DOCSLIB.ORG

Building an Internet Radio System with Interdisciplinary Factored System for Automatic Content Recommendation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Building an Internet Radio System with Interdisciplinary Factored System for Automatic Content Recommendation Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. 1 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. Krzysztof Wołk was supported by the European Community from the European Social Fund within the Interkadra project UDA-POKL-04.01.01-00-014/10-00. 5 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. Table of Contents GLOSSARY ........................................................................................................ 10 PURPOSE OF STUDY ....................................................................................... 14 INTRODUCTION ............................................................................................... 17 Chapter 1. History and operation of radio ........................................................... 21 1.1. A brief history of radio around the world ............................................... 23 1.2. History of Internet Radio .......................................................................... 30 1.3. Technical Prerequisites to Internet Radio ................................................. 36 1.4. Classical Radio vs. Internet Radio ............................................................ 39 Chapter 2. Internet Radio Today ......................................................................... 42 2.1. Characteristics of formats and software needed to listen to Internet radio .......................................................................................................................... 42 2.1.1. Characteristics of Internet radio formats ............................................ 43 2.1.2. Features of available software ............................................................ 45 2.1.3. Podcasting ........................................................................................... 47 2.2. Economic conditions and financial model for Internet radio ................... 50 2.3. Legal aspects of Internet Radio ................................................................. 55 Chapter 3. Internet radio in Poland and around the world .................................. 59 3.1. Characteristics of selected global markets ................................................ 59 3.1.1. USA .....................................................................................................60 3.1.2. Great Britain ........................................................................................ 62 3.1.3. Sweden ................................................................................................ 63 6 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. 3.1.4. Germany .............................................................................................. 65 3.2. Internet Radio in Poland............................................................................ 66 3.2.1. Major broadcasters in Poland.............................................................. 70 3.2.2. Radio and ZAIKS................................................................................ 72 3.3. Overview of popular commercial products ............................................... 75 Chapter 4. Radio, listeners and advertising ......................................................... 81 4.1. Targeting and selection of traditional radio advertising ........................... 82 4.1.1. Personalizing the schedule to the needs of listeners ........................... 82 4.1.2. Classification of the major Polish radio. ............................................. 84 4.2. Communication between listener and radio .............................................. 87 4.3. Classification of the products genres ........................................................ 89 4.3.1. The main musical genres and trends ................................................... 91 4.3.2. Music and Marketing .......................................................................... 92 4.3.4. Survey ................................................................................................. 98 Chapter 5. The technical aspects of radio ......................................................... 109 5.1. Transmission technologies ...................................................................... 110 5.1.1. UNICAST ......................................................................................... 110 5.1.2. MULTICAST .................................................................................... 112 5.1.3. SHOUTCAST TECHNOLOGY DESCRIPTION ........................... 114 5.1.4. PODCASTING ................................................................................. 117 5.2. Compression and the quality of program ................................................ 120 5.3. Improving the quality of the recordings ..................................................124 7 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. 5.4. Network Requirements............................................................................ 125 Chapter 6. Implementation of radio .................................................................. 127 6.1. BASS library ........................................................................................... 127 6.2. .NET Technologies ................................................................................. 131 6.2.1. C# ...................................................................................................... 131 6.2.2. SilverLight ........................................................................................ 134 6.2.3. MONO............................................................................................... 136 6.2.4. MoonLight ........................................................................................ 137 6.3. Additional software ................................................................................. 138 6.3.1. Microsoft Speech API (SAPI) .......................................................... 138 6.3.2. Voices ................................................................................................ 139 6.4. Concept and Development ...................................................................... 