DOCSLIB.ORG

GCN VI 01.Pdf (8.653Mb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GCN VI 01.Pdf (8.653Mb) GERMAN CULTURE NEWS CORNELL UNIVERSITY INSTITUTE FOR GERMAN CULTURAL STUDIES December IY97 Volume VI No J RETROSPECTIVE OF "DIALECTIC OF GERMAN COLLOQUIUM: " ENLIGHTENMENT - . '" ' FALL 1997 '6Dh ='~' ", REVISITED, 1947-1997" , . Michael Richardson Richard Schaefer and "*' , John Kim On Saturday, November 22, 1997, the Institute for Gennan Cultural Studies The Institute for Gennan Cultural Stud­ hosted aday.Iong symposium atCornell's ies Fait Colloquium series included a · II A.D, White House on the occasion of the George Mosse wide array of original. yet interrelated fiftieth anniversary of the appearance of papers. The colloquium began with a GEORGE MOSSE ON Max Horkheimer's and Theodor presentation by Andreas Huyssen. Pr0­ Adorno's Dialectic of Enlightenment. fessor of Gennan at Columbia Univer­ "THE CONCEPTS OF Organized by Peter U. Hohendahl, the sity. Huysscn's paper, entitled "The Dis­ symposium brought together a group of turbance of Vision in Vienna Modern­ DEMOCRACY" interesting panelists from across the dis­ ism," represcmcd a preliminary draft of ciplines to reflect on the work and its his project on Viennese modernism, a Rachel Nussbaum contemporary relevance. The diverse project that developed out of his interest composition of the symposium and its in KUT7Prosa and its micrological look at participants. of course, itself reflected modem life. Uncomfortable with using George Mosse, the A. D. White Profes­ both the multi-disciplinary nature of the genre as a criterion for evaluation. he sor-at-Large at Cornell University and work as well as the expansive interests of instead focused his discussion through John C. Bascom Professor Emeritus of those thinkers associated with what was the issue of visuality. His claim was that History and Weinstein Professor Emeri­ later to be tenned the "Frankfurt School." the categories of vision and visuality tusofJewish Studies at the University of Drawn exclusively from Cornell faculty should be of central concern for literary Wisconsin, Madison, lectured on Sep­ and graduate students. the symposium scholars working as cultural historians. tember 24 on the topic "Concepts of offered an important opportunity to show­ By focusing on examples from Democracy: The Liberal Inheritance and case in-house talent and provided a fo­ Hofmannsthal, Musil, and Schnitzler, the National Socialist Pubtic Sphere." rum for discussing divergent perspec­ Huyssen outlined several moments in The evcnt was sponsored by the Society tives and interests for those in the hu­ these modernist texts that dealt implicitly for the Humanities. Mosse began his talk manities. The event was extremely well and explicitly with what he tenned a by stating that the definition of democ­ attended, attesting to the continued inter­ disturbance of vision. racy used in the United States blinds us to est in the questions raised by the work Scholarship onfin de siide Viennese another concept of democracy. the ''to­ and its lasting ability to motivate their literature has focused primarily on its talitarian" version, also known as popu­ discussion. contributions to discussions of the mod­ lar sovereignty. As J. L. Talmon argued There remains a sense in which the life ernist crisis of poetic language and the in The Origins of Toralitarian Democ­ of a text and the import of its argument dissolution and transfonnation of tradi­ racy. Rousseau's notion ofdirect democ­ can only emerge against the horizon ofits tional modes of narration. According to racy, taken up by the Jacobins, mani­ own becoming, which is to say, how it is Huyssen, this language crisis was usually fested itself in "games, festivals, read over time. In this way, marking the seen only in the comext of literary mod.­ ceremonials," that is. symbolic mass ac­ fiftieth anniversary of the Dialectic of ernism: attempts to transcend this crisis tion. This concept was central to both the Enlightenment signals something much focused on the development of some Bolshevik and fascist revolutions. Mosse more important than merely reasserting "other" language, one which attained the asked whether the concept of totalitarian the primacy of a canonical text amid a statusofa "purelanguage ofpoetic fonn." democracy is still with us. chorus of uncritical "happy binhdays.'