DOCSLIB.ORG

Tattoo Narratives and Counseling Danny Lane Mccarty University of Arkansas, Fayetteville

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tattoo Narratives and Counseling Danny Lane Mccarty University of Arkansas, Fayetteville University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2019 Tattoo Narratives and Counseling Danny Lane McCarty University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Behavior and Behavior Mechanisms Commons, Counseling Psychology Commons, Counselor Education Commons, and the Personality and Social Contexts Commons Recommended Citation McCarty, Danny Lane, "Tattoo Narratives and Counseling" (2019). Theses and Dissertations. 3344. https://scholarworks.uark.edu/etd/3344 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Tattoo Narratives and Counseling A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Counselor Education and Supervision by Danny L. McCarty University of South Alabama Bachelor of Arts in Psychology, 2012 University of South Alabama Master of Science in Clinical Mental Health Counseling, 2015 August 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. _________________________________ David D. Christian, Ph.D. Dissertation Chair _________________________________ _________________________________ Erin K. Popejoy, Ph.D. Kristin K. Higgins, Ph.D. Committee Member Committee Member _________________________________ Merry Lynn Moiseichik, R.Ed. Committee Member ABSTRACT Much research has been done on tattoos and on those who acquire them, but most of the research has focused on negative correlations that might exist with people who have tattoos. This current research, however, showed that people’s tattoo narratives can relate to how they view self, others, and the world, and to how they approach life. A narrative approach to qualitative research was used, and ten people participated in the study. Participants’ views of self, others, and the world were discussed as these views emerged from the narratives. Their possible approaches to life were also addressed. Themes that emerged across participants were then considered. Implications for counseling practice and counselor education were also discussed. ©2019 by Danny L. McCarty All Rights Reserved ACKNOWLEDGEMENTS I thank my family. Angela McCarty: Thank you for being my wife and soulmate; you stand by me through all the storms life sends; you encourage me in my weaknesses; your precious love is intoxicating; you embolden my determination; thank you for our lovely conversations; thank you for your support and love and faith. Eliana McCarty, I thank God for giving me daughters as wonderful as you and your sister. Thank you for all the courage-hugs you gave me while I worked on my dissertation. I love you so much, always and forever, no matter what. Larry McCarty, I am honored to have you as my brother. And you are always on my heart. Darryl and Pam McCarty, thank you for being such loving and supportive parents. Uncle James Tripp, I also thank you. Jason Bradford, your friendship is worth more than gold. I thank my dissertation committee—Drs. David Christian, Erin Popejoy, Kristin Higgins, and Merry Moiseichik. Thank you, Dr. Christian, for encouraging, mentoring, and training me. Thank you for your faith and confidence. I am incredibly indebted to you. Dr. Popejoy, thank you for your invaluable guidance on narrative research. Dr. Higgins, thank you for your positivity concerning my research. Dr. Merry, thank you. I will never forget your words of encouragement that night on the river expedition. It was a turning point for me. Drs. Lisa A. Turner, Tres Stefurak, Brandon Browning, Amy Upton, John Dagley, and Allan Hillman, thank you for believing in me and encouraging me to go all the way. To all the professors who invested in me, know that I will express my gratitude for you every day through my kindness, patience, faith, and love toward my clients and students. To all the participants: You made this dissertation possible. Thank you for your willingness to share your stories. I am honored that you opened up to me. DEDICATION I dedicate this dissertation to my big brother, Dennis Clay McCarty. I miss you so much. My soul still screams for you. This dissertation marks the end of the journey I embarked on after you died. God has since given me two daughters, and I dedicate the rest of my life to them. TABLE OF CONTENTS CHAPTER ONE: INTRODUCTION ......................................................................................... 1 NEED FOR THE STUDY .................................................................................................................. 3 PURPOSE OF THE STUDY ............................................................................................................... 4 RESEARCH QUESTIONS ................................................................................................................ 5 POSITIONS AND BIASES ................................................................................................................ 5 REFLEXIVITY ............................................................................................................................... 7 LIMITATIONS ................................................................................................................................ 8 DEFINITION OF TERMS ................................................................................................................. 8 CHAPTER TWO: LITERATURE REVIEW ............................................................................ 