139 6.5. The use of a synthesizer on the radio ...................................................... 142 6.6. Installation of application ........................................................................ 144 6.7. Use and familiarization with the interface .............................................. 145 6.8. The structure of the code and implementation ........................................ 155 6.9. Tests ........................................................................................................ 168 6.9.1. Performance tests .............................................................................. 169 6.9.2. Reliability tests .................................................................................. 172 6.9.3. Approximation of hardware requirements ........................................ 172 SUMMARY ...................................................................................................... 174 TABLE OF FIGURES ...................................................................................... 176 8 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. LIST OF TABLES ............................................................................................ 177 REFERENCES .................................................................................................. 178 9 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. GLOSSARY 4G –fourthgenerationmobilecellbasedonthetransmissionofdatawithIP protocol, which uses LTE and WiMAX technology. AAC (Advanced Audio Coding) –asound compression algorithm designed as the successor to MP3. AM (Amplitude Modulation) –atypeofmodulationthatencodesinstantaneous signal amplitude changes, where the output signal is a narrowband signal suitable for transmission, for example, via radio. Broadcasting –atypeoftransmissionthatsendsdataviaasingleportpackets, which can be received by any other ports connected to network. DAB (Digital Audio Broadcasting) –alanddigitalradiotechnologythat enables the transmission of multiple signals in stereo high quality, enabling transmission and reception of radio programs in digital form. DNAS (Distributed Network Audio Server) –aserverthatenablesscattered transmission of audio data using SHOUTcast technology. DRM (Digital Rights Management) –asystemallowingelectronicaccess control of digital data rights. FM (Frequency Modulation) –the modulation of the carrier with temporary changes in the frequency that enables thereceivertofilteroutmorenoisethanin the AM. 10 Building an Internet Radio System with Interdisciplinary factored system for automatic content recommendation. GNU General Public License–alicenseusedforopenandfreesoftware. HSPA (High Speed Packet Access) – awirelessstandardknownas3G broadband, widely used in mobile phones. Hyper-V –software created Microsoft that is used to create virtual machines and is available in a free version and built-in Windows Server systems in a series of 2008 and newer. IWA (International Webcasting Association)
Load more

Recommended publications
  • Rynek Radiowy W Województwach
    Udział w czasie słuchania i wielkość audytorium programów radiowych w podziale na województwa październik-grudzień 2015 Analiza i opracowanie Monika Trochimczuk Departament Monitoringu Warszawa 2016 Nota metodologiczna Informację sporządzono na podstawie badania audytorium radia Radio Track Millward Brown przeprowadzonego na reprezentatywnej grupie osób w wieku 15-75 lat, w czwartym kwartale 2015 r. W prezentowanych zestawieniach zostały uwzględnione programy radiowe, których udział w czasie słuchania na terenie danego województwa wyniósł co najmniej 0,4%. Wyniki zostały porównane z poprzednim kwartałem, przy czym pod uwagę wzięto tylko te zmiany wskaźników słuchalności, które są znaczące statystycznie. Przy każdym województwie została odnotowana wielkość populacji oraz wielkość badanej próby (im mniejsza próba, tym większy błąd statystyczny). W analizie wykorzystano wskaźniki: Udział w czasie słuchania programu/grupy programów (w województwie): Całkowity czas, jaki słuchacze (z danego województwa) poświęcili na słuchanie określonego programu radiowego/grupy programów w stosunku do całkowitego czasu słuchania wszystkich objętych badaniem programów radiowych (na terenie tego województwa). Zasięg dzienny w %: Inaczej wielkość audytorium. Odsetek osób w danej populacji, które słuchały programu przynajmniej raz w ciągu dnia. Województwo dolnośląskie 1 wielkość populacji: 2 316 566; wielkość próby: 1 852 respondentów Wykres 1. Udział w czasie słuchania programów radiowych na terenie województwa dolnośląskiego w IV kwartale 2015 r. Radio RMF
    [Show full text]
  • Adding Support for Jamendo and Magnatune to Rhythmbox on Linux
    Walking in Light with Christ - Faith, Computing, Diary Articles & tips and tricks on GNU/Linux, FreeBSD, Windows, mobile phone articles, religious related texts http://www.pc-freak.net/blog Adding support for Jamendo and Magnatune to Rhythmbox on Linux Author : admin I'm using rhythmbox to play music on my Debian Linux. Rhythmbox is a good substitute for both audacious and xmms. XMMS is already very obsolete and it often crashes because of some of it's plugins. On the other hand audacious is sometimes having problems on my notebook working with it's alsa plugin or pulseaudio especially if I play something in youtube. With audacious my songs sometimes got stucked for some weird reason. With rhythmbox I have never experienced this kind of issues. Considering the fact that I'm a GNOME user rhythmbox is even more attractive for me. During about 2 years ago I've heard about the Jamendo - community of free, legal and unlimited music published under the Creative Commons licenses. Just about 10 months ago I've also discovered magnatune which is also a radio which allows free listening online of it's whole online catalogue. That's why it was really interesting for me to have this two nice music streaming services directly into my rhythmbox. I was very happy to discover that already a plugin that embeds the Jamendo and Magnatune Support to the Rhytmbox program. To enable Rhythmbox to support Magnatune and Jamendo type in your root terminal: debian:~# apt-get install gmpc-plugins gmpc-plugins-dbg debian:~# apt-get rhythmbox-plugins It's very likely that the rhythmbox-plugins might be already installed on your Linux, anyways I put the command above just in case if for some reason it's not installed.
