年越しそば Toshikoshi-Soba Winter 2015 – 2016
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Thirteen Feature Films by Kon Ichikawa to Be Presented
'he Museum of Modem Art %'^ Vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Wo. 20 FOR IM^'TEDIATE RELEASE Friday, February 10, 1967 Thirteen feature films by the Japanese director Kon Ichikawa will be presented by the Department of Film of The Museum of Modem Art from February 12 through February 27• The films range from Ichikawa's satirical comedies of the early *50*s to the more recent tragedies attempting to show the "pain of our age»" All of the films are in Japanese with English subtitles. Describing his work, Ichikawa says, "I try to visualize everything...I'm the kind of person who has to see something — even in my own imagination «•- before I understand it. I started as a painter and I think like one. That is wl:^ the camera is so important to me« I plan all the set-ups and I always check the framing, and I usually try to work with (a cameraman) I know.•••I design the sets too, usually... and I'd probably do the music too if I could." Film critic Donald Richie describes the resulting "Ichikawa look": "The angular pattern is usually bold, the balance is almost always asymmetrical, the framing is precise, and yet the composition rarely calls attention to itself*" At 18 after graduation from an Osaka commercial school Ichikawa began studying animation and in 19h6 completed a puppet-film based on a famous Kabuki dance. (The Occupation authorities, concerned with discovering "feudal remnants," seized the neg ative and it has never been found.) After that, Ichikawa joined Toho Production Company and began making satirical comedies until 1955 when he switched to more serious subject matter with The Burmese Harp* He says, "I had become aware that men are unhappy. -
学生の方は当日券が500円でご購入いただけます。 Advance Tickets Go on Sale from Saturday October 8 Via Ticket PIA and Lawson Ticket! Same Day Tickets Available to Students for Only 500 Yen!
世界中から最新の話題作・注目作を一挙上映! あなたの観たい映画はココにある。 The latest and most talked-about films from around the world! All the films you want to see are right here! 前売券は10月8日(土)より チケットぴあ・ローソンチケットにて発売! 学生の方は当日券が500円でご購入いただけます。 Advance tickets go on sale from Saturday October 8 via Ticket PIA and Lawson Ticket! Same day tickets available to students for only 500 yen! Believe! The power of films. How to purchase tickets 信じよう。映画の力。 チケット購入方法 今年、第24回を迎える東京国際映画祭は、引き続き「エコロジー」をテーマとした取り組みを展開します。今回の震災によって、日 本は課題先進国として世界中から大きな関心を集めています。そして、この課題に立ち向かう姿は、世界中から注目を集めています。 地球のために何ができるかをテーマとする東京国際映画祭は、「映画祭だからできる」「映画を通じてできる」ことを真摯に考え、日 本の未来に対して、夢や希望を持てる機会を提供することが役割だと思っています。 This year marks the 24th edition of Tokyo International Film Festival (TIFF). After the March 11th earthquake and tsunami, the whole world is watching Japan to see how we will remain strong and overcome the challenges we face. As a festival that asks how people and nature can co-exist, TIFF must consider its role in this time of crisis チラシや公式サイト( )などで、観たい作品と日時が決まったら、チケットを買おう! and use the power of lms to encourage and support the people and reassure them of Japan's future. www.tiff-jp.net 公式オープニング OFFICIAL OPENING 3D上映 3D screening 当日券にはオトクな学生料金(500円) 前売券完売の上映も当日券を 三銃士/王妃の首飾りとダ・ヴィンチの飛行船 (ドイツ=フランス=イギリス) もあります(。劇場窓口で学生証要提示) 若干枚数販売いたします。 THE THREE MUSKETEERS (Germany=France=UK) ■監督:ポール・W・S・アンダーソン [2011/111min./English] 10/8(土)から一般販売 (土)ー (日) ■出演:ローガン・ラーマン、ミラ・ジョヴォヴィッチ、 当日券を買う 10/22 10/30 オーランド・ブルーム、クリストフ・ヴァルツ 10.22 Sat 16:30 at Roppongi 2 ※公式&特別オープニング・公式クロージング作品の当日学生料金はございません。 ■Director:Paul W.S. Anderson 10.22 Sat 20:30 at Roppongi 2 ※詳細はP19をご参照ください。 ■ : Cast Logan Lerman, Milla Jovovich, 10.22 Sat 20:40 at Roppongi 5 Orlando Bloom, Christoph Waltz ●ゲスト:ポール・W・S・アンダーソン、ローガン・ラーマ © 2011 Constantin Film Produktion GmbH, NEF ン、ミラ・ジョヴォヴィッチ、ガブリエラ・ワイルド Productions, S.A.S. -