9 A THEMATIC HISTORY OF TATTOOS ............................................................................................ 9 The Ubiquity of tattoos............................................................................................................ 9 The Taboo of Tattoo .............................................................................................................. 11 Pathology in Academic Research ......................................................................................... 14 The Reemergence of Tattoos ................................................................................................. 16 MOTIVATIONS FOR BECOMING TATTOOED ................................................................................ 19 Overview of Motivations ....................................................................................................... 20 No Motivating Factors .......................................................................................................... 21 FUNCTIONS OF TATTOOS ............................................................................................................ 22 Overview of Functions .......................................................................................................... 22 Pain in the Process ............................................................................................................... 23 Creating Meaning ................................................................................................................. 24 View of Self and Others......................................................................................................... 25 Communicative Power of Tattoos ......................................................................................... 26 ARRIVING AT NARRATIVE .......................................................................................................... 27 CHAPTER THREE: RESEARCH METHODS AND PROCEDURES ................................ 30 NARRATIVE INQUIRY ................................................................................................................. 30 THEORETICAL LENSES ............................................................................................................... 32 Adlerian Theory .................................................................................................................... 32 Social Constructivism ........................................................................................................... 35 RESEARCH QUESTIONS .............................................................................................................. 35 PARTICIPANTS ............................................................................................................................ 36 Selection ................................................................................................................................ 36 INSTRUMENTS ............................................................................................................................ 37 DATA COLLECTION PROCEDURES .............................................................................................. 38 Informed Consent .................................................................................................................. 38 Contact and Interview Process ............................................................................................. 39 DATA ANALYSIS ........................................................................................................................ 40 Phase One: Listening and Experiencing............................................................................... 40 Phase Two and Three: Transcribing and Interpreting ........................................................
Load more

Recommended publications
  • PM0705-38 Pgsc4,C1-11.Qxd
    ★ BILLET TATTOO ★ WILDWOOD TATTOO BASH ★ THE TATTOO SHOPPE ★ BUYER’S GUIDE FOR BODY MODIFICATION PROFESSIONALS NOVEMBER 2018 #198 USA $10.00 Canada $10.00 Publications Mail Agreement #40069018 staff NOVEMBER Publisher Ralph Garza ISSUE 198 ISSUE Editor-In-Chief R Cantu Account Executive Jennifer Orellana [email protected] 505-332-3003 Managing Editor 12 Sandy Caputo [email protected] Feature: SOM 20 No Ragrets Art Director 16 Jason Bourne [email protected] Hidden Los Ask Angel Angeles Contributing Writers 18 Elayne Angel David Pogge Art Gallery: Austin Ray Darin Burt Hidden Los Angeles Tanya Madden PAIN Favs 25 26 The Tattoo Feature: Executive Assistant PAIN Favs 22 Shoppe Inking the Deal Richard DePreist [email protected] 30 505-275-6049 Billet Tattoo Spotlight: Artist Profile 36 Body Art Solutions Nate Laird 34 9901PAIN MagazineAcoma Rd. SE Spotlight: Albuquerque, NM 87123 H2Ocean [email protected] General Inquiries: 38 [email protected] Best Business www.painmag.com Shows Card Contest www.facebook.com/painmagazine 31 Subscriptions: [email protected] Wildwood Tattoo 40 PAINful Classic: Printed in Canada Beach Bash Beer Recommendations Publications Mail Agreement #40069018 Return undeliverable Canadian addresses to: 737 Moray St., Winnipeg MB, Canada, R3J 3S9 advertisersindex contacts 505-275-6510 Fax Baller Inc. DC Tattoo Expo 19 Needlejig 27 505-275-6049 Editorial Body Art Solutions 41 Painful Pleasures 5, 13 cover sponsor Body Shock 11 Papa Tattoo Supply 6 CHAMPS Trade Show 42 Papillons Tattoo Supply 7 Since 2001,H2Ocean H2Ocean has been the world leader DASH Medical Supplies 3 PPIB 24 in tattoo and body piercing aftercare.
