BIO NEEDTOBREATHE Into the Mystery
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YLO89 Magazine
•YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
09-18-2007 Panorama Preparing for Switchfoot & Anberlin SWOSU Concert
Panorama Preparing for Switchfoot & Anberlin SWOSU Concert 09.18.2007 Southwestern Oklahoma State University’s Panorama Committee has planned a major outdoor concert for Thursday, October 4, on the Weatherford campus. Bands Switchfoot and Anberlin, both popular bands among college/high school students and young adults, will be featured at the 7:30 p.m. concert at Milam Stadium on the SWOSU campus. Committee member Kevin Bartel, who is director of the SWOSU Fine Arts Center/ Conference Center, has been working with a professional production company to provide stage, lighting and video components equal to events that occur at major concert venues. “We are working to make this a special night for everyone,” Bartel said. “The Panorama Committee wanted to provide a quality setting for this event.” Ticket sales have been going very good, according to SWOSU Panorama Committee Chair Brian Adler. Advance tickets are $20 for SWOSU students and $25 for non- SWOSU students. Advance tickets for groups of 15 or more are $20. All tickets at the door will be $30. Tickets are available at the SWOSU Public Relations & Marketing Office, Room 205 of the Administration Building, and at the SWOSU Business Office, Room 109 of the Administration Building, both on the Weatherford campus. Tickets are also available on the SWOSU campus at Sayre in the Business Office. Tickets can also be purchased with a credit card by calling 580.774.3019. Switchfoot of San Diego, Calif., is an alternative rock band known for its energetic live shows that bring together secular and Christian rock audiences. The band’s name, a surfing term, reflects its members’ dedication to taking a new stance within the rock music community. -
A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact
CHRISTIAN CROSS-OVER SONGWRITING 1 A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact Paul Malhotra A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 CHRISTIAN CROSS-OVER SONGWRITING 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ John D. Kinchen III, D.M.A. Thesis Chair ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Mr. Don Marsh, M.S. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date CHRISTIAN CROSS-OVER SONGWRITING 3 Abstract A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness to impact the culture while adhering to a biblical worldview. CHRISTIAN CROSS-OVER SONGWRITING 4 A Survey of Christian Cross-Over Songwriting An exploration of Christian cross-over music can provide an objective framework for evaluating songs and developing guidelines for Christian songwriters so they can enhance their effectiveness in communicating with their audiences. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Southern Grown Festival Guide
FOOD, DRINK W MUSIC FESTIVAL : GUIDE: August 31-September 2, 2018 PRESENTED BY 2018 MEDIA PARTNER SouthernGrown.com • #sogroseaisland Table of contents 4 SCHEDULE OF EVENTS 6 MAPS 8 CHEFS & FOOD TRUCK FARE 10 ARTISANS 12 HOW TO BE A SOUTHERNER 14 MUSIC 17 HUSH PUPPIES RECIPE 19 TICKETS & PRICING 21 COCKTAIL RECIPE 22 KEY LIME PIE RECIPE 23 SOUTHERN GROWN COMMITTEE 24 SPONSORS Share the fun of Southern Grown– #sogroseaisland 2 August 31, 2018 Welcome to Sea Island! This year’s Southern Grown Weekend promises to be full of fun and engaging experiences. As in the past, we come together to celebrate all things Southern, and this year, with our “How to Be a Southerner” workshops and demonstrations, we can brush up on our ability to tie a bow tie and shuck an oyster, or explore new tips for preparing southern cuisine and cocktails. The musical side of things will no doubt be a winner as well, starting with Garden & Gun’s Kick-off Dinner and a Show on Friday with Nashville-based Drew Holcomb and The Neighbors. The musical highlight of the weekend occurs on Saturday night when the Grammy®-nominated band NEEDTOBREATHE takes the stage. We appreciate the support and involvement of our sponsors, partners, and volunteers in planning and staging this year’s event. Thanks also go to every Sea Island team member who has helped make this weekend a reality. As they have for almost 90 years, they are providing the genuine, Southern hospitality for which Sea Island is known. Thank you for being part of this year’s festival. -
