DOCSLIB.ORG

Ebook Download Sonic Youths Daydream Nation Ebook Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ebook Download Sonic Youths Daydream Nation Ebook Free SONIC YOUTHS DAYDREAM NATION PDF, EPUB, EBOOK Matthew Stearns | 144 pages | 15 Mar 2007 | Bloomsbury Publishing PLC | 9780826417404 | English | London, United Kingdom Sonic Youths Daydream Nation PDF Book Sign In. Plus Created with Sketch. I wanted to know the exact dimensions of hell. Based in New York, the quartet could be seen as the archetype of the independent band. Jul 26, Robert rated it it was amazing. Return to Book Page. Sonic Youth sometimes get a reductive rap for just making a racket. He focuses so much on his own very personal experiences and perceptions of Sonic Youth's music that he crowds out any real analysis or insight. Neal Butler. Often mischaracterized as not-caring, the more philosophical side of slacker was concerned with dismantling meaningless constructs of society. You mind can't wait to hear it in real time, so it skips forward and plays it before it arrives. David MacDonald. Matthew Stearns. We've got you covered with the buzziest new releases of the day. For Spotify users, listen below or click on the Spotify icon in the top right of the playlist; for Apple Music users, click here. I didn't listen to Sonic Youth for the longest time, due in large part to the dude-bro fans that unfortunately flock to them. While I love this record wholeheartedly, I'm not sure my expectations were met here. Kissability buy track I finally started getting into it when he started to break down the songs on the record. Nice deed for an indie rock album. Punk promised rebellion by creating something new rejecting what they saw as commercial music out of touch with reality. After all, art is necessary in our life. Showing One of the worst books in a decent series. It's like an invisible, silent scent that you hear in your head. Guitar strings tuned far from standard tuning vibrate differently and resonate with each other different. I did not know that the person who left the answering-machine message in "Providence" was Mike Watt! Lists with This Book. Share this story:. Following a foreword by Lee Ranaldo, a preface and an intro, the book is organized into sections, according to the four sides of the original vynil record; this sequence interlocking in turn with five chapters exploring related subjects: the band's cumulative influences, the indie scene, the social, cultural and political zeitgeist, NY and modern art as primary influences, the recording process during the awful summer of '88, the album's art and packaging The Sprawl Nobody would attempt to amalgamate its virulence with a refined and highly imaginative music. The band supported the album with its first European tour. Still, this isn't easily accessible music. The ghost of the song-to-come cycles through your head in the brief gap left from the previous song. If you are a massive fan of this record then do read the book, it will enhance the listening experience. The Sprawl. You are no longer onsite at your organization. No-wave describes a movement that started in the lates. Although they eventually lost the disruptive and innovative strength of the first years, their experience reminds us that Rock is ontologically the result of a contamination of styles and, as any important artistic expression, is subjected to a never-ending process of refashioning and formalization. To ask other readers questions about Daydream Nation , please sign up. This reissue does what reissues have to do these days, raising the volume to compete with all the over-compressed new stuff on your mp3 player. Just take a look at their catalogue. So, Daydream Nation is my favourite album, and Sonic Youth is my favourite band. For me, it isn't a terrifying album that eats ears. Sort order. Sonic Youths Daydream Nation Writer Shape Created with Sketch. Silver Rocket. A bold, creative blowout sprawling across a triple album, The… Continue reading It took me a few listens to get into it and then I loved it. The cold and detached words of Kim Gordon emphasize the sense of alienation. Stearns' analyses of the songs may not be perfect, but they are genuine heartfelt expressions of what the music means to him. Dick, especially among the many currents flowing under the surface. View 2 comments. It's fun reading about it. Rate this item: 1. This has got to be one of the most fawning, pretentious, unbelievable, uncritical, overwrought pieces of writing I've ever read about any music. What were their influences? Get A Copy. Stewart Shepherd. Enlarge cover. It didn't work for me. In the middle, a spoken text. Dec 16, Jared Busch rated it did not like it Shelves: , ihatethesebooks , music. More by Sonic