    [Show full text]
  • PM0705-38 Pgsc4,C1-11.Qxd
    ★ BALTIMORE TATTOO ARTS ★ MATEO SIGWERTH ★ ATLANTA’S SILVER FOX TATTOO ★ BUYER’S GUIDE FOR BODY MODIFICATION PROFESSIONALS JULY 2018 #194 USA $10.00 Canada $10.00 Publications Mail Agreement #40069018 staff JULY Publisher Ralph Garza ISSUE 194 ISSUE Editor-In-Chief R Cantu Account Executive Jennifer Orellana [email protected] 505-332-3003 Managing Editor Sandy Caputo [email protected] Art Director SOM Remy [email protected] 14 12 Silver Fox Tattoo Show Feature: Contributing Writers Tiny Homes Elayne Angel David Pogge 16 Austin Ray Darin Burt Tanya Madden Spotlight Ask Angel 34 Show Expo 34 Executive Assistant 30 Spotlight: Richard DePreist [email protected] Neilmed 505-275-6049 Baltimore Tattoo 38 Arts Convention Artist Gallery Baltimore Tattoo 9901PAIN MagazineAcoma Rd. SE Arts Convention Albuquerque, NM 87123 [email protected] 40 General Inquiries: PAINful Classic: [email protected] www.painmag.com Everyone Loves Pub Subs www.facebook.com/painmagazine Artist Profile Subscriptions: [email protected] 36-37 Printed in Canada Mateo Sigwerth Publications Mail Agreement #40069018 Return undeliverable Canadian addresses to: 737 Moray St., Winnipeg MB, Canada, R3J 3S9 advertisersindex contacts 505-275-6510 Fax Body Art Solutions 41 Nat-A-Tat2 39 505-275-6049 Editorial Body Shock 11 Needlejig 27 cover sponsor Desert Palms Emu Ranch 17 Neilmed Aftercare Front Cover 34 Eternal Ink 4 Painful Pleasures 5, 13, 29, Inside Back Cover NeilMed NeilcleanseNeilmed Piercing Aftercare saline spray is Face and Body 35 Papa Tattoo Supply 6 isotonic, drug free, preservative free, no burning or stinging. Sterile saline solution that cleanses minor Exposed Temptations Tattoo New Artist 21 Papillons Tattoo Supply 7 wounds and scrapes without any burning or stinging.
    [Show full text]
  • Copyright Protection for Tattoos: Are Tattoos Copies? Michael C
    Notre Dame Law Review Volume 90 | Issue 4 Article 12 5-2015 Copyright Protection for Tattoos: Are Tattoos Copies? Michael C. Minahan Follow this and additional works at: http://scholarship.law.nd.edu/ndlr Part of the Intellectual Property Commons Recommended Citation Michael C. Minahan, Copyright Protection for Tattoos: Are Tattoos Copies?, 90 Notre Dame L. Rev. 1713 (2014). Available at: http://scholarship.law.nd.edu/ndlr/vol90/iss4/12 This Note is brought to you for free and open access by the Notre Dame Law Review at NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. \\jciprod01\productn\N\NDL\90-4\NDL412.txt unknown Seq: 1 11-MAY-15 13:41 COPYRIGHT PROTECTION FOR TATTOOS: ARE TATTOOS COPIES? Michael C. Minahan* You put a tattoo on yourself with the knowledge that this body is yours to have and enjoy while you’re here. You have fun with it, and nobody else can control (sup- posedly) what you do with it. —Don Ed Hardy1 INTRODUCTION The practice and ritual of tattooing human skin has existed in all parts of the world and in most cultures for thousands of years.2 The modern his- tory of tattooing in Western cultures can be traced to the voyages of Captain James Cook to the South Pacific, where sailors encountered various Polyne- sian tribes among which tattooing was, and remains today, an important cul- tural practice and spiritual ritual.3 When these sailors, many of whom had adorned their bodies with tattoos, returned to Europe, they ignited an inter- est in tattooing known as the “tattoo rage,” which spread through nineteenth- century Europe.
