The Interminable Tapeworm Time Perception and Stream of Consciousness in Ali Smith’S Fiction
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Complexities of Dwelling 1 Ben Davies, the Complexities Of
Complexities of Dwelling 1 Ben Davies, The Complexities of Dwelling in Ali Smith’s There but for the Abstract This article offers a sustained exploration of dwelling in Ali Smith’s There but for the. Focusing on the way the character Miles locks himself into a family’s bedroom, I argue that this move transforms a “spare” room into a significant gathering place. As part of his disruptive move, Miles also removes himself from dominant forms of activity and productivity, thereby offering an image of dwelling that is not motivated by capitalist routines of labour and profit. More abstractly, Miles’ form of dwelling opens up a space for thought; both characters and readers are invited to “take the measure” of Miles’ dwelling, as well as their own. Correlatively, the text is an intricate dwelling space, offering an important and challenging phenomenological invitation to the reader to dwell within and upon the relationship between language, space, time and thought; the text invites the reader to think about dwelling and being in contemporary society. Keywords: dwelling, language, space, time, reading, Ali Smith, There but for the Author Note: Ben Davies is Lecturer in English Literature at the University of Portsmouth. He is the author of Sex, Time, and Space in Contemporary Fiction: Exceptional Intercourse (Palgrave Macmillan, 2016) and the co-editor of Sex, Gender and Time in Fiction and Culture (Palgrave Macmillan, 2011). Complexities of Dwelling 2 Towards the beginning of his essay “‘…Poetically Man Dwells…’” (1954), Martin Heidegger states: “our dwelling is harassed by the housing shortage. Even if that were not so, our dwelling today is harassed by work, made insecure by the hunt for gain and success, bewitched by the entertainment and recreation industry” (211). -
Literacki Splot Kwantowy. How to Be Both Ali Smith
KATARZYNA BAZARNIK Literacki splot kwantowy How to Be Both Ali Smith The poet has come back to being a poet after decades of being virtuous instead. Can’t you be both? (Atwood 2006) Ali Smith, zdaniem Sebastiana Barry’ego „szkocka kandydatka do Nobla” (Barry 2016), to z pewnością jedna z najciekawszych postaci brytyjskiej sceny literackiej. Urodziła się w 1962 roku w Inverness jako najmłodsza z piątki rodzeństwa. Studiowała literaturę angielską na Uniwersytecie w Aberdeen. Następnie rozpoczęła pracę nad doktoratem z angielskiej lite- ratury modernistycznej w Newnham College na Uniwersytecie w Camb- ridge. W tym czasie poznała swoją obecną partnerkę życiową, reżyserkę Ali Smith Sarah Woods, z którą wspólnie zaangażowała się w działania teatralne. Ostatecznie, zamiast doktoratu, Smith napisała kilka sztuk wystawionych na edynburskim Fringe Festival i Cambridge Footlights. Na początku lat 90. ubiegłego wieku pracowała krótko na Uniwersytecie w Strathclyde, How to Be Both ale kłopoty zdrowotne sprawiły, że porzuciła to zajęcie i przeniosła się z powrotem do Cambridge, gdzie mieszka i tworzy do dziś. Choć Smith zadebiutowała jeszcze w czasie studiów w Szkocji jako poet- ka, a jej wiersze zostały nagrodzone1, to zasłynęła jako mistrzyni opowia- dania. Jej pierwszy prozatorski tom, Free Love and Other Stories, opubli- kowany w 1995 roku, otrzymał dwie nagrody za najlepszy debiut: Saltire First Book of the Year Award oraz Scottish Arts Council Book Award. Ko- splot kwantowy. Literacki lejne zbiory opowiadań pod przewrotnymi tytułami: Other Stories and Other Stories, The Whole Story and Other Stories, The First Person and Other 1 Otrzymała Bobby Aitken Memorial Prize. 191 Stories oraz Public Library and Other Stories, wychodziły w latach 1999, 2003, 2008 i 2015 roku. -
MA Thesis Literatuur- En Cultuurkritiek, Utrecht University a Comparison
MA Thesis Literatuur- en Cultuurkritiek, Utrecht University A Comparison of the 2014 and 2015 Winners for the Man Booker Prize and the Folio Prize Fung Man 3993116 [email protected] Supervisor: Paul Franssen Second Reader: Cathelein Aaftink July 2016 Man 1 Fung Man 3993116 Dr. Arienslaan 44, 3454 XD De Meern MA Thesis British English July 2016 13.076 words Abstract This thesis is focused on how the Folio Prize was created in 2014 to challenge the Man Booker Prize, as the Folio Prize’s focus lies solely on literary fiction, while the Booker Prize is accused of being awarded to popular fiction. The winners of the 2014 and 2015 Man Booker Prize, Richard Flanagan with The Narrow Road to the Deep North and Marlon James with A Brief History of Seven Killings respectively, and the 2014 and 2015 Folio Prize winners, George Saunders with Tenth of December and Akhil Sharma with Family Life, are analysed and compared to each other. Furthermore, Ali Smith’s novel How to Be Both was shortlisted for both the Booker and the Folio Prize and thus offers a glimpse of how a novel can be considered both popular and literary. These analyses chart some contemporary literary criteria, but do not offer a template for what a literary fiction novel is nowadays. Man 2 Table of Contents 1. Introduction ............................................................................................................................ 