DOCSLIB.ORG

Anna Laetitia Barbauld's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anna Laetitia Barbauld's Richardson, Barbauld, and the construction of an early modern fan club Watkins, Annie The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1287 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 ‘Richardson, Barbauld, and the Construction of an Early Modern Fan Club’ Annie Watkins Thesis Submitted For The Degree of MPhil (2011) Queen Mary, University of London 2 DECLARATION I, Annie Watkins, declare that this thesis is entirely my own work, written in my own words. Signed: _________________________________________________ Date: ________________ 3 ABSTRACT Much has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him. This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director. 4 ACKNOWLEDGEMENTS A project such as this can never be completed single-handedly, and it would be unfair of me to imply that this was the case. I would like to thank all of the staff at the British Library, particularly those in the Maps reading room and the Rare Books and Music reading room who have always managed to provide me with calm efficiency, and a steady flow of books. The staff of the National Art Library at the Victoria and Albert Museum allowed me to peruse, at my leisure, the wonderful manuscripts letters of Samuel Richardson which presented me with the idea for this thesis. The Bodleian Library at Oxford was also a great resource for me, and its staff was never anything but welcoming, helpful and professional. Perhaps my favourite haven was the Cambridge University Library, where many hours were spent reading through first editions of Clarissa, whilst pondering over why anyone would take on such an enormous task. This brings me to the focal point of this dissertation: Samuel Richardson, who at times I have loved and, at times, loathed. His works and letters are truly amazing. I would like to take a moment to thank both Queen Mary, University of London, and the Centre for Editing Lives and Letters for providing me with a much needed, and these days rare, studentship. To my wonderful friends and family I thank you for your patience, understanding, unrelenting faith, and of course, your love. I could not have done this without you. Special mention has to go to Molly MacDonald, Amy Culley, Sarah Hussain, and Pete Langman – you all rock! As for my dissertation supervisor, Professor Markman Ellis, I cannot quite sum up what I need to say. Words truly are not enough. Thank you for your direction, your wisdom, your kindness, your enduring faith in me, and your friendship (not to mention the endless cups of tea). Thank you. Finally, I would like to thank my hero: my kind, and very patient, partner Francis whose determination and courage never ceases to amaze me. Thank you darling. 5 CONTENTS Declaration 2 Abstract 3 Acknowledgements 4 Contents 5 List of Illustrations 6 Abbreviations 7 Introduction: The Editor, Her Publisher, and The Media Machine 9 Chapter 1: An Editor’s Apparatus: Anna Laetitia Barbauld’s “Life of Richardson” 28 Chapter 2: Friends or Fan Club: Richardson, His Correspondents, and Social Largesse 105 Illustrations 178-192 Chapter 3: Case Study 1: Sarah Wescomb 193 Chapter 4: Case Study 2: “Belfour” 230 Conclusion: 279 Appendix: 283 Bibliography: 285 6 LIST OF ILLUSTRATIONS 1. Samuel Richardson, by Mason Chamberlin. Oil on copper, 1754 or before. National Portrait Gallery, London 2. Sir Richard Phillips, by James Saxon. Oil on canvas, 1806. National Portrait Gallery 3. Anna Laetitia Barbauld, by John Chapman, after unknown artist. Stipple engraving, published 1798. National Portrait Gallery, London 4. The Nine Muses of Great Britain: portraits in the characters of the Muses of Great Britain in the Temple of Apollo, by Richard Samuel. Oil on canvas. 1778. National Portrait Gallery, London 5. Samuel Richardson, the Novelist (1684-1761), Seated, Surrounded by his Second Family 1740-1741, by Francis Hayman. Oil on canvas. Tate Britain, London 6. Samuel Richardson by Joseph Highmore. Oil on canvas, 1750. National Portrait Gallery, London 7. Selected Members of Richardson’s Fan Club (individually named on pages) 8. Sarah Wescomb painted in the circle of Thomas Hudson. Oil on canvas, circa 1780. Courtesy of the Lucas-Scudamore Family, Kentchurch Court, Herefordshire. 9. Lady Dorothy Bradshaigh. Engraving, after C. Watson, no date. Copied from volume V of Correspondence, ed. by Anna Laetitia Barbauld (1804). 