    [Show full text]
  • Ink Master: Angels': New, All-Women Series Is "Inspiring," Showrunner Says by Amanda Buckle June 2017
    https://mic.com/articles/178923/ink-master-angels-new-all-women-series-is-inspiring- showrunner-says#.q1nb1r7bX 'Ink Master: Angels': New, all-women series is "inspiring," showrunner says By Amanda Buckle June 2017 Ink Master alums Ryan Ashley, Kelly Doty, Nikki Simpson and Gia Rose are here to stay. The tattoo artists proved to be top competitors in season eight of the Spike reality series and in March, the network announced that the women would be returning for their own one-hour special, Ink Master: Angels. On Monday Spike revealed that the special has now been turned into a series. Ink Master: Angels will consist of 10 episodes and debut this fall. The series will follow Ryan, Kelly, Nikki and Gia as they "travel the country and go head-to- head with some of America's most talented tattoo artists." The twist is that the competitors facing the four women will be fighting for a spot on season 10 of Ink Master, which will debut in 2018. The announcement doesn't come as a big surprise as Ink Master pulled in a 57% female audience for its eighth season — the largest number of female viewers in franchise history. The eighth season also crowned Ryan Ashley as its first female winner. For Ink Master showrunner and executive producer Andrea Richter, the idea to bring the women back came together "pretty quickly." "It's interesting having been there and filmed them for the first time and seeing all of them meet for the first time and bond," Richter said. "I think it was an obvious choice.
    [Show full text]
  • Matilda-Playbill-FINAL.Pdf
    We’ve nevER been more ready with child-friendly emergency care you can trust. Now more than ever, we’re taking extra precautions to keep you and your kids safe in our ER. AdventHealth for Children has expert emergency pediatric care with 14 dedicated locations in Central Florida designed with your little one in mind. Feel assured with a child-friendly and scare-free experience available near you at: • AdventHealth Winter Garden 2000 Fowler Grove Blvd | Winter Garden, FL 34787 • AdventHealth Apopka 2100 Ocoee Apopka Road | Apopka, Florida 32703 Emergency experts | Specialized pediatric training | Kid-friendly environments 407-303-KIDS | AdventHealthforChildren.com/ER 20-AHWG-10905 A part of AdventHealth Orlando Joseph C. Walsh, Artistic Director Elisa Spencer-Kaplan, Managing Director Book by Music and Lyrics by Dennis Kelly Tim Minchin Orchestrations and Additional Music Chris Nightingale Presenting Sponsor: ADVENTHEALTH VIP Sponsor: DUKE ENERGY Matilda was first commissioned and produced by the Royal Shakespeare Company and premiered at The Courtyard Theatre, Stratford-upon-Avon, England on 9 November 2010. It transferred to the Cambridge Theatre in the West End of London on 25 October 2011 and received its US premiere at the Shubert Theatre, Broadway, USA on 4 March 2013. ROALD DAHL’S MATILDA THE MUSICAL is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. 423 West 55th Street, New York, NY 10019 Tel: (212)541-4684 Fax: (212)397-4684 www.MTIShows.com SPECIAL THANKS Garden Theatre would like to thank these extraordinary partners, with- out whom this production of Matilda would not be possible: FX Design Group; 1st Choice Door & Millwork; Toole’s Ace Hardware; Signing Shadows; and the City of Winter Garden.