Youth. Hyperstation You mind can't wait to hear it in real time, so it skips forward and plays it before it arrives. Eric's Trip Hey Joni Live. Read more. I appreciated the breakdown of each song, the clues about which dissonant sounds to listen for, and how those sounds were created. Many of their influences came from the British Punk scene and they initially found far wider acceptance in Europe than back home in New York City. During all these record label negotiations in , the cassette-only live album Sonic Death: Sonic Youth Live was released on Ecstatic Peace. Eliminator Jr. Punk promised rebellion by creating something new rejecting what they saw as commercial music out of touch with reality. Anus Leary go to album. Sonic Youth rarely rocked, though they were inspired directly by hardcore punk, post-punk, and no wave. And the complete phone message from Mike Watt The Minutemen and firehose and back story was recounted for "Providence. This, in turn, helped spawn the alternative rock revolution in the States over the following decade. More Details Lee Renaldo Forward. The band supported the album with its first European tour. So, this is worth reading, but be aware that you do have to suffer some cheesy-ass prose along the way. In the words of another friend, it was p review of the album. There is more feminism and struggle on this album than a casual listener would get. Christopher Brown. Thus, it was said that Punk was an instinctive, fast and full of rage, working-class music, totally different from the kind of Rock played in the early Seventies, all those virtuosic passages and pretentious jam sessions conveying, in some ways, a sense of ease and opulence. Contact Sonic Youth. Sonic Youth are celebrating the 30th anniversary of 'Daydream Nation' with a massive sale of guitars, gear and vinyl records. It is nearly unreadable, I don't know why they payed this guy to write it, I don't know why they published it. Sonic Youths Daydream Nation Reviews Welp, I've been reminded why I basically stopped reading books by white men. Purchasable with gift card. Reaganism giving way to Bush 1, AIDS and crack murdering people at unprecedented rates, the mainstream music scene totally crap. Jason Burr. Every aspect of the group's approach is represented, from the compact rock thrust of "Silver Rocket" to the epic styling of the album's closing "Trilogy," where the guitars pile up with progressive rock ambition. The Sonic Archives Recording Co. This meant following long established song-structures and chord- progressions. Share this story:. So, Daydream Nation is my favourite album, and Sonic Youth is my favourite band. The hooks are still often buried in the murk, and the wall of sound might take several plays to penetrate. Kissability Live. Most punk did so by making a return to the song-writing of early rock of the s. Mackaye is a hero nick. Often mischaracterized as not-caring, the more philosophical side of slacker was concerned with dismantling meaningless constructs of society. Daydream Nation was one great, liberated scribble on the mostly blank slate of what underground rock was starting to become, and through these tracks you get to hear the band take it out on the road and show it to everyone—playing loose, sliding energetically through things they made precise on record. The ghost of the song-to-come cycles through your head in the brief gap left from the previous song. I do appreciate Stearn's suggestion about the importance of the void. Honestly, I couldn't even make it through the whole book. Sonic Youth surfaced in the early eighties as heirs to the New York traditions of both rock-meets-avantgarde of the Velvet Underground and poetry-meets-postpsychedelic guitarwork of Television. Unfortunately, this book is pretty much the opposite. I recommend reading about each song and then listening to it. Or as one documentary, "the year that punk broke. Even in the microcosm of Rock , some challenges seem impossible or difficult to imagine, especially if we rely on conventional categories, namely classifications and definitions aimed at identifying properly any music genre, movement or scene. Feb 03, Andy Peters rated it really liked it Shelves: music. Eric's Trip buy track 6. Sonic Youths Daydream Nation Read Online The verses follow an ABAB rhyme scheme. Mike Barthel. Newswire Powered by. Total Trash What I really like about this album is that it provides an atmosphere of rock n roll attitude. By means of very refined guitar textures, it allows us to cross this vast urban area, starting from its core, rhythmic and lively, full of tension and danger. Hey Joni buy track 8. Invisible You by J. These musicians were inspired by elements of punk- rock but rejected its musically-conservative nature.