KALIE SHORR Artist
WHAT’S THIS ALL ABOUT? I hate these lists. How can you possibly Some of these names are just getting decide definitively who belongs? I’ll tell you warmed up, and while this may be the first how we decided. An anonymous panel of time you hear of them, it certainly won’t be Nashville industry leaders was assembled the last. (including leaders, legends and pioneers) to submit potential names. A second This list includes artists, songwriters, anonymous panel made the final selections. producers, publishers, managers, agents, publicists, and entrepreneurs. The future’s This list is about shining a light on those looking bright here in Nashville! who accomplished amazing things in 2020, despite a global pandemic, and those who we believe will continue to inspire in 2021. LET’S DIVE IN! Some of these names are established players who have already earned #1 songs, worked closely with the biggest acts in Nashville, and one was even trusted with keeping secrets related to Ed Sheeran. Zak Kuhn FOUNDER OF THE NASHVILLE BRIEFING WWW.THENASHVILLEBRIEFING.COM Page 1 ALEX GOODMAN Artist Manager - Dylan Brady // Director of Digital Media and Strategy at Riser House Entertainment (Age 27) Alex Goodman manages Nashville recording artist Dylan Brady. While still living in New York, Goodman navigated deals for Brady with Sony/ATV Nashville and Barry Weiss’ RECORDS. In 2018, he moved to Nashville to oversee Brady’s career. In addition to his management role, he also heads up Digital Media and Strategy for Riser House Entertainment, working with artists such as Mitchel Tenpenny, Dillon Carmichael, and Megan Patrick. -
An Interview with Jon Foreman
December 2011 All things concerning MYC this month. CONNECT Get connected. “It's the simple, humble kid who's faithful and attentive to the Holy Spirit-- that's where it begins.” AN INTERVIEW WITH JON FOREMAN I recently read an article in Group more introspective-maybe the song possess, you know? That analogy plays out magazine that was an interview with Jon becomes a vehicle to discuss things you in other ways-a girl who's incredibly good- Foremen, the frontman for Switchfoot. I otherwise couldn't talk about. And that's looking will be cursed with that all her life thought you guys would enjoy reading some where I am at today,using the transcendence unless she learns there's more to her life. of it, so here it is: of music to be more honest than I would be When I look at culture, I see we have so in a conversation. I would say I write songs many gifts given to us that allow us to be Interviewer: What role has music had in about the things I don't understand, and the lazy. I've heard it said that any culture that forming your identity as a follower of Christ? biggest mysteries to me are probably makes ease its goal has already begun its Foreman: Music has been an integral part of women, deity, and politics. demise-I can't think of any nation where this my life ever since I can remember. When I would more relevant that my own. The Interviewer: In "Vice Verses" there's the lyric: was a kid I just loved the way that it felt to United States has become the culture of "Every blessing comes with a set of curses." listen to music. -
An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 8-21-2019 An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Music Business Commons An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts By Megan Marie Carlan Arts and Entertainment Management Dr. Theresa Lant Lubin School of Business August 21, 2019 Abstract Ranging from inspirational songs void of theological language to worship music imbued with overt religious messages, Contemporary Christian Music (CCM) has a long history of being ill-defined. Due to the genre’s flexible nature, many Christian artists over the years have used vague imagery and secular lyrical content to find favor among mainstream outlets. This study examined the most recent ten-year period of CCM to determine its ability to cross over into the mainstream music scene, while also assessing the impact of its lyrical content and genre on the probability of reaching such mainstream success. For the years 2008-2018, Billboard data were collected for every Christian song on the Hot 100, Hot Rock Songs, or Hot Country Songs in order to detect any noticeable trend regarding the rise or fall of CCM; each song then was coded for theological language. No obvious trend emerged regarding the mainstream success of CCM as a whole, but the genre of Rock was found to possess the greatest degree of mainstream success. Rock also, however, was shown to have a very low tolerance for theological language, contrasted with the high tolerance of Country. -