    [Show full text]
  • Evaluation of Tattoo Artists' Perceptions of Tattoo Regulations in the United States
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2016 Evaluation of Tattoo Artists' Perceptions of Tattoo Regulations in the United States Jessica L.C. Sapp Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Health Services Administration Commons, and the Other Public Health Commons Recommended Citation Sapp, Jessica L.C., "Evaluation of Tattoo Artists' Perceptions of Tattoo Regulations in the United States" (2016). Electronic Theses and Dissertations. 1410. https://digitalcommons.georgiasouthern.edu/etd/1410 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. EVALUATION OF TATTOO ARTISTS’ PERCEPTIONS OF TATTOO REGULATIONS IN THE UNITED STATES by JESSICA LOUISE CREWS SAPP (Under the Direction of Robert Vogel) ABSTRACT Background: With the increasing popularity in recent years, tattoos are no longer considered taboo but rather becoming a mainstream mode of self-expression so the inherent risks associated with tattooing could have a greater impact on the public’s health. Objective: The study aims to gain an understanding and describe the perceptions and opinions of tattoo artists
    [Show full text]
  • For Immediate Release XX August 2014 the COLOURS of INK
    For Immediate Release XX August 2014 THE COLOURS OF INK Important Solo Exhibition oF Modern Ink Master T’ang Haywen "Painting is the embodiment of energy” T’ang Haywen T'ang Haywen in his studio in the 1980s | Courtesy of de Sarthe Gallery HONG KONG. – de Sarthe Gallery is proud to present The Colours of Ink - a solo exhibition of important Chinese painter T’ang Haywen (1927 – 1991). From ink to oil, T’ang Haywen’s gestural paintings imbue the pictorial space with flagrant yet subtle energy – simultaneously dynamic, textured, unrestrained and expressionist. An important figure in Modern ink, T’ang Haywen belongs to the group of Chinese painters who settled in Paris after World War II and represents the third and final chapter of this generation of canonical artist expatriates. The Colours of Ink assembles extremely rare masterpieces by T’ang Haywen and is part of the curated programme of de Sarthe Gallery providing local and international audiences with institutional level shows in Hong Kong. The exhibition runs from 18th September – 18th October 2014. T’ang Haywen received no formal training in art, having moved to Paris in 1948 to pursue a career in medicine. Once in France however, T'ang soon began to pursue his long-held ambition to be a painter by fully immersing himself into the cultural environment of the time. This has set him apart from his contemporaries in Paris, Chu Teh-Chun and Zao Wou- Ki, who studied under Lin Fengmian whilst the sources of T’ang Haywen’s art are to be found in the teachings of traditional Chinese calligraphy and Daoist principles.
    [Show full text]
  • Download Catalogue
    ARTWORK * AUTOGRAPHS & DOCUMENTS ELIZABETH’S AUCTIONS Sale 151 Ephemera and Books Monday, March 19, 2018 at 6:00PM The Auburn Elks 754 Southbridge St., Auburn, Mass. Preview: 3:00PM to 6:00PM LOT DESCRIPTION PRINTS * HISTORICAL ARCHIVES * SHEET MUSIC * BILLHEADS & LETTERHEADS * TRADE HISTORY* THE SALE WILL BEGIN WITH PICK LOTS OF BOOKS AND OTHER MILITARY * CIVIL WAR * PAMPHLETS * POSTERS * UNCATALOGUED INTERESTING MATERIAL . ADVERTISING * POSTAL HISTORY * PHOTOGRAPHS TRAVEL * MANY LARGE LOTS OF POSTCARDS 001 [Abraham Lincoln (3)] Three prints: “Abraham Lincoln,” ___________________________________________________________ Published by William Smith, Philadelphia. Large folio lithograph, 22”x28.” ca 1861. * “Death of President Lincoln. At Washington D.C., 010 American postcards (450-500). New England city and town April 15, 1865.” Currier and Ives, NY, 1865. Medium folio, 16”x12”. views, holidays, topicals including ships, expositions, realphoto, etc. Mild damp stains. * Novelty portrait of Lincoln, by N. Chasin. 16”x18”. Early to linen periods. Fine. (est. $100-150) Figural details composed of words from speeches. Cropped.* Must be seen. (est. $100-150) 011 American postcards (300-325). New England local views, including Massachusetts, New Hampshire, and Connecticut; holiday and 002 [Abraham Lincoln] “The Nation in Tears, In Memoriam.” topical cards. Early and white-border periods. VG overall. Music by Konrad Treuer, Words by R.C. ca 1865 by W. Jennings (est. $100-150) Demorest. 9.5”x11.5” folio sheet with large wood-cut portrait of Lincoln. Archival tape repairs. Must be seen. (est. $125-175) 012 American postcards (425-450). US local views, holidays, exposition and transportation topicals. Early to chrome periods. Fine. 003 Action Comics, illustration art.