10. ‘Mr. Richardson, reading the Manuscript of Sir Charles Grandison in 1751, to his Friends in the Grotto of his House at North End, from a drawing made at the time by Miss Highmore’, by Joseph Constantine Stadler, after Miss Highmore. Colour aquatint, published 1804. National Portrait Gallery, London 7 ABBREVIATIONS OED Oxford English Dictionary ODNB Oxford Dictionary of National Biography MM Monthly Magazine National Art Library, Victoria and Albert Museum, London Forster Forster Collection, National Art Library BOD Bodleian Library, University of Oxford CUL Cambridge University Library Correspondence The Correspondence of Samuel Richardson, Author of Pamela, Clarissa and Sir Charles Grandison. Selected from the Original Manuscripts, Bequeathed by him to his Family, To which are prefixed, A Biographical Account of that Author, and Observations on his Writings, ed. Anna Laetitia Barbauld, 6 vols (London: Richard Phillips, 1804) Pamela Pamela; or, Virtue Rewarded. In a Series of Letters from a Beautiful Young Damsel to her Parents: and Afterwards in her Exalted Condition, between her, and Persons of Figure and Quality, upon the most Important and Entertaining subjects, in Genteel Life (London: No name, 1740-41) Clarissa Clarissa or, The History of a Young Lady: Comprehending The Most Important Concerns of Private Life And particularly showing the distresses that may attend the misconduct both of parents and children in relation to marriage. Published by the Editor of Pamela (London: S. Richardson, 1747-8) Sir Charles Grandison The History of Sir Charles Grandison in a series of letters. Published from the Originals by the Editor of Pamela and Clarissa (London: S. Richardson, 1753-54) 8 He worked over his correspondence, preparing it for possible eventual publication. Even before he began to write Pamela he had saved the letters of such correspondents as Aaron Hill and Dr. Cheyne. During the 1740’s he began to keep copies of the letters he wrote. Especially after the publication of Clarissa, when he was making new friends and probably writing and receiving more letters than before, he made a more or less systematic effort to preserve his correspondence. That part of it which is still extant shows that he went over it late in life, arranging it in volumes, sometimes with indexes, deleting passages he did not consider suitable for publication and disguising names. T. C. Duncan Eaves and Ben D. Kimpel, Samuel Richardson: A Biography, pp. 436-437. 9 INTRODUCTION The Editor, Her Publisher, and The Media Machine Fame, or celebrity, is the grand principle upon which the choice of subjects for a general biography must be founded; for this, on the whole, will be found to coincide with the two chief reasons that make us desirous of information concerning an individual, - curiosity, and the desire of enlarging our knowledge of mankind. But under the general notion of 1 celebrity many subordinate considerations arise. In late February 1804 the London-based author, bookseller and publisher Sir Richard Phillips (1767-1840), furnished with his newly acquired private correspondence of the novelist Samuel Richardson (1689-1761), had approached Anna Laetitia Barbauld (1743-1825) with a proposition that she found hard to refuse.2 Phillips proposed to hand over the largely studied archive to Barbauld and award her the opportunity of making a selection of her preferred letters. By making a selection, she was to form an edition, to be published by him, and to include her own account and ‘the first full-length study of’ Richardson.3 Barbauld’s edition is made up of six very readable volumes, packaged together by Phillips in three leather-bound duodecimo volumes.
Load more

Recommended publications
  • Entre Classicismo E Romantismo. Ensaios De Cultura E Literatura
    Entre Classicismo e Romantismo. Ensaios de Cultura e Literatura Organização Jorge Bastos da Silva Maria Zulmira Castanheira Studies in Classicism and Romanticism 2 FLUP | CETAPS, 2013 Studies in Classicism and Romanticism 2 Studies in Classicism and Romanticism is an academic series published on- line by the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS) and hosted by the central library of the Faculdade de Letras da Universidade do Porto, Portugal. Studies in Classicism and Romanticism has come into being as a result of the commitment of a group of scholars who are especially interested in English literature and culture from the mid-seventeenth to the mid- nineteenth century. The principal objective of the series is the publication in electronic format of monographs and collections of essays, either in English or in Portuguese, with no pre-established methodological framework, as well as the publication of relevant primary texts from the period c. 1650–c. 1850. Series Editors Jorge Bastos da Silva Maria Zulmira Castanheira Entre Classicismo e Romantismo. Ensaios de Cultura e Literatura Organização Jorge Bastos da Silva Maria Zulmira Castanheira Studies in Classicism and Romanticism 2 FLUP | CETAPS, 2013 Editorial 2 Sumário Apresentação 4 Maria Luísa Malato Borralho, “Metamorfoses do Soneto: Do «Classicismo» ao «Romantismo»” 5 Adelaide Meira Serras, “Science as the Enlightened Route to Paradise?” 29 Paula Rama-da-Silva, “Hogarth and the Role of Engraving in Eighteenth-Century London” 41 Patrícia Rodrigues, “The Importance of Study for Women and by Women: Hannah More’s Defence of Female Education as the Path to their Patriotic Contribution” 56 Maria Leonor Machado de Sousa, “Sugestões Portuguesas no Romantismo Inglês” 65 Maria Zulmira Castanheira, “O Papel Mediador da Imprensa Periódica na Divulgação da Cultura Britânica em Portugal ao Tempo do Romantismo (1836-1865): Matérias e Imagens” 76 João Paulo Ascenso P.
