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Hayashi Fumiko: the Writer and Her Works
University at Albany, State University of New York Scholars Archive East Asian Studies Faculty Scholarship East Asian Studies 1994 Hayashi Fumiko: The Writer and Her Works Susanna Fessler PhD University at Albany, State University of New York, [email protected] Follow this and additional works at: https://scholarsarchive.library.albany.edu/eas_fac_scholar Part of the Japanese Studies Commons Recommended Citation Fessler, Susanna PhD, "Hayashi Fumiko: The Writer and Her Works" (1994). East Asian Studies Faculty Scholarship. 13. https://scholarsarchive.library.albany.edu/eas_fac_scholar/13 This Dissertation is brought to you for free and open access by the East Asian Studies at Scholars Archive. It has been accepted for inclusion in East Asian Studies Faculty Scholarship by an authorized administrator of Scholars Archive. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. Hie quality of this reproduction is dependent upon the qualify of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
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some words about words This talk was written about North American English, but English is not a single language with a single standard meaning for every word or phrase. It’s possible that the specific things I say in this talk will not apply to the dialect of English that you speak in your workplace. Unfortunately, I don’t have the experience I would need to be able to localize this talk to the major dialects of English people speak in this part of the world. So I will begin by talking about the theories of language I drew on in writing this talk. Understanding these theories can help you understand what to look for in your workplace and your dialect(s) of English. what to listen for Direct insults have no place in a retrospective (or, I would argue, any workplace), but they’re also reasonably easy to identify, and they’re generally an issue for a company’s management, so insults and other unambiguous mean remarks are mostly not what I am going to to talk about today. I am going to talk about subtle words and phrases that may make you feel bad but leave you feeling confused about why. These are regionally and culturally variant- subtle insults or compliments depend on you knowing what the speaker considers good and bad and what words have good or bad connotations, and those things are strongly influenced by culture and region (even within countries). So I will start by giving you some tools to use when thinking about the meanings of words in English. -
Rectv Powered by レコチョク 配信曲 覧(アーティスト名ヨミ「は」 )
RecTV powered by レコチョク 配信曲⼀覧(アーティスト名ヨミ「は」⾏) ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming.. -
Download a Sample Lifetime Firdaria Report for John Edwards (PDF FILE)
SOLAR FIRE INTERPRETATIONS John Edwards - Natal Chart Jun 10 1953, 7:02 am, EST +5:00 Seneca SC, 34°N41'08'', 082°W57'12'' Geocentric Tropical Zodiac Porphyry Houses, True Node FIRDARIA (Al Biruni/Schoener) Planetary Period: The Sun From Jun 10 1953 to Nov 14 1954 Age 0.0yrs to 1.4yrs The quality of this period of life varies depending on whether or not you were born during the night or day. Generally speaking it is a positive phase. If you were born during the night then you experience the shining influence of the Sun's rays in your mid 