SEPTEMBER 2017 WELCOME MIKE HAUSBERG

Welcome to The Old Globe and this production of Hamlet. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do.

MISSION STATEMENT

The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

STATEMENT OF VALUES

The Old Globe believes that theatre matters. Our commitment is to make it matter to more people.

The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives.

INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places.

EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage.

STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations.

IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. PERFORMANCES MAGAZINE 1 OUR THANKS Hamlet is supported in part by the Jean and Gary Shekhter Fund for Classic Theatre. PRODUCTION SPONSORS PRODUCTION SPONSORS KAREN AND DONALD COHN JEAN AND GARY SHEKHTER Karen and Donald Cohn have served in leadership roles at The Old Globe for nearly 25 years. Karen, a Jean and Gary Shekhter came to the United States from the Soviet Union in the late 1970s. Grateful for graduate of University of San Diego’s School of Law, is involved with numerous major arts and cultural all that their new country and community provided them, the Shekhters have been generous supporters institutions. Don is the founder and former CEO of Dataquick Information Systems Inc. and is owner of of many charitable institutions. Jean has served on the Globe’s Board since 2008 and currently serves Ballena Vista Farms in Ramona, one of Southern California’s largest thoroughbred racing, breeding, and on the Development Committee. Jean and Gary reside in Rancho Santa Fe. They have sponsored The training facilities. Don has served as Board Chair at the Globe and continues his work on the Executive Twenty-seventh Man, Rain, Picasso at the Lapin Agile, and Ken Ludwig’s Robin Hood!, and they are honored and other committees. Karen first joined the Globe Board in 1992. She co-chaired the first Globe Gala, to sponsor this production of Hamlet. and 2017 will mark her 10th year successfully co-chairing this landmark event. She also served two terms as Chair of the Board of Directors. The Cohns have supported several productions, including Sense and Sensibility; Kiss Me, Kate; The Winter’s Tale; A Midsummer Night’s Dream; and this year’s Picasso at the Lapin Agile. Karen and Don helped launch the Globe’s Capital Campaign in 2006 with a significant gift, and, in recognition, the Globe’s education center is named in their honor. GILLIAN AND TONY THORNLEY Gillian and Tony Thornley have been involved with The Old Globe for many years and are happy to ANN DAVIES support William Shakespeare’s Hamlet. Tony currently serves on the Globe’s Board of Directors as Treasurer and as a member of the Executive, Finance, and Investment Committees. He and Gillian first Born and raised in England, Ann Davies moved to San Diego after living in Canada. She was married to became Production Sponsors in 2009 for the Summer Shakespeare Festival, an easy decision based on the late John Davies, son of Lowell Davies, in whose honor the Festival Theatre is named. Following an their family’s connection with Shakespeare. Amidst the uncertainty and strife of World War II, Gillian’s elementary school teaching career, Ann now focuses much of her volunteer work on children’s charities. parents met and married in the Bard’s rural hometown of Stratford-upon-Avon. They settled in a 17th- She has been involved with Junior League, St. Germaine Auxiliary, and Voices for Children. She served century home neighboring Anne Hathaway’s cottage, where the only source of running water was an on the board of the Child Abuse Prevention Foundation, and she is a former board president at San Diego outdoor pump, and cold, damp trips down the garden path were frequent. Often through makeshift Museum of Art. Currently, Ann delivers for Meals on Wheels and serves on the boards of The Old Globe amateur productions, the plays of Shakespeare, particularly the comedies, provided respite from the and The Parker Foundation. She has enjoyed theatre at the Globe for many years and has sponsored hardships of life, creating a unique bond with the playwright. Rosencrantz and Guildenstern Are Dead, Othello, Twelfth Night, Love’s Labor’s Lost, and this year’s Guys and Dolls. ERNA FINCI VITERBI ARTISTIC DIRECTOR FUND In 2016 Andrew J. Viterbi and his family created the Erna Finci Viterbi Artistic Director Fund in memory PAMELA FARR AND BUFORD ALEXANDER of their beloved mother and wife. This generous and visionary gift is helping to sustain The Old Globe for Pamela Farr and Buford Alexander spread their time across Rancho Santa Fe; Greenwich, Connecticut; many years as it encourages others to contribute to the theatre’s long-term stability. The Viterbi family’s and Amsterdam. Pam joined the Globe’s Board of Directors in 2005 and is a member of the Executive, passion for philanthropy is inspiring, and the Globe is proud to have been a beneficiary of their largesse Audit, Finance, and Governance Committees. Pam’s relationship with The Old Globe goes back much for years, including a leadership gift of $2 million to the Capital Campaign in 2006. Erna loved the arts, further, however; as an amateur actress and dancer, she performed on the greens at the Globe when she and theatre in particular, and her magnanimous spirit and considerable warmth touched many. The Old was a high school and college student. She is also a board member of Theatre Forward and Washington Performing Arts. Pam has served the American Red Cross as Chair of the Greenwich Chapter and National Globe believes it is fitting that her name is now attached to the values of the Globe’s artistic output while Chair of Volunteers, and she received the Harriman Award for Distinguished Volunteer Service. Pam and the theatre’s body of work honors her blessed memory. Buford met through McKinsey & Company, where, after 32 years (most of which was in Europe), Buford is now a Director Emeritus. In recognition of his not-for-profit work to enhance cultural, business, and educational relations between the U.S. and the Netherlands, Queen Beatrix bestowed upon him the Royal VICKI AND CARL ZEIGER Distinction of Officer in the Order of Oranje-Nassau. It is with great pleasure that Vicki and Carl Zeiger sponsor Hamlet. Vicki currently serves as Board Chair of The Old Globe, and she and Carl have proudly sponsored several Globe productions, including Bright Star, In Your Arms, Rain, and, earlier this year, the West Coast premiere of Skeleton Crew. Vicki, a native JOAN AND IRWIN JACOBS San Diegan, retired as Vice President of Human Resources from San Diego Gas & Electric and joined the Joan and Irwin Jacobs have been enthusiastic supporters and loyal subscribers of The Old Globe for Board of Directors in 2011. She started her relationship with the Globe as a child, attending Summer more than 20 years, during which time the theatre and the San Diego community have greatly benefited Shakespeare performances with her family. She has also co-chaired the 2012 and 2015 Globe Galas. Carl, from their generosity and involvement. Previous Globe productions sponsored by Joan and Irwin include a retired businessman from the computer software industry, is also an ardent supporter of the Globe. Resurrection Blues, Smash, Julius Caesar, Avenue Q, The Merry Wives of Windsor, King Lear, Golda’s Balcony, Together they support many other San Diego organizations, including A Step Beyond, a multifaceted Amadeus, Inherit the Wind, Othello, Arms and the Man, and last year’s Sense and Sensibility. The couple is afterschool program for underserved children, of which Vicki is a founding board member. active philanthropically throughout the San Diego community, supporting numerous organizations that include UC San Diego (with a $75 million gift to build the new Jacobs Medical Center), San Diego Central Library, Museum of Contemporary Art San Diego, San Diego Symphony, La Jolla Playhouse, Museum QUALCOMM of Photographic Arts, The New Children’s Museum, and San Diego Food Bank. In June 2015, Joan and The Old Globe is pleased to recognize and thank Qualcomm as a Production Sponsor of the 2017 Irwin received philanthropy awards from Americans for the Arts and the Carnegie Foundation in New Shakespeare Festival. Qualcomm has made yet another very generous grant supporting two summer York City. productions—King Richard II and Hamlet—in the Lowell Davies Festival Theatre. Qualcomm has served as a major sponsor of the Shakespeare Festival and its many associated programs since 2004. Qualcomm’s leadership has helped ensure that Shakespeare’s works will continue to grace the stages of The Old Globe year after year, as the company’s philanthropic endeavors develop and strengthen communities worldwide. Qualcomm invests its human and financial resources in inspirational, innovative programs that serve diverse populations, primarily focused in geographic regions where it has a business presence.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 The Old Globe is deeply grateful to our Artistic Angels and Benefactors, whose vital support of the Annual Fund helps us make theatre matter.

