180 Botanicals for integrated pest management Full-Length paper Asian Agri-History Vol. 20, No. 3, 2016 (181-199) 181
Emimal Victoria E. 2010. Pest infestation on juice in two dipteran pests. Agricultural and Classification of Flowers as Gleaned from Ancient the biochemical modulation of Adhatoda Forest Entomology 8:1 6. Indian Literature and Culture vasica. Journal of Biopesticides 3(2): 413 419. Rohit Sharma, Gulab S. Thakur, Bhagwan Singh Sanodiya, Ashish Savita, Mukeshwar KG Sheshadri Kwasi Opoku Boadu, Samuel Ko Tulashie, Pandey, Anjana Sharma, and Prakash Bisen. Michael Akro Anang, and Jerome Desire 2012. Therapeutic potential of Calotropis RMV Clusters, Phase 2, Block 2, 5th oor, Flat No.503, Devinagar, Lottegollahalli, Bengaluru Kpan. 2011. Production of natural insecticide procera: a giant milkweed. IOSR Journal of 560094, Karnataka, India (email: [email protected]) from Neem leaves (Azadirachta indica). Asian Pharmacy and Biological Sciences 4(2): Journal of Plant Science and Research 42 57. 1(4):33 38. Singh RN and Sharatchandra B. 2005. The Abstract Madhumathy AP, Ali Ashraf Aivazi and development of botanical products with special Nature's diversity has fascinated humans from the ancient times. Plant and Animal diversity Vijayan VA. 2007. Larvicidal ef cacy of reference to seri ecosystem. Caspian Journal Capsicum annum against Anopheles stephensi of Environmental Sciences 3(1): 1 8. constitutes the foundation for sustainable livelihoods and happiness. Among plants, it is the and Culex quinquefasciatus. Journal of Vector ower that is the most attractive part which bewitches with its beautiful harmony, colors and Borne Diseases 44: 223 226. Subbalakshmi Lokanadhan, Muthukrishnan fragrance, and thus symbolizing the blossoming of Universal Consciousness and the smile of P, and Jeyaraman S. 2012. Neem products and spirit hidden in Nature. Poets of ancient India have described the glory and beauty of these Misra HP. 2014. Role of botanicals, their agricultural applications. Journal of owers in their works. As the six seasons constitute the year, different owers display their biopesticides and bioagents in integrated pest Biopesticides 5(Supplementary): 72 76. beauty by blooming at different times. Importance of owers was recognized since ancient management. Odisha review. pp. 62 67. Suresh Kumar P, Suresh E, and Kalavathy S. times and was classi ed based on many factors. These modes of classi cation have been Nandre BN, Bakliwal SR, Rane BR and 2013. Review on a potential herb Calotropis discussed from Vedic period to the Post Vedic texts and are presented in this paper. Flowers Pawar SP. 2012. A Review on Adhatoda gigantea (L.) R. Br. Scholars Academic have therapeutic uses, religious uses and other general uses. Several texts are devoted only to vasica. Pharma Science Monitor An Journal of Pharmacy 2(2):135 143. them in the epics, Ayurvedic texts as well as those dealing with owers. International Journal of Pharmaceutical Sciences 3(4): 3232 3245. Vishal Kumar, Chandrashekar K, and Sidhu Ancient Indian sages had commendable Flowers in Vedic and Epic texts Om Prakash. 2006. Ef cacy of karanjin and knowledge of the Plant kingdom of India. Nirmal SA, Shashikant R Pattan, Shaikh different extracts of Pongamia pinnata against They had an intimate knowledge of habitat, Even as early as Rigveda (RV) (Arya and selected insect pests. Journal of Entomology MH, Dhasade VV, and Mandal Subhash C. form, color, varieties, fragrances, and uses of Joshi, 2005), several owers are 2009. An overview of Lantana camara: Research 30(2): 103 108. different owers. People adored these mentioned. RV [10.84.3] mentions that chemistry and pharmacological pro le. Ashvinikumaras wore a garland of lotus Pharmacology online newsletter 3: 520 531. Veena BK and Shivani Maurya. 2012. owers and also used them for worshipping B i o l o g i c a l u t i l i t i e s o f Pa r t h e n i u m Gods. They were also used in various rituals, owers. The Goddess Sri is mentioned as Pandey DK. 2009. Allelochemicals in hysterophorus. Journal of Applied and Natural ceremonies, feasts and festivals that Indian b e i n g b o r n o u t o f a l o t u s Parthenium in response to biological activity Science 4 (1): 137 143. literature is replete with their use and (Padmasambhava), being lotus eyed and the environment. Indian Journal of Weed properties (Kashyap, 2001). The Art of (Padmaakshi) and having color of lotus Science 41(3&4): 111 123. Vijayalakshmi K, Radha KS, and Vandana (Padminivarna). Several owers such as Shiva. 1995. Neem: A User's Manual. Centre making garlands using owers was one of Plaksha ( g tree), Kasturi (wild turmeric Prasad TV. 2011. Objective Entomology. for Indian Knowledge Systems, Chennai.96 pp. the 64 arts that enhanced the beauty of the owers), Brahmi (Indian pennywort), New Vishal Publication, New Delhi, India. wearer or a deity (Sheshadri, 2014). The 277pp. Vijayalakshmi K, Subhashini B, and Shivani present paper brings out a mode of Ajashringi (Indian Ash tree) are mentioned Koul. 1996. Plants in Pest Control: Garlic and classi cation of owers as gleaned from in the Atharvaveda (Joshi, 2004). It also Prowse GM, Galloway TS, and Andrew Onion. Centre for Indian Knowledge ancient Indian literature. refers to medicinal and cosmetic Foggo. 2006. Insecticidal activity of garlic Systems,Chennai. 38 pp. 182 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 183