3 2. The Legacy of Literary Awards ............................................................................................. 6 2.1. From Critic to Jury ........................................................................................................... 7 2.2. Media and Diversity ......................................................................................................... 8 2.3. Sales and Canon ............................................................................................................. 10 2.4. Literary vs. Popular Fiction .......................................................................................... -
[PDF] Download Winter Full Ebook by Ali Smith
[PDF] Download Winter Full eBook by Ali Smith Information: Author: Ali Smith Format: 336 pages Dimensions: 144 x 222mm Publication date: 02 Nov 2017 Publisher: Penguin Books Ltd Imprint: Hamish Hamilton Ltd Release location: London, United Kingdom Book Synopsis: The dazzling second novel in Ali Smith's essential Seasonal Quartet -- from the Baileys Prize-winning, Man Booker-shortlisted author of Autumn and How to be bothA Book of the Year according to: the Daily Telegraph, the Observer, the Evening Standard, The Times.'Dazzling' Daily TelegraphWinter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. In Ali Smith's Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to her sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter. It's the season that teaches us survival. Here comes Winter. Recommendations: Review quote Cleverly constructed and elegantly written. It's both an engaging human story and a place for wider topical observations. Bring on Spring * Evening Standard * If Ali Smith's four quartets in, and about, time do not endure to rank among the most original, consoling and inspiring of the artistic responses to 'this mad and bitter mess' of the present, then we will have plunged into an even bleaker mid-winter than people often fear * Financial Times * Smith is a specialist by now in using a quizzical, feather-light prose style to interrogate the heaviest of material...throughout Winter, grief and pain are transfigured, sometimes lastingly, by luminous moments of humour, insight and connection.. -
Winter Ali Smith Bog PDF Epub
Winter Hent bøger PDF Ali Smith Winter Ali Smith Hent PDF Forlaget skriver: From the Baileys Prize-winning, Man Booker-shortlisted author of Autumn and How to be both . The unmissable second novel in Ali Smith's acclaimed 'Seasonal' quartet - a Christmas story like no other Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. In Ali Smith's Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to her sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter. It's the season that teaches us survival. Here comes Winter. Forlaget skriver: From the Baileys Prize-winning, Man Booker- shortlisted author of Autumn and How to be both . The unmissable second novel in Ali Smith's acclaimed 'Seasonal' quartet - a Christmas story like no other Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. -
1 Ali Smith Ali Smith's Fiction Demands of Its Reader Some Basic
Ali Smith Ali Smith’s fiction demands of its reader some basic requirements. Firstly, one must be the bearer of a sense of humour, and, if possible, a sense of the ludicrous, for we are everywhere treated to a stream of in-jokes and puns that reflect their author’s fondness for both whimsy and surreality. Secondly, one must give up any reliance on the conventions of narrative realism for though her works are often explicitly set in recognisably contemporary worlds, they rarely limit themselves to the visible parameters of social reality, preferring audacious imaginative flight over intricate description or plot trajectory. Finally, one needs to tune emotionally to the pitch of writing that while fearsomely clever is also hauntingly affecting. Smith does not manipulatively wring from her reader an emotional reaction to the heart-breaking concerns with loss, vulnerability, grief, and loneliness about which she often writes, rather through echoes and associations one comes obliquely to appreciate and empathise with the difficult work of being human that Smith captures. Armed with these prerequisites the reader can feel prepared to tackle one of the most innovative, thoughtful, and witty writers of her generation. Alison Smith was born in Inverness, Scotland on 24th August 1962 to an English father, who was an electrician, and a mother from the very north of Ireland, who worked as a bus conductress. The last of five children, Smith recalls a happy childhood but one in which she, as the youngest by seven years, spent much time amusing herself. She learned to read at the age of three and had devoured her siblings’ book collections before her teenage years. -
Fictive Institutions: Contemporary British Literature and the Arbiters of Value