    [Show full text]
  • UW-River Falls Student and Professor Team up to Conduct Research on Turtles
    SPORTS, PAGE 6 NEWS, PAGE 3 ETCETERA, PAGE 8 Athlete of the Week: River Falls Public Library offers variety of ‘The Girl on the Train’ Trenton Monson free resources fails to live up to advertised hype University of Wisconsin River Falls TUDENT OICE OctoberS 14, 2016 www.uwrfvoice.com V Volume 103, Issue 4 Student’s innovation helps paraplegic horseback riders Tori Schneider Falcon News Service When UW-River Falls senior Shanna Bur- ris, an equine management major, got accept- ed into the McNair Scholars Program, she knew she wanted to help paraplegic horse- back riders. Her first step was to survey paraplegic rid- ers to find out what they needed the most. Then she created a hoist that can lift a saddle onto a horse. Other obstacles paraplegic riders may face when getting ready to ride a horse are already taken care of with wheelchair ramps and lifts to place them on the animals. However, with- out Burris’ hoist, these riders need someone else to maneuver the saddles for them. “Knowing this population and knowing some of the struggles that they go through try- ing to tack up their own horse and how benefi- cial riding is to them, I wanted to figure out a way to make it more accessible and help them be more independent,” Burris said. Burris is a non-traditional student. She has worked in health care for many years and was inspired by the many lifts used to move pa- tients. Her research and the hoist were presented at a symposium at the University of Califor- nia-Berkeley this past summer.
    [Show full text]
  • Local Tattoo Artist Competing on Ink Master, Premiere Tonight
    Local tattoo artist competing on Ink Master, premiere tonight Posted by TBN_News On 06/23/2015 Spike TV’s hit original series “Ink Master” returns for a sixth season starting Tuesday, June 23 at 10 pm ET/PT, and this time it’s best to ‘know your enemy.’ Eighteen tattoo artists from around the country will battle it out in permanent ink and sometimes with each other for a $100,000 grand prize, an editorial feature in Inked and, of course, the bragging rights title of ‘Ink Master.’ This season it’s not just about the rivalries the artists create during the competition, each contestant comes with their own personal tattoo rival – their master or apprentice. But before the season premiere, tune in an hour earlier at 9pm ET/PT for an elite battle of tattoo artist heavyweights as four “Ink Master” winners collide in a first-time-ever special to prove they are the “best of the best.” Egos clash as Steve Teft ( Season 2), Joey Hamilton (Season 3), Scott Marshall (Season 4) and Jason Clay Dunn (most recent winner of Season 5) compete in extreme challenges and create insane art to capture a second and the penultimate “Ink Master” victory. In the season premiere entitled “Meet Your Maker” at 10pm ET/PT, former tattoo apprentices battle their masters to prove that they are the best. For the first tattoo, the playing field is leveled when the Judges blind critique the tattoos. In addition, one of the most controversial artists returns and a twist in the competition has the contestants rattled.
