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Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Patty Griffin Is Among the Most Consequential Singer-Songwriters Of
Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. Over the course of two decades, the 2x GRAMMY® Award winner – and 7x nominee – has crafted a remarkable body of work in progress that prompted the New York Times to hail her for “[writing] cameo-carved songs that create complete emotional portraits of specific people…[her] songs have independent lives that continue in your head when the music ends.” 2019 saw the acclaimed release of the renowned artist’s GRAMMY® Award-winning 10th studio recording, PATTY GRIFFIN, on her own PGM Recordings label via Thirty Tigers. An extraordinary new chapter and one of the most deeply personal recordings of Griffin’s remarkable two-decade career, the album collects songs written during and in the aftermath of profound personal crisis, several years in which she battled - and ultimately defeated - cancer just as a similar and equally insidious disease metastasized into the American body politic. As always, Griffin’s power lies in how, as writer Holly Gleason observed in Martha’s Vineyard Gazette, “her songs seem to freeze life and truth in amber.” Griffin’s first-ever eponymous LP, PATTY GRIFFIN made a top 5 debut on Billboard’s “Independent Albums” chart amidst unprecedented worldwide acclaim – and later, a prestigious GRAMMY® Award for “Best Folk Album,” Griffin’s first win and second consecutive nomination in that category following 2015’s SERVANT OF LOVE. “A master class in vivid, empathetic roots music that’s both about taking responsibility for the choices we’ve made and surrendering to those made for us,” raved Entertainment Weekly. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
PARKER Mccollum
PARKER McCOLLUM www.parkermccollum.com Parker McCollum is in his early 20s, but he’s already earning comparisons to artists like Ryan Bingham and John Mayer. The young singer-songwriter has worked tirelessly to establish his own name and this is evident with the release of his striking full-length debut, The Limestone Kid (PYM Music; Feb. 24, 2015). Already a rising star in the Texas music scene, with this record, McCollum makes a bold entrance onto the national stage. The Limestone Kid is an Americana tour de force, filled with thoughtful lyrics set to Texas Country and folk rock arrangements. Of the 11 songs on the album, nine are originals written or co-written by McCollum. He covers a wide swath of musical ground, from the driving roots rock of “Lucy” to the introspective “Happy New Year,” which kicks off the album, to the wrenching heartbreak of the album’s first single, “Meet You in the Middle.” Currently living in Austin, where he recorded the new album at Cedar Creek Recording, McCollum was raised in Conroe, Texas. The title of The Limestone Kid pays tribute to his roots: specifically the ranch located in Limestone County where McCollum would work every summer taking care of the cattle and listening to his grandfather’s Buck Owens and Porter Wagoner albums. Multiple songs on this record were written about McCollum’s parents, and, when it came time to choose material for The Limestone Kid, he picked two songs that were written by family members. The world-weary Americana ballad “Galveston Bay,” penned by his cousin and songwriting mentor Austen Biggers, and “Prohibition Rose,” a song based on the true story of a mysterious woman who sold bootleg booze, was written by Parker’s brother, Tyler McCollum, who Parker credits with “teaching me everything I know about music.” McCollum started playing guitar at 13 and harmonica at 15 and has been performing on stages across Texas since high school. -
PRESS RELEASE – 2018 Proteus Festival Headliners Announced
PRESS RELEASE Press Contact: James Bryan, Marketing Director [email protected] 757-650-9925 FOR IMMEDIATE RELEASE 2018 Proteus Festival Headliners Announced Kishi Bashi and The Hunts to Headline First Proteus Festival. Virginia Beach - Zeiders American Dream Theater (The Z) in Town Center under the lead- ership of Artistic Director Bart Kuebler and Executive Director Terry Flint, is pleased to present the first Proteus Festival which coincides with brand new facility opening. Zeiders American Dream Theater’s new 309 seat Main Stage Theater and 120 seat Studio Theater will open its doors the same weekend as Proteus Festival. Proteus Festival begins Oc- tober 5 through October 7, 2018 with 3 Day Standard Badges ($75) and 3 Day Gold