Load more

Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • {Download PDF} Goodbye 20Th Century: a Biography of Sonic
    GOODBYE 20TH CENTURY: A BIOGRAPHY OF SONIC YOUTH PDF, EPUB, EBOOK David Browne | 464 pages | 02 Jun 2009 | The Perseus Books Group | 9780306816031 | English | Cambridge, MA, United States SYR4: Goodbye 20th Century - Wikipedia He was also in the alternative rock band Sonic Youth from until their breakup, mainly on bass but occasionally playing guitar. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records. The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, nine releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations. It was released in on DGC. The song was dedicated to the band's friend Joe Cole, who was killed by a gunman in The lyrics were written by Thurston Moore. It featured songs from the album Sister. It was released on vinyl in , with a CD release in Apparently, the actual tape of the live recording was sped up to fit vinyl, but was not slowed down again for the CD release. It was the eighth release in the SYR series. It was released on July 28, The album was recorded on July 1, at the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth". For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation The band's songwriting on Goo is more topical than past works, exploring themes of female empowerment and pop culture.
    [Show full text]
  • SST Defies Industry, Defines New Music
    Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever.
    [Show full text]
  • Max Neuhaus, R. Murray Schafer, and the Challenges of Noise
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE Megan Elizabeth Murph University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2018.233 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Murph, Megan Elizabeth, "MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE" (2018). Theses and Dissertations--Music. 118. https://uknowledge.uky.edu/music_etds/118 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Russie. Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce
    AMNESTY INTERNATIONAL Lettre ouverte Index AI : EUR 46/031/2013 AILRC-FR 22 juillet 2013 Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce Springsteen, Ke$ha, Paul McCartney et Sting se joignent à plus de 100 musiciens pour réclamer la libération des Pussy Riot Chères Macha et Nadia, À l’approche du premier anniversaire de votre procès, nous tenions à vous écrire pour vous assurer que, partout dans le monde, des gens continuent de penser à vous et d’œuvrer à votre libération. Si vous étiez les contestataires les plus visibles, nous savons que beaucoup d’autres jeunes ont souffert durant les manifestations, et nous restons très préoccupés à leur sujet. Toutefois, à bien des égards, à travers votre incarcération, vous incarnez désormais cette jeunesse. De nombreux artistes ont exprimé leur inquiétude lorsque ces accusations ont été portées contre vous ; nous espérions vraiment que les autorités, dans cette affaire, feraient preuve d’un certain degré de compréhension, du sens des proportions, et même du sens de l’humour russe si caractéristique, mais force est de constater qu’il n’en fut rien. Votre procès terriblement inique et votre incarcération ont eu un très grand retentissement, particulièrement au sein de la communauté des artistes, des musiciens et des citoyens dans le monde entier, et notamment auprès des parents qui ressentent votre angoisse d’être séparées de vos enfants. Tout en comprenant qu’une action de contestation menée dans un lieu de culte puisse choquer, nous demandons aux autorités russes de revoir les sentences très lourdes prononcées, afin que vous puissiez retrouver vos enfants, vos familles et vos vies.
    [Show full text]
  • The Golden Age of Non-Idiomatic Improvisation
    The Golden Age of Non-Idiomatic Improvisation FYS 129 David Keffer, Professor Dept. of Materials Science & Engineering The University of Tennessee Knoxville, TN 37996-2100 [email protected] http: //cl ausi us.engr.u tk.e du / Various Quotes These slides contain a collection of some of the quotes largely from the musicians that are studied during the course. The idea is to present “musicians in their own words”. Thurston Moore American guitarist and vocalist (July 25, 1958—) Background on Sonic Youth Thurston Moore was a guitarist and vocalist for Sonic Youth. Sonic Youth was an American alternative rock band from New York City, formed in 1981. Their lineup largely consisted of Thurston Moore (guitar and vocals), Kim Gordon (bass guitar, vocals, and guitar), Lee Ranaldo (guitar and vocals), Steve Shelley (drums). In their early career, Sonic Youth was associated with the no wave art and music scene in New York City. Part of the first wave of American noise rock groups, the band carried out their interpretation of the hardcore punk ethos throughout the evolving American underground that focused more on the DIY ethic of the genre rather than its specific sound. As a result, some consider Sonic Youth as pivotal in the rise of the alternative rock and indie rock movementThbdts. The band exper ience d success an ditild critical acc lithhtlaim throughout their existence, continuing into the new millennium, including signing to major label DGC in 1990, and headlining the 1995 Lollapalooza festival. http://en.wikipedia.org/wiki/Sonic_youth Moore Quotes Q: What led Sonic Youth to do a project like Goodbye 20th Century? Moore: It was definitely a universe or world that we were aware of.