Champaka (Champak tree), Ashoka Sage Vyasa's Mahabharata (Mishra, owers based on the deity being A n c i e n t I n d i a n s a g e s h a d (Ashok tree), Nipa (Bur ower tree) and 1988) is also no less in its description of w o r s h i p p e d . T h e Pa d m a P u r n a commendable knowledge of the other owering trees that have been Flora. Heavenly owers were abounding in (Desponded, 1992) states that Dura Plant kingdom of India. They had an discussed in literature (Krishnamurthy, the mountain ranges of Himalaya, (Bermuda grass), Rambha (Plantain intimate knowledge of habitat, form, 1996). Several owers like Malati (Royal Gandhamadana and Mandara. The Vana owers), Bilva (Bael), Tulsi (Holy Basil), color, varieties, fragrances, and uses Jasmine), Mallika (Sambac Jasmine), Parva of the text describes several owers White and Red owers are dear to Lord of different owers. People adored Vasanti (Butter ginger lily), Madhavi like Ashoka, Amra (Mango tree owers), Ganapati. Malati (Royal Jasmine), Kunda these owers and also used them for (Helicopter ower), Champaka (Champak Indivara (Blue lotus), Utpala (Indian Blue (Oleander), Mandara (Indian Coral tree), worshipping Gods. It (Atharvaveda) tree), Kimshuka (Bastard teak), Ankola lotus), Kamala (Indian lotus), Karnikara and Kumuda (Blue Water lily) are dear to also refers to medicinal and cosmetic (Sage leaved Alangium), Kuranta (Maple leaved Bayur tree), Kahlara (White Goddess Sarasvati. The largest list of applications of other owers such as (Porcupine ower), Muchukunda (Maple water lily), Kunda (Oleander), Kumuda (Blue owers enlisted by Puranas are those for Apamarga (Prickly chaf ower), leaf Bayur tree), Kovidara (Mountain water lily), Kurabaka (Red or yellow worshipping Lord Vishnu as stated in Ebony), and Paribhadraka (Indian coral Arjuna (Arjun tree), Arka (Crown Amaranth), Kokanada (Red water lily), Skanda Purana (II.5.7.17) (Bhatt, 1993), tree) bloomed in the dry and moist Kovidara (Mountain Ebony), Kharjura Vamana Purana (68.12 14) (Gupta, 1968; owers), Ashvagandha (Indian deciduous forests of Kishkinda. The (Silver date palm), Champaka (Champak Bimali and Joshi, 2005), Agni Purana ginseng), Dadima (pomegranate), Pampa lake was lled with lotuses. The tree), Dadima (Pomegranate), Tamarasa (202.12 13) (Joshi, 2001) and Narada Girikarnika (wild guava) and so on. plant diversity of these forests of (lotus), Nalini (Lotus), and Nipa (Bur ower Purana (XIII.97) (Tagare and Shastri, Dandakaranya, Kishkinda and Lanka has tree) that bloomed in Gandhamadana 1998). The Shiva Purana (5.51.48) been studied by scholars attempting to Mountain ranges. It also states how learn the ora described by Sage Valmiki (Shastri, 1970) quotes a large list of owers applications of other owers such as Damayanti went to search Nala in (Amirthalingam and Sudhakar, 2013). The used to worship Lord Shiva. Several Apamarga (Prickly chaf ower), Arjuna Ashokavana abounding in owers. Heavenly descriptions of Ashokavana in the Purina's also list the myth and legends (Arjun tree), Arka (Crown owers), lotuses (Saugandhika) have been mentioned Sundarakanda of the text also have details concerning owers. The Kalika Purana Ashvagandha (Indian ginseng), Dadima along with different varieties of lotuses in the of various owers. Various varieties of (Shastri, 1991) describes several owers (pomegranate), Girikarnika (wild guava) areas surrounding Kailasa Mountains close to Ashoka (Ashok tree) of different colors, used in worship of Goddess Kali and Her and so on. residence of Kubera. The Mahabharata also Champaka (Champak tree), Chandana mentions the ora of Dvaitavana, forms. The Simhasiddhantasindu of Sage Valmiki's Ramayana (Mudholakara, (Sandalwood), Kalpavriksha (Silk cotton Kamyakavana, those at the hermitages of Gosvami Shri Shivananda Bhatt 1991) mentions about beauty of owers in tree), lotuses, and lilies abound in these Sage Rishyashringa, Sage Agastya, (Phatasimha, 1970), a work on various various groves and forests especially in the exquisite evergreen forests of Lanka. The Himalayas and so on that have been discussed aspects of worship culled from the Aranya Kanda. Flowering trees like hermitage of Sage Matanga abounded in in literature (Mehendale, 1986). Purina's, Tantras and other works