40s. You have been reassessing your life goals and making the necessary changes. This can range from something as simple as spring cleaning your house, to a more serious change of career or relationship. After a period of letting go and perhaps experiencing a sense of loss, you are now ready to move forward and shine in your life. Opportunities arise in all areas of life. People from all walks of life are ready to help you achieve your personal and professional ambitions. You have the opportunity to live and rich and rewarding life with appreciation from other people. If you were born during the day then you experience the positive influence of the Sun's rays from birth, and then again in your mid 70s if you live that long. Depending on other influences in your birth chart, you are likely to have a rewarding childhood. Your parents dote on you in early childhood, helping you to experience a good sense of self. -
10501 逢坂川 13708 あぁ 12102 愛さずにいられない 12278 ああ
CODE TITLE ARTIST CODE TITLE ARTIST おおさか 13872 AHHHHH! 久保田利伸 10501 逢坂川 渡 哲也 13708 あぁ 大黒摩季 12102 愛さずにいられない 堀内孝雄 12278 ああ、いい女 細川たかし 15097 愛さずにはいられない 宇徳敬子 11757 あぁ、グッと 近藤真彦 11728 愛さずにはいられない 加藤登紀子 11144 ああ紅の血は燃ゆる 軍 歌 12112 愛されてセレナーデ ヤン・スギョン 10835 ああ上野駅 井沢八郎 11280 愛燦燦(あいさんさん) 美空ひばり 11003 あゝ単身赴任 安井昌二 13197 愛し愛されて生きるのさ 小沢健二 14874 Urban Dance 氷室京介 12620 愛しをください 日野美歌 11886 あゝ万次郎 村田英雄 11879 愛しすぎて 田原俊彦 12622 愛、とどきますか 和田アキ子 15087 愛し過ぎてこわい KIX・S 15474 愛☆アリガトウ キム・ヨンジャ 14468 愛したら異邦人 鈴木聖美 あいあいばし 12738 相愛橋 島津悦子 10049 愛しつづけるボレロ 五木ひろし 田代美代子/マヒ 13568 TAKAMI HIROYUKI 10813 愛して愛して愛しちゃったのよ I & I なスターズ 12425 I WILL 上田知華 13665 愛していると言えない 西脇 唯 13996 I Wish 広瀬香美 13644 愛してます 大黒摩季 15233 I WILL GET THERE J-FRIENDS 10494 愛してます(サランへ) 李 成愛 I'll Be Back Again 11296 TAKESHI & HIROKI 10016 愛しても今は他人 八代亜紀 …いつかは 12761 愛があれば大丈夫 14913 愛してる 高橋克典/仲間由 14729 愛がいそいでる BAKUFU-SLUMP 15327 愛してる 紀恵 藤谷美和子/大内 13065 愛が生まれた日 15059 愛してる 愛してる Dreams Come True 義昭 上岡龍太郎/有賀 12605 愛がきらめく時 14936 愛してる がわからない KIX・S さつき “ ” アトカシフ 12501 愛 冠 岬 松原のぶえ 12256 愛してるっていわない! 中山美穂 愛が止まらない 11900 WINK 14645 愛してるなんてとても言えない 杏 里 ~Turn it into love~ 12957 愛が泣いてる 唐木 淳 12024 愛始発 桂 銀淑/浜 圭介 13363 愛哀しくて 宇多川 都 13845 愛始発 西方裕之 11766 愛がほしい 前川 清 13915 愛 Just on my Love シャ乱Q あい しゅう 13486 愛が見えない ZARD 11515 佳山明生 愛 終 14688 I・CAN・BE 米米CLUB 13299 愛 愁 大月みやこ 12062 愛・ケセラセラ 島津ゆたか 15252 愛愁挽歌 服部浩子 11152 愛国の花 渡辺はま子 15359 哀愁エリア 門倉有希 13816 合コン哀歌 東京プリン 13005 愛愁歌(あいしゅうか) 島津悦子 11297 愛彩川 森 昌子 11823 哀愁行路 森 進一 10681 哀愁でいと 田原俊彦 12693 愛という名の勇気 益田宏美 JP-1 CODE TITLE ARTIST CODE TITLE ARTIST 10635 哀愁トゥナイト 桑名正博 13883 愛と沈黙 少年隊 10387 哀愁のカサブランカ 郷ひろみ 14030 -
2Words-Season-3-Week-7.Pdf
WEEK Ability vs Dependability 07 CONTENT OVERVIEW C COACHES CAPTAINS ATHLETES FAMILY Celebrate Demonstrate your Become someone Hold your kids dependability commitment to you would and yourself whenever accountability. depend on. accountable to you see it. the family. ABILITY VS. DEPENDABILITY Think about the person you count on most in the world, such as your parent, your sibling, a friend, an older neighbor, and so on. What about them makes you comfortable relying on them? It could be that they always listen when you need it. It could be that they’ve never failed to help you procure something you need. It could be that they always show up when they say they will. The key can probably be boiled down to: They always do what they say they are going to do. That is the core of dependability. A dependable person will do whatever