ARTIST SPONSORS 2017 Artistic Angels ($200,000 and higher annually)

Artist Sponsors for Jonny Orsini (Laertes) SUE AND EDWARD “DUFF” SANDERSON Sue and Duff Sanderson are delighted to sponsor Jonny Orsini in the role of Laertes. The Sandersons enjoy theatre and have been longtime subscribers to the Globe. Sue had a career in the entertainment business, working at NBC, and Duff was a partner at McKinsey & Company and an Executive Vice President at Oracle before relocating to San Diego. They have been involved in a number of philanthropic roles, particularly related to education. Duff currently chairs the board of SAIC. Sue, in addition to serving on The Old Globe’s Board, is also on the board of Worldreader, an organization working to improve literacy through digital devices in the developing world. KAREN AND DONALD COHN† ELAINE AND DAVE DARWIN SILVIJA AND BRIAN DEVINE AUDREY S. GEISEL Artist Sponsor for Grantham Coleman (Hamlet) JUNE YODER June Yoder and her late husband Paul became subscribers to The Old Globe in 1963 upon moving to San Clemente, and for 54 years June has been making the trip from Orange County to attend performances. She served as a member of the Globe’s Board of Directors for many years and continues to be an enthusiastic advocate for the Globe’s artistic mission and arts engagement programs. June and Paul raised five children, all of whom were introduced to the Globe and live theatre by accompanying their parents to productions in the Summer Shakespeare Festival. Now their children bring their own children, and June remains passionate about bringing the world of theatre to children and young people. June has previously sponsored Death of a Salesman; Divine Rivalry; Into the Woods; Kiss Me, Kate; and last year’s Macbeth. KATHRYN* AND JOHN HATTOX PEGGY MATTHEWS PAULA AND BRIAN POWERS JEAN AND GARY SHEKHTER Artist Sponsor for Cait O’Connor (Costume Designer) ANONYMOUS EXTRAORDINARY LEADERSHIP Since the founding of The Old Globe in 1935, heroic leadership has made the theatre a cultural icon in San Diego and a leader in the