Filmography of Case Study Films (In Chronological Order of Release)
FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col. -
Fukushima 50” at New York’S “Japan Cuts” Film Festival, July 17-30
Weekly Cultural News, substitute for monthly Cultural News July 13 - 19, 2020 US online premiere of film “Fukushima 50” at New York’s “Japan Cuts” film festival, July 17-30 New York – Japan Society announces the full Fukushima 50 lineup for the 14th annual JAPAN CUTS: Directed by Setsuro Festival of New Japanese Film, the largest Wakamatsu, 2020, 122 min. festival of its kind in North America, set for July 17-30 as an entirely online experience. When the magnitude 9.0 Great East Japan Earthquake Continuing its annual mission to showcase the struck off the coast of the best and most exciting films coming out of Japan Tohoku region in northeast- Fukushima 50 © 2020 “FUKUSHIMA 50” today, the summer festival will expand its reach ern Japan at 2:46 PM on Production Committee beyond New York to introduce 30 features and March 11, 2011, it caused a 12 short films to audiences across the U.S. massive tsunami that soon reached the Fukushima Daiichi Nuclear Power Plant. The festival’s Centerpiece Presentation is the online premiere of Fukushima 50 , a blockbuster In Fukushima 50, as waves penetrate the facili- drama that details the heroic actions of workers ties, shift supervisor Toshio Izaki (Koichi Sato) at the Fukushima Daiichi Nuclear Power Plant assesses the overheating reactors while coordi- who stayed behind to avert a catastrophe of nating with plant manager Masao Yoshida (Ken global magnitude. Watanabe), who mediates with Tepco (Tokyo Electric Power Company) headquarters amidst Virtual tickets go on sale Friday, July 10 at 10:00 micro-management and government inaction. -
Port of Flowers Hanasaku Minato
Retrospectiva de Keisuke Kinoshita Port of Flowers Hanasaku minato B&W / Standard / 1943 / 82 min / Shochiku Cast: Director: Kinoshita Keisuke Shuzo: Ozawa Eitaro Script: Tsuji Yoshihiro Tomekichi: Uehara Ken Based on a play by: Kikuta Kazuo Okano: HiGashiyama Chieko CinematoGraphy: Kusuda Hiroshi Nobatama: Ryu Chishu Art Director: Motoki Isamu Hayashida: Tono Eijiro Music: Abe Sakari Okuda, villaGe chief: Sakamoto Takeshi Ryoji, his assistant: Hanzawa Yosuke Producer: Endo ShinGo Oharu, Ryoji’s sister: Mito Mitsuko Setsuyo: Maki Fusako Yuki: Murase Sachiko SettinG: A small island in Kyushu in 1941 Synopsis: A patriotic comedy about two con men arrivinG suddenly to work a scam on the inhabitants of a small Japanese island just as the nation beGins its entrance into World War II. The men claim to be the orphan sons of Watase Kenzo, who had come to the island and initiated a project to construct a shipyard 15 years prior. He left with the project half-completed but is remembered with Great fondness by the mayor and the Group of people who hold the most influence on the island, includinG Nobatama who runs the horse and carriaGe shop; Hayashida, the boss of the fishermen; and Okano, the owner of the inn. Okano had once chased Watase all the way to PenanG, still to find her love unrequited. Because of this history, she takes care of the two con men she has just met as if they were her own sons. The more experienced of the two, Shuzo, takes the name Kensuke (Watase), GivinG his partner Tomekichi the name Kenji. They announce their desire to revive the shipyard project, a proposal met with enthusiastic support from all but Hayashida, who is forever concerned with money. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