· (continued on page 13) (contimud on page 12) (continued on page 10) Gemw.11 Culture News Page 1 Thefirst panel. "Cultural Politics in Con· "THINKING CULTURE: and contradictory." After the war this dynamic continued, illustrated perhaps temporary Germany," was a forum for LITERATURE AND BEYOND" most vividly several contro­ GRADUA TE STUDENT by the denial versial issues. CONFERENCE ofthe state for Yasemin Yildiz retribution of (Cornell), panel Michelle Duncan wartime dam­ moderator and ages because respondent, in­ she wasn't troduced Gamin Graduate students from universities considered to Bartle (Univer­ across the United Stales and Canada con­ have been of­ sity of Virginia), vened on November 7-8 for the confer­ ficially hurt by whose paper. ence "Thinking Culture: Literature and the Nazis. "Ausliinder in Beyond." The highlight of this year's Experiences Germany, Ger­ interdisciplinary event, hosted by the determined by many in Aus­ Department ofGennan Studies, was the race arc co­ liinder' "interro- keynote address of Cornell alumna Tina detennined by gated the rela­ CampI, Assistant Professor of Women's gender, Campt argued. The experiences tionship of writers who are not consid­ Studies at the University of California, of "Peter K." were markedly different ered German to the Germa.n lang­ Santa Cruz, which was received by an than those of "Clara M.... "Peter K,," uage...focus[ing] on the relationship be­ appreciative, standing-room-only crowd born in Germany in 1920, was the son of tween Germanness and the German lan­ at the A.D. White House. CampI's paper. a German mother and Algerian father. He guage." In Bartle's analysis. the German "Talking Black. Talking German: Think­ became a member of the Hitler Jugend language is the defining factor in distin­ ing Through Race and Gender in German for two years where his identity was guishing German identity, a distinction Studies" explored the complexity ofrace defined by the Hitler Jugend uniform. YiIdiz believedoverlooked the bi Iingual­ and gender when compounded by ques­ His uniform symbolized membership 10 ism of writers such as Zafer Senocak or tions of sexuality, nationality and cul­ a political organization, a membership Renan Demirkan. "How much 'Ger­ tural identity. CampI'S analysis was based that foregrounded markers that symbol­ many' has there to be in 'Auslander' in upon interviews she conducted in con­ ized belonging to the markers of race. order not to be designated 'Ausliinder' junction with her lengthy research project "Nobody saw I didn't belong," he told anymore?" Yildiz inquired, a question in Germany. Campt, who interpreted the uniform as a that invited debate among Ihe audience. Campt cons!ructed her rich and evoca­ "mark of camouflage" that afforded Karen Eng (Georgetown) turned atten­ tive address upon the narratives of "privilege and protection." The dynamic tion to another contemporary issue in her interviewees "Clara M." and "Peter K:' ofbclonging was significantly morecom­ paper, ''The Role of the New German whose re-telling she interpreted as "char­ plex then outward markers can deter­ Rechtschreibreform in 'Defining the acterized less by spcech then by silence." mine, however, as "Peter M:' was what German'." Eng explored how ideologi­ According to Campt, this "loud silence," was referred 10 as a "Rheinland bastard," cal values within the German Culture betrayed their "strategies of memory and a group of males who underwent forced might be related 10 Ihe strong public story-telling" with discursive "material sterilization by the Nazis because oftheir reaction prompted by the Recht­ and political consequences." .'ClaraM.," race. Campt interpreted his sterilization schreibreform. Eng also posited a rela­ born in Germany in 1929, pursued her as a sanction that did more than forbid tionship between Ihe cultural formation talent by studying at an academy ofdance procreation. In the case of "Peter K.", of language, the cultural formation of a umil her expulsion by the Nazis because sterilization was an attempt to emascu­ nation, and the cultural formation of the she was a "Neger-Misehling:' She was late him as an Afro-German. Campt self. Yildizquestioned Eng about onhog­ put to work in the barrack kitchen of explained that Ihe enormous fear ofblack raphy