    [Show full text]
  • The Sexual Politics of Meat by Carol J. Adams
    THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women .
    [Show full text]
  • Essay by Julian Pooley; University of Leicester, John Nichols and His
    'A Copious Collection of Newspapers' John Nichols and his Collection of Newspapers, Pamphlets and News Sheets, 1760–1865 Julian Pooley, University of Leicester Introduction John Nichols (1745–1826) was a leading London printer who inherited the business of his former master and partner, William Bowyer the Younger, in 1777, and rose to be Master of the Stationers’ Company in 1804.1 He was also a prominent literary biographer and antiquary whose publications, including biographies of Hogarth and Swift, and a county history of Leicestershire, continue to inform and inspire scholarship today.2 Much of his research drew upon his vast collection of seventeenth- and eighteenth-century newspapers. This essay, based on my ongoing work on the surviving papers of the Nichols family, will trace the history of John Nichols’ newspaper collection. It will show how he acquired his newspapers, explore their influence upon his research and discuss the changing fortunes of his collection prior to its acquisition by the Bodleian Library in 1865. 1 For useful biographical studies of John Nichols, see Albert H. Smith, ‘John Nichols, Printer and 2 The first edition of John Nichols’ Anecdotes of Mr Hogarth (London, 1780) grew, with the assistance Publisher’ The Library Fifth Series 18.3 (September 1963), pp. 169–190; James M. Kuist, The Works of Isaac Reed and George Steevens, into The Works of William Hogarth from the Original Plates of John Nichols. An Introduction (New York, 1968), Alan Broadfield, ‘John Nichols as Historian restored by James Heath RA to which is prefixed a biographical essay on the genius and productions of and Friend.
    [Show full text]
  • The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience
    The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience Bethany Mannon Abstract: This article studies the writings of Hester Mulso Chapone (1727-1801) a prolific member of the late-eighteenth century Bluestocking circle. Working within genres traditionally available to women, most notably the conversational rhetoric of letters, Chapone advocates for an expanded social role and rhetorical education for young women. These letters later circulated publicly as Letters on Filial Obedience (1751) and Letters on the Improvement of the Mind (1773). Chapone’s participation in a tradition of feminist writing deserves attention be- cause of her success foregrounding personal experience as a source of authority and deploying personal writing to persuade, inform, and confront prevailing power structures. Keywords: Conversational Rhetoric, Feminist Rhetoric, Life Writing, Bluestockings Hester Mulso Chapone (1727-1801) wrote prolifically in the eighteenth century and, together with the writers Elizabeth Montagu, Catharine Macaulay, Charlotte Lennox, Elizabeth Carter, Sarah Scott, Hannah More, and Frances Burney, influenced British intellectual culture. A member of this Bluestocking generation, Chapone was known during her life for her essays, letters, conver- sation, poetry, and advice on the education of young women. She maintained a reputation as an intellectual moralist into the nineteenth century, as her writings continued to be widely printed and read. Chapone worked within the genres of letters and conduct books—traditionally accessible to women—but expanded those genres to confront eighteenth-century notions of virtue and education. Her Letters on Filial Obedience (1751) and Letters on the Improvement of the Mind (1773) foreground her youth and femininity; she performs a Peitho Journal: Vol.
    [Show full text]
  • Meet the Philosophers of Ancient Greece
    Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F.
