Kevin Roche: Architecture As Environment Press Release

Total Page:16

File Type:pdf, Size:1020Kb

Kevin Roche: Architecture As Environment Press Release KEVIN ROCHE: ARCHITECTURE AS ENVIRONMENT PRESS RELEASE Media Contact: Stacy Adamson, 202-272-2448 ext. 3458, [email protected] Kevin Roche: Architecture as Environment A retrospective exhibition on view from June 16 through December 2, 2012 Washington, D.C.—Kevin Roche: Architecture as Environment, an exhibition opening June 16, 2012, at the National Building Museum, explores the work of the celebrated, third-generation modernist Kevin Roche (b. 1922) whose architecture—from urban oases and corporate campuses to megastructures and underground museums—captures the spirit of the post-industrial age. “This exhibition explores how the founding design partner at Kevin Roche John Dinkeloo and Associates has approached and solved design challenges for the nation’s leading corporations and institutions,” says Chase W. Rynd, the National Building Museum’s president and executive director. Roche’s clients have ranged from IBM, Union Carbide, and Merck to the United Nations, the Ford Foundation, and the Metropolitan Museum of Art. In addition to images, drawings, and models, the exhibition features interviews with Roche and original slide presentations prepared for various clients. First recognized as Eero Saarinen’s right-hand-man, Roche came into his own in the 1960s and quickly established himself as a big-picture thinker. He adopted an expansive definition of architecture that encompassed civic concerns such as transportation, infrastructure, and public space, as well as the broader economic and cultural landscape. His mastery of systems theory applied to architecture was especially appealing to corporate America. Roche is a leading member of the so-called Third Generation of modern architecture, which includes Robert Venturi (b. 1922) and James Stirling (1926–92). “Roche is perhaps the most cerebral and systematic thinker in this group and can be credited, among other things, with introducing systems analysis into architecture,” say exhibition organizers. Mr. Roche received the Pritzker Prize in 1982, the Gold Medal Award from the American Academy of Arts and Letters in 1990, and the American Institute of Architects’ Gold Medal (1993), Firm Award (1974), and Twenty-Five Year Award (1995, for the Ford Foundation Headquarters). A native of Dublin, Roche grew up in County Cork and graduated from University College Dublin. He left Ireland for Chicago in 1948 to pursue a master’s degree under pioneering modernist Ludwig Mies van der Rohe at the Illinois Institute of Technology. While working on plans for the U.N. headquarters in New York, Roche was recruited by Eero Saarinen to join his office in Bloomfield Hills, Michigan. The office later moved to Hamden, Connecticut, and when Saarinen died in 1961, Roche and firm partner John Dinkeloo (1918–1981) led the completion of some of the firm’s most iconic projects, among them the Gateway Arch in St. Louis and Dulles International Airport. Kevin Roche John Dinkeloo and Associates was formally established in 1966 and over the past six decades the firm has realized dozens of significant large-scale projects, many abroad. In the United States, recent work includes several buildings for Lucent Technologies; Zesiger Sports and Fitness Center for Massachusetts Institute of Technology (1997–2002); and Lafayette Tower in Washington, D.C. (2005–9). Major international projects include Shiodome City Center in Tokyo (1997–2003); Ciudad Grupo Santander Headquarters, Madrid (1995–2005); Headquarters for Bouygues S.A. Holding Company in Paris (2003–6); and the Dublin Conference Center in Ireland (2005–9). Roche also continues to work for the Metropolitan Museum of Art, carrying forward his 1971 master plan under three successive directors, completing different interventions to the building complex, while revisiting early portions of the project, such as the American Wing, which reopened in 2012. Roche has also contributed to the expansion, renovation, and designs of several other notable New York cultural landmarks, such as the Central Park Zoo, the Jewish Museum and the American Museum of Natural History. Washington, D.C. is home to a number of Roche-designed buildings including 1101 New York