Badges ($150) going on sale July 30, 2018 at 10am. Single Day Admission Wristbands and Special Ho- tel Packages will also be available on July 30, 2018. “I am thrilled to be bringing in both The Hunts and Kishi Bashi as featured artists during the inaugural Proteus Festival. We started Proteus Festival to spread our vision of building a vibrant creative community, and we could find no better examples of what that means than these two artists.” says Bart Kuebler, Artistic Director. The Hunts are an indie-alternative-folk band comprised of seven brothers and sisters. Born and raised in the south lands of Chesapeake, Virginia, the siblings grew up in a musical home and fell in love with composing their own music. With over 10 million listens on Spotify and tours with X Ambassadors and The Fray, The Hunts will headline the Friday Night Studio Theater Premier Performance on October 5 which is sponsored by Clark Nexsen. -
2008 Schedule
2008 SCHEDULE *Titles in BOLD are TCM Premieres Friday, February 1 Theme of the Day: Adventure Films 6:00 AM The Adventures of Robin Hood (’38) 7:45 AM Mogambo (’53) 9:45 AM King Solomon’s Mines (’50) 11:30 AM The Treasure of the Sierra Madre (’48) 1:45 PM Krakatoa, East of Java (’69) 4:00 PM The Naked Prey (’66) 5:45 PM Northwest Passage (’40) ‘70s 8:00 PM Jaws (’75) 10:15 PM The Hospital (’71) 12:15 AM Network (’77) 2:30 PM Five Easy Pieces (’70) 4:45 PM Darling Lili (’70) Saturday, February 2 Theme of the Day: Sci Fi 7:15 AM 2010 (’84) 9:15 AM Forbidden Planet (’56) 11:00 AM Them! (’54) 12:45 PM The Time Machine (’60) 2:30 PM The Black Hole (’79) 4:15 PM 20,000 Leagues Under the Sea (’54) 6:30 PM The War of the Worlds (’53) ‘80s 8:00 PM Gandhi (’82) 11:15 PM Atlantic City (’81) 1:15 AM The Trip to Bountiful (’85) 3:15 AM Mephisto (’82) Sunday, February 3 Theme of the Day: Musicals 6:00 AM Anchors Aweigh (’45) 8:30 AM Brigadoon (’54) 10:30 AM The Harvey Girls (’46) 12:15 PM The Band Wagon (’53) 2:15 PM Seven Brides for Seven Brothers (’54) 4:00 PM Gigi (’58) 6:00 PM An American in Paris (’51) ‘90s/’00s 8:00 PM Sense and Sensibility (’95) 10:30 PM Quiz Show (’94) 12:45 PM Kundun (’97) 3:15 AM The Wings of the Dove (’97) Monday, February 4 Theme of the Day: Biopics 5:30 AM The Story of Louis Pasteur (’35) 7:00 AM The Life of Emile Zola (’37) 9:00 AM The Adventures of Mark Twain (’44) 11:15 AM The Eddy Duchin Story (’56) 1:30 PM The Joker is Wild (’57) 3:45 PM Night and Day (’46) 6:00 PM The Glenn Miller Story (’54) ‘20s/’30s 8:00 PM Wings -
CMA Broadcast Winners React What Can Tony
ISSUE 58 MUS I C EDITION OCTOBER 1, 2007 What Can Tony Brown Do For You? CMA Broadcast Winners React The week an album you produced happens to be the overall Jason Aldean called the 2007 CMA Broadcast Awards best seller is probably a pretty decent time winners today (full list here) and told them the good news. We to hang your shingle. For former MCA/ checked in with them, too, hoping to catch their celebrations in Nashville President and Universal South full bloom. Here’s what a few had to say: Partner Tony Brown, the huge first week for Major Market Station KYGO/Denver: “The past couple of Reba Duets was simply fortuitous timing. years have been a time of transition for us,” says PD Joel Burke. And after 24 years as a label executive, “Yet the passion of our staff to be constantly curious and the loyalty Brown is certainly hoping the timing’s right of the listeners has been amazing. It doesn’t get any better.” to be a free agent. If nothing else, he’s off to Large Market Station WMIL/Milwaukee: “Jason called a great start. We sat down to talk to Tony last the Moo Crew morning show and started talking about the week in his new digs, previously the offices Packers,” says PD Kerry Wolfe. “He then went on to mention of another famed producer and label exec – we had won the award. He told the guys to have me take them the late Chet Atkins. out for a fancy dinner, so I guess my credit card is about to be Country Aircheck: What a week to officially launch your maxed out.” production company. -
NPR's 2012 SXSW Best Musical Discoveries