    [Show full text]
  • Lee Ranaldo Jazzmaster®
    ARTIST LEE RANALDO JAZZMASTER® Part Number Description MSRP excl. VAT Lee Ranaldo Jazzmaster®, Rosewood Fretboard, Sap- 011-5100-727 phire Blue Transparent €1,895.00 LEE RANALDO JAZZMASTER®: Thurston Moore and Lee Ranaldo. Jazzmaster® guitars slung across seminal shoulders. In the hands of both men, the sound of Sonic Youth is the sound of that guitar used as part paintbrush and part cluster bomb. If anybody ought to have a signature Jazzmaster® model, it’s those two guys. Done. Fender® introduces the new Thurston Moore Jazzmaster® and the Lee Ranaldo Jazzmaster® guitars. Classic Jazzmaster® gestalt, Youth-fully stripped down and hot rodded right through the roof. 727 (Saphire Blue Transparent) www.fender.com Prices and specifications subject to change without notice. Fender ARTIST LEE RANALDO JAZZMASTER® COLORS: (727) parent Saphire Blue Trans- SPECIFICATIONS: Body Alder Finish Satin Nitrocellulose Lacquer Finish Neck Maple w/ Satin Black Painted Headstock, “C” Shape Fingerboard Rosewood, 7.25” Radius (184 mm) Frets 21, Vintage Style Scale Length 25.5” Nut Width: 1.650” Hardware Chrome Tuning Keys Fender® Vintage Style Tuning Machines Bridge American Vintage Jazzmaster® Tremolo with Mustang® Bridge and Tremolo Lock Button. Pickguard Anodized Black Pickups 2 New Fender® Wide Range Humbucking Pickups Re- Voiced to Original Vintage Spec, (Neck/Bridge) Pickup Switching 3-Position Toggle: Position 1. Bridge Pickup Position 2. Bridge and Neck Pickups Position 3. Neck Pickup Controls Master Volume (Neck and Bridge Pickup) Strings Fender® Standard Tension™ ST250R, Nickel Plated Steel, Gauges: (.010, .013, .017, .026, .036, .046), (p/n 0730250206) Incl. Accessories Case: Standard Tolex Case Accessories: Strap, Cable, Jazzmaster Strings®, Sonic Youth ‘Zine, Sticker Sheet Unique Features Satin Lacquer Finish, Satin Black Painted Headstock, Single 727 (Saphire Blue Transparent) Master Volume, Mustang® Style Bridge, Re-Voiced Wide Range Humbucking pickups, Black Anodized Aluminum Pickguard, Sticker Sheet.
    [Show full text]
  • College Voice Vol. 95 No. 5
    Connecticut College Digital Commons @ Connecticut College 2011-2012 Student Newspapers 10-31-2011 College Voice Vol. 95 No. 5 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2011_2012 Recommended Citation Connecticut College, "College Voice Vol. 95 No. 5" (2011). 2011-2012. 15. https://digitalcommons.conncoll.edu/ccnews_2011_2012/15 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2011-2012 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. ----- - -- -- ~-- ----. -- - - - GOBER 31 2011 VOllJiVlE XCI . ISSUE5 NEW LONDON. CONNEOK:UT Bieber Fever Strikes Again HEATHER HOLMES Biebs the pass because "Mistle- sian to sit down and listen to his 2009. In the course of two years, and will release his forthcom- Christmas album is that Bieber STAFF WRITER toe" is seriously catchy. music in earnest. This, I now re- the now 17-year-old released his ing album, Under the Mistletoe released his first single from Under the Mistletoe, aptly titled Unlike many of Bieber's big- Before this week, 1 had never alize, was a pretty gigantic mis- Iirst EP, My World (platinum in (which will likely go platinum), "Mistletoe," in mid-October. gest hits, it's the verses rather listened to Justin Bieber. Of take. I'm currently making up the U.S.), his first full-length al- on November 1. than the chorus on "Mistletoe" course, I had heard his biggest for lost time.