Avenue NW, Station Place adjacent to Union Station (F and 2nd Streets NE), and Lafayette Tower (801 17th Street NW), completed in 2009—the first commercial office building in the nation’s capital to achieve LEED® Platinum certification from the U.S. Green Building Council. All three of these works as well as the proposed National Fisheries Center and Aquarium, an unbuilt project for the U.S. Department of the Interior, are featured in the exhibition. The National Building Museum will feature programming related to Kevin Roche and his work throughout the duration of the exhibition. Kevin Roche: Architecture as Environment is organized by the Yale School of Architecture and curated by Eeva-Liisa Pelkonen. ASSA ABLOY is the lead sponsor of Kevin Roche: Architecture as Environment. Additional Support for the exhibition is provided by the Graham Foundation for Advanced Studies in the Fine Arts, Carolyn Brody, Property Group Partners, Elise Jaffe + Jeffrey Brown, and an anonymous donor. MEDIA CONTACT For more information about the exhibition and press images, please contact Stacy Adamson, 202- 272-2448 ext. 3458 and [email protected]. ABOUT THE NATIONAL BUILDING MUSEUM The National Building Museum is America’s leading cultural institution dedicated to advancing the quality of the built environment by educating people about its impact on their lives. Through its exhibitions, educational programs, online content, and publications, the Museum has become a vital forum for the exchange of ideas and information about the world people build for themselves. Public inquiries: 202-272-2448 or visit www.nbm.org. Connect with us on Twitter: @BuildingMuseum and Facebook. An exhibition at the National Building Museum June 16 - December 2, 2012 Kevin Roche: Architecture as Environment is organized by the Yale School of Architecture. Eero Saarinen and Kevin Roche Ford Foundation Headquarters Model Ford Foundation Headquarters College Life Insurance Company Headquarters Temple of Dendur Station Place 1 1101 New York Avenue NW Lafayette Tower Press Image Sheet Media Contact NATIONAL BUILDING MUSEUM 401 F Street NW Stacy Adamson, Marketing and Communications Associate Washington, DC 20001 202-272-2448 ext. 3458 / [email protected] 202-272-2448 / www.nbm.org An exhibition at the National Building Museum June 16 - December 2, 2012 Usage: Images are provided exclusively to the press to publicize the exhibition. All published images must include our crediting and copyright information. Eero Saarinen (left) and Kevin Roche (right) working on a model for the TWA Terminal, c. 1958 Courtesy of Eero Saarinen Collection; Manuscripts and Archives, Yale University Library Kevin Roche inserting the curtain wall into a scale model of the Ford Foundation Headquarters, c. 1964 Courtesy Kevin Roche John Dinkeloo and Associates Ford Foundation Headquarters, New York, New York, 1968 ©Ezra Stoller/Esto College Life Insurance Company Headquarters, Indianapolis, Indiana, 1971 Courtesy Kevin Roche John Dinkeloo and Associates Temple of Dendur in the Sackler Wing of the Metropolitan Museum of Art, New York, New York, 1979 Courtesy Kevin Roche John Dinkeloo and Associates Station Place 1, Washington, D.C., 2004 Courtesy Kevin Roche John Dinkeloo and Associates Immediately adjacent to Washington’s Beaux Arts-styled Union Station, Station Place 1 features an 80-foot high atrium and is currently home to the U.S. Securities and Exchange Commission. 1101 New York Avenue NW, Washington, D.C., 2007 Courtesy Kevin Roche John Dinkeloo and Associates Three façades of this LEED® Gold office building feature a 20-foot-cantilever and clear glass curtain wall. Lafayette Tower, Washington, D.C., 2009. Courtesy Kevin Roche John Dinkeloo and Associates Completed in 2009, Lafayette Tower at 801 17th Street NW—with stunning views of the White House—was the first com- mercial office building in Washington, D.C., to achieve LEED® Platinum certification from the U.S. Green Building Council. Press Image Sheet Media Contact NATIONAL BUILDING MUSEUM 401 F Street NW Stacy Adamson, Marketing and Communications Associate Washington, DC 20001 202-272-2448 ext. 3458 / [email protected] 202-272-2448 / www.nbm.org.
Recommended publications
  • Pritzker Architecture Prize Laureate
    For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C.
