Rittz Next to Nothing Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Rittz Next to Nothing Mp3, Flac, Wma Rittz Next To Nothing mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Next To Nothing Country: US Released: 2014 MP3 version RAR size: 1311 mb FLAC version RAR size: 1570 mb WMA version RAR size: 1371 mb Rating: 4.4 Votes: 232 Other Formats: MP4 DTS WMA VOX ADX FLAC AIFF Tracklist Hide Credits Intro 1 Mixed By – Ben "Bengineer" Cybulsky*Producer – Corbin KingVocals – Candice 1:56 Freeman, Toli CollinsWritten-By – Mikeal Corbin King*, Jonathan McCollum Explode Mixed By – Ben "Bengineer" Cybulsky*Producer – Five Points Music 2 GroupScratches – DJ Chris Crisis*Vocals – Candice FreemanWritten-By – Corey 3:08 Moore , David Sweeten, Jonathan McCollum, Richard Brown , Walter L. Williams, Jr.* Turn Down Guitar – L. David McCollumMixed By – Ben "Bengineer" Cybulsky*Producer – 3 4:12 Stepan "Lifted" Taft*Scratches – DJ Chris Crisis*Vocals – Candice Freeman, Tasha PWritten-By – Jonathan McCollum, Ryan Vojtesak, Stephan Taft Crown Royal Mixed By – Ben "Bengineer" Cybulsky*Producer – Michael "Seven" 4 4:49 Summers*Scratches – DJ Chris Crisis*Vocals – Candice Freeman, Chico , Scar , Tasha PWritten-By – Jonathan McCollum, Michael Summers Laf 5 Mixed By – Ben "Bengineer" Cybulsky*Producer – Johan "Matic Lee" 3:32 Appleby*Written-By – Jonah Appleby*, Jonathan McCollum Bounce Featuring – TwistaMixed By – Ben "Bengineer" Cybulsky*Producer – Ryan 6 Vojtesak, Stepan "Lifted" Taft*Scratches – DJ Chris Crisis*Vocals – Candice 3:55 FreemanWritten-By – Carl Terrell Mitchell*, Jonathan McCollum, Ryan Vojtesak, Stephan Taft Living A Dream Bass – Lucas ParkerFeaturing – Trae Tha Truth*Guitar – Lucas ParkerMixed By – 7 Ben "Bengineer" Cybulsky*Producer – Michael "Seven" Summers*Vocals – 3:39 Candice Freeman, Chico , Scar , Tasha PWritten-By – Frazier Thompson III*, Jonathan McCollum, Michael Summers In My Zone Featuring – B.O.B, Mike Posner Mixed By – Ben "Bengineer" Cybulsky*Producer – 8 4:58 Craig Balmoris, Julian NixonWritten-By – Bobby Ray Simmons, Jr., Craig Balmoris, Jonathan McCollum, Julian Kenneth Nixon*, Mike Posner Call 911 9 Mixed By – Ben "Bengineer" Cybulsky*Producer – The AvengerzVocals – Josie 3:23 WahlWritten-By – Jonathan McCollum, Juan Botero, Julio Espaillat, Kyle Denmead Basket Case Mixed By – Ben "Bengineer" Cybulsky*Producer – Reklis BeatzScratches – DJ 10 4:40 Chris Crisis*Vocals – Candice FreemanWritten-By – Jonathan McCollum, Jordan Ertle Profit Featuring – Shawty Fatt, YelawolfMixed By – Matthew Hayes Producer – 11 3:28 WLPWRWritten-By – Jerrico Horton, Jonathan McCollum, Michael Wayne Atha*, William Washington Going Through Hell Guitar – L. David McCollumMixed By – Ben "Bengineer" Cybulsky*Producer – 12 4:00 Craig Balmoris, Julian NixonWritten-By – Craig Balmoris, Jonathan McCollum, Julian Kenneth Nixon*, Mike Posner Wish You Could 13 Mixed By – Ben "Bengineer" Cybulsky*Producer – Michael "Seven" 4:19 Summers*Vocals – Chico Written-By – Jonathan McCollum, Michael Summers Blow 14 Mixed By – Ben "Bengineer" Cybulsky*Producer – Kato Scratches – DJ Chris 3:43 Crisis*Written-By – Christopher Ju, Jonathan McCollum White Rapper 15 Mixed By – Ben "Bengineer" Cybulsky*Producer – Track BangasScratches – DJ 3:39 Chris Crisis*Written-By – Jeffrey Smith , Jonathan McCollum Turning Up the Bottle Mixed By – Ben "Bengineer" Cybulsky*Producer – Thomas "T. Stoner" 16 4:02 Toner*Vocals – Candice FreemanWritten-By – Jonathan McCollum, Thomas Toner* Strange Music Pre- Order Bonus Download Track 17 Ride It Out 3:56 Credits A&R – Dave Weiner , Freddie Burman, Jeremy Jones , Travis O'Guin Art Direction – nvisibledesigns.com* Booking – Mark Reifsteck Co-producer – Dave Weiner , Freddie Burman, Jeremy Jones Design – nvisibledesigns.com* Executive-Producer – Travis O'Guin Legal – Robert Lieberman, Esq. Management – Ben Grossi, Brian Shafton Management [Project Management] – Korey Lloyd Mastered By – Tom Baker Photography By – ChadHess.com* Producer [Assistant] – Cory Nielsen, Dawn O'Guin, Glenda Cowan, Korey Lloyd, Valdora Case, Violet Brown Recorded By – Daniel Watson Barcode and Other Identifiers Barcode: 8 53435 00359 3 Related Music albums to Next To Nothing by Rittz Jonathan Bright - Jonathan Bright Fefe Dobson - Fefe Dobson The Rockingbirds - Jonathan Jonathan Tech N9ne Collabos - Strangeulation Vol. II Stevie Stone - 2 Birds 1 Stone David And Jonathan - David And Jonathan Crisis Christ / Rageous Intent - Crisis Christ / Rageous Intent Nadiel - Identity Crisis.