Japanische Meisterregisseure
präsentiert JAPANISCHE MEISTERREGISSEURE Vier japanische Regisseure, die Kinogeschichte schrieben, erstmals in Europa Japans Filmgeschichte ist vielfältig. Mit unserer Reihe Japanische Meisterregisseure werden wir als erstes DVD-Label europaweit auf die unglaubliche Bandbreite des japanischen Kinos aufmerksam machen und hoffen, damit vor allem Cineasten und Fans des klassischen japanischen Kinos zu begeistern. Ab Herbst 2009 präsentieren wir Filme, die zum großen Teil erstmals in Europa auf DVD erscheinen werden und nur sehr selten bei Filmfestivals zu sehen waren. Um dem ursprünglichen Charakter der Filme möglichst nahe zu kommen, bieten wir alle erscheinenden Filme im Originalton mit deutschen Untertiteln an und verzichten weitgehend auf deutsche Synchronisationen. Vorerst stehen insgesamt 22 Titel von vier Regisseuren auf dem Programm: Das provokante Frühwerk Nagisa Ōshimas wird mit vier Filmen präsentiert. Europaweit noch völlig unveröffentlicht ist das düstere Werk eines der vielseitigsten japanischen Regisseure, Yoshitaro Nomura . Der Schleier um einen weiteren großen Unbekannten des japanischen Kinos, Keisuke Kinoshita , wird mit fünf Filmen aus seinem vielschichtigen Oeuvre gelüftet. Unter anderem befindet sich auch der allererste japanische Farbfilm in der Auswahl. Die meditativen Familiendramen Yasujiro Ozus stehen im Mittelpunkt unserer Reihe: Wir veröffentlichen eine Auswahl von elf Filmen, die die Schaffensperiode von 1936 bis 1962 abdecken. Informationen zu den ausgewählten Filmen und Regisseuren finden Sie etwas weiter unten im Text. Informationen zu den jeweiligen Veröffentlichungen erhalten Sie in Zukunft regelmäßig einzeln. Pressekontakt, Medienkooperationen: Österreich polyfilm video – Florian Widegger – mail: [email protected] phon: +43 (0)1 581 39 00 13 oder +43 (0) 676 575 63 88 Deutschland ATMedien – Axel Gallep – mail: [email protected] phon: +49 (0)2 28 368 37 05 2 INHALTSVERZEICHNIS Oshima Nagisa – Rebell und Provokateur ………………………………………. -
Cineclubuned 24.Pdf
Asociación Cultural UNED SORIA Presidente Saturio Ugarte Martínez Vicepresidente Carmelo García Sánchez Secretario José Jiménez Sanz Tesorero Cristina Granado Bombín Vocales Mª Desirée Moreno Pérez Anselmo García Martín Jesús Labanda Izquierdo Dario García Palacios Coordinador Carmelo García Sánchez 24 Secciones Pantalla Grande Curso Programación y Textos Roberto González Miguel (RGM) 2017.2018 José María Arroyo Oliveros (JMA) Julián de la Llana del Río (JLLR) Ángel García Romero (AGR) Miradas de Cine Programación y Textos Roberto González Miguel (RGM) José María Arroyo Oliveros (JMA) Edita Soria de Cine Asociación Cultural UNED. Soria Selección y Textos Julián de la Llana del Río (JLLR) D.L. So-159/1994 Cineclub UNED c/ San Juan de Rabanera, 1. 42002 Soria. t. 975 224 411 f. 975 224 491 Colaboradores [email protected] www.cineclubuned.es Colaboración especial Susana Soria Ramas Pedro E. Delgado Cavilla © Fotografías: Alberto Caballero García Cabeceras: Unsplash (diferentes autores) Peliculas: Distribuidoras Producción Audiovisual Visorvideo. Victor Cid (www.visorvideo.tv) Diseño Gráfico/Maqueta Roberto Peña (www.elprincipiokiss.es) Impresión Arte Print Otras colaboraciones José Reyes Salas de proyección Centro Cultural Palacio de la Audiencia (Plaza Mayor) Casa de la Tierra- UNED. (c/ San Juan de Rabanera, 1). 24 OCTUBRE NOVIEMBRE DICIEMBRE ENERO i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do 01 01 02 03 04 05 01 02 03 01 02 03 04 05 06 07 02 03 04 05 06 07 08 06 07 08 09 10 11 12 04 05 06 07 -