    [Show full text]
  • The Behringer PODCAST & RECORDING
    PODCAST & RECORDING QUICK-START GUIDE Welcome to the Behringer PODCAST & RECORDING quick-start guide Thank you for choosing one of our podcast-capable recording products. This top-notch hardware bundle lets you creatively produce professional-sounding podcasts, voice-over sessions, narration, and music projects for online distribution. If you’re a vlogger, you’ll have a superb pack of equipment to dramatically enhance the audio quality of your videos compared to the built-in camera microphone, giving your broadcasts a more professional appeal. Move up to the next step in the evolution of broadcasting and free yourself from the limitations of conventional communication. Podcasting Basics Before you get started, it is important to understand some of the terminology and uses surrounding the emerging field of podcasting. Podcasting is a term derived from the combination of the words “iPod” and “broadcasting,” and is defined as the distribution of audio or video files, such as radio programs or music clips, over the Internet. This is accomplished by using one of two syndication techniques that allow users to access media on such portable media devices as smart phones, tablets, MP3 players, and laptop computers. RSS (Really Simple Syndication) and Atom are Web content syndication formats written in XML that provide either podcast content or summaries that link to content and additional file information. Podcast is a feed of audio or video files placed on the Internet for public access. Anyone can subscribe to the feed and download the media files. This allows you to collect programs from a wide range of sources for listening or viewing media content, either online or offline with your computer or an appropriate portable device.
    [Show full text]
  • Ubuntu Kung Fu
    Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC.
    [Show full text]
  • Digital Audio Broadcasting : Principles and Applications of Digital Radio
    Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Digital Audio Broadcasting Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Copyright ß 2003 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (þ44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (þ44) 1243 770571. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the Publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.
    [Show full text]
  • Agency and Exchange: an Ethnography of a Heroin Marketplace
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by espace@Curtin Faculty of Health Sciences National Drug Research Institute Agency and exchange: an ethnography of a heroin marketplace Robyn Dwyer This thesis is presented for the Degree of Doctor of Philosophy of Curtin University of Technology May 2009 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: …………………………………………. Date: ………………………... Abstract This thesis is concerned with the exchange of heroin in localised, street-based marketplaces. Commercial exchange of heroin in such sites has been a characteristic of the Australian heroin scene since the early 1990s. Although some qualitative investigations have been undertaken, the dominant approach to understanding these sites in Australia has been quantitative (primarily epidemiological and criminological). These efforts largely adopt a narrow and under-developed conception of ‘markets’ and much of this work adopts a narrow and circumscribed conception of the subjects who act within these sites. In contrast, this thesis is positioned within a long tradition of ethnographic accounts of drug users as active agents and of drug markets as embedded in particular social, cultural and economic contexts. In this thesis, I explore two related questions: 1) what are the social relations and processes constituting street-based drug markets, and 2) how do participants in these street-based drug markets express agency, given that, in public and research discourses, they are often understood and depicted either as lacking agency or as expressing agency only through profit-seeking, criminality or both.