American theatre. The following individuals and organizations, recognized for their tremendous cumulative giving, comprise a special EDUARDO CONTRERAS / U-T SAN DIEGO group of friends who have played leading “behind-the-scenes” roles, helping to create productions on the three stages and programs in DARLENE MARCOS SHILEY† THE ERNA FINCI VITERBI ARTISTIC DIRECTOR FUND the community. In memory of Donald Shiley In memory of Erna Finci Viterbi — $25 million and higher — — $1 million and higher — Donald* and Darlene Shiley Mary Beth Adderley 2017 Benefactors ($100,000 to $199,999) Bank of America — $11 million and higher — Diane and John Berol Conrad Prebys* Stephen & Mary Birch Foundation, Inc. City of San Diego Commission for Arts and Culture California Cultural & Historical Endowment J. Dallas and Mary Clark* — $9 million and higher — Valerie and Harry Cooper Karen and Donald Cohn Elaine and Dave Darwin Helen Edison* — $8 million and higher — Globe Guilders Sheryl and Harvey White Joan and Irwin Jacobs The Kresge Foundation TERRY ATKINSON ANN DAVIES PAMELA FARR AND HAL AND PAM FUSON — $7 million and higher — The Lipinsky Family BUFORD ALEXANDER Kathryn Hattox* Estate of Beatrice Lynds* Viterbi Family and National Endowment for the Arts The Erna Finci Viterbi Artistic Director Fund Victor H.* and Jane Ottenstein Qualcomm Foundation — $4 million and higher — Estate of Dorothy S. Prough* Audrey S. Geisel Jeannie and Arthur Rivkin The James Irvine Foundation Theatre Forward Gillian and Tony Thornley — $3 million and higher — Wells Fargo Helen K. and James S. Copley Foundation Carolyn Yorston-Wellcome County of San Diego Anonymous (1) DOUGLAS GATES The Shubert Foundation *In memoriam CONRAD PREBYS* AND KAREN AND STUART TANZ SHERYL AND HARVEY WHITE VICKI AND CARL ZEIGER DEBRA TURNER DOW For additional information on how to support the Globe at these extraordinary levels, † please contact Llewellyn Crain at (619) 684-4141 or [email protected]. DIVAS *In memoriam †Charter Sponsor since 1995 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS Welcome to The Old Globe! Grantham Coleman as Hamlet; and an anonymous donor, sponsoring costume designer Cait O’Connor. My husband I hope you are as excited as I am Carl and I are also pleased to be sponsors of this show, and we to see one of America’s foremost hope you enjoy it immensely! FROM BARRY Shakespearean directors—our own Erna Finci Viterbi Artistic Director In addition to our wonderful sponsors, we are grateful for Barry Edelstein—take on perhaps our large family of supporters—Friends of The Old Globe Hamlet is not a play to talk about in sound bites. The itself. The heart of its mystery cannot be plucked the most iconic work in Shakespeare’s and Circle Patrons—as well as our loyal subscribers; their first email I wrote to my team of design collaborators out. And that’s okay. My plan has been to make canon, the masterpiece Hamlet. It generosity demonstrates their commitment to making theatre ran to 7,500 words; a letter I read to the cast on the my own Hamlet, one that reflects my interests, DOUGLAS GATES has been 10 years since we last heard matter to more people. Gifts of all sizes support the incredible first day of rehearsal filled 12 pages. Squeezing the idiosyncrasies, and vulnerabilities at this moment those unforgettable words “To be or arts engagement programs that extend powerful theatrical driving ideas of a production into five paragraphs in in my life. I reasoned that the best way to do that not to be” delivered on a Globe stage, but I believe tonight’s experiences beyond the stage. From free student matinees to a program note is another task altogether. Hamlet would be to gather the most talented, interesting, performance will prove it’s been worth the wait! complimentary family programs on the Globe’s Copley Plaza might be able to find infinite space inside a nutshell, smart, fun, imaginative people I can find, join them to countless workshops, seminars, touring productions, and but not even my densest and most concise writing in a rehearsal studio for a few weeks, and figure Please join me in thanking the many dedicated sponsors of more: thank you for helping us bring theatre to the entire can manage that miracle of compression. So rather it out. Our strategy has been to throw our whole Hamlet, which is supported in part by the Jean and Gary community! than devote this space to some thumbnail exegesis selves into exploring the play and then to share Shekhter Fund for Classic Theatre. Production Sponsors of this great play, I’ll let the production speak for what we’ve found. I will forever be grateful to these Karen and Donald Cohn, Ann Davies, Pamela Farr and Buford Great theatre requires great patrons, and we are so glad you itself and note here instead a few personal thoughts. few dozen actors, designers, technicians, artisans, Alexander, Joan and Irwin Jacobs, Qualcomm, Jean and are with us tonight. And now, on with the show! and theatre professionals for joining me on one of Gary Shekhter, Gillian and Tony Thornley, and the Erna Finci I’m doing the play because my father died a year the most thrilling artistic adventures of my life. Viterbi Artistic Director Fund are all ardent supporters of the ago, and as I sat beside his hospice bed, lines from Globe, and their patronage of the arts in San Diego benefits Hamlet flooded into my mind. Hamlet is the great Hamlet is a stunningly great play, a document of us all. We also thank our Artist Sponsors for supporting the work of literature on what happens to sons when those things that humanity at its greatest is capable Vicki L. Zeiger Globe’s wonderful talent: Sue and Edward “Duff” Sanderson, their fathers die, so no surprise there; I’m actually a of achieving. It endures because, for all its flaws Chair, Board of Directors sponsoring Jonny Orsini as Laertes; June Yoder, sponsoring little embarrassed that in my moment of maximum and oddnesses, it encodes a special kind of truth. grief I didn’t come up with a more original literary That truth has been touched by artists who do what reference. But it was amazing how instantly the I do in an unending chain that connects a rickety BOARD OF DIRECTORS play suffused me, how fully it took over my psyche. wooden building in the London damp of 1603 to Vicki L. Zeiger† Nicole A. Clay† Peter J. Cooper† “Nature’s common theme is death of fathers.” “The this place in the arid sunshine of a desert landscape CHAIR INCOMING CHAIR VICE CHAIR, ARTS ENGAGEMENT readiness is all.” “Let be.” It helped. That’s not to a world and four centuries away. I reach my hands say that I started acting crazy and ranting about into the mists of theatre history, and from the past Ann Davies† Paula Powers† Anthony S. Thornley† VICE CHAIR, NOMINATING SECRETARY TREASURER nunneries (although I am putting on plays, so the hands of generations of artists grasp them. They maybe those things are to come). And besides, my commend me for giving it a try; I thank them for DIRECTORS Patricia A. Hodgkin Michael Taylor HONORARY DIRECTORS EMERITUS DIRECTORS father wasn’t killed by his brother. It was dementia allowing me to stand on their shoulders. I place Mary Beth Adderley Daphne H. Jameson Dean H. Thompson Mrs. Richard C. Adams* Garet B. Clark Terry Atkinson Jo Ann Kilty Rhona Thompson Clair Burgener* J. Dallas Clark* that did the deed, and I don’t know how to exact myself before something that is bigger than me, Stephanie R. Bulger, Ph.D. Sheila Lipinsky Evelyn Mack Truitt Mrs. John H. Fox* Bea Epsten revenge on that. But father stuff is still much on my that was here before I was and that will survive me Donald L. Cohn† Keven Lippert Debra Turner Audrey S. Geisel Sally Furay, R.S.C.J.* mind, and since I haven’t been able to accommodate when I’m gone, and I bask in it, and talk to it, and Valerie S. Cooper Thomas Melody Jordine Von Wantoch Paul Harter Kathryn Hattox* myself to my father’s death in my private meditation question it, and wrestle with it, and most of all I Elaine Bennett Darwin† Noelle Norton, Ph.D. Pamela J. Wagner Gordon Luce* Bernard Lipinsky* or in conversation with my God at synagogue, I wonder at it. I hope that you will, too. George S. Davis David Jay Ohanian Reneé Wailes Dolly Poet* Delza Martin* guess the next best place to deal with it is in front of Angela DeCaro Sandra Redman Lynne Wheeler Deborah Szekely Conrad Prebys* 600 people every night at the theatre I run. Thanks for coming. Enjoy the show. Silvija Devine Sue Sanderson Sheryl White† Hon. Pete Wilson Darlene Marcos Shiley Stephen P. Embry† Karen L. Sedgwick Karin Winner† Patsy Shumway Pamela A. Farr† Jean Shekhter† Carolyn Yorston-Wellcome Throughout rehearsal I’ve taken comfort in the For Stanley S. Edelstein, in memoriam. Robert Foxworth Ann Steck† Harvey P. White notion that it is impossible to achieve a perfect Harold W. Fuson, Jr.† Steven J. Stuckey Hamlet. The play is too infinite, too elusive, too Jack Galloway Karen Tanz† †Executive Committee member *In memoriam imperfect itself, too full of holes and mysteries and cruxes for any group of interpreters to make a definitive production. Besides, there are so many ASSOCIATE ARTISTS OF THE OLD GLOBE Hamlets one could do. There’s a postmodern Hamlet In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in and a traditional Hamlet. A political Hamlet and a acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence on our stages and melodramatic Hamlet. A philosophical Hamlet and a in our shops, that wherever else they may work, they remain the heart and soul of the Globe. psychological Hamlet. A chaste Hamlet and a deviant Hamlet. A decorous Hamlet and a profane Hamlet. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Conrad Susa* It’s constantly revealing new things and renewing Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Irene Tedrow* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Sada Thompson* Victor Buono* Robert Foxworth Tom Lacy Patrick Page Richard Seer Paxton Whitehead Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* David F. Segal James Winker Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Richard Seger* Robert Wojewodski Any feedback on tonight’s show or any of the Globe’s work? Eric Christmas* Harry Groener Dakin Matthews William Roesch Diane Sinor* G. Wood* Email Barry at [email protected] and he’ll get back to you! Patricia Conolly A.R. Gurney* Deborah May Robin Pearson Rose Don Sparks George Deloy Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers *In memoriam 6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 CAST (in alphabetical order)