SXSW 2012 Best Bands - NPR's 2012 SXSW Best Musical Discoverie... http://www.esquire.com/the-side/style-guides/sxsw-2012-best-bands-n... ADVERTISEMENT Subscribe Give a Gift Customer Service Promotions Digital Edition Win MILA KUNIS /// HALLOWEEN /// FOOTBALL /// BEST NEW RESTAURANTS HOME / WEB-ONLY / ONLINE-EXCLUSIVE STYLE GUIDES March 19, 2012, 2:27 AM Possibly Life-Changing Musical Discoveries from SXSW 2012 While Esquire was busy checking out some new favorites of our own — the guys from NPR Music were even busier, listening to absolutely everything again . Herein, the artists they considered worth sharing from Austin just now. BY BOB BOILEN, ROBIN HILTON, ANN POWERS, AND STEPHEN THOMPSON More from this author Like 50 Tweet 2 From Bob Boilen: CHECK THESE OUT Patrick Watson Okay, easy prediction here, since the best show I saw at SXSW was Patrick Watson: I predict Patrick Watson will release one of the best albums of 2012. Unlike the brilliant 2009 release Wooden Arms , this new record Adventures in Your Own Backyard is going to be a hit. Watson is going on the road opening for Andrew Bird, and Bird’s audience will appreciate his story songs — tales wrapped in finely arranged swatches of piano melodies perfect percussion and the right does of guitar and violin. CLICK HERE TO DOWNLOAD A SONG FROM NPR. Polica It's singer Channy Leneagh’s voice and live performance that drew me into this music. On record, the production is king and, in fact, producer Ryan WOMEN Olson is best thought of as the creator of this band — not just the sound- sculptor. -
The American Indian in the American Film
THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed. -
Stages Vol. 2
STAGESOfficial Magazine of the Englert Theatre Spring 2015 Featuring The Sound of Things to Social Brand Mission Creek Come from the Past Forum Festival SAVING MUSIC HISTORY ONE A PEEK INTO THE MIDWEST’S FATHER JOHN MISTY & MORE TO RECORD AT A TIME PREMIER DIGITAL MARKETING EVENT PLAY THE ENGLERT STAGE PAGE 10 PAGE 18 PAGE 28 M Y L A G O S M Y WAY CAVIAR COLLECTIONS 110 East Washington Street Iowa City, IA 52240 319.351.1700 www.mcginsberg.com lagos_coleco_bscene_8-5x11.indd 1 1/29/2015 2:06:05 PM Welcome to The Englert Theatre Dear Friends & Patrons, I am writing this letter as we face the long tunnel of winter. After a few quiet weeks around the holidays, winter is always a remarkably busy time at the theater as we prepare for Mission Creek Festival (full disclosure: I am a co-founder but many people have their hands in making this event work). This year marks the tenth installment of Mission Creek Festival in Iowa City, and we at the Englert are proud to be the producer of the festival. The lineup often reminds me of the programmatic vision that drives my work at the theater: to present the known and unknown side-by-side, to find a balance between the traditional and the experimental, to be reminded of a familiar feeling and to be rewarded by a new experience. Indeed, part of my job is to bring old favorites like Joan Baez, hot new bands like Lake Street Dive, or an institution of comedy like The Second City. -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6. -
Lilly Hiatt Debuts in the 2021 Los Alamos Summer Virtual Concert Series Friday
FOR IMMEDIATE RELEASE PRESS RELEASE Contact: Los Alamos Summer Concerts at (575) 779-9462, [email protected] Lilly Hiatt debuts in the 2021 Los Alamos Summer Virtual Concert Series Friday Los Alamos, New Mexico, June 15, 2021: The 2021 Los Alamos Summer Concert Series presented by Toyota of Santa Fe, presents the fifth and second to last concert of the virtual series featuring alternative Indie Country singer and songwriter Lilly Hiatt from Nashville, Tennessee. Lilly Hiatt’s music has been raved in reviews by Rolling Stone, NPR and The Independent. Her 2017 album, Trinity Lane, earned her performance dates with John Prine, Margo Price, Drive-By Truckers and Hiss Golden Messenger. In 2018 she was nominated as Emerging Artist of the Year by Americana Music Honors & Awards. To learn more about Lilly Hiatt, visit her website at: www.LillyHiatt.com. This Friday’s concert is sponsored by Los Alamos MainStreet and Century Bank. “We are excited to be a part of this year’s virtual ScienceFest activities,” explains Sancre Productions spokeswoman Monica Griego, “Both Los Alamos MainStreet and Century Bank are strong supporters of family friendly community events and we are honored to have their continued support for this summer’s hybrid Los Alamos Summer Concert Series. To learn more about Los Alamos MainStreet, ScienceFest and Century Bank, please visit https://www.losalamossciencefest.com and https://www.mycenturybank.com/we-are-local- The Series virtual concerts in June will be hosted and broadcast each Friday at 7pm on The Los Alamos Summer Concert Series YouTube channel. The link to the concert will be made available on the Los Alamos Summer Concert Series Facebook and Instagram pages, the Los Alamos Daily Post Facebook page and SantaFe.com’s Facebook pages.