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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc. -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I Entered College
Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I entered college a naïve 18-year-old musician. I had played guitar for roughly four years and was determined to be the next great Texas blues guitarist. However, I was now in college and taking the standard freshman music literature class. Up to this point the most I knew about music other than rock or blues was that Beethoven was deaf, Mozart composed as a child, and Chopin wrote a really cool piano sonata in B-flat minor. So, we’re sitting in class learning about Berlioz, and all of the sudden it occurred to me: are there any composers still working today? So I risked looking silly and raised my hand to ask my professor if there were composers that were still working today. His response was, “Of course!” In discussing modern composers, the one medium that continuously came up in my literature class was that of film music. It occurred to me then that I knew a lot of modern orchestral music, even though I didn’t really know it. From the time when I was a little kid, I knew the name of John Williams. Some of my earliest memories involved seeing such movies as E.T., Raiders of the Lost Ark, and The Empire Strikes Back. My father was a musician, so I always noted the music credit in the opening credits. All of those films had the same composer, John Williams. Of course, I was only eight years old at the time, so in my mind I thought that John Williams wrote all the music for the movies. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
Waya&R People Do Their
THE MOST TRUSTED NAME IN RADIO ISSUE 1985 DECEMBER 17 1993 This Week The future is in your hands. At least, i:'s the future as a group of record executives, along with a gaggle of Gavin types, see it. Hey, if Jeane Dixon and the Amazing Peskin can do it, why can't we? And so we get the jump on '94 from Craig LAW! (above), who sees less virtual "I predict that the reality than simple reality com- ing to the music business. On the GAVIN side of the crystal hall, Album Adult Alternative CEO David Dalton sees and hears free -form radio in the new year-or he'll reduce subscrip- tion rates (Just kidding!). And format will change the Ron Fel has a disturbing vision about Billy Joel wayA&R people do their (right). Our Newss.ection is given cver to a wrap-up of a o G.qey'll be ableto phat and crazy year, as managing editor Ben Fong -Torres steals liberally from ook at a4C 50year hisrootsgROMMIlle(which or stole liberally from Esquire) to do the honors. Re -live such great moments as Prince's old artist and think earth -shaking name change and a certa n pretty woman making Lyle Lovett (below) an honest man. F nally, we predict a sea- about workIng with sonal feature in the Gavin Yellow Pages them." of Radio, as Natalie Duitsman canvasses THESE AND OTHER PREDICTIONS, several radio stations- MINX-Amherst, Mass., WHAI- Greenfield, Mass., and Live 105 - BY RECORD INDUSTRY SEERS, ARE San Francisco-to learn how they handle Christmas music. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
The Freddie Gruber Scholarship Fund in Memory of Buddy Rich and Nick Ceroli
The Freddie Gruber Scholarship Fund In Memory of Buddy Rich and Nick Ceroli Freddie Gruber began his drumming career in New York in the late 1940s. He played in the only big band to feature bebop sax innovator Charlie Parker, and he became close friends with Buddy Rich, a relationship that continued until Buddy’s passing in 1987. In the early ’60s Gruber played his way through Chicago and Las Vegas, eventually arriving in Los Angeles, where he became a key player in that city’s jazz scene. But Gruber soon discovered his true calling—teaching others how to play drums. Over the next forty years, Freddie’s students included a cross-section of drummers whose playing profoundly influenced the music of the times, among them John Guerin, Ian Wallace, Steve Smith, Dave Weckl, Mike Baird, Johnny “Vatos” Hernandez, David Bronson, Peter Erskine, Burleigh Drummond, and Neil Peart. One early student, Don Lombardi, founded the Drum Workshop company. Freddie had an unparalleled understanding of the physical “dance” involved in playing the instrument—the ergonomic relationship of the drummer to the drums. Without ever trying to disrupt a particular drummer’s “character,” he helped each student discover, express, and refine his own voice. One $2,500 prize will be awarded Eligibility: This annual, one year scholarship, is to assist a college student with tuition to an established, accredited institution of higher education, for the purpose of advanced study in the area of percussion, including but not limited to drumset. Scholarship is for one academic year, students may apply in subsequent years (no more than three years total). -
A Tribute to Rush's Incomparable Drum Icon