is required to get the job done. It doesn’t matter if there is a sacrifce of time or resources or mental energy required. They said they would do it, so you know that it will be done. Everybody wants to be the big, noticeable talent on the court. You want to be recognized for your abilities because society tells you that’s what counts. But, dependability is far more vital to success than mere talent. If your teammates and coach can’t depend on you to be there when you’re needed most, it doesn’t matter how much talent or ability you have. You have to be trustworthy before you will be trusted with the moments that matter. -
Empowerment Based Co-Creative Action Research
Empowerment Based Co-Creative Action Research Action Research Based Co-Creative Empowerment Towards A World of Possibilities for Sustainable Society for Sustainable of Possibilities World A Towards Empowerment Based Co-Creative Action Research Towards A World of Possibilities for Sustainable Society Tokie Anme, PhD Editor Tokie Anme, PhD Editor Tokie Introduction is book was designed for those who feel that they can do something to improve society. Is it enough to be swept away during major changes in society, such as climate change, resource depletion, poverty and social unrest, and the spread of infectious diseases? If I want to do something to make a dierence for the better world, what is an eective method? Action research based on empowerment is a tool to steadily support a step-by-step approach on the path to change society. In this book, we focus on co-creative action research that we create together, among the many kinds of action research methods. is is because the realization of a sustainable society, through SDGs (Sustainable Development Goals), is based on empowerment that draws out the power of the involved and produces the greatest energy for change. Empowerment is to give people dreams and hopes, encourage them, and bring out the wonderful power of life that they originally have. Everyone is born with great power. And you can continue to exert great power throughout your life. Empowerment is to bring out that wonderful power. Just as gushing out from the spring, it is critical to bring out the vitality and potential of each person. In practices such as health, medical care, welfare, education, psychology, administration, management, and community development, the wonderful potential that each person originally has is brought up and manifested, and through activities, can create positive change for the development of people's lives and society. -
TM Network Dress Mp3, Flac, Wma
TM Network Dress mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Dress Country: Japan Released: 1989 Style: J-pop, Europop, Hi NRG, Ballad, House MP3 version RAR size: 1322 mb FLAC version RAR size: 1864 mb WMA version RAR size: 1607 mb Rating: 4.2 Votes: 937 Other Formats: RA MMF WAV AAC AC3 FLAC MOD Tracklist Hide Credits Come On Everybody (with Nile Rodgers) Coordinator [Production Manager] – Budd TunickEngineer [1st, 2nd] – Eddie 1 GarciaEngineer [2nd] – Katherine Miller, Patrick Dillett, Paul AngelliProducer, Mixed By – 5:09 Nile RodgersProducer, Mixed By, Programmed By [Synclavier], Synthesizer [Synclavier Overdubs] – Andres LevinWritten By, Composed By – Tetsuya Komuro Be Together Backing Vocals – Frank Simms, George SimmsComposed By – Tetsuya KomuroCoordinator [Production] – Susan KentEngineer – Chris FlobergEngineer [Assistant] – Mark 2 EpsteinEngineer [Synclavier], Synthesizer [Synclavier Drums] – Jim NicholsonGuitar – Ira 3:59 SiegelKeyboards, Keyboards [Bass] – Alex LasarenkoProducer, Mixed By, Keyboards – Jonathan EliasProgrammed By [Synclavier] – Sherman FooteTenor Saxophone – Lenny PickettWritten By – Mitsuko Komuro Kiss You (Kiss Japan) Composed By – Tetsuya KomuroDrums – Alan ChildsEngineer [Assistant] – Bruce 3 CalderGuitar – Eddie MartinezKeyboards – Jeff BovaProducer, Arranged By, Bass Guitar – 4:58 Bernard EdwardsRecorded By, Mixed By – Michael Christopher Saxophone – Lenny PickettTrumpet – Earl and ChristopherWritten By – Mitsuko Komuro Don't Let Me Cry Composed By – Tetsuya KomuroEngineer -
애니송북 제20탄 2020년 가을호 모바일용.Xlsx
1, 애니 송 (일본) ♪ 3월의 라이온 orion 44128 米津玄師 요네즈켄시 4월은 너의 거짓말 オレンジ 44269 7!! 오렌지 キラメキ 44177 wacci 키라메키 光るなら 43859 Goose house 히카루나라 5등분의 신부 五等分の気持ち 44385 中野家の五つ子 고토분노 키모치 나카노케노 이츠츠고 BORUTO-보루토- バトンロード 44388 KANA-BOON 바톤 로드 B-PROJECT 快感*エブリディ 44554 B-PROJECT 카이칸 에브리데이 C マトリョーシカ 44006 NICO Touches 마트료시카 the Walls DARKER THAN BLACK From Dusk Till Dawn 43172 abingdon boys school HOWLING 42435 abingdon boys school 覚醒ヒロイズム~THE HERO WITHOUT.. 42720 アンティック-珈琲店- 카쿠세이 히로이즘 앤티크 커피점 ツキアカリのミチシルベ 43158 ステレオポニー 츠키아카리노 미치시루베 스테레오포니 GOSICK -고식- Destin Histoire 43355 yoshiki*lisa GTO Driver's High 41185 L'Arc~en~Ciel しずく 41213 奥田美和子 시즈쿠 오쿠다미와코 ヒトリノ夜 41237 Porno 히토리노 요루 Graffitti J리그 위닝일레븐 택틱스 本日ハ晴天ナリ 42082 Do As 혼지츠와 세이텐나리 Infinity NARUTO-나루토- ALIVE 40572 雷鼓 라이코 CLOSER 43013 井上ジョー 이노우에죠 Ding! Dong! Dang! 40070 TUBE Diver 43856 NICO Touches the Walls GO!!! 41759 FLOW Hero's Come Back!! 42526 nobodyknows+ if 43269 西野カナ 니시노카나 Lie-Lie-Lie 42510 DJ OZMA Sign 43872 FLOW wind 44381 Akeboshi (와인드) うたかた花火 43696 supercell 우타카타하나비 悲しみをやさしさに 41673 little 카나시미오 야사시사니 by little 言葉のいらない約束 44283 sana 코토바노 이라나이 야쿠소쿠 シルエット 43862 KANA-BOON 실루엣 青春狂騒曲 40500 Sambo Master 세이슝쿄소쿄쿠 透明だった世界 44047 秦基博 토메이닷타 세카이 하타모토히로 ニワカ雨ニモ負ケズ 43882 NICO Touches 니와카아메니모 마케즈 the Walls 遥か彼方 41835 ASIAN KUNG-FU 하루카 카나타 GENERATION ハルモニア 41979 RYTHEM 하르모니아 ブルーバード 42815 いきものがかり 블루버드 이키모노가카리 ホタルノヒカリ 43109 いきものがかり 호타루노 히카리 이키모노가카리 ラヴァーズ 43931 7!! 러버즈 가자 83084 펄스데이 너는 내게... 69551 토리 너를 보낸 나의 2야기 45479 장연주 오직 너만이 85220 이용신 투지 45657 버즈(Buzz) 풍운 88609 이승열 활주 45293 버즈(Buzz) NHK에 어서오세요! 踊る赤ちゃん人間 42233 大槻ケンヂと. -
N:° Billboard HITS of the WORLD.. Ac.- JAPAN UNITED KINGDOM FRANCE GERMANY
_n:° Billboard HITS OF THE WORLD.. Ac.- JAPAN UNITED KINGDOM FRANCE GERMANY 3 3 g 3 ! 3 (DEMPA PUBLICATIONSINC.)0á/12A14 3 g (THE OFFICIAL UK CHARTS CO.106/07/04 g ISNEP /IFOP,7ITE- LIVE)0608 /04 3 (MEDIA CONTROLI06,'09/04 SINGLES SINGLES SINGLES SINGLES 1 NEW DAREKANO NEGAIGA KANAUKORO I I DON'T WANNA KNOW 1 1 DRAGOSTEA DIN TEI 1 1 DRAGOSTEA DIN TEI HIKARU UTADA TOSHIBA/EMI MARIO WINANS FT ENYA 8 P DIDDY BAD BOY/UNIVERSAL 0 -ZONE MEDIA SERVICES/TIME 0 -ZONE MEDIA SERVICES/TIME 2 2 HITOMI O TOJITE 2 1 F.U.R.B (F U RIGHT BACK) _ 57 LE POULAILLER 2 2 F * *K IT (I DON'T WANT YOU BACK) KEN HIRAI DEFSTAR FRANKEE ALL AROUND THE WORLD LE 6-9 ULM EAMON JIV 3 KABAN 3 NEW INSANIA 2- 50 FEMME LIKE U 3 4 DRAGOSTEA DIN TEI AIKO PONY CANYON PETER ANDRE EAST WEST K -MARS EAST WEST HAIDUCII UNIVERSO 4 AYA AJA 4 2 TRICK ME a NEW GARDE -MOI 1 3 I DON'T WANNA KNOW SOUTHERN ALL STARS VICTOR KELIS VIRGIN STEEVE ESTATOF RCA/ARISTA MARIO WINANS FT ENVA & P. DIDDY BAD BOY/UNIVERSAL 5 SOUND OF MUSIC 3 3 F * *K IT (I DON'T WANT YOU BACK) _ 2 SOBRI NOTRE DESTIN 5 5 EVERYTIME TAMIS OKUDA SONY MUSIC EAMON JIVE LESLIE M6 INT. BRITNEY SPEARS JIVE 6 NAMIDA 3 4 HOTEL = 4 F * *K IT (I DON'T WANT YOU BACK) 5 6 NEMO KETSUMEISHI TOY'S FACTORY CASSIDY FT. -