    [Show full text]
  • The Chronicle
    The Chronicle 76th Year, No. 38 Duke University, Durham, North Carolina Tuesday, October 21, 1980 Carter, Reagan to debate before election Format approved By Terence Smith apparently had expected. Roast "We offered to meet them < 1»80 NYT News Service beef and turkey sandwiches anytime, anyplace." he said, WASHINGTON — Negotiators were brought in as the talks "but they clearly are not for President Carter and Ronald dragged on through the interested in allowing George Reagan agreed Monday on a afternoon. Bush to debate Vice President format for a presidential debate, Using the 1976 debates Mondale." Later Moe speculated but failed in more than four between Carter and Gerald R. that the Reagan camp was hours of discussions to settle on Ford as a model, the two sides concerned that such a debate a mutually acceptable place and agreed that the candidates would tend to emphasize "the date. would be questioned by a panel differences on the issues" Both sides, however, of newsmen. Time will be between the Republican predicted that the remaining provided for rebuttal by each of candidate and his running differences would be resolved the candidates and follow-up mate. and that the two candidates questions from the reporters. Baker contended, however, Annamaria's 'Bat' would meet in a nationally Despite public suggestions that it was more a problem of televised encounter before from Carter that he would favor scheduling. "We can't afford to Nov. 4. a more free-wheeling debate in take Bush off the campaign dead at 58 which the candidates could trial for several days while "We offered them any date question each other directly, Governor Reagan isoff as well." By Jordan Feiger place.
    [Show full text]
  • This Thesis Has Been Approved by the Honors Tutorial College and the Department of Art History
    This thesis has been approved by The Honors Tutorial College and the Department of Art History __________________________ Dr. Jennie Klein, Art History Thesis Adviser ___________________________ Dr. Jennie Klein, Director of Studies, Art History ___________________________ Dr. Donal Skinner Dean, Honors Tutorial College SHE INKED! WOMEN IN AMERICAN TATTOO CULTURE ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in Art History ______________________________________ by Jessica Xiao Jin Long May 2020 ABSTRACT In my thesis, I trace the niche that women have created for themselves in the tattoo community, with a focus on the United States. I discuss the relationship between increasing visibility for women in the tattoo industry and the shift in women’s status in American culture. My study concludes with contemporary tattooed women, including prominent female tattoo artists, collectors, and media personalities. TABLE OF CONTENTS INTRODUCTION: TATTOOS AND THE WOMEN WHO WEAR THEM 1-2 LITERATURE REVIEW 3-12 CH 1. FOUNDING FEMALES: THE TATTOOED LADIES 13-41 DIME MUSEUMS 15-18 THE FIRST TATTOOED LADIES 19-27 SELF-MADE FREAKS 27-30 THE CARNIVAL FREAK SHOW 30-34 NEW TATTOOED WOMEN 34-38 CONTINUING INFLUENCES 38-40 CH 2. FEMINISM AND RENAISSANCE 42-77 VIOLENCE AND MASCULINITY 46-52 TECHNICAL TRANSFORMATIONS 52-57 TATTOOS AS FINE ART 57-61 CELEBRITIES AND COUNTERCULTURE 61-64 THE SECOND WAVE 64-69 TATTOOING FEMINISM 69-74 CH 3. MIDDLE CLASS ACCEPTANCE & MASS COMMODIFICATION 78-119 PUNK TRIBALISM 80-86 END OF THE CENTURY ARTISTS 86-88 MIDDLE CLASS ACCEPTANCE 89-94 TATTOO MAGAZINES 95-97 MODERN PRIMITIVES 98-103 MAGAZINE MADNESS & INKED COVER GIRLS 103-107 TATTOOS ON TV 107-112 SEXUALITY AND STARDOM 112-116 CH 4.
    [Show full text]