A TRIBUTE TO RUSH’S INCOMPARABLE DRUM ICON THE WORLD’S #1 DRUM RESOURCE MAY 2020 ©2020 Drum Workshop, Inc. All Rights Reserved. From each and every one of us at DW, we’d simply like to say thank you. Thank you for the artistry. Thank you for the boundless inspiration. And most of all, thank you for the friendship. You will forever be in our hearts. Volume 44 • Number 5 CONTENTS Cover photo by Sayre Berman ON THE COVER 34 NEIL PEART MD pays tribute to the man who gave us inspiration, joy, pride, direction, and so very much more. 36 NEIL ON RECORD 70 STYLE AND ANALYSIS: 44 THE EVOLUTION OF A LIVE RIG THE DEEP CUTS 48 NEIL PEART, WRITER 74 FIRST PERSON: 52 REMEMBERING NEIL NEIL ON “MALIGNANT NARCISSISM” 26 UP AND COMING: JOSHUA HUMLIE OF WE THREE 28 WHAT DO YOU KNOW ABOUT…CERRONE? The drummer’s musical skills are outweighed only by his ambitions, Since the 1970s he’s sold more than 30 million records, and his playing which include exploring a real-time multi-instrumental approach. and recording techniques infl uenced numerous dance and electronic by Mike Haid music artists. by Martin Patmos LESSONS DEPARTMENTS 76 BASICS 4 AN EDITOR’S OVERVIEW “Rhythm Basics” Expanded, Part 3 by Andy Shoniker In His Image by Adam Budofsky 78 ROCK ’N’ JAZZ CLINIC 6 READERS’ PLATFORM Percussion Playing for Drummers, Part 2 by Damon Grant and Marcos Torres A Life Changed Forever 8 OUT NOW EQUIPMENT Patrick Hallahan on Vanessa Carlton’s Love Is an Art 12 PRODUCT CLOSE-UP 10 ON TOUR WFLIII Three-Piece Drumset and 20 IN THE STUDIO Peter Anderson with the Ocean Blue Matching Snare Drummer/Producer Elton Charles Doc Sweeney Classic Collection 84 CRITIQUE Snares 80 NEW AND NOTABLE Sabian AAX Brilliant Thin Crashes 88 BACK THROUGH THE STACK and Ride and 14" Medium Hi-Hats Billy Cobham, August–September 1979 Gibraltar GSSVR Stealth Side V Rack AN EDITOR’S OVERVIEW In His Image Founder Ronald Spagnardi 1943–2003 ole models are a tricky thing. -
Several Thefts Reported, Many Are Labeled Preventable
tElje (JnMan jj Tuesday, March 31,1987 Siena College, Albany, New York Volume XXI, Ho.JBT^ Several Thefts Reported, Many are Labeled Preventable By JOSEPH GILDAY News Reporter McLaughlin noted also that a salad bar The Siena community has recently canopy valued at $400 was stolen from the experienced several thefts, just as it has Rathskellar. This cart was vandalized, as every year. well. As of March 4th, there have been In a separate incident, a set of billiard approximately 40 reported occurences of balls were taken two days after a new pool theft since September of 1986, according table was installed in the Rat. to William Kelley, Director of Security. McLaughlin doesn't see any prospect of Twenty more larcenies had been reported cafeteria thefts dwindling in the near future. at this period in time a year ago. "It's like trying to stay in a race that you "You're not going to have a group this can't win," she said.- large without having someone capable of "Another form of theft is going into a stealing," said Kelley. person's room and taking student IDs so The list of purloined items is extensive, a friend can eat for free," said Dean of ranging from license plates and car stereo Students Nancy DaPore, who disciplines speakers to coats and cash. The college Siena students guilty of theft. Resident Assistant Maureen O'Connor (Photo by Faye Corey) itself has been a victim; students have been DaPore has fined about 20 students this caught stealing items as varied as ceiling school year for stealing IDs. -
Boingo Alive: a Celebration of a Decade 1979-1988 Mp3, Flac, Wma
Oingo Boingo Boingo Alive: A Celebration Of A Decade 1979-1988 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Boingo Alive: A Celebration Of A Decade 1979-1988 Country: Australia Released: 1988 Style: Alternative Rock MP3 version RAR size: 1271 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1151 mb Rating: 4.4 Votes: 955 Other Formats: AC3 TTA MP2 AA WMA MP3 VOC Tracklist A1 Dead Man's Party 6:22 A2 Dead Or Alive 4:01 A3 No Spill Blood 4:33 A4 Stay 3:55 A5 Cinderella Undercover 4:40 B1 Just Another Day 5:05 B2 Only Makes Me Laugh 3:41 B3 My Life 4:45 B4 Nothing To Fear (But Fear Itself) 3:48 B5 Not My Slave 4:06 C1 Winning Side 3:57 C2 Wild Sex (In The Working Class) 4:15 C3 Grey Matter 5:42 C4 Private Life 3:08 C5 Gratitude 4:45 D1 Who Do You Want To Be 3:17 D2 Sweat 4:32 D3 Violent Love 2:20 D4 On The Outside 3:42 D5 Only A Lad 3:47 D6 Goodbye-Goodbye 3:30 Credits Alto Saxophone, Tenor Saxophone – Sam Phipps Art Direction – Vartan Baritone Saxophone – Leon Schneiderman Bass, Vocals – John Avila Design – DZN, The Design Group Drums, Percussion – Johnny "Vatos" Hernandez Engineer [Assistant] – Charlie Brocco, David Roberts , Jeff DeMorris, Robert Hart Guitar – Steve Bartek Illustration – Gary Panter Illustration [Cover Illustration] – Georgeanne Deen* Keyboards, Vocals – Carl Graves Mastered By – Stephen Marcussen Mixed By [Additional] – Jim Scott Other [Monitors] – Greg Stevenson Photography By [Group Photo] – John Scarpati Producer – Danny Elfman, John Avila, Steve Bartek Recorded By [Additional] – Dean Burt, Jim Scott Recorded By, Mixed By – Bill Jackson Trombone – Bruce Fowler Trumpet, Trombone – Dale Turner Vocals, Guitar [Rhythm] – Danny Elfman Notes Recorded at The Power Plant Rehearsal Studio, North Hollywood, CA Audio Recording by Le Mobile Mixed at Village Recorders: W.