MARCELLUS, SAILOR...... Amara James Aja† QUEEN GERTRUDE...... Opal Alladin* PRESENTS VOLTEMAND...... Samuel Max Avishay† GUILDENSTERN...... Nora Carroll† PLAYER LUCIANUS...... Renardo Charles Jr.† HAMLET...... Grantham Coleman* NORWEGIAN CAPTAIN, PLAYER PROLOGUE...... Ajinkya Desai† OPHELIA...... Talley Beth Gale† THE GHOST, PLAYER KING, GRAVEDIGGER...... Michael Genet* ROSENCRANTZ...... Kevin Hafso-Koppman† HAMLET FRANCISCO, DOCTOR OF DIVINITY...... Daniel Ian Joeck† POLONIUS...... Patrick Kerr* BARNARDO, FORTINBRAS...... Lorenzo Landini† HORATIO...... Ian Lassiter* GENTLEMAN OF KING CLAUDIUS’S COURT...... Jose Martinez† PLAYER QUEEN...... Christina A. Okolo† LAERTES...... Jonny Orsini* OSRIC...... Larica Schnell† CORNELIA...... Samantha Sutliff† BY KING CLAUDIUS...... Cornell Womack* COURTIERS AND OTHERS...... Amara James Aja†, Samuel Max Avishay†, WILLIAM SHAKESPEARE Nora Carroll†, Renardo Charles Jr.†, Ajinkya Desai†, Kevin Hafso-Koppman†, Daniel Ian Joeck†, Christina A. Okolo†, Samantha Sutliff†