    [Show full text]
  • Defining Architectural Design Excellence Columbus Indiana
    Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES
    [Show full text]
  • Oral History of Edward Charles Bassett
    ORAL HISTORY OF EDWARD CHARLES BASSETT Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 1992 Revised Edition Copyright © 2006 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Preface to Revised Edition v Outline of Topics vi Oral History 1 Selected References 149 Curriculum Vitae 150 Index of Names and Buildings 151 iii PREFACE On January 30, 31, and February 1, 1989, I met with Edward Charles Bassett in his home in Mill Valley, California, to record his memoirs. Retired now, "Chuck" has been the head of design of Skidmore, Owings and Merrill's San Francisco office from 1955-1981. Those twenty-six years were a time of unprecedented growth and change to which Chuck not only bore witness but helped shape. Chuck Bassett was one of the SOM triumvirate of the postwar years: he was the West Coast counterpart of Gordon Bunshaft in New York and William Hartmann in Chicago. In 1988 the California Council of the American Institute of Architects awarded SOM, San Francisco, a 42-year award for "...the genuine commitment that the firm has had to its city, to the profession and to both art and the business of architecture." Although Chuck prefers to be known as a team player, his personal contribution to this achievement is unmistakable in the context of urban San Francisco since 1955.
    [Show full text]
  • Introducing Tokyo Page 10 Panorama Views
    Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N.
    [Show full text]
  • William D. Kendall, FAIA (1942 - 2013)
    CITINGS / SUMMER 2013 William D. Kendall, FAIA (1942 - 2013) BY ROBERT A.M. STERN WILLIAM D. KENDALL, FAIA, WAS BORN IN SHATTUCK, Oklahoma, on March 17, 1942, and died in Houston on Monday, February 25, 2013. For over two decades Bill was both a close friend and a valued professional collab- orator of mine and I am pleased and honored to tell his story. Bill earned a Bachelor of Science degree in 1966 and Bachelor of Architecture degree cum laude in 1967 from the University of Houston, where he received the Alpha Rho Chi Medal. He received his Master of Architecture de- gree in 1970 from Rice University. After work- ing at several fi rms during his college years, Bill joined Wilson, Morris, Crane & Anderson (later S.I. Morris Associates) in 1968, where he became a partner in 1973. In 1978 Bill and Hal Weatherford founded KWA after they had the opportunity with their predecessor fi rm to collaborate as associated architects with Philip Johnson on Gerald Hines’s land- mark Pennzoil Place. Bill and Hal had moved to New York to work on the Pennzoil project in Philip’s offi ce. Bill recognized an opportu- James Heaton and William Kendall. nity when he saw one, and with this project as a model he developed his vision of an architectural chitects on projects including over 100 corporate tect on projects including the Alice Pratt Brown Hall practice organized specifi cally to provide technical headquarters, offi ce buildings, and cultural, institu- for the Shepherd School of Music at Rice University, collaboration with design architects.
    [Show full text]
  • C:\Users\Gutschow\Documents\CMU Teaching\Postwar Modern
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Class #5 DISCUSSION: WHAT IS POSTWAR MODERN? Discuss: Joedicke, J. “Introduction,” Architecture Since 1945 (1969) Goldhagen & Legault, “Introduction: Critical Themes of Postwar Modernism,” in Anxious Modernisms Goldhagen, “Coda: Reconceptualizing Modernism,” in Anxious Modernisms Ockman: “Introduction,” in Architecture Culture, 1943-1968 Differentiate: Prewar Modernism; Postwar Modernism; Postmodernism Critical Themes of Postwar Modernism: Anxiety, Popular Culutre, Consumer Culture, Everyday Life, Anti- Architecture, Democratic Freedom, Homo Ludens (play), Primitivism, Authenticity, Architecture’s History, Regionalism, Place, Skepticism & Infatuation with Technology. Postwar Modern Architects & Pritzker Architecture Prize Laureates 2010: SANAA, Kazuyo Sejima + Ryue Nishizawa of Japan. 2009: Peter Zumthor of Switzerland 2008: Jean Nouvel of France 2007: Richard Rogers of the United Kingdom 2006: Paulo Mendez da Rocha of Brazil 2005: Thom Mayne of the United States 2004: Zaha Hadid of the United Kingdom 2003: Jorn Utzon of Denmark 2002: Glenn Murcutt of Australia 2001: Herzog and de Meuron of Switzerland 2000: Rem Koolhaas of The Netherlands 1999: Norman Foster of the United Kingdom 1998: Renzo Piano of Italy 1997: Sverre Fehn of Norway 1996: Rafael Moneo of Spain presented 1995: Tadao Ando of Japan 1994: Christian de Portzamparc of France 1993: Fumihiko Maki of Japan 1992: Alvaro Siza of Portugal 1991: Robert Venturi of the United States 1990: Aldo Rossi of Italy 1989: Frank O. Gehry of the United States 1988: Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil 1987: Kenzo Tange of Japan 1986: Gottfried Boehm of Germany 1985: Hans Hollein of Austria 1984: Richard Meier of the United States 1983: Ieoh Ming Pei of the United States 1982: Kevin Roche of the United States 1981: James Stirling of Great Britain 1980: Luis Barragan of Mexico 1979: Philip Johnson of the United States.