Recommended publications
  • Tech N9ne, Cursed (1St Verse)
    Tech N9ne, Cursed (1st Verse) I was born in seventy-one In seventy-two I started to walk Seventy-three Seventy-four Seventy-five I learned to talk Seventy-six I tried sexing That was around the age of five Seventy-seven Seventy-eight And seventy-nine I started to ride With my Uncle Ike In eighty and eighty-one I was about ten But the first time a little chick Made me cum Was eighty-two Or eighty-three My life really came alive In eighty-four I was thirteen But Nineteen eighty-five's The number I met this bitch Who told me if I got tight with her Together we would grow rich Type of chick That'll make a brother Feel good inside In my mind when I'm sleep Woke When I walk When I ride Getting to me in the classroom Used to follow me into the bathroom And I loved it She was wild And everyday People bore me Captivate Activate my hormones When you speak to me Softly Offer me A piece of you Cause Me so horny She let me foreplay And that's it She said If I would rap And make some dollars for us Maybe I can get a hit I was writing Then I found myself fighting For the juices When I found out That our little agreement's Non-exclusive Ah damn She let celebrity status hit So I'm thinking of tactics How to leave ran down Prophylatics On the mattress So I practice Hoping to stuff my fat dick In this rap bitch Knowing when I stuff my cactus In that catfish Imma flat shit She's turning me into a killer Devour fools I'm powerful Like Mecha-Godzilla She said If I keep rapping She'll keep clapping But ain't nobody strapping Till she see paper And then we'll see what's happening And I hear her say (hook) You heard of Tech He's like the best He built his nest In the Midwest The boy can flow And he be busting like Boom boom It's like I'm stuck I feel I'm cursed About to load the N9na Tech cause in a sec I'm finna be busting like Boom boom (repeat) (2nd Verse) Ninety-three She invited me To a party in L.A.
    [Show full text]
  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
    October 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on What does a music producer do, anyway? By Ian Shepherd The term ‘music producer’ means different things to different The President’s Corner people. Some are musicians, some are engineers, some are remixers. So what does a music producer actually do ? Big thanks tonight to Kent Liu and Michael Morris for putting together such an impressive panel of producers. In very pragmatic terms, the producer is a ‘project manager’ for As a reminder, we are able to provide & present this type the recording, mixing and mastering process. of dinner meeting because of our corporate and individual She has an overall vision for the music, the sound and the goals memberships, so please go to theccc.org today and renew of the project, and brings a unique perspective to inspire, assist your membership – we appreciate your support (and the and sometimes provoke the artists. membership pays for itself if you attend our meetings on a regular basis). See you in November!! The producer should make the record more than the sum of its parts – you could almost say she is trying to create musical alchemy. Eric Palmquist Every producer brings different skills and a different approach, President, California Copyright Conference. and this can make what they do difficult to summarize. In this post I’ve identified seven distinct types of record producer to try and make this clearer.
    [Show full text]
  • The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
    THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet).