in the Rechtsschreibreform debate Frankenburg. Forced to shunle between male sexuality withinGermany wascam­ and opinions were exchanged about the life in Germany, thc "center", and life in ouflaged by a rhetoric of racial purifica­ actual goal of the reforms. the Frankenburg. the "pcriphery", the tion. Brigitte Ebel (University ofMississippi) barrack kitchen became for her a meta­ CampI's analytical depth and wiUing· presented her paper "Westdeutsche phorical "Nomadsland." "Clara M's" ness to thoughtfully engage with politi­ Medien bestimmen den Verlauf der life expcrience was marked by the dy­ cally sensitive issues with criticism and Identjlatssuche der DDR Bewohner," namic of pcrpetual shuttling - back and integrity set the tone for the conference. which considered the position of East fonh, back and forth - between loca­ Four graduate student panels gave con­ German identification throughout the tions. Her sense of never officially be­ ference participants an opponunity to Wiedervereinigung
Load more

Recommended publications
  • 14484 Convivium 25.Indd 167 14/10/13 09:33 168 Renate Holub
    TOWARDS A GLOBAL SPACE OF DEMOCRATIC RIGHTS: ON BENJAMIN, GRAMSCI, AND POLANYI1 Renate Holub University of California. Berkeley ABSTRACT In this article, I approach Benjamin, Gramsci, and Polanyi as members of a par- ticular generation in Europe. Since all three of them were born late in the 19th century, they could not but experience a range of world-historical events. These ranged from World War One, the Bolshevik revolution in Russia, and failed attempts at socialist revo- lutions on the European continent to the rise of fascism in Italy and Germany, the expan- sion of European colonialism in the Middle East, the spectacular collapse of the transat- lantic capitalist financial system in October of 1929, and the gradual assumption of shared geopolitical hegemony on the part of the United States and the Soviet Union. By the same token, Benjamin, Gramsci, and Polanyi, as European intellectuals, could not but develop their predominant conceptions of the world in the context of a particular space of intellectual systems [Idealism, Marxism, Utilitarianism, Positivism, Historicism, etc]. While all of these intellectual systems involved epistemological, ontological, and ethical standards, some of them participated in the separation of these three provinces of standards from each other, thereby promoting traditions of philosophic – methodological individualization or specialization of branches of knowledge while others tended to con- tinue to methodologically combine these three provinces to various degrees. Benjamin, Gramsci, and Polanyi thus moved in an intellectual space in which there had emerged multiple contests about the relations between ideas and social practices, on one hand, individuals and collectives, on the other hand.
    [Show full text]
  • Reading the Quaderni Del Carcere : the Political Project of Antonio Gramsci
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Reading the Quaderni del carcere : the political project of Antonio Gramsci. Manuel S. Almeida Rodriguez University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Almeida Rodriguez, Manuel S., "Reading the Quaderni del carcere : the political project of Antonio Gramsci." (2006). Doctoral Dissertations 1896 - February 2014. 2401. https://scholarworks.umass.edu/dissertations_1/2401 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact scholarworks@library.umass.edu. READING THE QUADERNI DEL CARCERE: THE POLITICAL PROJECT OF ANTONIO GRAMSCI A Dissertation Presented by MANUEL S. ALMEIDA RODRIGUEZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Manuel S. Almeida Rodriguez 2006 All Rights Reserved READING THE QUADERNI DEL CARCERE: THE POLITICAL PROJECT OF ANTONIO GRAMSCI A Dissertation Presented by MANUEL S. ALMEIDA RODRIGUEZ Approved as to style and content by: £ Nicholas Xenos, Chair DEDICATION To my loving daughter. ACKNOWLEDGEMENTS This project is the end result of a long intellectual journey began almost seven years ago, when I first read Gramsci and visited the Fondazione Istituto Gramsci in Rome. I have incurred in many debts of gratitude since then. First, 1 would like to thank my chair, Nicholas Xenos, for his continual support, engaging discussion, and constant feedback through graduate school.