    [Show full text]
  • 4.205 Final Project Building List
    Recommended Software for Research BiblioExpress is a freeware for making bibliographies. The ‘industry’ standard is Endnote. Infomagic is a free note-taking software, and would help you to keep your research notes in a digital format. The ‘industry’ standards are Infoselect and Zoot. You may also want to try Microsoft Onenote. Making a Bibliography Here is a list of the most used databases and other sources you need to use for creating a bibliography about your building. You will have to learn to check them in a number of ways: sometimes using the name of your building, sometimes using the architect’s name etc. Avery Index to Architectural Periodicals . Bibliography of the History of Art . JSTOR: . World History Collection . LexisNexis Academic . Google Scholar You must also check the books and articles that you find from these searches as they will also contain bibliographies. List of Buildings (you may propose your own with instructor permission) Charles Eames, Eames House, California 1945-1949 Charles Eames and Eero Saarinen, Entenza House, California 1945-49 Hassan Fathy, New Gourna Housing, 1948 Bruce Groff, Bavinger House, Norman Oklahama 1955 Alvar Aalto, Pensions Institute, Helsinki, Finland, 1952-56 Alvar Aalto, House of Culture, Helsinki, Finland 1955-58 Pierre Koenig, Bailey House-Case Study House 21, Los Angeles 1956-58 Frank Lloyd Wright, Marin Civic Center, San Rafael California 1957 Frank Lloyd Wright, Winkler and Goetsch House, Okemos, Michigan 1939 Felix Candela, Los Manantiales, Mexico 1958 Eero Saarinen, Dulles Airport, 1958-1962 Geoffrey Bawa, Bawa House, Sri Lanka 1958-1968 Aldo van Eyck, Hubertus House, Amsterdam 1959 Edward D.
    [Show full text]
  • Today's News - October 3, 2006 Paris May Have a "Cloud of Glass" by Gehry in Its Future
    Home Yesterday's News Calendar Contact Us Subscribe Today's News - October 3, 2006 Paris may have a "cloud of glass" by Gehry in its future. -- Mayors and architects team up to get serious about the built environment. -- New York City getting serious about building green. -- Even the U.S. Army is testing green roofs. -- A warrior for a Sustainable South Bronx. -- In a mix of practicality and idealism, developers are bringing prairies back. -- A stellar collection of modernist masters at University of Massachusetts give each other the cold shoulder. -- Chicago museum makeover may not be "jaw-dropping spectacle," but it is "good, problem-solving design." -- A battle brewing over massive mosque in London (though it would be massively green). -- A British TV star "swotted up on architecture" transforms a street. -- Katrina Cottages gaining ground all around. -- An exhibition is "an eye-opening look at a corner of Chicago that has seen the worst and still prepares for better times ahead." -- A (mostly) positive take on de Botton book. ----- EDITOR'S NOTE: ANN is on the road and Internet access may be spotty...we'll do our best to post daily. To subscribe to the free daily newsletter click here Vuitton Plans a Gehry-Designed Arts Center in Paris: “The idea is of a cloud made of glass”...$127 million Louis Vuitton Foundation for Creation. [image]- New York Times Local Governments Get Serious About the Environment: Exhibit A is a...partnership between the American Institute of Architects (AIA) and the U.S. Conference of Mayors...committed to
    [Show full text]
  • Modernism in Bartholomew County, Indiana, from 1942
    NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction.