    [Show full text]
  • This Entry Has Nothing to Do with God
    Blog Export: Please God No, http://pleasegodno.com/ Friday, August 10. 2007 Mormons are completely fucking retarded. Mormons... Dumb. Joseph Smith was the only one of Jesus' disciples to get shot in the face with a gun. Of all religions, I would have to say the Mormonism is the most delusionally retarded. The fact that we have a presidential candidate that believes this crap is almost as offensive as our current president that believes this crap. I have respect for most people's religious views. Catholics, Baptists, Jews, and even Pastafarians. But Mormonism is just outright ridiculous. One of the scariest things about Mormons, is that they have the capacity to believe anything... No matter how insanely and comically unsensical. "(The book of Mormon) was done in a space of three months, using scribes while Smith translated (from golden plates) from behind a curtain." If the level of sophistication required to brainwash millions of people into a religion was displayed by Smith, we all have the capacity to start a religion. After all, there must be a group of people in the world that would tithe to a religion that was rooted in a story of a guy like me, sitting in my bathroom with a black light, reading my wall splattered feces like a Rorschach Inkblot Test. Just as logical, and just as ridiculous. Posted by TK (Admin) at 00:40 Complete friggin retards. At least christianity is based on multiple accounts, but this is completely mormonic, i mean moronic. This dude Smith finds these gold plates only he can read (Clue 1 that he's a con).
    [Show full text]
  • The Ben Gray Lumpkin Collection of Colorado Folklore
    Gene A. Culwell The Ben Gray Lumpkin Collection of Colorado Folklore Professor Ben Gray Lumpkin, who retired from the University of Colorado in June of 1969, spent more than twenty years of his academic career amassing a large collection of folksongs in the state of Colorado. At my request, Profes- sor Lumpkin provided the following information concerning his life and career: Son of John Moorman and Harriet Gray Lumpkin, I was born De- cember 25, 1901, in Marshall County, Mississippi, on a farm about seven miles north of Holly Springs. Grandpa was a Methodist cir- cuit rider, but had to farm to eke out a living because his hill-coun- try churches were too poor to support his family. Because we lived too far from the Hudsonville school for me to walk, I began schooling under my mother until I was old enough to ride a gentle mare and take care of her at school—at the age of 8. When my father bought a farm in Lowndes County, Mississippi, my brother Joe and sister Martha and I went to Penn Station and Crawford elementary schools. Having finished what was called the ninth grade, I went to live with my Aunt Olena Ford, and fin- ished Tupelo High School in 1921, then BA, University of Missis- sippi, 1925. I worked as the secretary and clerk in the Mississippi State Department of Archives and History (September 1925 to March 1929) and in the Mississippi Division office of Southern Bell Telephone Company (March 1929 to August 1930). I taught English and other subjects in Vina, Alabama, High School (August 1930 through January 1932).
    [Show full text]
  • UNIVERSAL MUSIC • Mark Knopfler – Altamira OST • Whitehorse
    Mark Knopfler – Altamira OST Whitehorse – The Northern South Vol. 1 Disney – The Jungle Book Check out new releases in our Vinyl Section! New Releases From Classics And Jazz Inside!!! And more… UNI16-17 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: MIKE POSNER/ At Night, Alone Cat. #: B002470402 Price Code: JSP Bar Code: Order Due: April 7, 2016 Release Date: May 6, 2016 File: Dance Genre Code: 17 Box Lot: 25 Key Tracks: I Took A Pill In Ibiza Be As You Are Key Points: Mike Posner leapt onto 2010's music scene with the catchy pop track “Cooler Than Me.” He's back on the charts with “I Took A Pill In Ibiza (SeeB Remix),” which was inspired by a drug‐fueled experience at an Avicii concert years ago. "Ibiza" began topping Scandinavian charts thanks to an EDM remix by Norwegian duo SeeB. The dance version recently took hold in the U.S., already peaking at No. 14 on the Hot 100. The track is the #1 Most Shazamed track in Canada, and is racing up the charts at Top 40 radio. ‘At Night, Alone’ has the acoustic vibe of the original version of "Ibiza," with a handful of "bonus remixes" for his dance fans. "The first 10 songs, they're meant to be listened to as they are written — at night and alone," he said. "And the remixes after are just fun." ‘At Night, Alone’ is full of monster hit singles and is expected to be one of the breakout hit albums of the Spring/ Summer.