MUSICIANS...... Chaz Cabrera, Gabriel Wolf

UNDERSTUDIES...... for Hamlet, Norwegian Captain, Player Prologue – Amara James Aja†; for Francisco, Doctor of Divinity, Laertes – Samuel Max Avishay†; for King Claudius – Renardo Charles Jr.†; for Marcellus, Sailor, The Ghost, Player King, Gravedigger – Tim Mackabee Cait O’Connor Stephen Strawbridge Sten Severson Ajinkya Desai†; for Voltemand, Rosencrantz, Gentleman of King Claudius’s Court – Daniel Ian SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Joeck†; for Player Lucianus, Polonius – Lorenzo Landini†; for Barnardo, Fortinbras, Horatio – Jose Martinez†; for Queen Gertrude, Osric, Cornelia – Christina A. Okolo†; for Guildenstern – Larica Schnell†; for Ophelia, Player Queen – Samantha Sutliff†

Curtis Moore Jacob Grigolia-Rosenbaum Production Stage Manager...... Pamela Salling* ORIGINAL MUSIC FIGHT DIRECTOR Assistant Stage Manager...... Amanda Nussbaum*

SETTING David Huber Jim Carnahan, CSA Pamela Salling VOICE COACH CASTING PRODUCTION STAGE MANAGER Elsinore Castle, Denmark.

There will be one 15-minute intermission. DIRECTED BY BARRY EDELSTEIN PRODUCTION STAFF Assistant Director, Drama League Directing Fellow...... Justin Emeka Assistant Scenic Design...... Eileen McCann Assistant Costume Design...... Katie Knox Assistant Costume Design...... Teri Tavares Assistant Lighting Design...... Sherrice Mojgani Assistant Lighting Design...... Alex Cluff Assistant Sound Design...... Melanie Chen Stage Management Intern...... Mona Gutierrez Lowell Davies Festival Theatre Stage Management Intern...... Ashling Jackson Fight Captain...... Amara James Aja† August 6 – September 10, 2017 *Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. †Student in The Old Globe and University of San Diego Shiley Graduate Theatre Program. Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY indicate that she had no idea about the murder. In the 1603 Quarto, she declares this lack of knowledge outright in lines that are not in the later texts. There’s also a scene, missing THREE HAMLETS from the later Hamlets, in which she confides in Horatio that she cannot trust her new husband anymore. These are fascinating and helpful details. They don’t solve every riddle Barry Edelstein discusses the many forms Hamlet has taken and how they led to his production of about Gertrude, but they shed light on her actions in the last Shakespeare's classic play. quarter of the play. So, again adopting the 1603 text, we’re exploring this unfamiliar Gertrude. Interview by Danielle Mages Amato What about the Second Quarto and the First Folio?