    [Show full text]
  • Interracial Marriage
    How to improve your marriage By studying love and romance in the Bible Copyright All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the publisher, except for the inclusion of brief quotations in a review. Glenn Pease and Steve Pease ABOUT THIS BOOK Do you have the perfect marriage? Do you ever have problems with your spouse? Do you ever wish they would be different in how they do thing? Do you wish your partner was more like when you met them? Thinking about these questions and your answers will make you think about if things could be better, and how together you can make things great. In this book we will discuss what God says, and what Jesus did, and what Godly men in the Bible did to make their love stronger and their marriages better. Then we will discuss some very easy to do things that you can do to show your partner you love them and that you want them to be happy. You will learn that if you praise your partner, in little things, the big things will go much easier. Almost everyone is in love when they get married, what happens, do we fall out of love? If so why do we fall out of love? Things change when the honeymoon is over and we start living our everyday lives of work and dealing with normal things that happen in life.
    [Show full text]
  • The Times and Influence of Samuel Johnson
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martina Tesařová The Times and Influence of Samuel Johnson Bakalářská práce Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. OLOMOUC 2013 Prohlášení Prohlašuji, že jsem bakalářskou práci na téma „Doba a vliv Samuela Johnsona“ vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 15.srpna 2013 …………………………………….. podpis Poděkování Ráda bych poděkovala Mgr. Emě Jelínkové, Ph.D. za její stále přítomný humor, velkou trpělivost, vstřícnost, cenné rady, zapůjčenou literaturu a ochotu vždy pomoci. Rovněž děkuji svému manželovi, Joe Shermanovi, za podporu a jazykovou korekturu. Johnson, to be sure, has a roughness in his manner, but no man alive has a more tender heart. —James Boswell Table of Contents 1. Introduction ..................................................................................................... 1 2. The Age of Johnson: A Time of Reason and Good Manners ......................... 3 3. Samuel Johnson Himself ................................................................................. 5 3.1. Life and Health ......................................................................................... 5 3.2. Works ..................................................................................................... 10 3.3. Johnson’s Club ....................................................................................... 18 3.4. Opinions and Practice ............................................................................
    [Show full text]
  • FACULTE DES ETUDES SUPERIEURES L== L FACULTY OF
    mn u Ottawa l.'Univcrsitc canndicnnc Canada's university FACULTE DES ETUDES SUPERIEURES l==l FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universittf canadienne Canada's university Amy Frances Larin AUTEUR DE LA THESE / AUTHOR OF THESIS M.A. (Histoire) GRADE/DEGREE Department of History TACUlTlTfCOLETDl^ A Novel Idea: British Booksellers and the Transformation of the Literary Marketplace, 1745-1775 TITRE DE LA THESE / TITLE OF THESIS Dr. Richard Connors WE'CTEURWECTRTC^^^^ EXAMINATEURS (EXAMINATRICES) DE LA THESE / THESIS EXAMINERS Dr. Sylvie Perrier Dr. Beatrice Craig Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies A NOVEL IDEA BRITISH BOOKSELLERS AND THE TRANSFORMATION OF THE LITERARY MARKETPLACE, 1745-1775 By Amy Frances Larin Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the M.A. degree in History Universite d'Ottawa/University of Ottawa © Amy Frances Larin, Ottawa, Canada, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-50897-8 Our file Notre reference ISBN: 978-0-494-50897-8 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats.
    [Show full text]
  • Pacific Health Jourxal - and Temperance Advocate
    PACIFIC HEALTH JOURXAL - AND TEMPERANCE ADVOCATE. VOLUME VI. OAKLAND, CAL_ JANUARY, 1891. NUMBER 1. W. P. BURKE, M. D., Editor. RELATIONS OF MIND AND BODY IN EAT- 21 82-P21GE MONTHLYe ING AND DRINKING. SUBSCRIPTION PRICE, : $1.00 PER YEAR. THE soul is the source of many of the wrongs Address.—All business for the JOURNAL should be ad- in human life, but it is not the only source. It is dressed to PACIFIC HEALTH JOURNAL, care of Rural a fact that influences both good and bad pass over Health Retreat, St. Helena, Cal. All Drafts or Money Orders sent in payment of sub- from the mind to the body; certainly it is equally scriptions should be addressed to, and made payable to, true that these same influences pass from the lower Pacific Press, Oakland, Cal. All Communications for the JOURNAL should be ad- to the higher nature. Vicious thoughts, lustful dressed to PACIFIC HEALTH JOURNAL, care of Rural feelings and imaginations go from mind to body Health Retreat, St. Helena, Cal. over the road of unbridled appetites, unrestrained passions, and unsubdued lusts, and the same cor- SHORT SERMONS. rupt feelings and evil imaginations return from THE man who loves his duty never slights it. body to mind over the same road, goading it on A FRIEND is one who hunts you when you are to the wildest conceptions of vice. Evil thoughts lost. and imaginations give inward tone to the body, so the body reacts on the mind, by its appetites and COMMON sense is a hard thing to have too passions, increasing the viciousness of the latter much of.