quotes Lodhra (Loch tree), Nipa (Bur ower tree), various owers which were never plucked certain Puranas on classi cation of and Tilaka (Red bead tree) abound in the and even if plucked never fade and remain Flowers in Purina's and Kavyas owers. It quotes the Bhavishya Purana on tropical deciduous forests of Chitrakuta. fresh always. certain owers that are to be used for The hermitage of sage Sutikshna had rafts The Purina's have a classi cation of worshipping all Gods, rejecting those that made of owers oating in river are not used. The text also quotes Sage Valmiki's Ramayana Mandakini. Panchavati was located amidst The Vana Parva (Mahabharata) of Narasimha Purana and Garuda Purana on mentions about beauty of owers a belt of various owering trees that the text describes several owers use of owers for worshiping Lord Vishnu. in various groves and forests bloomed all year around. The forests of like Ashoka, and Amra (Mango The Linga Purana and Bhavishya Puranas especially in the Aranya Kanda. Panchavati had various kinds of lotuses, tree owers). are quoted in mentioning the owers to be 182 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 183
Champaka (Champak tree), Ashoka Sage Vyasa's Mahabharata (Mishra, owers based on the deity being A n c i e n t I n d i a n s a g e s h a d (Ashok tree), Nipa (Bur ower tree) and 1988) is also no less in its description of w o r s h i p p e d . T h e Pa d m a P u r n a commendable knowledge of the other owering trees that have been Flora. Heavenly owers were abounding in (Desponded, 1992) states that Dura Plant kingdom of India. They had an discussed in literature (Krishnamurthy, the mountain ranges of Himalaya, (Bermuda grass), Rambha (Plantain intimate knowledge of habitat, form, 1996). Several owers like Malati (Royal Gandhamadana and Mandara. The Vana owers), Bilva (Bael), Tulsi (Holy Basil), color, varieties, fragrances, and uses Jasmine), Mallika (Sambac Jasmine), Parva of the text describes several owers White and Red owers are dear to Lord of different owers. People adored Vasanti (Butter ginger lily), Madhavi like Ashoka, Amra (Mango tree owers), Ganapati. Malati (Royal Jasmine), Kunda these owers and also used them for (Helicopter ower), Champaka (Champak Indivara (Blue lotus), Utpala (Indian Blue (Oleander), Mandara (Indian Coral tree), worshipping Gods. It (Atharvaveda) tree), Kimshuka (Bastard teak), Ankola lotus), Kamala (Indian lotus), Karnikara and Kumuda (Blue Water lily) are dear to also refers to medicinal and cosmetic (Sage leaved Alangium), Kuranta (Maple leaved Bayur tree), Kahlara (White Goddess Sarasvati. The largest list of applications of other owers such as (Porcupine ower), Muchukunda (Maple water lily), Kunda (Oleander), Kumuda (Blue owers enlisted by Puranas are those for Apamarga (Prickly chaf ower), leaf Bayur tree), Kovidara (Mountain water lily), Kurabaka (Red or yellow worshipping Lord Vishnu as stated in Ebony), and Paribhadraka (Indian coral Arjuna (Arjun tree), Arka (Crown Amaranth), Kokanada (Red water lily), Skanda Purana (II.5.7.17) (Bhatt, 1993), tree) bloomed in the dry and moist Kovidara (Mountain Ebony), Kharjura Vamana Purana (68.12 14) (Gupta, 1968; owers), Ashvagandha (Indian deciduous forests of Kishkinda. The (Silver date palm), Champaka (Champak Bimali and Joshi, 2005), Agni Purana ginseng), Dadima (pomegranate), Pampa lake was lled with lotuses. The tree), Dadima (Pomegranate), Tamarasa (202.12 13) (Joshi, 2001) and Narada Girikarnika (wild guava) and so on. plant diversity of these forests of (lotus), Nalini (Lotus), and Nipa (Bur ower Purana (XIII.97) (Tagare and Shastri, Dandakaranya, Kishkinda and Lanka has tree) that bloomed in Gandhamadana 1998). The Shiva Purana (5.51.48) been studied by scholars attempting to Mountain ranges. It also states how learn the ora described by Sage Valmiki (Shastri, 1970) quotes a large list of owers applications of other owers such as Damayanti went to search Nala in (Amirthalingam and Sudhakar, 2013). The used to worship Lord Shiva. Several Apamarga (Prickly chaf ower), Arjuna Ashokavana abounding in owers. Heavenly descriptions of Ashokavana in the Purina's also list the myth and legends (Arjun tree), Arka (Crown owers), lotuses (Saugandhika) have been mentioned Sundarakanda of the text also have details concerning owers. The Kalika Purana Ashvagandha (Indian ginseng), Dadima along with different varieties of lotuses in the of various owers. Various varieties of (Shastri, 1991) describes several owers (pomegranate), Girikarnika (wild guava) areas surrounding Kailasa Mountains close to Ashoka (Ashok tree) of different colors, used in worship of Goddess Kali and Her and so on. residence of Kubera. The Mahabharata also Champaka (Champak tree), Chandana mentions the ora of Dvaitavana, forms. The Simhasiddhantasindu of Sage Valmiki's Ramayana (Mudholakara, (Sandalwood), Kalpavriksha (Silk cotton Kamyakavana, those at the hermitages of Gosvami Shri Shivananda Bhatt 1991) mentions about beauty of owers in tree), lotuses, and lilies abound in these Sage Rishyashringa, Sage Agastya, (Phatasimha, 1970), a work on various various groves and forests especially in the exquisite evergreen forests of Lanka. The Himalayas and so on that have been discussed aspects of worship culled from the Aranya Kanda. Flowering trees like hermitage of Sage Matanga abounded in in literature (Mehendale, 1986). Purina's, Tantras and other works quotes Lodhra (Loch tree), Nipa (Bur ower tree), various owers which were never plucked certain Puranas on classi cation of and Tilaka (Red bead tree) abound in the and even if plucked never fade and remain Flowers in Purina's and Kavyas owers. It quotes the Bhavishya Purana on tropical deciduous forests of Chitrakuta. fresh always. certain owers that are to be used for The hermitage of sage Sutikshna had rafts The Purina's have a classi cation of worshipping all Gods, rejecting those that made of owers oating in river are not used. The text also quotes Sage Valmiki's Ramayana Mandakini. Panchavati was located amidst The Vana Parva (Mahabharata) of Narasimha Purana and Garuda Purana on mentions about beauty of owers a belt of various owering trees that the text describes several owers use of owers for worshiping Lord Vishnu. in various groves and forests bloomed all year around. The forests of like Ashoka, and Amra (Mango The Linga Purana and Bhavishya Puranas especially in the Aranya Kanda. Panchavati had various kinds of lotuses, tree owers). are quoted in mentioning the owers to be 184 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 185 used for worshipping Lord Shiva while the 'Karpooramanjari' discusses about the Classification of flowers in vidyaadharaanaam tadvidyaadarchitang Devi Purana is quoted for worship of Devi blossoming of different owers while Agamas and Tantras am vidurbudhaah| Durga. Flowers that are not to be used for experiencing different perceptions Flowers that are torn are to be regarded as a n y w o r s h i p a r e q u o t e d f r o m (Durgaprasad and Parab, 1887). His other A vivid description of various owers and their classi cation is given in Pancharatra Asura class, those that are fresh and new V i s h n u d h a r m o t t a r a P u r a n a , work 'Kavya Mimamsa' [Chap.18] and Vaikhanasa Agamas. They specify are Daiva, those with thorns on trees are to Brihannaaradiya Purana, and Skandha (Mishra, 1934) classi es owers special combinations of owers that are to be discarded for worship as they belong to Puranas. according to their usage. be used for worship and those that are to be Rakshasa class, those that are ugly or Many poets recognize several types of Shobhaandhogandharasaih discarded. The Samurtarchanadhikara having holes or being cut are Yaksha class, owers and their uses. They distinguish the phalaarchanaabhyaam cha | Shodaa (Atri Samhita) (Bhattacharya et al., 2001) those that look burnt or not fresh when kept varieties, colors and time of blooming. th darshitametat syaatsaptamamanupayogi|| in its 44 chapter classi es owers as for a night are Gandharva class, those that Kalidasa in his various works denotes fade away when plucked belong to Bhuta Daivikam maanusham braahmam several owers. His Abhijnana Shakuntala 'They are classi ed as decorative owers, class, those that are touched by men who paitrikam bhautikam tathaa|| Yaaksham (Kale, 2010) speaks of Sage Kanva's those for food, scent, honey, fruit, for are not clean or by Chandalas are termed to hermitage abounding in several varieties of g a a n d h a r v i k a m t a d v a d a a s u r a m worship, and those that are not used'. belong to Vidyadhara class. owers. The Shireesha ower, jasmine and raakshasam tathaa| Paishaacham several varieties of lotuses are mentioned The commentary by Madhusudhan Mishra mishrakam chaapi pushpamevam The list is also upheld by Vaikhanasiya in his works. About 30 different words gives examples for each of them such as prakeertitam|| [XLIV.1 2] Kashyapa Jnaanakanda [Chp. 72]. The based on varieties of lotuses are used by B a n d h u k a [ ( M i d d a y ow e r ) f o r Flowers are classi ed as Daiva, Kashyapa Jnaanakanda (Parthasarathi, him such as : decoration], Sthalakamala [(Changeable Maanusha, Braahma, Paitrika (pertaining 1998) also enlists the owers that are dear rose) as food], Bakula (Indian medlar), to Lord Vishnu, Shri and Bhu Devi, (a) Blue lotus Indivara, Kuvalaya, to Pitrs or manes), Bhautika (pertaining to Malati [(Royal jasmine) for scent], Brahma, Rudha, Surya, Mahakali. A list of Neelotpala, Pushkara, Rajeeva, Bhutas), Yaksha, Gandharva, Asura, Shireesha [(East Indian walnut) for owers that are also not to be used for Utpala, Vanaja Rakshasa, Pisacha, and