    [Show full text]
  • Celebration of the Strange : Youyang Zazu and Its Horror Stories
    CELEBRATION OF THE STRANGE: YOUYANG ZAZU AND ITS HORROR STORIES by LIN WANG (Under the Direction of Karin Myhre) ABSTRACT This dissertation seeks to uncover the artistic appeal and significance of horror tales in Youyang zazu with the assistance of Western concepts and theories. The study begins with an examination of the Youyang zazu collection in its textual and cultural context and argues that it is assembled according to the aesthetic principle of qi which rejects the normal and the familiar, and embraces the unusual, the special, the unique, the odd and the particularized. The study continues with a close analysis of selected horror tales in Youyang zazu using three different approaches—fantastic horror, monster horror and cosmic horror. By analyzing themes, structures and narrative techniques of these horror stories, I argue that these horror stories are integral components of the Youyang zazu collection. They add vitality and tension to the representation of the strange and advance the collection in its aesthetic pursuit of qi. These three approaches each emphasize a different aspect in the representation of the strange. From the literary mechanism that generates strangeness, to the very entity that embodies the strange and to the atmosphere that highlights the incomprehensibility and uncontrollability of the strange, each approach offers a unique perspective on how the effect of strangeness is conveyed and amplified. By investigating the aesthetic issues at play in the medium of horror and in the context of zhiguai through the lens of Western concepts, my study also explores the possibility of examining zhiguai tales from new literary perspectives and provides fresh critical insights on the poetics of Chinese horror narrative in general.
    [Show full text]
  • On the Historical and Future Role of the Music Producer 1
    ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 1 On the Historical and Future Role of the Music Producer Tyler Harrison A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2021 ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. Nathan Zwald, M.Ed. Thesis Chair Hanna Byrd, D.W.S. Committee Member James H. Nutter, D.A. Honors Director Date ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 3 Abstract The research completed in this thesis is designed to review the historical role of the music producer and track its evolution into the modern era. Focus on the history of the producer will include formal research from the time and a review of individuals who pioneered significant change in the industry. The thesis will then explore the role of the contemporary record producer and raise questions about the impact of modern technology and practice. The creative aspect of the thesis will be completed by fulfilling the role of producer for a local artist: coordinating, engineering, mixing, and ultimately producing a four-track Extended Play (EP) project that will include the final professional audio project and approximately ten pages of production documentation organized as a separate document. ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 4 On the Historical and Future Role of the Music Producer The musical world is characterized by the presence of the artist.
    [Show full text]
  • UNIVERSAL MUSIC • OST – Fifty Shades of Grey – the Remixes • Good Lovelies – Burn the Plan • Various Artists –
    OST – Fifty Shades Of Grey – The Remixes Good Lovelies – Burn The Plan Various Artists – Lost Songs: The Basement Tapes Continued New Releases From Classics And Jazz Inside!!! And more… UNI15-19 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Brandon Flowers/ The Desired Effect Cat. #: B002299002 Price Code: JSP Order Due: April 23, 2015 Release Date: May 19, 2015 File: Alternative Genre Code: 2 Box Lot: 25 Bar Code: Key Tracks: 1. Dreams Come True 6. Lonely Town 2. Can’t Deny My Love 7. Digging Up The Heart 3. I Can Change 8. Never Get You Right 6 02547 26544 9 4. Still Want You 9. Untangled Love 5. Between Me And You 10. The Way It’s Always Been SHORT SELL Key Points: Almost five years since the release of his critically acclaimed solo debut, Flamingo, Flowers’ solo return follows a time of continued huge success with his band The Killers. As Flowers announced in a hand-written note via www.brandonflowersmusic.com earlier, he has been working with the producer Ariel Rechtshaid (Haim, Vampire Weekend, Charlie XCX), with recording taking place at The Killers’ own Battle Born studios in Las Vegas. Also Available: Artist/Title: Brandon Flowers/ Flamingo Cat#: B001474502 Price Code: JSP UPC#: 602527487496 INTERNAL USE Label Name: Island Territory: International Release Type: O For additional artist information please contact Karolina Charczuk at 416‐718‐4153 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Zedd / True Colors Cat.