    [Show full text]
  • The Linguistic Problem in Dante
    The Linguistic Problem in Dante: A Gramscian Pathway toward the Modern Vernacular World By Stefano Selenu B.A., Università di Bologna, 2003 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University Providence, Rhode Island May 2010 © 2010 by Stefano Selenu This dissertation by Stefano Selenu is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date _______________ __________________________________ Ronald L. Martinez, Advisor Recommended to the Graduate Council Date _______________ __________________________________ Massimo Riva, Reader Date _______________ __________________________________ Suzanne Stewart-Steinberg, Reader Date _______________ __________________________________ Joseph A. Buttigieg, Reader Approved by the Graduate Council Date _______________ _________________________________ Sheila Bonde, Dean of the Graduate School iii CURRICULUM VITAE Stefano Selenu was born on April 17, 1978 in Carbonia, Sardinia (Italy). He holds an Italian laurea cum laude in Philosophy from the University of Bologna. His research focuses primarily on the intersections of language, literature, and politics in Italian culture and history, with a comparative approach across class, gender, geographical, and cultural boundaries. His specific interests include Dante and early modern literature; Antonio Gramsci and Marxism; Italian literature and philosophy; theories of history, politics, and language; history of Italian and Sardinian languages and philology. In 2005, his tesi di laurea was awarded the first Antonio Gramsci Prize, which included the publication in the collection Antologia del Premio Gramsci. IX Edizione (Sassari: EDES, 2006. 223-358). This work investigates the question of Sardinian language standardization in connection with both Antonio Gramsci‟s thought on philology, contemporary philosophy of language and romance linguistics.
    [Show full text]
  • International Gramsci Journal
    INTERNATIONAL GRAMSCI JOURNAL No. 3 March 2011 INTERNATIONAL GRAMSCI JOURNAL ISSN: 1836-6554 The International Gramsci Journal (IGJ) is the electronic journal of the International Gramsci Society. The journal publishes matters of general interest to Gramsci scholars (Gramsci Notes), as well as peer-reviewed scholarly articles about Antonio Gramsci's life and work, the influence of his thinking on social, political, economic and cultural history and the application of his concepts to contemporary life. International Gramsci Journal Editorial Board • Derek Boothman, Italy • Joseph Buttigieg, U.S.A • Ben Fontana, U.S.A • Marcus Green, U.S.A • Renate Holub, U.S.A • Peter Ives, Canada • Domenico Jervolino, Italy • Guido Ligouri, Italy • Richard Howson, Australia • Rita Medici, Italy • Adam David Morton, United Kingdom • Carlos Nelson Coutinho, Brazil • Koichi O'Hara, Japan • David F. Ruccio, U.S.A IGJ’s Editorial Committee at University of Wollongong, Australia is: • Charles Hawksley, Editor • Susan Engel, Assistant Editor • Teresa Crosland, Production Editor For all correspondence with IGJ please email Charles Hawksley, IGJ editor at: charlesh@uow.edu.au Submissions to IGJ may be in English, Italian, Spanish or Portuguese. For instructions on submission for peer review to IGJ please refer to the website: http://www.uow.edu.au/arts/research/gramsci-journal/index.html Cover: 1922 photograph of Antonio Gramsci from: http://www.internationalgramscisociety.org/about_gramsci/photo_archive/index.html. ii INTERNATIONAL GRAMSCI JOURNAL NO. 3 MARCH
    [Show full text]
  • International Gramsci Journal