Mishra varieties . honey], Kharjoora (Silver date palm), worship is given by the text. The (b) Red lotus Aravinda, Kokanaada, Panasa (Jackfruit), Jambu (Black berry), The description of these varieties is stated as classi cation of owers given by Taamarasa Amra (Mango), Priyala [(Chironjia tree) Samurtarchanadhikara is also upheld by Utpaatitaani pushpaani chaasuraaneeti (c) White lotus Pundareeka for fruits], Navamallika [(Shrubby it. In fact the Kashyapa Jnaanakanda lakshayet| haritaaharitaanyeva daivikaani (d) Golden colored lotus Jasmine) for worship], and other owers describes each of them as follows. v i d u r bu d h a a h | S a k a n t a k a a n a a m Kanakakamala that are not used. Bana's Kadambari vrikshaanaam pushpaani parivarjayet| shvetapeetakrishnaraktacaturvarnaani (Shastri, 1961) is also rich in description of Several species of owers blooming in proktaani raakshasaaneeti teshaam trivarnaani ca daivikaanyuktamanutt various owers like Parijata (Night different seasons are described in graahyaani poojane|| Chinnaaram amani| J a s m i n e ) . K i n g H a r s h a i n h i s Kalidasa's Ritusamhara (Kale, 2002). b h i n n a m a s t i s h k a m y a a k s h i k a m Naishadiyacharitam speaks of several dvivarnaani madhyamaani| ekava Magha has beautifully described the parikeertitam| ekaratroshitam pushpam owers like Lotus, Kuvalaya (Fragrant rnaanyadhamaani| blooming of Kamala and closing of g a n d h a r v a a n a a m p ra ke e r t i t a m | | water lily), Champaka (Champak tree) and raatrau saphullaani tadaahni saady Kumuda at sunrise simultaneously in his griheetaparisheernam cha bhutaanaam so on that adorned hands and other parts of cha vidurbudhaah|| narenaashuchina askaani tatkaalotphullaani arcane work Shishupalavadha (II.64) (Shastri, Queen Damayanti (Shastri, 1984) sprishtam chandaalaih pulkasaistathaa|| shreshtaani| [Chap. 72] 2013). Rajashekhara in his work 184 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 185 used for worshipping Lord Shiva while the 'Karpooramanjari' discusses about the Classification of flowers in vidyaadharaanaam tadvidyaadarchitang Devi Purana is quoted for worship of Devi blossoming of different owers while Agamas and Tantras am vidurbudhaah| Durga. Flowers that are not to be used for experiencing different perceptions Flowers that are torn are to be regarded as a n y w o r s h i p a r e q u o t e d f r o m (Durgaprasad and Parab, 1887). His other A vivid description of various owers and their classi cation is given in Pancharatra Asura class, those that are fresh and new V i s h n u d h a r m o t t a r a P u r a n a , work 'Kavya Mimamsa' [Chap.18] and Vaikhanasa Agamas. They specify are Daiva, those with thorns on trees are to Brihannaaradiya Purana, and Skandha (Mishra, 1934) classi es owers special combinations of owers that are to be discarded for worship as they belong to Puranas. according to their usage. be used for worship and those that are to be Rakshasa class, those that are ugly or Many poets recognize several types of Shobhaandhogandharasaih discarded. The Samurtarchanadhikara having holes or being cut are Yaksha class, owers and their uses. They distinguish the phalaarchanaabhyaam cha | Shodaa (Atri Samhita) (Bhattacharya et al., 2001) those that look burnt or not fresh when kept varieties, colors and time of blooming. th darshitametat syaatsaptamamanupayogi|| in its 44 chapter classi es owers as for a night are Gandharva class, those that Kalidasa in his various works denotes fade away when plucked belong to Bhuta Daivikam maanusham braahmam several owers. His Abhijnana Shakuntala 'They are classi ed as decorative owers, class, those that are touched by men who paitrikam bhautikam tathaa|| Yaaksham (Kale, 2010) speaks of Sage Kanva's those for food, scent, honey, fruit, for are not clean or by Chandalas are termed to hermitage abounding in several varieties of g a a n d h a r v i k a m t a d v a d a a s u r a m worship, and those that are not used'. belong to Vidyadhara class. owers. The Shireesha ower, jasmine and raakshasam tathaa| Paishaacham several varieties of lotuses are mentioned The commentary by Madhusudhan Mishra mishrakam chaapi pushpamevam The list is also upheld by Vaikhanasiya in his works. About 30 different words gives examples for each of them such as prakeertitam|| [XLIV.1 2] Kashyapa Jnaanakanda [Chp. 72]. The based on varieties of lotuses are used by B a n d h u k a [ ( M i d d a y ow e r ) f o r Flowers are classi ed as Daiva, Kashyapa Jnaanakanda (Parthasarathi, him such as : decoration], Sthalakamala [(Changeable Maanusha, Braahma, Paitrika (pertaining 1998) also enlists the owers that are dear rose) as food], Bakula (Indian medlar), to Lord Vishnu, Shri and Bhu Devi, (a) Blue lotus Indivara, Kuvalaya, to Pitrs or manes), Bhautika (pertaining to Malati [(Royal jasmine) for