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Samantha Purvis Fictive Institutions: Contemporary British Literature and the Arbiters of Value PhD – Literature University of East Anglia Literature, Drama and Creative Writing April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 ABSTRACT My thesis assesses the relationship between contemporary British literature and institutions. Literary culture is currently rife with anxieties that some institutions, such as prizes, exert too much influence over authors, while others, such as literary criticism, are losing their cultural power. As authors are increasingly caught up in complex, ambivalent relationships with institutions, I examine how recent British novels, short stories and ‘creative-critical’ texts thematise these engagements. My thesis mobilises Derrida’s term ‘fictive institution’, which marks the fact that institutions are self-authorising; they are grounded in fictitious or invented origins. Institutions, then, share with literary texts a certain fictionality. My project considers how Rachel Cusk, Olivia Laing, Gordon Burn, Alan Hollinghurst, and— most prominently—Ali Smith, have used the instituting or inventive power of fiction to reflect on the fictionality of institutions. Each chapter assesses how a different institution—academic criticism, public criticism, the book award and publishing— reproduces aesthetic discourses and values which my corpus of literary texts shows to be grounded in an institutional fiction. -
Ali Smith and Ovid
International Journal of the Classical Tradition https://doi.org/10.1007/s12138-019-00511-9 ARTICLE Ali Smith and Ovid Holly Ranger1 © The Author(s) 2019 In her Sebald Lecture for the British Centre of Literary Translation, Scottish author Ali Smith invoked Ovid to describe the simultaneous perils and delights encoun- tered when using the online tool Google Translate. She noted that the software ‘is not an Ovidian god … [although it ofers] the kind of pleasure that a writer like Ovid would surely have understood’; and on the conversion of Salman Rushdie to Salmon Residue by her computer’s spellcheck function, she joked that both Ovid and twenty-frst century electronic word processing programs remind us that ‘lan- guage can change us … even into another species’.1 Despite the extent and depth of Smith’s engagement with Ovid, few critics have pursued the link between the two writers, and fewer still have considered how Ovid crucially informs her oeuvre.2 The central focus of this essay is the many and varied efects of Ovid’s presence in three novels: Like (1997), Girl Meets Boy (2007) and How To Be Both (2014). Throughout interviews, public talks, and essays, the Roman poet is an abiding concern for Ali Smith. Interviewed on BBC Radio 4’s Desert Island Discs, she 1 A. Smith, ‘Loosed in Translation’, 2011 Sebald Lecture, British Centre for Literary Translation, Kings Place, London, 31 January 2011. Available at: http://www.bclt.org.uk/event s/sebal d-lectu re/sebal d-lectu re-2011 [accessed 17 February 2017]. My sincere thanks are extended to Tessa Roynon, who read earlier versions of this manuscript, and whose generosity and critical insight as an editor is acknowledged with gratitude. -
Autumn Novel
By the same author Free Love Like Other stories and other stories Hotel World The whole story and other stories The Accidental Girl Meets Boy The first person and other stories There but for the Artful Shire How to be both Public library and other stories This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2016 by Ali Smith All rights reserved. Published in the United States by Pantheon Books, a division of Penguin Random House LLC, New York. Originally published in hardcover in Great Britain by Hamish Hamilton, an imprint of Penguin Books Ltd., a division of Penguin Random House Ltd., London, in 2016. Pantheon Books and colophon are registered trademarks of Penguin Random House LLC. Grateful acknowledgment is made to the following for permission to reprint previously published material: Pan Books: Excerpt from Talking to Women by Nell Dunn, copyright © 1966 by Nell Dunn. Reprinted by permission of Pan Books. Penguin Books Ltd.: Excerpt from Metamorphosis by Ovid, translated by Mary M. Innes. Copyright © 1995 by Mary M. Innes. Reprinted by permission of Penguin Books Ltd. Wolverhampton Art Gallery & Museums: Excerpt from Pauline Boty: Pop Artist and Woman by Sue Tate, copyright © 2013 by Sue Tate. Reprinted by permission of Wolverhampton Art Gallery & Museums. Library of Congress Cataloging-in-Publication Data Name: Smith, Ali, [date] author. Title: Autumn / Ali Smith. Description: New York : Pantheon Books, [2017] Identifiers: LCCN 2016036972 (print). -
Dp - Ali Smith.Pdf