    INTERNATIONAL GRAMSCI JOURNAL No. 3 March 2011 INTERNATIONAL GRAMSCI JOURNAL ISSN: 1836-6554 The International Gramsci Journal (IGJ) is the electronic journal of the International Gramsci Society. The journal publishes matters of general interest to Gramsci scholars (Gramsci Notes), as well as peer-reviewed scholarly articles about Antonio Gramsci's life and work, the influence of his thinking on social, political, economic and cultural history and the application of his concepts to contemporary life. International Gramsci Journal Editorial Board • Derek Boothman, Italy • Joseph Buttigieg, U.S.A • Ben Fontana, U.S.A • Marcus Green, U.S.A • Renate Holub, U.S.A • Peter Ives, Canada • Domenico Jervolino, Italy • Guido Ligouri, Italy • Richard Howson, Australia • Rita Medici, Italy • Adam David Morton, United Kingdom • Carlos Nelson Coutinho, Brazil • Koichi O'Hara, Japan • David F. Ruccio, U.S.A IGJ’s Editorial Committee at University of Wollongong, Australia is: • Charles Hawksley, Editor • Susan Engel, Assistant Editor • Teresa Crosland, Production Editor For all correspondence with IGJ please email Charles Hawksley, IGJ editor at: charlesh@uow.edu.au Submissions to IGJ may be in English, Italian, Spanish or Portuguese. For instructions on submission for peer review to IGJ please refer to the website: http://www.uow.edu.au/arts/research/gramsci-journal/index.html Cover: 1922 photograph of Antonio Gramsci from: http://www.internationalgramscisociety.org/about_gramsci/photo_archive/index.html. ii INTERNATIONAL GRAMSCI JOURNAL NO. 3 MARCH
    [Show full text]
  • Gramsci and Cultural Studies in the Dual Economy of the United States a Preliminary Sketch1 Di Renate Holub*
    Gramsci and cultural studies in the dual economy of the United States A preliminary sketch1 di Renate Holub* ABSTRACT In this article, I have tried to submit patterns in US academic cultural studies and Gramsci scholar- ship to a brief comparative analysis against the background of the generic amalgamations of three national formations by the 1980’s: reproduction and maintenance of a consumerist “common sense” through credit card debts, accelerations in economic under-developments in a dual-econ- omy, and the cultural reproduction of a collective psychic anchorage in self-perceptions of ex- ceptionality and moral superiority in relation to racialized “others” in domestic and international spheres. My analysis distinguished patterns in academic cultural studies from those in Gramsci scholarship in that the former predominantly focused on aspects of discriminatory representa- tions in the cultural practices of the “national” spheres whereas the latter tended to orient itself on “international” analyses in human geography, environmental studies, climate change, development theory, global social moments, global conservatisms, and so on. I concluded that in light of the im- portant role which the Gramsci’s legacy had assumed in the UK Birmingham School, the moment is opportune and necessary for Gramsci scholars in the US, as elsewhere, to make use of the most important Gramsci-inspired diagnostic instruments in the development of comprehensive research projects on the neo-liberal manipulations of the material and emotional institutions of diverse populations amidst a dual economy defined post-democratic age. he academic rise of cultural nipulating public consciousness and con- studies by the 1980’s coin- duct2.
    [Show full text]
  • Antonio Gramsci Beyond Marxism and Postmodernism by Renate Holub
    ANTONIO GRAMSCI CRITICS OF THE TWENTIETH CENTURY General Editor: Christopher Norris, University of Wales, College of Cardiff A.J.GREIMAS AND THE NATURE OF MEANING Ronald Schleifer CHRISTOPHER CAUDWELL Robert Sullivan FIGURING LACAN Criticism and the Cultural Unconscious Juliet Flower MacCannell HAROLD BLOOM Towards Historical Rhetorics Peter de Bolla JULIA KRISTEVA John Lechte GEOFFREY HARTMAN Criticism as Answerable Style G.Douglas Atkins EZRA POUND AS LITERARY CRITIC K.K.Ruthven F.R.LEAVIS Michael Bell DELEUZE AND GUATTARI Ronald Bogue POSTMODERN BRECHT A Re-Presentation Elizabeth Wright THE ECSTASIES OF ROLAND BARTHES Mary Bittner Wiseman PAUL RICOEUR S.H.Clark JURGEN HABERMAS Critic in the Public Sphere Robert C.Holub WILLIAM EMPSON Prophet Against Sacrifice Paul H.Fry ANTONIO GRAMSCI Beyond Marxism and Postmodernism Renate Holub LONDON AND NEW YORK First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1992 Renate Holub All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Holub, Renate Antonio Gramsci: beyond Marxism and postmodernism.— (Critics of the twentieth century) I.