scent], Brahma, Rudha, Surya, Mahakali. A list of Neelotpala, Pushkara, Rajeeva, Bhutas), Yaksha, Gandharva, Asura, Shireesha [(East Indian walnut) for owers that are also not to be used for Utpala, Vanaja Rakshasa, Pisacha, and Mishra varieties . honey], Kharjoora (Silver date palm), worship is given by the text. The (b) Red lotus Aravinda, Kokanaada, Panasa (Jackfruit), Jambu (Black berry), The description of these varieties is stated as classi cation of owers given by Taamarasa Amra (Mango), Priyala [(Chironjia tree) Samurtarchanadhikara is also upheld by Utpaatitaani pushpaani chaasuraaneeti (c) White lotus Pundareeka for fruits], Navamallika [(Shrubby it. In fact the Kashyapa Jnaanakanda lakshayet| haritaaharitaanyeva daivikaani (d) Golden colored lotus Jasmine) for worship], and other owers describes each of them as follows. v i d u r bu d h a a h | S a k a n t a k a a n a a m Kanakakamala that are not used. Bana's Kadambari vrikshaanaam pushpaani parivarjayet| shvetapeetakrishnaraktacaturvarnaani (Shastri, 1961) is also rich in description of Several species of owers blooming in proktaani raakshasaaneeti teshaam trivarnaani ca daivikaanyuktamanutt various owers like Parijata (Night different seasons are described in graahyaani poojane|| Chinnaaram amani| J a s m i n e ) . K i n g H a r s h a i n h i s Kalidasa's Ritusamhara (Kale, 2002). b h i n n a m a s t i s h k a m y a a k s h i k a m Naishadiyacharitam speaks of several dvivarnaani madhyamaani| ekava Magha has beautifully described the parikeertitam| ekaratroshitam pushpam owers like Lotus, Kuvalaya (Fragrant rnaanyadhamaani| blooming of Kamala and closing of g a n d h a r v a a n a a m p ra ke e r t i t a m | | water lily), Champaka (Champak tree) and raatrau saphullaani tadaahni saady Kumuda at sunrise simultaneously in his griheetaparisheernam cha bhutaanaam so on that adorned hands and other parts of cha vidurbudhaah|| narenaashuchina askaani tatkaalotphullaani arcane work Shishupalavadha (II.64) (Shastri, Queen Damayanti (Shastri, 1984) sprishtam chandaalaih pulkasaistathaa|| shreshtaani| [Chap. 72] 2013). Rajashekhara in his work 186 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 187
by the text [XXXII.38 40] and quotes the withered, dried, fallen to the ground and Panchaitaanyuttamaanyaahurmadhyama Flowers that are torn are to be views of Sage Mareechi on conducting of which are damaged should be abandoned. ani tathaa dasha| regarded as Asura class, those Pushpayaga (sacri ce using owers). The If suitable owers are not available, leaves that are fresh and new are Daiva, Pa d m a S a m h i t a ( S a m p a t h a n d could be used or they could be Mallikaakundamandaaratagaraarjunaki those with thorns on trees are to Padmanabhan, 1974; 1982) states that one supplemented by fruits, grass, herbs in mshukaah| Paarijaatamashokam cha be discarded for worship as they must stand before the Pushpavana (forests their absence. Flowers made of gold, one of bilvam champakameva cha|| belong to Rakshasa class, those where owers grow) with folded hands the nine gems (Navaratnas) or diamonds Flowers are classi ed into ve types offering his salutations to the deity of the give greater fruit of worship when they are that are ugly or having holes or n a m e l y Pa ra , A p a ra , U t t a m a , forest and then proceed to collect owers. used. The text further states that one should being cut are Yaksha class, those Madhyama, and Adhama. Golden owers It adds that one must not collect owers worship the Lord with owers collected that look burnt or not fresh when belong to Para class and can be used before that are fallen and withered, black in color, from his own garden or those blossomed in kept for a night are Gandharva bath to the deity as well as for worship. dry, those that are torn, bought in a tied the forest. He should not worship with the class, those that fade away when Silver and copper owers belong to Apara cloth, touched by evil people, those that are owers and other materials brought for plucked belong to Bhuta class, class and can be used one or three years. already smelt, those bereft of scent, those money Tulsi (holy Basil), Ketaki (Fragrant Screw those that are touched by men who touched by feet, and those that are yet Pine), Padma (Lotus), Karaveera (Indian are not clean or by Chandalas are unblossomed (Charya Pada, Chap. XII). Aatmaaraamodbhavaih pushpaih athava Oleander), and Malati (Royal Jasmine) termed to belong to Vidyadhara Further the text enumerates seven vanasambhavaih | belong to Uttama class. Those of class . prominent owers of Kalpavriksha (Silk Dravyakreetaih prasoonaadyaiah Madhyama class are ten in number namely cotton tree), Parijata (Night jasmine), archayed anyathaa na cha || Mallika, Kunda, Mandara, Tagara, Those owers that are white, yellow, bluish Harichandana (Red