    [Show full text]
  • Post-Cinematic Affect: on Grace Jones, Boarding Gate and Southland Tales
    Film-Philosophy 14.1 2010 Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Steven Shaviro Wayne State University Introduction In this text, I look at three recent media productions – two films and a music video – that reflect, in particularly radical and cogent ways, upon the world we live in today. Olivier Assayas’ Boarding Gate (starring Asia Argento) and Richard Kelly’s Southland Tales (with Justin Timberlake, Dwayne Johnson, Seann William Scott, and Sarah Michelle Gellar) were both released in 2007. Nick Hooker’s music video for Grace Jones’s song ‘Corporate Cannibal’ was released (as was the song itself) in 2008. These works are quite different from one another, in form as well as content. ‘Corporate Cannibal’ is a digital production that has little in common with traditional film. Boarding Gate, on the other hand, is not a digital work; it is thoroughly cinematic, in terms both of technology, and of narrative development and character presentation. Southland Tales lies somewhat in between the other two. It is grounded in the formal techniques of television, video, and digital media, rather than those of film; but its grand ambitions are very much those of a big-screen movie. Nonetheless, despite their evident differences, all three of these works express, and exemplify, the ‘structure of feeling’ that I would like to call (for want of a better phrase) post-cinematic affect. Film-Philosophy | ISSN: 1466-4615 1 Film-Philosophy 14.1 2010 Why ‘post-cinematic’? Film gave way to television as a ‘cultural dominant’ a long time ago, in the mid-twentieth century; and television in turn has given way in recent years to computer- and network-based, and digitally generated, ‘new media.’ Film itself has not disappeared, of course; but filmmaking has been transformed, over the past two decades, from an analogue process to a heavily digitised one.
    [Show full text]
  • DISTRIBUXIOIM TOPINDIESINGLES 1 . T 1 SHOULD BE SO LUCKY Kylie Minogue PWL PWL(F|8 (P) 2Mi BEAT DIS Mister-Ron/Rhythm King/ Bomb
    DISTRIBUXIOIM TOPINDIESINGLES 1 . 1 SHOULD BE SO LUCKY w ,s „ MY BABY JUST CARES FOR ME 35 CE3 Mea^ealMonife^sto" Sweatbo* SOX023 (l/RT) t KylieBEAT Minogue DIS Mister-ron/RhythmPWL PWL(F|8 King/ (P) 2mi Bomb The Bass Mule 0000(1211 (l/RT) IS'** 22 , TheLAST Smiths NIGHT 1 DREAMT Rough... Trade RT(T)200 (l/RT) 36 " -SLLTEARUSAPART^^^Sk5MONS 3 ' ' ROK DA HOUSE Rhytbm King/Mule LEFTIlfT) (l/RT) ' lO,y ,2 M3? THEErasure CIRCUS (Remix) Mule (1)MUTE66(T) (l/RT/SP) 37...