    [Show full text]
  • Podcasting the Do-It-Yourself Guide 01 597787 Ffirs.Qxd 5/11/05 6:23 PM Page Ii 01 597787 Ffirs.Qxd 5/11/05 6:23 PM Page Iii
    01_597787 ffirs.qxd 5/11/05 6:23 PM Page i Podcasting The Do-It-Yourself Guide 01_597787 ffirs.qxd 5/11/05 6:23 PM Page ii 01_597787 ffirs.qxd 5/11/05 6:23 PM Page iii Podcasting The Do-It-Yourself Guide Todd Cochrane 01_597787 ffirs.qxd 5/11/05 6:23 PM Page iv Podcasting: The Do-It-Yourself Guide Published by Wiley Publishing, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com Copyright © 2005 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN-13: 978-0-7645-9778-7 ISBN-10: 0-7645-9778-7 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 1B/SX/QV/QV/IN No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE.
    [Show full text]
  • Sonos Connect:Amp
    SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products.
    [Show full text]
  • WIELKOPOLSKA - Słuchalność, Stacje Ogólnopolskie I Lokalne
    Badanie: Radio Track strona 1 z 2 Wykonał: Przemek Modliński 2015-09-03 MillwardBrown WIELKOPOLSKA - Słuchalność, stacje ogólnopolskie i lokalne PRZYPOMINAMY UŻYTKOWNIKOM, ŻE ZGODNIE Z ZALECENIEM KBR, POSŁUGUJĄC SIĘ WYNIKAMI BADANIA NALEŻY STOSOWAĆ REGUŁY WNIOSKOWANIA STATYSTYCZNEGO. NALEŻY SPRAWDZIĆ WIELKOŚĆ PRÓBY I PRZEDZIAŁ UFNOŚCI, ABY UPEWNIĆ SIĘ CZY RÓŻNICA INTERPRETOWANA JAKO RÓŻNICA W POZIOMIE SŁUCHALNOŚCI NIE MIEŚCI SIĘ W GRANICACH BŁĘDU NA POZIOMIE UFNOŚCI 95%. Udział w Średni czasie Zasięg Zasięg czas słuchania dzienny tygodniowy słuchania (%) (min) Radio RMF FM 23,9% 30,1% 72,9% 168,02 Radio ZET 10,4% 15,5% 59,0% 141,44 Jedynka - Program 1 Polskiego Radia 10,1% 11,8% 37,0% 180,68 Trójka - Program 3 Polskiego Radia 7,0% 7,6% 30,0% 195,95 Radio ESKA (Poznań) 6,2% 8,0% 26,1% 164,46 Radio VOX FM (Poznań) / do 2013- 4,2% 4,3% 10,0% 204,22 11 Radio Eska Rock (Poznań) Radio Złote Przeboje 88,4 FM 3,5% 4,6% 20,9% 158,17 (Poznań) Polskie Radio Merkury (Poznań) 2,6% 3,9% 29,8% 137,40 Radio ZET Gold (Poznań) / do 2013- 2,2% 2,0% 13,9% 237,37 06 Radio Planeta (Poznań) Radio TOK FM 2,2% 1,9% 7,9% 241,28 Radio Maryja 1,9% 3,4% 13,0% 119,85 Radio RMF MAXXX (Poznań) 1,6% 2,1% 11,7% 157,64 Radio Plus Gniezno 1,1% 0,8% 3,5% 293,81 Radio Gniezno 1,0% 1,1% 3,9% 194,05 Radio RMF MAXXX (Konin) / do 0,9% 1,5% 7,0% 134,74 2015-05 Radio Konin Czwórka – Program 4 Polskiego 0,7% 1,1% 8,8% 147,19 Radia Radio Pogoda 103,4 FM (Poznań) / do 2015-06 Radio Blue FM 103,4 0,6% 1,0% 5,1% 132,31 (Poznań) Radio RMF Classic (sieć: 18 0,6% 2,0% 12,8% 64,79 częstotliwości)
    [Show full text]
  • Internet Radio: an Analysis of Pandora and Spotify
    Internet Radio: An Analysis of Pandora and Spotify BY Corinne Loiacono ADVISOR • Jim Bishop EDITORIAL REVIEWER • Phyllis Schumacher _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2014 Internet Radio Customizations: An Analysis of Pandora and Spotify Senior Capstone Project for Corinne Loiacono Table of Contents Acknowledgements: ..................................................................................................................................... 3 Abstract: ........................................................................................................................................................ 4 Introduction: ................................................................................................................................................. 5 Review of Literature: .................................................................................................................................... 7 An Overview of Pandora: ................................................................................................................ 7 An Overview of Spotify: ............................................................................................................... 10 Other Mediums: ............................................................................................................................. 12 A Comparison: ..............................................................................................................................
