-800-542-2164 (USA) © 2002 National Film Board of Canada. A licence is required for any reproduction, television broadcast, sale, rental or public screening. -
Reimagining a Midsummer Night's Dream
TABLE OF CONTENTS Preface 1 Art That Lives 2 Bard’s Bio 2 The First Folio 3 Shakespeare’s England 4 The Renaissance Theater 5 Barbara Gaines Criss Henderson Courtyard-style Theater 6 Artistic Director Executive Director On the Road: A Brief History of Touring Shakespeare 8 Timeline 10 Chicago Shakespeare Theater is Chicago’s professional theater dedi- cated to the works of William Shakespeare. Founded as Shakespeare Shakespeare’s Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style courtyard theater, 500 seats on three A Midsummer Night's Dream levels wrap around a deep thrust stage—with only nine rows separating the farthest seat from the stage. Chicago Shakespeare also features a Dramatis Personae 12 flexible 180-seat black box studio theater, a Teacher Resource Center, and The Story 13 Who's Who: What's in a Name? 13 a Shakespeare specialty bookstall. Act-by-Act Synopsis 14 Now in its twenty-seventh season, the Theater has produced nearly the en- Something Borrowed, Something New… tire Shakespeare canon: All’s Well That Ends Well, Antony and Cleopa- Shakespeare's Sources 15 tra, As You Like It, The Comedy of Errors, Cymbeline, Hamlet, Henry The Nature of Comedy 17 IV Parts 1 and 2, Henry V, Henry VI Parts 1, 2 and 3, Henry VIII, Julius A History of Dreams 18 Caesar, King John, King Lear, Love’s Labor’s Lost, Macbeth, Measure Scholars’ Perspectives for Measure, The Merchant of Venice, The Merry Wives of Windsor, A Midsummer Night’s Dream, Much Ado About Nothing, Othello, Pericles, Spirits of Another Sort 20 Richard II, Richard III, Romeo and Juliet, The Taming of the Shrew, The What the Critics Say 21 Tempest, Timon of Athens, Troilus and Cressida, Twelfth Night, The Two Gentlemen of Verona, The Two Noble Kinsmen, and The Winter’s Tale. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.