    [Show full text]
  • Number 3, March 1994
    International Gramsci Society Newsletter March 1994 Number 3 International Gramsci Society Newsletter March 1994 Number 3 If you are reading this document using the Adobe Acrobat Reader, you may click on the items listed in the table of contents to go directly to that page (the entries are hyperlinked). EDITORIAL 1 EDITING ANTHOLOGIES OF GRAMSCI 4 GRAMSCI IN COLOMBIA 10 GRAMSCI’S PRESENCE IN INDIA 18 GRAMSCI IN JAPAN 22 GRAMSCI BIBLIOGRAPHY 27 A NOTE ON E. W. SAID’S CULTURE AND IMPERIALISM 46 GRAMSCIAN APPROACHES IN SOCIAL PSYCHOLOGY 47 “READING GRAMSCI”—A GRADUATE COURSE 49 CONFERENCES 52 NEW DOCUMENTARY FILM ON GRAMSCI 54 GRAMSCI ON FILM/VIDEO & MEMBERS’ NOTES 55 Editor: Joseph A. Buttigieg The editor thanks the following for their generous help in preparing this issue of the IGS Newsletter: Nila Gerhold, Frank Rosengarten, and David Ruccio. Production of the IGS Newsletter was made possible by the support of the English Department of the University of Notre Dame. Editorial The creation of the International Gramsci Society was animated by a desire to bring individuals studying the life and thought of Antonio Gramsci in different countries and from diverse perspectives in direct or indirect contact with each other. From the start, members of the IGS wanted to learn more about the interpretations and uses of Gramsci that were taking place in countries and in disciplines other than their own. In this issue of the IGS Newsletter we have made a special effort to stress the international dimensions of Gramscian studies with information from countries as diverse as Colombia, India, and Japan.
    [Show full text]
  • N E W S L E T T E R
    N E W S L E T T E R The Doreen B. Townsend Center for the Humanities November - December 1997 IN FROM THE MARGINS: CENTRAL ASIAN HUMANITIES STUDIES AT BERKELEY When I first mention Berkeley Central Asia/Silk Road Working Group to scholars whose own work is fully outside the ambit of Central Asian studies, their first response is often something like: Wonderful. Ah, by the way, what is it that defines Central Asia, exactly? And while this is, quite literally, one of the fundamental questions within the community of Central Asia scholars, it also reflects the twilight in which Central Asia in general, and Central Asia humanities scholarship in particular, has languished in American universities. In both public imagination and academic focus, Central Asia has long been marginalized as a vaguely defined region land-locked somewhere among the ancient Graeco-Roman, Near Eastern, Chinese and Indian civilizations, and buffeted by the modern powers of the Soviet Union, China, India and Iran. There has been little attention paid in our universities to the region’s art and archaeology, languages and literature, belief systems and other cultural productions. And what academic work has been done is often produced by scholars who are scattered through many different academic departments, working in isolation from, and often unaware of, each other. This conceptual marginalization of Central Asia is in large measure the result of the now widely discussed overall tilt toward Europe in humanities and social science studies in virtually all American universities. Such marginalization was reinforced by the long night of Cold War politics which for so long severely hindered Western research in and about Central Asia, discouraging succeeding generations of scholars from entry into fields of study which focused on the region.