The year after the 1603 Quarto was published, Shakespeare’s Why do you have to cut Hamlet? draft, or that it reflects a stage script. We believe that in the own company put out a version of Hamlet that says on the culture of Shakespeare’s period, the script as performed in title page, “Much expanded and much corrected.” This is the Shakespeare is hard to cut. Kevin Kline, one of our great the theatre and the script as printed weren’t expected to be version that we now recognize and accept as Hamlet. “To be or Shakespearean actors, likes to say, “In Shakespeare, every cut identical, so the 1603 text is the theatre’s Hamlet, but the not to be” is later in the play; the additional Gertrude material bleeds.” But uncut, Hamlet runs four hours; it’s roughly 32,000 1604 and 1623 texts are the reader’s Hamlet. Whatever it is, is not there; there are thousands more lines. Then, seven words, which is long even compared to other Shakespeare the 1603 Quarto is strange. Characters have different names years after Shakespeare’s death, in 1623, the play is published plays. Many factors go into planning for a production, and than the ones we know, the text is odd. Here, the most famous one more time in the First Folio. In this version, a few one is the kind of theatre space in which it’s being done. This soliloquy ever written goes, “To be or not to be, ay, there’s the hundred lines in the 1604 text are cut, a few hundred brand Hamlet is for an outdoor theatre, and while four hours is long point.” new lines are added, and there are about 1,300 variations in in absolute terms, it’s really long outdoors, as the evening chill individual words: “enterprises of great pitch and moment” in descends and the green plastic seats exert their special magic. What makes it a worthwhile script to consult, then? 1623 versus “great pith and moment” in 1604, for example. It We’ve aimed for three hours, which just seems more like the could be that Shakespeare himself made all of these changes; right length. There are three incredibly interesting things about the “Bad Quarto,” as it’s sometimes called. One is that the stage Page from the Second Quarto printing of Hamlet. The question is what to cut. Even in this masterpiece there are directions are extremely long. Whereas in later publications passages that don’t quite rise to the same level of excellence there’ll be a stage direction that says, “Enter Ophelia,” the and excitement as the play’s best writing. It takes detours. 1603 text says “Enter Ophelia, carrying a lute, her hair down, We veer into disquisitions about Renaissance court life, for singing.” So you get this narrative description of what they example. There’s a long speech about a French fencer named actually did in production, which is illuminating. LaMord that is always cut—the poor fellow hasn’t been heard from since 1603! We hear about falconry; we find out that The second is the order of scenes. In the 1603 Quarto, “To be Hamlet is an expert in calligraphy! This stuff is interesting, or not to be” comes very early in the play. In the subsequent but it doesn’t move the story forward, so, reluctantly, you cut versions it comes much later. To me, it makes much more it. You try to hew to the story. You must allow the poetry to be dramatic sense coming earlier. In the 1603 Quarto, the ghost Page from the First Quarto printing of Hamlet. as beautiful as it is, but you must weigh it against the forward of Hamlet’s father charges him to avenge his murder, and the momentum of the drama. I went through many drafts of my next thing that happens is Hamlet does the “To be or not to two of Shakespeare’s closest friends, who were actors in his cut; I think the one we took into rehearsal was my sixth pass be” speech, which says, essentially, “The burdens life places on company, put the Folio together, so presumably they knew his at it. us are hard, and so suicide is worth considering.” That makes mind. But we can’t be sure. Again, the “standard” Hamlet we great psychological sense. Next, Hamlet comes up with a plan: know and revere is an amalgam of 1604 and 1623, made by Do you spend time weighing one version of the text he’s going to put on a play to determine whether what the individual editors exercising their own literary tastes. We’ve against another? ghost alleged is true. Immediately, he does that, and when followed their example, roving like magpies around the three he discovers that the ghost was truthful, he goes directly to extant texts to make our own, and performing it in under Absolutely. The play exists in three versions from Shakespeare’s kill Claudius. Compare that to the sequence of events in the three hours. period. Two were published during Shakespeare’s lifetime, texts subsequent to the 1603 Quarto. In them, the “To be” and one, the First Folio, was published after his death. They’re soliloquy and its suicidal despair come right after Hamlet What do you think the story of the three Hamlets offers very different from one another, but despite that, the Hamlet makes his plan to stage a play: his decisiveness suddenly to a contemporary audience? we know today is the result of 400 years of editors jamming falters, and then later returns. It’s a different conception of the three texts together as they see fit—it’s called “conflation.” the character’s psychology, a less decisive man. Now, there This play is so many things. It’s this wonderful philosophical have been hundreds of years of productions based on the document, it’s this strange complex psychological document, There was a small audience of readers of drama in Shakespeare’s later positioning of this soliloquy, and it makes its own sense. it’s a story of national politics and international conquest, period who enjoyed not only seeing a play but also reading it, But I’m attracted to the other dramatic design, and, on the it’s a revenge thriller and a ghost story. The three different so there was money to be made by printing these plays, and authority of the 1603 text, I’ve adopted it. period texts emphasize these things in different proportions. an unscrupulous publisher could scoop the theatre company’s There isn’t a Hamlet; there are only Hamlets. I feel liberated official version by bootlegging a copy. This is the theory about The third thing is Gertrude. One of the enigmas of the play by the three texts to enter into a living collaboration with the first Hamlet, printed in quarto format in 1603. Maybe is whether or not Gertrude knows that her new husband was Shakespeare, to follow him, to question him, to ask him to half the length of the later texts, this one was furtively jotted the murderer of her first husband. In all versions of the play, write some additional material here and to cut some lines down by one of the actors in the show who was paid to provide Hamlet goes to Gertrude, confronts her, and kills Polonius. there. It’s a conversation across time that makes a living text, a surreptitious copy to be rushed into publication. This theory She says that’s a bad thing, and he counters, “Almost as bad, has recently been challenged: now there are scholars arguing good mother, as kill a king and marry with his brother.” In fashioned by Shakespeare with help from his actor pals, his that the 1603 Quarto actually reflects an early Shakespearean stunned disbelief she asks, “As kill a king?” which seems to publisher, his posthumous editors, this company, and me.  10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY

“It is clear to me what Shakespeare has set out to portray: a heavy deed placed A brief history of Hamlet—through Old Globe production photos and quotes from the play’s most famous critics. on a soul which is not adequate to cope with it. And it is in this sense that I find “The gallant, the philosophical, the whole play constructed. An oak tree planted in a precious pot which should the melancholy Hamlet, that only have held delicate flowers. The roots amiable inconsistent, who talked spread out, the vessel is shattered.” when he should have acted —Johann Wolfgang von Goethe, 1795 and acted when he should not even have talked, who with a bosom wrung with sensibility was unfeeling, and in his very justice unjust, who in his misery had leisure for ridicule and in his revenge for benevolence. But let me not attempt to describe the indescribable.” —Leigh Hunt, 1807 JIM COX CRAIG SCHWARTZ Grantham Coleman as Hamlet, 2017. Lucas Hall as Hamlet, 2007.

“If there is one quality that has characterized every speech of Gertrude’s in the play, it is the ability to see reality clearly, and to express it…

William Ball as Hamlet, 1955. Gertrude, if she is lustful, is also intelligent, penetrating, and gifted with a remarkable talent for concise and pithy speech.” —Carolyn Heilbrun, 1957

“Surely, feebleness of mind, the fragility of a china vase, lack of power and energy, are not the characteristics of Hamlet. So far from it, he is represented as fearless, almost above the strength of humanity.” Mark Lamos as Hamlet and Maureen Anderman as Gertrude, 1977. Jacqueline Brooks as Gertrude and William Ball as Hamlet, 1960. —Hartley Coleridge, 1828 “[Shakespeare] did not see his way clearly enough to save the tons of ink and paper and years of ‘man’s time’ that have been wasted, and are still being wasted, on innumerable volumes of nonsense about the meaning of Hamlet.” —George Bernard Shaw, 1945

WILL GULLETTE Campbell Scott as Hamlet and cast, 1990.