애니송북 제19탄 2020년 여름호 모바일용.Xlsx
1, 애니 송 (일본) ♪ 3월의 라이온 orion 44128 米津玄師 요네즈켄시 4월은 너의 거짓말 オレンジ 44269 7!! 오렌지 キラメキ 44177 wacci 키라메키 光るなら 43859 Goose house 히카루나라 5등분의 신부 五等分の気持ち 44385 中野家の五つ子 고토분노 키모치 나카노케노 이츠츠고 BORUTO-보루토- バトンロード 44388 KANA-BOON 바톤 로드 B-PROJECT 快感*エブリディ 44554 B-PROJECT 카이칸 에브리데이 C マトリョーシカ 44006 NICO Touches 마트료시카 the Walls DARKER THAN BLACK From Dusk Till Dawn 43172 abingdon boys school HOWLING 42435 abingdon boys school 覚醒ヒロイズム~THE HERO WITHOUT.. 42720 アンティック-珈琲店- 카쿠세이 히로이즘 앤티크 커피점 ツキアカリのミチシルベ 43158 ステレオポニー 츠키아카리노 미치시루베 스테레오포니 GOSICK -고식- Destin Histoire 43355 yoshiki*lisa GTO Driver's High 41185 L'Arc~en~Ciel しずく 41213 奥田美和子 시즈쿠 오쿠다미와코 ヒトリノ夜 41237 Porno 히토리노 요루 Graffitti J리그 위닝일레븐 택틱스 本日ハ晴天ナリ 42082 Do As 혼지츠와 세이텐나리 Infinity NARUTO-나루토- ALIVE 40572 雷鼓 라이코 CLOSER 43013 井上ジョー 이노우에죠 Ding! Dong! Dang! 40070 TUBE Diver 43856 NICO Touches the Walls GO!!! 41759 FLOW Hero's Come Back!! 42526 nobodyknows+ if 43269 西野カナ 니시노카나 Lie-Lie-Lie 42510 DJ OZMA Sign 43872 FLOW wind 44381 Akeboshi (와인드) うたかた花火 43696 supercell 우타카타하나비 悲しみをやさしさに 41673 little 카나시미오 야사시사니 by little 言葉のいらない約束 44283 sana 코토바노 이라나이 야쿠소쿠 シルエット 43862 KANA-BOON 실루엣 青春狂騒曲 40500 Sambo Master 세이슝쿄소쿄쿠 透明だった世界 44047 秦基博 토메이닷타 세카이 하타모토히로 ニワカ雨ニモ負ケズ 43882 NICO Touches 니와카아메니모 마케즈 the Walls 遥か彼方 41835 ASIAN KUNG-FU 하루카 카나타 GENERATION ハルモニア 41979 RYTHEM 하르모니아 ブルーバード 42815 いきものがかり 블루버드 이키모노가카리 ホタルノヒカリ 43109 いきものがかり 호타루노 히카리 이키모노가카리 ラヴァーズ 43931 7!! 러버즈 가자 83084 펄스데이 너는 내게... 69551 토리 너를 보낸 나의 2야기 45479 장연주 오직 너만이 85220 이용신 투지 45657 버즈(Buzz) 풍운 88609 이승열 활주 45293 버즈(Buzz) NHK에 어서오세요! 踊る赤ちゃん人間 42233 大槻ケンヂと. -
"Oracles": 2014
Oracles Previous postings from the Wm. Thomas Sherman Info Page 2014. By Wm. Thomas Sherman 1604 NW 70th St. Seattle, WA 98117 206-784-1132 [email protected] http://www.gunjones.com ~~~~~~*~~~~~~ TENETS *If we ever experienced a problem anywhere, it came about, in some degree, due to certain wrong assumptions, either co-present with, or just prior to the given problem’s actually taking place. * Unless you believe in God, the One, and or the infinite, every assumption is contingent. * PROCESS (or if you prefer spirit, or activity) PRECEDES IMAGE. Image may, to some extent, (and sometimes almost perfectly) represent process. But process is always superior to and always more real than image. If process precedes image this might suggest also that mind precedes matter and energy. * Everything we believe, or say we know, is based on a factual or value judgment. Both kinds of judgment always entail the other to some extent, and nothing can be known or exists for us without them. * No fact or purported fact is true or false without someone to assert and believe it to be such. If an assertion or claim is deemed true or false then, and we are thorough, we should ask who is it that says so (or has said so), and what criteria are (were) they using? There is no such thing as “faceless” truth or reality -- at least none we are capable of knowing. * You can’t escape reason. If you aren’t rational yourself, someone else will be rational for you; nor do their intentions toward you need to be friendly or benevolent.