    [Show full text]
  • Morbid Symptoms: Gramsci and the Political Rhetoric of Futurism
    Morbid Symptoms Gramsci and the Political Rhetoric of Futurism Sascha Bru Shortly after a rumour began circulating in the fall of 1920 that Filippo Tommaso Marinetti had converted to communism, Antonio Gramsci, the intellectual leader of the Italian Communist Party (PCI), issued an essay entitled “Marinetti Rivoluzionario?” in the communist daily L’ordine nuovo.1 The essay claimed that Marinetti and his Futurist comrades could count on considerable support from the working class,2 and it depicted the Futurists as true Marxists in the bourgeois aesthetic sphere. On 6 January 1921, L’ordine nuovo published the programme of Gramsci’s newly launched Istituto di Cultura Proletario in Turin, which announced educational and artistic projects for the working class. Throughout the same year, critical but constructive assessments of Futurism continued to appear in the communist daily, as if Gramsci were looking to win the Futurists over to join his Institute. And sure enough, a number of Futurist ‘officials’ (Carlo Frasinelli, Franco Rampa Rossi and Fillia) went on to co-operate with the Turin communists. In less than two years, jointly they organised various Futurist exhibitions (the first one opened by Marinetti giving a speech3), published a number of poetry collections and manifestoes, produced Fillia’s first play Sensualità, and eventually established a Futurist artistic syndicate. The latter managed to attract more than a thousand members in less than a year, which 1 The essay is reproduced in an English translation in Antonio GRAMSCI, Selections from Cultural Writings, ed. David Forgacs, Cambridge: Harvard University Press, 1985, 49–52. Hereafter referred to parenthetically as SCW.
    [Show full text]
  • Differentia: Review of Italian Thought Contributors
    Differentia: Review of Italian Thought Number 5 Spring Article 27 1991 Contributors Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation (1991) "Contributors," Differentia: Review of Italian Thought: Vol. 5 , Article 27. Available at: https://commons.library.stonybrook.edu/differentia/vol5/iss1/27 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact mona.ramonetti@stonybrook.edu, hu.wang.2@stonybrook.edu. Contributors LUIGI ANTINUCCI is a member of the Arte Debate group and has exhibited in Italy as well as in Europe and the United States. PIETRO BELLASI is a member of the Arte Debole group based in Turin and has had shows in Italy as well as in Europe and the United States. SERGIO BENVENUTO is co-founder of the Centro Sperimentale di Psicoanalisi in Rome, co-editor of Lettera lnternazionale, and author of La strategia freudiana (Milano 1984) and Contini dell 'lnterpretazione. Freud , Feyerabend, Foucault (Castrovillari 1988). ANGELA BIANCOFIORE is an artist based in Bari and Paris. She is completing a doctorate in the Philosophy of Language at the University of Bari and is author of Paul Valery; /'opera e ii metodo (Lecce, 1990). PETER CARRA VETIA , founding editor of DIFFERENT/A, is Professor of Ital­ ian at Queens College/CUNY and author of Prefaces to the Diaphora: Rhe­ torics, Allegory and the Interpretation of Postmodemity (Purdue UP, 1991) . ALESSANDRO CARRERA is cultural attache at the Italian Cultural Institute in Toronto.
    [Show full text]
  • N E W S L E T T E R
    N E W S L E T T E R The Doreen B. Townsend Center for the Humanities September 1999 Counting Down and Moving On Before people worried about computer bugs, a new millennium was supposed to herald a “fullness of time.” Never mind that Y1K was a dud or that Y2K, correcting for old mistakes, should have arrived three or four years ago. Millennium or not, our plans for 1999-2000 are already close to full and overflowing. On my own calendar this will be my fourth and final year as director of the Center. Now and then during the year I’m going to take lame duck liberty to say something about the directions in which the Center has been moving—or not. The academic year’s first Newsletter is a good opening. It gives real content to a standing mission “to gather the diverse energies of the humanities and the arts,” but it also points in new directions. The “gathering” metaphor was Christina Gillis’s happy inspiration and is still perfectly apt. As we were reminded on the occasion of the Center’s tenth anniversary, the founding principle was that the Berkeley campus should have a combination of switchboard, forum, workshop, and occasional funding source to link the humanities disciplines and related fields in the arts, human sciences, and professions. Parallel institutions were being established elsewhere around the same time for reasons ranging from interdisciplinary interest to administrative hedging against diminishing resources, but in the ecology of the humanities at Berkeley this one would draw on traditionally strong departments that were likely, precisely because of their strengths, to lack the connections that a humanities center could build and thrive on.
    [Show full text]