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS AMARA JAMES AJA RENARDO CHARLES JR. of Payne.” Mr. Genet is the author of the critically acclaimed They show When I Have Cancer in 30 Years and acting in The Miser (Brave (Marcellus, Sailor) was recently seen at the Globe (Player Lucianus) appeared in King Richard II Must Not Know Who I Think I Am: Lessons in Defiant Resilience, and he New World Repertory Theatre), The Cherry Orchard (TheaterLab), in King Richard II, The Blameless, Love’s Labor’s Lost, earlier this summer, and he has appeared with won the NAACP Image Award for Outstanding Writing in a Motion King Lear (Theater 2020), and A View From the Bridge (The Secret and Macbeth. He just completed his second year in The Old Globe and University of San Diego Shiley Picture for the Focus Features release Talk to Me. Theatre). He also played rhythm guitar, sang, and composed The Old Globe and University of San Diego Shiley Graduate Theatre Program as Teucer inAjax , Ritt in music in the rock review GUNS, A Cabaret directed by Liz Swados. Graduate Theatre Program. His previous credits The Maderati, and Antonio in The Two Gentlemen of KEVIN HAFSO-KOPPMAN Mr. Landini received his B.A. from Columbia University and trained include Valentine in The Two Gentlemen of Verona, Verona. His stage work includes Lewis in King John, (Rosencrantz) has been seen at The Old Globe in at Powerhouse Theater Festival and the British American Drama Oliver in As You Like It, and Arthur in Acquainted Belize in Angels in America, Jackson in Pantomime, The Imaginary Invalid, Picasso at the Lapin Agile, Academy. lrnzwhileacting.com. with the Night in the program, as well as Much Ado About Nothing Costard in Love’s Labour’s Lost, and the title role in Othello. He also Love’s Labor’s Lost, and Macbeth. He is thrilled to and The Tempest with Ithaca Shakespeare Company. He received recently appeared on Comedy Central’s “Detroiters” as Thomas. He be with The Old Globe and University of San Diego IAN LASSITER his bachelor’s degree in Government from Cornell University. is a graduate of the University of Minnesota/Guthrie Theater B.F.A. Shiley Graduate Theatre Program, where he has (Horatio) made his Globe debut earlier this summer amarajamesaja.com, @amara_james_ on Instagram. Actor Training Program. appeared in The Two Gentlemen of Verona, As You in King Richard II. He has appeared on Broadway in Like It, The Seagull,and Acquainted with the Night. The Cherry Orchard (Roundabout Theatre Company) OPAL ALLADIN GRANTHAM COLEMAN His previous Globe credits include Bright Star and the New Voices and War Horse (Lincoln Center Theater). His Off (Queen Gertrude) appeared on Broadway in Hedda (Hamlet) has appeared Off Broadway in Buzzer Festival readings of A Nice Indian Boy and peerless. His regional credits Broadway credits include Ring Twice for Miranda Gabler and On Golden Pond and Off Broadway inClose directed by Anne Kauffman and As You Like It include West Side Story, The Foreigner, and The Winslow Boy (Lamb’s (New York City Center), Pericles and An Octoroon Up Space (Manhattan Theatre Club), What Once We directed by Daniel Sullivan (The Public Theater), Players Theatre), Ether Dome, His Girl Friday, and Accomplice: San (Theatre for a New Audience), Antony and Cleopatra Felt (Lincoln Center Theater), Romeo and Juliet and Choir Boy directed by Trip Cullman (Manhattan Diego (La Jolla Playhouse), Zoot Suit (San Diego Repertory Theatre), (The Public Theater, Royal Shakespeare Company), Natasha, Pierre & A Midsummer Night’s Dream (The Public Theater/ Theatre Club), One Night directed by Clinton Henry IV Part I, King O’ the Moon, The Drawer Boy, and Becky’s New the Great Comet of 1812 (Kazino), and, as co-writer and performer, New York Shakespeare Festival), and The Two Noble Turner Davis (Rattlestick Playwrights Theater), Car (North Coast Repertory Theatre), Birds of a Feather and Speech The TEAM’s Mission Drift (Connelly Theater, National Theatre in Kinsmen (The Public Theater). Her regional theatre and We Are Proud to Present... directed by Eric and Debate (Diversionary Theatre), The Sunshine Boysand Deathtrap London). His regional credits include Oliver! (Arena Stage), The credits include My Wonderful Day, In the Next Room or the vibrator play Ting (Soho Rep.). His regional credits include Choir Boy directed by (Scripps Ranch Theatre), Doubt and Into the Woods (San Diego State Comedy of Errors (Shakespeare & Company), An Iliad: Guerrillas at (The Wilma Theater), The Violet Hour (Barrington Stage Company), Mr. Cullman (Geffen Playhouse) andRomeo and Juliet directed by University), The History Boys (Cygnet Theatre Company), and The Troy (The Continuum Company in Florence), and Henry V (Two River Breath, Boom (Yale Repertory Theatre), Wit (Pittsburgh Public Tony Speciale (Actors Theatre of Louisville). Mr. Coleman’s television 25th Annual Putnam County Spelling Bee and A Midsummer Night’s Theater). Mr. Lassiter received his B.A. from Fordham University Theater), Twelfth Night (Guthrie Theater), and The Trojan Women, As credits include “The Carmichael Show,” “NCIS,” “Doubt,” “11.22.63,” Dream (Intrepid Theatre Company). He received his B.A. in Theatre and his M.F.A. from New York University’s Tisch School of the Arts. You Like It, Antony and Cleopatra, and