    [Show full text]
  • Rittz Last Call Mp3, Flac, Wma
    Rittz Last Call mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Last Call Country: US Released: 2017 MP3 version RAR size: 1756 mb FLAC version RAR size: 1663 mb WMA version RAR size: 1854 mb Rating: 4.9 Votes: 463 Other Formats: DMF MP1 AHX AC3 MIDI MP3 AA Tracklist Hide Credits Middle of Nowhere 1 Guitar – Corbin KingKeyboards – Stephen FreemanProducer, Written By – 3:48 Seven*Scratches – Dj Chris CrisisWritten By – Rittz* Press Rewind 2 Keyboards – Stephen FreemanVocals [Additional] – Candice FreemanWritten By – 4:39 Rittz*Written By, Producer – Seven* Indestructible Vocals [Additional] – Candice Freeman, Eric Williams, Lamar Williams, Jr., Noah 3 4:32 Williams, Taylor Williams, Zoe WilliamsWritten By – Rittz*Written By, Producer – Seven* Down for Mine 4 Bass Guitar – Brandon Lamar SmithLead Guitar – Christopher J DiColaScratches – DJ 4:12 Chris CrisisWritten By – Rittz*Written By, Producer – M. Stacks* Shootin Star Keyboards – Stephen FreemanScratches – DJ Chris CrisisVocals [Additional] – 5 4:16 Candice Freeman, Lamar Williams, Jr., Peter TradosWritten By – Rittz*Written By, Producer – Seven* Dork Rap 6 Written By – Clifton Garrett Fritzsimmons III, Rittz*, Ryan HudsonWritten By, 4:21 Producer – Peso Piddy* Crash and Burn 7 Guitar – Corbin KingScratches – DJ Chris CrisisVocals [Additional] – Candice 4:36 Freeman, Floyd HillmanWritten By – Rittz*Written By, Producer – Seven* Reality Check 8 Guitar, Bass Guitar – Lucas ParkerScratches – DJ Chris CrisisVocals [Additional] – 3:55 Candice FreemanWritten By – Rittz*Written
    [Show full text]
  • ENGLISH-LANGUAGE THEATRES in POST-COMMUNIST PRAGUE By
    TITLE PAGE PERFORMING CULTURES: ENGLISH-LANGUAGE THEATRES IN POST-COMMUNIST PRAGUE by Gwendolyn Alaine Orel AB English, AB Classics, Stanford University, 1987 AM English, Stanford University, 1987 Submitted to the Graduate Faculty of Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 COMMITTEE PAGE UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Copyright © by Gwendo lyn Alaine Orel Gwendolyn2005 Alaine Orel It was defended on December 1, 2005 and approved by Nancy Condee, Associate Professor, Slavic Languages and Literatures Attilio Favorini, Professor, Theatre Arts Kathleen George, Professor, Theatre Arts Kiki Gounaridou, Associate Professor, Theatre Studies, Smith College J. Thomas Rimer, Professor Emeritus, Theatre Arts, Department of East Asian Languages and Literatures Dissertation Advisor: Attilio Favorini, Professor, Theatre Arts ii ABSTRACT PERFORMING CULTURES: ENGLISH-LANGUAGE THEATRE IN POST-COMMUNIST PRAGUE Gwendolyn Alaine Orel, PhD University of Pittsburgh, 2005 The presence of English-language theatres (ELTs) in Prague in the nineties coincided with the ongoing transition to a market economy in the Czech Republic, as the English language itself became increasingly the international language of business and culture. Under Communism, Czech theatre had been highly political through veiled protests against the system of power. After 1989, Czech theatre began moving into spheres of commodification and tourism. How the ELTs in Prague negotiated their place in a shifting society reveals a performance of identity. The ELTs tracked the turning points in Czech post-revolutionary history of the 1990s. The history of the ELTs has been constructed through personal and telephone interviews and emails, as well as reviews, articles, manuscripts and production videotapes.
    [Show full text]
  • Strangers in a Strange Land
    —————————————————— Acknowledgments —————————————————— STRANGERS IN A STRANGE LAND — 1 — —————————————————— Acknowledgments —————————————————— Cultural Revolutions: Russia in the Twentieth Century Editorial Board: Anthony Anemone (The New School) Robert Bird (The University of Chicago) Eliot Borenstein (New York University) Angela Brintlinger (The Ohio State University) Karen Evans-Romaine (Ohio University) Jochen Hellbeck (Rutgers University) Lilya Kaganovsky (University of Illinois, Urbana-Champaign) Christina Kiaer (Northwestern University) Alaina Lemon (University of Michigan) Simon Morrison (Princeton University) Eric Naiman (University of California, Berkeley) Joan Neuberger (University of Texas, Austin) Ludmila Parts (McGill University) Ethan Pollock (Brown University) Cathy Popkin (Columbia University) Stephanie Sandler (Harvard University) Boris Wolfson (Amherst College), Series Editor — 2 — —————————————————— Acknowledgments —————————————————— STRANGERS IN A STRANGE LAND Occidentalist Publics and Orientalist Geographies in Nineteenth-Century Georgian Imaginaries Paul MANNING Boston 2012 — 3 — —————————————————— Acknowledgments —————————————————— Library of Congress Cataloging-in-Publication Data: A catalog record for this title is available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved ISBN 978-1-936235-76-6 Book design by Adell Medovoy On the cover: Photo by Vasil Roinashvili (1879–1958). 1912. Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com — 4 — Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law.
    [Show full text]