^ Shange Fruit—,SFPS033, (P, TbeDOCTORIN'THE Beolmaslcrs featuring HOUSE The Cookie Ahead Crew 01 Our Time 30 ^34 „ THE PEEL SESSIONS (VOLUME S) 4CE3 Cold Cut leal. Yocz & Plastic People CCUT2 (l/RTI 20 20 S JACKMirage MIX IV Debut DEBT(X)3035 (A) 38 " New Order0WN Strange Fruit-(SFPS^P) (P) 5 lCSIjj ANIMAL (F... LIKE A BEAST) , 21 .. s JINGOCandida Hardcore HAK(T)9 (A) 39" 17 Derek B Music Of Life NOTE 007 (P) J ® WCOLD.A.S.P. SWEAT Music For Notions (12)KUT 109 (P) 0 GNTHUR5DAY 6 3 3 The Suqarcubes One Utllc Indian (12)TP9 (l/NM) 22 .o 4 MASTERSonic Youth DIK Blast First BFFP26(T) (l/RT) 40l^!?24 2 m JilGABES Ca,&MouseABBO,m(P, •! 7 mi HitmaslersSAWMIX 1 Quazor QUA(T)5 (P) 23 csatuuuj Smanyone.|h & Mi9hty Tllree Stripe SAM1, , (|/RE) 41 a s CastawayTR27 (A) ; 81:23o rm DANCING AND MUSIC (MUSIC PLEASE) 24 u 22 BIRTHDAY 42 » ' SisrereOf Mercy Merciful ReleaseMR021 (l/RR) Groove Submi5siort-|SUBX04)(I/RT) J The Sugarcubes One Utlle Indian (12) 7TP7 (l/NM) 4333MO „ JheGIRLFRIEND Smiths IN A COMARough Trade RT(T) 197 (l/RT) j 9 ^ THEREPop Will EatIS NOItself LOVE BETWEENChapter 22 (12)CHAP20 US ANYMORE (l/NM) n*"OK ,i is EriaSAVIN' Fachin MYSELF Saturday 7STD1 (12--STD1)(A) 5 10 ' ' WoodentopsYOU MAKE ME FEEL Rough Trade RT(T)179 (l/RT) 26 rmLLUI Doqst)HOW.
    [Show full text]
  • Crinew Music Re Uoft
    CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
    [Show full text]
  • Horse Todos a B Alliebelle 23.072 a Big To'do 26.392 a Bit
    HORSE TODOS A B ALLIEBELLE 23.072 A BIG TO'DO 26.392 A BIT STORMY 25.592 A BOY NAMED EM 28.675 A BRILLIANT IDEA 31.402 A BRUSH OF BEAUTY 21.393 A CAT NAMED SNIPE 28.551 A CAT THAT FLIES 25.368 A CENTURIAN 29.172 A DEVILISH RIDE 24.916 A DIEHL 34.923 A DOS PUNTAS 42.616 A E PHI SENSATION 23.497 A FLEET OF NINE 23.302 A GIRL NAMED MARIA 29.537 A GLASS OF WATER 22.147 A GOLDEN JET 22.575 A GRAND N' MORE 19.560 A JEALOUS WOMAN 36.719 A LA MODA 28.673 A LIL DUMAANI 27.721 A LISTER 25.068 A LITTLE AT A TIME 26.233 A LITTLE OFF 31.467 A LITTLE TOO LATE 25.373 A LOT OF ACTION 26.490 A LOT OF MON 27.211 A MATTEROFSPEAKING 24.041 A MCCOUGHTRY 25.178 A MI ZORRITO 44.348 A MILLION FIELDS 25.005 A MOMENT IN TIME 29.541 A NATIONALTREASURE 33.592 A NATURAL 29.383 A NEW DAWN 25.094 A NEW YORK PHILLIE 23.229 A P MINK 29.223 A P VALOR 30.045 A PERFECT SQUEEZE 28.415 A PINT FOR MARY 26.393 A PLUS TOPPER 28.873 A QUESTION OF TIME 21.185 A RACING DELIGHT 28.495 A RANG A TANG 26.600 A ROCKY STORM 21.775 A ROD 33.263 A ROGUE SNUCK IN 24.666 A ROYAL FLUSH A 18.962 A SHE'S ADORABLE 33.925 A SHOT AWAY 28.920 A SINGLE MAN 21.532 A SMART JUDGE 23.806 A STAR IS GORN 23.954 A STORY OF REVENGE 29.442 A STUDENT 29.494 A T MONEY 30.054 A TOE BY THREE 25.800 A TOUT L'HEURE 42.875 A TRIPP ROYALE 29.433 A USED GUN 23.246 A WALK ABOVE 25.728 A WINK AND A SMILE 32.705 A WISH FOR KOSUTE 20.514 A WORD TO THE WISE 30.596 A Z WARRIOR 35.400 A'INTYOUDREAMIN 22.520 A.
    [Show full text]