    [Show full text]
  • PLAY:5 the ULTIMATE ALL-IN-ONE LISTENING EXPERIENCE with the DEEPEST, RICHEST Hifi SOUND
    PLAY:5 THE ULTIMATE ALL-IN-ONE LISTENING EXPERIENCE WITH THE DEEPEST, RICHEST HiFi SOUND. PLAY:5 BENEFITS SONOS WIRELESS HiFi SONOS HiFi SOUND SYSTEM BENEFITS Five custom-designed speakers powered by five dedicated digital amplifiers (two tweeters, two mid-range drivers, and one subwoofer HiFi SOUND AND ROCK-SOLID WIRELESS driver) provide crystal-clear, high-quality sound. Experience your favorite music from the only wireless music system that combines warm, full-bodied HiFi sound with the most powerful STEREO PAIR FOR BIGGER SOUND solutions for delivering rock-solid wireless performance in any home. Turn two PLAY:5s into separate left and right channel speakers for big stereo sound in one room. STREAM ALL THE MUSIC ON EARTH A single app lets you play your entire music library, stream all of your favorite Music Services and tune in to more than 100,000 Internet Radio stations and podcasts. Play the same song in every room, in perfect sync—or play different music in every room—from any source. SIMPLE TO SET-UP, CONTROL, AND EXPAND Control your favorite music sources and listening experience with a free app for iOS, Android, Mac or PC. And since it is a modular system, you can easily add music to more rooms with a simple button press. PLAY:5 SPECS AUDIO NETWORKING* AMPLIFIER Five Class-D digital amplifiers WIRELESS CONNECTIVITY Works on your home WiFi network with any 802.11b/g, 2.4GHz broadcast capable router. Also works on HEADPHONE Auto-detecting 3.5 mm headphone connection SonosNet, a secure AES encrypted, peer-to-peer wireless mesh AUDIO LINE-IN Auto-detecting 3.5 mm audio line-in connection network.
    [Show full text]
  • Rynek Radiowy W Województwach
    Udział w czasie słuchania i wielkość audytorium programów radiowych w podziale na województwa lipiec-wrzesień 2015 Analiza i opracowanie Monika Trochimczuk Departament Monitoringu Warszawa 2015 Nota metodologiczna Informację sporządzono na podstawie badania audytorium radia Radio Track Millward Brown przeprowadzonego na reprezentatywnej grupie osób w wieku 15-75 lat, w III kwartale 2015 r. W prezentowanych zestawieniach zostały uwzględnione programy radiowe, których udział w czasie słuchania na terenie danego województwa wyniósł co najmniej 0,4%. Wyniki zostały porównane z poprzednim kwartałem, przy czym pod uwagę wzięto tylko te zmiany wskaźników słuchalności, które są znaczące statystycznie. Przy każdym województwie została odnotowana wielkość populacji oraz wielkość badanej próby (im mniejsza próba, tym większy błąd statystyczny). W analizie wykorzystano wskaźniki: Udział w czasie słuchania programu/grupy programów (w województwie): Całkowity czas, jaki słuchacze (z danego województwa) poświęcili na słuchanie określonego programu radiowego/grupy programów w stosunku do całkowitego czasu słuchania wszystkich objętych badaniem programów radiowych (na terenie tego województwa). Zasięg dzienny w %: Inaczej wielkość audytorium. Odsetek osób w danej populacji, które słuchały programu przynajmniej raz w ciągu dnia. Województwo dolnośląskie 1 wielkość populacji: 2 316 566; wielkość próby: 1 835 respondentów Wykres 1. Udział w czasie słuchania programów radiowych na terenie województwa dolnośląskiego w III kwartale 2015 r. Radio RMF FM 17,3%
    [Show full text]