Programmation Septembre 2020
Une sélection du meilleur du cinéma de patrimoine par Carlotta Films ! PROGRAMMATION SEPTEMBRE 2020 MIKIO NARUSE RÉALISATEUR DU MOIS 4 fi lms majeurs AU GRÉ DU COURANT (1956) QUAND UNE FEMME MONTE L’ESCALIER (1960) UNE FEMME DANS LA TOURMENTE (1964) NUAGES ÉPARS (1967) UNE FAMILLE DÉVOYÉE ÉVÉNEMENT SPÉCIAL : AVANT-PREMIÈRE EXCEPTIONNELLE un fi lm de Masayuki Suo (1984) - EXCLUSIVITÉ LE VIDÉO CLUB CARLOTTA FILMS (Int. -16 ans) - THE ENDLESS SUMMER DÉJÀ CULTE un fi lm de Bruce Brown (1966) THE EXTERMINATOR (LE DROIT DE TUER) DÉJÀ CULTE un fi lm de James Glickenhaus (1980) A FULLER LIFE DÉCOUVERTES & RARETÉS un fi lm de Samantha Fuller (2013) LE COUSIN JULES DÉCOUVERTES & RARETÉS un fi lm de Dominique Benicheti (1973) LE MONDE SUR LE FIL LE FILM FLEUVE un fi lm de Rainer Werner Fassbinder (1973) LEVIDEOCLUB.CARLOTTAFILMS.COM CARLOTTA FILMS 5-7, imp. Carrière-Mainguet 75011 Paris Tél. : 01 42 24 10 86 LE RÉALISATEUR DU MOIS MIKIO NARUSE DÉCOUVREZ 4 MAGNIFIQUES PORTRAITS DE FEMME PAR L’UN DES PLUS GRANDS CINÉASTES JAPONAIS AU GRÉ DU COURANT QUAND UNE FEMME MONTE L’ESCALIER UNE FEMME DANS LA TOURMENTE NUAGES ÉPARS Longtemps méconnue en Occident, l’œuvre de Mikio Naruse est aujourd’hui élevée au même rang que celle de ses compatriotes Mizoguchi, Ozu et Kurosawa. À partir des années 1950, il se spécialise dans le shomin geki, genre qui vise à dépeindre le quotidien des gens de la classe moyenne. Son œuvre à la fois poétique et réaliste, pleinement ancrée dans son temps, donne à voir de magnifiques portraits de femmes, portés par les plus grandes actrices du cinéma nippon comme Hideko Takamine, sa muse, ou Yoko Tsukasa. -
Movie Museum JULY 2011 COMING ATTRACTIONS
Movie Museum JULY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY LA CHÈVRE KAMOME SHOKUDO 13 ASSASSINS CEDAR RAPIDS Hawaii Premiere! aka The Goat aka Seagull Diner aka Juusan-nin no Shikaku (2011) L'EMMERDEUR (1981-France/Mexico) (2006-Japan) (2010-Japan/UK) in widescreen (1973-France/Italy) in French with English in Japanese with English in French with English in Japanese/Finnish w/English subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen with Ed Helms, John C. Reilly, with Pierre Richard, Gérard Isiah Whitlock Jr., Anne w/Lino Ventura, Jacques Brel with Satomi Kobayashi, Hairi Koji Yakusho, Takayuki 12:30, 2:00, 3:30. 5:00 & Depardieu, Pedro Katagiri, Masako Motai, Yamada, Yusuke Iseya, Goro Heche, Kurtwood Smith, Armendariz Jr., Michel Stephen Root, Alia Shawkat. 6:30pm only Jarkko Niemi, Tarja Markus. Inagaki, Masachika Ichimura, ---------------------------------- Robin, Corynne Charbit. Tsuyoshi Ihara. Directed by LA CHÈVRE Directed and Co-written by (1981-France/Mexico) Written and Directed by Directed by Takashi Miike. Miguel Arteta. Francis Veber. Naoko Ogigami. French w/Eng subtitles & w.s. Pierre Richard, Gérard 12:15, 2:30, 4:45, 7:00 & 12:15, 2:00, 3:45, 5:30, 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & Depardieu, Corynne Charbit. 9:15pm 7:15 & 9:00pm 8pm only & 8:30pm 7 8:30pm 8 9 10 11 LA NUIT DE VARENNES TAMPOPO SIN VERGÜENZA RANGO Hawaii Premiere! LES FUGITIFS (1982-France/Italy) (1985-Japan) (2001-Spain) (2011) animation & widescreen voiced by Johnny Depp, Bill (1986-France) in French with English in Japanese with English Spanish w/Eng subtitles & w.s. -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of