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Kateřina Štruncová Love, Alienation and Identity in Ali Smith’s Novels Master’s Diploma Thesis Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Acknowledgement I would like to thank my supervisor prof. Mgr. Milada Franková, CSc., M.A. for introducing me to the breathtaking world of Ali Smith’s novels and for her kindness and helpful guidance. Table of Contents 1 Introduction ………………………………………………………………………………………………… 1 2 Like …………………………………………………………………………………………………………… 4 3 Girl Meets Boy …………………………………………………………………………………………… 15 4 The Accidental …………………………………………………………………………………………… 25 5 Hotel World ……………………………………………………………………………………………… 38 6 There But For The ……………………………………………………………………………………… 48 7 Conclusion ………………………………………………………………………………………………… 57 Works Cited ………………………………………………………………………………………………… 59 Czech Resume ……………………………………………………………………………………………… 64 English Resume ………………………………………………………………………………………………65 1 Introduction This thesis analyzes the work of a Scottish writer Ali Smith, in particular all of her five novels that were published so far. Smith was born in Inverness in 1962, the fifth of five children. After school, Smith went to university at Aberdeen, then to Cambridge to study for a PhD, which she has never finished. After she gave up her job as a lecturer at University of Strathclyde, she began writing short stories and novels. Smith, openly gay, currently lives in Cambridge and avoids publicity. She says that she has always believed that an author must remain as anonymous as possible or risk impeding the fiction for her readers. Too much biographical information “diminishes the thing that you do” she says. “You have to remain invisible” (qtd. -
Century-Travelling, Gender-Bending Artists: a Comparison of the Artists in Woolf’S Orlando and Smith’S How to Be Both
Department of English Century-Travelling, Gender-Bending Artists: A Comparison of the Artists in Woolf’s Orlando and Smith’s How to Be Both Mikaela Wretman Lundgren English III BA Literature Autumn, 2016 Supervisor: Irina R. Goloubeva Abstract This essay primarily looks at the relationship between gender and art through history, by comparing the two main characters of Virginia Woolf’s Orlando (1928) and Ali Smith’s How to Be Both (2014), and their shared qualities of being gender-bending, century-travelling artists. The theoretical background to this comparison is Angeliki Spiropoulou’s (2010) theory on the shared opinion of Walter Benjamin and Virginia Woolf, on how art history is a constructed narrative, which, as Woolf has illustrated by her use of Orlando in Orlando, has favoured male artists over women artists and their work. My analysis of Woolf’s Orlando, and the subsequent analysis of the artist Fransescho del Cossa’s role in How to Be Both shows that Smith’s similar use of century-travelling and gender-bending in her character reinforces Woolf’s point that artistry has been unfairly gendered throughout history, and that this has slowly changed towards a larger acceptance of women artists. Furthermore, How to Be Both especially highlights the importance of understanding historical accounts as constructed narratives, by making the reader question who the narrator behind Fransescho’s story is. Each novel also shows the importance which clothes have in marking a person’s gender, and therefore the characters are directly affected in their artistry depending on the clothes they wear. Moreover, this essay shows that both novels have a similar perspective on the creativity process, with both of their characters detaching themselves from their own gender identity when creating art through painting and writing. -
The Return of Modernism: an Analysis of the Relation Between the Metamodernist Debate and Two Novels by Ali Smith
The Return of Modernism: An Analysis of The Relation between the Metamodernist Debate and Two Novels by Ali Smith Dewi Beulen Radboud University Nijmegen Supervisor: Dr Usha Wilbers MA Thesis 15 July 2019 Beulen S4201582/1 Acknowledgements I would like to take this opportunity to thank my supervisor Usha Wilbers. I could not have written this thesis without her help and support. It was a pleasure to work together and the positivity during our meetings helped me with all my doubts and struggles during the writing of this thesis. I would also like to thank her for teaching the course The Imitation Game, which inspired me to research the return of modernism in more detail and introduced me to Ali Smith, who has definitely become one of my favourite contemporary authors. Beulen S4201582/2 Abstract The aim of this master’s thesis is to add to research for the metamodernist debate, by analysing how two twenty-first century novels by Ali Smith, Hotel World (2001), and How to Be Both (2014) relate to the modernism of the twentieth century. For this research, author research on Ali Smith, a close analysis of both her novels, and reception research will be carried out in order to analyse whether the author profiles herself as modernist, and if this can be seen in both the novels themselves and the reception. In order to outline the metamodernist debate, Tim Vermeulen and Robin van den Akker’s, as well as David James and Urmila Seshagiri’s articles and book on metamodernism will be discussed. Bourdieu’s theories will also be used in order to explain the importance of reception research.