    [Show full text]
  • Institute of Distance and Open Learning Gauhati University
    ENG-02-20 Institute of Distance and Open Learning Gauhati University MA in English Semester 4 Paper 20 European II - Modern European Fiction Contents: Block 1: Short Russian Fiction Block 2: The Novel in Russian Block 3: The Novel in German Block 4: The Novel in French (1) Contributors: Block 1: Short Russian Fiction Unit 1 : Afrah Abdul Kafi Mohammed & Musaeva Cholpon Mirbekovna EFL University, Hyderabad Unit 2 : Afrah Abdul Kafi Mohammed Musaeva Cholpon Mirbekovna & Shana Ninan EFL University, Hyderabad Unit 3 : Reju George Mathew & C. Arumugathai EFL University, Hyderabad Block 2: The Novel in Russian Unit 1 : Sradha Somraj EFL University,Hyderabad Unit 2 : Sweta Mukherjee EFL University, Hyderabad Unit 3 : Smitha Vallathol EFL University, Hyderabad Unit 4 : Apeksha Harsh & Vidya Kesavan EFL University, Hyderabad Block 3: The Novel in German Units 1, 3 & 4 : Prasenjit Das Assistant Professor in English KKHSOU Unit 2 : Dibyajyoti Borah Assistant Professor in English H B Girls’ College, Golaghat Block 4: The Novel in French Units 1, 2, 3 & 4 : Dr. H. Kalpana Rao Reader, Dept. of English Pondicherry University, Pondicherry Editorial Team Dr. Kandarpa Das Director, IDOL, GU Dr. Uttara Debi Assistant Professor in English IDOL, GU Sanghamitra De Guest Faculty in English IDOL, GU Manab Medhi Guest Faculty in English IDOL, GU (2) Cover Page Designing: Kaushik Sarma Graphic Designer CET, IITG February, 2012 © Copyright by IDOL, Gauhati University. All rights reserved. No part of this work may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise. Published on behalf of Institute of Distance and Open Learning, Gauhati University by Dr.
    [Show full text]
  • Portela, Manuel (2004), 'A Portrait of the Author As an Author'
    Pre-print version To cite this Article: Portela, Manuel (2004), ‘A Portrait of the Author as an Author’, Novas Histórias Literárias/New Literary Histories, Coimbra: CoimbraMinerva, pp. 357-371. Manuel Portela A PORTRAIT OF THE AUTHOR AS AN AUTHOR Abstract The growth of the literary market in the eighteenth century changed concepts of authorship. Portrait conventions were also used to frame authorial personality. By looking at pictorial representations of men and women authors, in paintings and prints, I identify conflicting images of authorship. Idealised representations of the author as gentleman or lady are contrasted with images of the violence of market forces. Polite restraint of the self-conscious individual genius has to face the unruly passions and interests that characterise the new social relations of literary production.1 Resumo O crescimento do mercado literário no século XVIII alterou a concepção da autoria. As convenções do retrato foram também usadas para definir a personalidade autoral. Através da observação de representações de autores e autoras, em pinturas e gravuras, identifico imagens contraditórias da autoria. Representações idealizadas do autor enquanto cavalheiro ou enquanto senhora são contrastadas com imagens da violência das forças do mercado. O autodomínio polido do génio individual tem de enfrentar as paixões e interesses desregrados que caracterizam as novas relações sociais de produção. Keywords: portrait painting; literary authorship; Jonathan Richardson; William Hogarth; Grub-street. 1 Most URLs in this article link to the online catalogue of the National Portrait Gallery, London. They have been updated in December 2011, when this file was added to the online repository of the University of Coimbra.
    [Show full text]
  • Furbish'd Remnants
    UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. Anticipating Linda Hutcheon’s postmodernist theory of adaptation, eighteenth-century playwrights and performers conceptualized adaptation as both process and product. Adaptation created a narrative mode that emphasized the process and labor of performance for audiences in order to create a higher level of engagement with ii audiences.
    [Show full text]