    [Show full text]
  • Ford Foundation Building
    Landmarks Preservation Commission October 21, 1997, Designation List 285 LP-1970 FORD FOUNDATION BUILDING, East 42nd Street interior consisting of the revolving door vestibule; East 43rd Street interior consisting of the entrance vestibule; A level through eleventh story interiors consisting of the atrium with its terraced garden and pool, extending to the outer surfaces of the glass office walls aild glass dining room walls, the outside surfaces of the balcony parapet walls (tenth and eleventh stories) surmounted by railings, the inside surfaces of the window walls at the east and south, and up to and including the inner surface of the skylight; and the fixtures and interior components of these spaces including, but not limited to , wall surfaces, floor surfaces, ceiling surfaces, steps, railings, interior columns, doors, and revolving doors; 321 East 42nd Street and 320 East 43rd Street, aka 309-325 East 42nd Street and 306-326 East 43rd Street, Manhattan. Built 1963-67; architects Kevin Roche John Dinkeloo Associates (the successor firm to Eero Saarinen Associates). Landmark Site: Borough of Manhattan Tax Map Block 1335, Lot 5. On September 16, 1997, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Ford Foundation Building, and the proposed designation of the related Landmark Site (Item No. 6). The hearing had been duly advertised in accordance with the provisions of law . Six witnesses spoke in favor of designation, including representatives of the Ford Foundation. There were no speakers in opposition to designation. A resolution supporting the designation has been received from Manhattan Community Board No.
    [Show full text]
  • Kevin Roche, Architect Who Melded Bold with Elegant, Dies at 96
    Kevin Roche, Architect Who Melded Bold With Elegant, Dies at 96 By Paul Goldberger March 2, 2019 https://www.nytimes.com/2019/03/02/arts/kevin-roche-dead-architect.html Kevin Roche, the Dublin-born American architect whose modernist buildings, at once bold and refined, gave striking new identities to corporations, museums and institutions around the world, died on Friday at his home in Guilford, Conn. He was 96. His architectural firm, Kevin Roche John Dinkeloo and Associates, in Hamden, Conn., announced his death on its website. Mr. Roche was one of the rare architects who was admired and trusted by corporate executives, museum boards and government officials, who allowed him wide leeway in expressing his restless formal imagination. He was soft-spoken, with a distant echo of an Irish brogue, but it was an understated manner that belied the self-confidence radiated by the buildings he made for his patrons. He created such distinctive works as the Ford Foundation headquarters in Midtown Manhattan, an elegant palazzo of dark metal and glass built around a garden atrium and finished in 1967; the Oakland Museum of California (1968), a museum whose terraced roof functions as a public park; the General Foods headquarters in Rye Brook, N.Y. (1982), a glass version of a grand classical villa; the sprawling headquarters of Union Carbide in Danbury, Conn. (1982), a futuristic machine for parking and working; and the headquarters of the J.P. Morgan Bank on Wall Street (1990), a skyscraper in the form of a classical column. And he put an indelible stamp on the Metropolitan Museum of Art in New York.
    [Show full text]
  • Museum Archivist
    Newsletter of the Museum Archives Section Museum Archivist Winter 2012 Volume 22, Issue 1 From the Chair Welcome to the 2012 winter issue of development of a museum archive. We the Museum Archives section also brainstormed ideas for 2012 newsletter! session proposals. Complete meeting minutes are available online here: I’d also like to extend a special http://www.archivists.org/saagroups/ welcome to the new members of the museum/minutes.htm MAS Steering Committee: Chair-Elect: Katy Rawdon (Barnes The MAS Working Group also held a Foundation) meeting in Chicago. The Working Web Liaison: Erin Murphy (Harvard Group plans to develop a system for University) those working in museum archives to easily share resources across Over 78 members attended the MAS institutions. The final project will be annual business meeting at the SAA available for all section members and conference in Chicago. The meeting serve as a platform for participation, featured nine Pecha-Kucha collaboration, and learning. Please visit Leanda Gahegan, Museum Archives Section presentations ranging in topics from the Working Group meeting minutes Chair. recently processed collections to the online for more information about the (Continued on page 2) Integrating an Archives Project into the Day-to-Day: Encouraging Openness and Collaboration with Museum Record Creators By Stephanie Kays To provide some context, the MIA is an NHPRC Project Archivist, Minneapolis Institute of Arts. encyclopedic art museum. Its permanent collection includes about (This article is an adaptation of a paper collaboration with the head librarian, eighty thousand objects spanning five delivered at the Society of American archives interns and volunteers, and thousand years of human creativity.
    [Show full text]