Volume 40 - Issue 18 - Friday, February 11, 2005
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Winter 2-11-2005 Volume 40 - Issue 18 - Friday, February 11, 2005 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 40 - Issue 18 - Friday, February 11, 2005" (2005). The Rose Thorn Archive. 238. https://scholar.rose-hulman.edu/rosethorn/238 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY T ERRE HAUTE, INDIANA Friday, February 11, 2005 Volume 40, Issue 18 News Briefs Midgley reveals new budget By Angela Smiley Bob Schulein year, the lowest increase in the tions were or will be eliminated the changes will be delivered Co-Editor-in-Chief past ten years. -
NEEDTOBREATHE-Bio-May-2016
South Carolina rock band NEEDTOBREATHE has seen their fair share of ups and downs over the course of their career, but their latest chapter left them on a particularly high note unmatched by any of their previous work. Their blockbuster 2014 album Rivers In the Wasteland landed the band their first-ever Grammy Award nomination, topped Billboard’s Top Rock Albums and Top Alternative Albums charts, and earned their highest-charting single yet with the RIAA Gold- Certified Top 10 hit “Brother (feat. Gavin DeGraw).” But when it came time to record its follow- up, the Charleston, South Carolina-based band decided to completely alter their creative approach and break into entirely new sonic terrain. Building off the impassioned, anthemic alt-rock dynamic that’s come to define the band, brothers Bear Rinehart (vocals, guitar) and Bo Rinehart (guitar, vocals), bassist/vocalist Seth Bolt, and keyboardist/vocalist Josh Lovelace brought their sixth studio album H A R D L O V E to life by delving into the world of electronic effects and instrumentation. The result: a sublimely crafted and expansive sound that still reflects the larger-than-life intensity of NEEDTOBREATHE’s unforgettable live show. With its lavish arrangements and sweeping melodies, H A R D L O V E radiates an unbridled energy that’s got much to do with the pure joy that powered the making of the album. “Working with synth for the first time, there was a sense of wonder that was almost mystical,” says Bo. “It was like when we first picked up our guitars and every chord we were striking had this huge impact on us.” Adds Bear: “The unfamiliarity led us to rely totally on feeling, and we all felt inspired in a whole new way.” Along with dreaming up that vital new sound, NEEDTOBREATHE instilled each of the songs on H A R D L O V E with a resolutely hopeful spirit. -
NEEDTOBREATHE out of Body Bio and Boiler
Childhood exemplifies the pinnacle of freedom. Long before the insecurities, responsibilities, and doubts of adulthood set in, life presents a sea of endless possibilities and boundless wonder on a daily basis. This doesn’t have to change with age though. NEEDTOBREATHE reflect the freedom of youth on their seventh full-length offering, Out of Body [Elektra Records]. The GRAMMY® Award-nominated platinum-certified South Carolina trio—Bear Rinehart [vocals, guitar], Seth Bolt [bass, vocals], and Josh Lovelace [keys, vocals]—examine life, family, and friends through a youthful prism. The guys take stock of not only two decades as a band, but also first-time fatherhood and the future over a rich soundtrack of soulful rock with stadium-size scope and poetic intimacy. “Looking at my sons, I’m constantly reminded to be in the moment,” admits Bear. “I’m competitive. I think too far down the road a lot. Then, it’s funny and eye-opening when you see a two-year-old naked in the yard with zero insecurities. As a parent, I try to grow as a person. I could be pretty neurotic before. Every time I’d walk into a room, I’d wonder if I was enough. I identified these survival mechanisms and began to see how many of them were keeping me from joy. All of these questions led me to write songs about pushing through that layer and getting to my authentic self. Seeing my children gives me a roadmap of where I should be.” “We’ve experienced a lot of fresh inspiration,” adds Seth.