sandalwood), – [Kriyaapaada, V.65] Arjuna, Kimshuka, Parijata, Ashoka, (dark hued) and red and those owers that Santanavriksha (Progeny tree), Mandara possess either four or three of these colors Bilva, and Champaka. Those that are (Indian Coral tree), Saughandhika The Meru Tantra [Prakasha III] (Shastri, are Daiva class and considered to be best, leaves or acquatic owers are considered to (Heavenly lotus), and Palasha (Flame of 2014) speaks about another classi cation those that are of two colors are medium and be Adhama the forest) that give more results of worship of owers as those that are of single color are considered than ordinary owers and each of them The Mundamala Tantra [Patala IX] (Rai, to be of low class. Those that bloom at gives more than the following in the list. A Pushpam panchavidham proktam param 2010) enlists several owers used in night and spread out in daytime or that similar aspect regarding different varieties c h a a p a r a m e v a c h a | U t t a m a m worship of Goddess Parvati. The bloom quickly are considered to be best for of lotuses and lilies is also mentioned. madhyamam hinam teshaam vakshyaami Simhasiddhanta Sindhu (Phatasimha, worship . lakshanam|| 1970) also quotes several Tantras on The Kamika Agama (Sabharatnam, 2015), owers. Of these the classi cation of The description of Daiva, Asura, a principle Shaiva Agama source for Param suvarnapushpam syaat tat sadaa owers is mentioned by quoting the Gandharva and other classes of owers are worship, temple construction and rituals yogyamevahi| Abhyangapoorvakam 'Mantratantraprakasha' similar to the identical to the Atri Samhita. The related to Lord Shiva has some information deyamarchanaarham punarbhavet|| Meru Tantra as below: Vaikhaanasa Khiladhikara (Parthasarathi about owers. A long list of owers and Bhattacharya, 1997) of sage Bhrigu Aparam raajatam pushpam taamrajam suitable for worshiping Lord Shiva is given Pushpam panchavidham proktam also gives a list of owers that are to be cha parikeertitam| Sadaa yogyam by the text [Purvapaada, Kriyaapaada, munibhirnaradaadibhih| paraparottamam used for worship of deities and those that chedamapi trivarsham chaikavarshakam|| Chapter V Archanavidhi]. It states that chaiva madhyamam cha tathaadhamam|| are to be discarded [Chap. 33]. The owers rendered unsuitable by hairs, Tulasi ketaki padma karaveeram cha auspicious and inauspicious times to be worms and insects, those that have sauvarnam paramityuktamaparam noted for plucking of owers are also given maalati| chitravastrajam| 186 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 187 by the text [XXXII.38 40] and quotes the withered, dried, fallen to the ground and Panchaitaanyuttamaanyaahurmadhyama Flowers that are torn are to be views of Sage Mareechi on conducting of which are damaged should be abandoned. ani tathaa dasha| regarded as Asura class, those Pushpayaga (sacri ce using owers). The If suitable owers are not available, leaves that are fresh and new are Daiva, Pa d m a S a m h i t a ( S a m p a t h a n d could be used or they could be Mallikaakundamandaaratagaraarjunaki those with thorns on trees are to Padmanabhan, 1974; 1982) states that one supplemented by fruits, grass, herbs in mshukaah| Paarijaatamashokam cha be discarded for worship as they must stand before the Pushpavana (forests their absence. Flowers made of gold, one of bilvam champakameva cha|| belong to Rakshasa class, those where owers grow) with folded hands the nine gems (Navaratnas) or diamonds Flowers are classi ed into ve types offering his salutations to the deity of the give greater fruit of worship when they are that are ugly or having holes or n a m e l y Pa ra , A p a ra , U t t a m a , forest and then proceed to collect owers. used. The text further states that one should being cut are Yaksha class, those Madhyama, and Adhama. Golden owers It adds that one must not collect owers worship the Lord with owers collected that look burnt or not fresh when belong to Para class and can be used before that are fallen and withered, black in color, from his own garden or those blossomed in kept for a night are Gandharva bath to the deity as well as for worship. dry, those that are torn, bought in a tied the forest. He should not worship with the class, those that fade away when Silver and copper owers belong to Apara cloth, touched by evil people, those that are owers and other materials brought for plucked belong to Bhuta class, class and can be used one or three years. already smelt, those bereft of scent, those money Tulsi (holy Basil), Ketaki (Fragrant Screw those that are touched by men who touched by feet, and those that are yet Pine), Padma (Lotus), Karaveera (Indian are not clean or by Chandalas are unblossomed (Charya Pada, Chap. XII). Aatmaaraamodbhavaih pushpaih athava Oleander), and Malati (Royal Jasmine) termed to belong to Vidyadhara Further the text enumerates seven vanasambhavaih | belong to Uttama class. Those of class . prominent owers of Kalpavriksha (Silk Dravyakreetaih prasoonaadyaiah Madhyama class are ten in number namely cotton tree), Parijata (Night jasmine), archayed anyathaa na cha || Mallika, Kunda, Mandara, Tagara, Those owers that are white, yellow, bluish Harichandana (Red sandalwood), – [Kriyaapaada, V.65] Arjuna, Kimshuka, Parijata, Ashoka, (dark hued) and red and those owers that Santanavriksha (Progeny tree), Mandara possess either four or three of these colors Bilva, and Champaka. Those that are (Indian Coral tree), Saughandhika The Meru Tantra [Prakasha III] (Shastri, are Daiva class and considered to be best, leaves or acquatic owers are considered to (Heavenly lotus), and Palasha (Flame of 2014) speaks about another classi cation those that are of two colors are medium and be Adhama the forest) that give more results of worship of owers as those that are of single color are considered than ordinary owers and each of them The Mundamala Tantra [Patala IX] (Rai, to be of low class. Those that bloom at gives more than the following in the list. A Pushpam panchavidham proktam param 2010) enlists several owers used in night and spread out in daytime or that similar aspect regarding different varieties c h a a p a r a m e v a c h a | U t t a m a m worship of Goddess Parvati. The bloom quickly are considered to be best for of lotuses and lilies is also mentioned. madhyamam hinam teshaam vakshyaami Simhasiddhanta Sindhu (Phatasimha, worship . lakshanam|| 1970) also quotes several Tantras on The Kamika Agama (Sabharatnam, 2015), owers. Of these the classi cation of The description of Daiva, Asura, a principle Shaiva Agama source for Param suvarnapushpam syaat tat sadaa owers is mentioned by quoting the Gandharva and other classes of owers are worship, temple construction and rituals yogyamevahi| Abhyangapoorvakam 'Mantratantraprakasha' similar to the identical to the Atri Samhita. The related to Lord Shiva has some information deyamarchanaarham punarbhavet|| Meru Tantra as below: Vaikhaanasa Khiladhikara (Parthasarathi about owers. A long list of owers and Bhattacharya, 1997) of sage Bhrigu Aparam raajatam pushpam taamrajam suitable for worshiping Lord Shiva is given Pushpam panchavidham proktam also gives a list of owers that are to be cha parikeertitam| Sadaa yogyam by the text [Purvapaada, Kriyaapaada, munibhirnaradaadibhih| paraparottamam used for worship of deities and those that chedamapi trivarsham chaikavarshakam|| Chapter V Archanavidhi]. It states that chaiva madhyamam cha tathaadhamam|| are to be discarded [Chap. 33]. The owers rendered unsuitable by hairs, Tulasi ketaki padma karaveeram cha auspicious and inauspicious times to be worms and insects, those that have sauvarnam paramityuktamaparam noted for plucking of owers are also given maalati| chitravastrajam| 188 Classi cation of owers Asian Agri-History Vol. 20, No. 3, 2016 189
Vrikshagulmalataapushpamuttamam (Golden owers), Kulapushpa (those composed by Kerala author Ishanashiva applications of owers (Kashyap, 2001). parikeertitam|| belonging to particular class) in various dated to 12th c. AD. The text is divided into These include Sushruta Samhita, Charaka sections. Flowers (pushpa) has a similar four parts in 119 chapters. It mentions Samhita, Bhela Samhita, Ayurveda adhamam patratoyaadi madhyamam tu meaning in Sanskrit to English, and are brie y of a special classi cation of owers S a u k h y a o f To d a r a n a n d a , a n d p h a l a t m a k a m | u t s r u s h t a m n a taken by some texts like the Matrikabheda not traced in other texts. Flowers are Ashtangahridaya of Vagbhata. The Koshas kriyaayogyam sadaa yogye paraapare|| Tantra, the Mahakalasamhita and other classi ed rstly into three classes named and Nighantus also offer certain – Simhasiddhanta Sindhu [IV.10 12]. texts, to refer to menstrual blood. These are Agneya, Saumya (related to Soma), and classi cation of owers. The Rajanighantu classi ed in different ways, depending on Saumyaagneya. Further they are classi ed (Tripathi, 1998) classi es owers into two The Sages like Narada and others have age and the quali cations of a Shakti. The based on the three Gunas (predominant types namely, spoken of owers as being of ve classes Matrikabheda Tantra (Magee, 2011) characters) of Indian philosophy namely namely Para, Apara, Uttama, Madhyama, [Chapter XII] upholds 1000 Golden Sattvika, Raajasika and Taamasika [ISGP, Praphullam meelitam cheti dvividham and Adhama. Golden owers belong to owers as being superior than a broken Saamanyapaada, Section on Flowers, pushpamishyate|| Para class, those of multicolored cloth Bilva leaf offered to worship of Lord Shiva. vv.59 61]. The text states that owers that Those that are fully opened or expanded (made arti