Henry VI (Shakespeare Theatre “The Night Shift,” and “The Americans.” He trained at The Juilliard Arts from San Diego State University and trained at the British ianlassiter.com, @IanSLassiter. Company). Ms. Alladin’s film and television credits include the School Drama Division. American Drama Academy at Oxford University. Academy Award-nominated United 93, Before/During/After, Teenage JOSE MARTINEZ Mutant Ninja Turtles: Out of the Shadows, November Criminals, Brown AJINKYA DESAI DANIEL IAN JOECK (Gentleman of King Claudius’s Court) recently Sugar, Jellysmoke, “The Blacklist: Redemption,” “Elementary,” “The (Norwegian Captain, Player Prologue) is a (Francisco, Doctor of Divinity) was last seen in made his Summer Shakespeare Festival debut in Affair,” “Madam Secretary,” “The Good Wife,” “The Michael J. Fox graduating international student in The Old Globe the Globe’s production of King Richard II. He will King Richard II. Some of his other favorite credits Show,” “Person of Interest,” “Unforgettable,” “Rescue Me,” “Law & and University of San Diego Shiley Graduate enter his second year as an M.F.A. candidate with include Keene in The Maderati, Pepe in My Mañana Order,” and “Law & Order: Special Victims Unit.” Ms. Alladin is a Theatre Program. His credits there include Speed The Old Globe and University of San Diego Shiley Comes, Orcus in She Kills Monsters, Mau in Nation, graduate of The Juilliard School. in The Two Gentlemen of Verona, Touchstone in Graduate Theatre Program this fall. In the program, and Lysander in A Midsummer Night’s Dream. As You Like It, Shamrayev in The Seagull, Maxwell he has played Martin in The Maderati, Menelaus in Mr. Martinez is currently a student in The Old SAMUEL MAX AVISHAY in Acquainted with the Night, and Agamemnon/ Ajax, and The Duke in The Two Gentlemen of Verona. Globe and University of San Diego Shiley Graduate Theatre Program. (Voltemand) was last seen at the Globe in King Chorus in Ajax. He also appeared at the Globe in King Richard II, His regional credits include Macbeth and The Taming of the Shrew Richard II. He is an M.F.A. student at The Old Love’s Labor’s Lost, and Macbeth. His first acting experience in the (Nebraska Shakespeare Festival), The Learned Ladies and The Two CHRISTINA A. OKOLO Globe and University of San Diego Shiley Graduate U.S. was at UC San Diego, where he played Egeus and Snout in an Gentlemen of Verona (Shakespeare & Company), and Ramona Quimby (Player Queen) recently appeared in the Summer Theatre Program. His prior credits include Chuck undergraduate production of A Midsummer Night’s Dream. He also (Children’s Theatre Company). In Minneapolis, he has worked Shakespeare Festival productions of King Richard in The Maderati, Chorus in Ajax, and Thurio in has many community stage and street theatre credits in India, with Classical Actors Ensemble, Park Square Theatre, The Moving II, Love’s Labor’s Lost, and Macbeth. She is a student The Two Gentlemen of Verona(The Old Globe/ some of which were directed by renowned theatre professionals. Company, Walking Shadow Theatre Company, Savage Umbrella, in The Old Globe and University of San Diego USD) and Achilles in Aulis: An Act of Nihilism in ajinkya-desai.com. Theatre Pro Rata, Starting Gate Productions, and Wayward Theatre Shiley Graduate Theatre Program, for which she One Long Act (Zellerbach Playhouse). Prior to beginning graduate Company. danielianjoeck.com, @djoeck on Instagram. has appeared as Tekmessa in Ajax, Lucetta in The studies at University of San Diego, he studied cooking and butchery TALLEY BETH GALE Two Gentlemen of Verona, Celia in Acquainted with at Chez Panisse in Berkeley and Eatrip in Tokyo. He received his (Ophelia) was recently seen in King Richard II, PATRICK KERR the Night, and Phoebe in As You Like It. She has also performed at B.A. in History with a focus on International Food History from Love’s Labor’s Lost, and Macbeth at the Globe. She is (Polonius) appeared in the recent Old Globe Cloverdale Playhouse in Montgomery, Alabama, where her credits UC Berkeley. He speaks Hebrew, French, and Spanish and has studied a second-year M.F.A. student in The Old Globe and Shakespeare Festival productions of King Richard II, include A Raisin in the Sun and Clybourne Park. Her other credits Japanese and Arabic. @sammax.jpeg on Instagram. University of San Diego Shiley Graduate Theatre Love’s Labor’s Lost, Twelfth Night, and The Comedy include Broke-ology, A Song for Coretta, and No Child.... Ms. Okolo is a Program. Her professional credits include the of Errors. He was also recently seen in San Diego native of Atlanta and received her Bachelor of Arts degree in Theatre NORA CARROLL staged reading of Anda’s Love and understudying in the premiere of Hollywood at La Jolla Playhouse. Performing Arts from Alabama State University. (Guildenstern) is currently enjoying her first year Picasso at the Lapin Agile, Red Velvet, and The Last His other Southern California performances of The Old Globe and University of San Diego Match (The Old Globe), understudyingThis Is Our Youth (Steppenwolf include work at South Coast Repertory, Geffen JONNY ORSINI Shiley Graduate Theatre Program, and she was Theatre Company), and EL Stories: Love Train (Waltzing Mechanics). Playhouse, Mark Taper Forum, and others. On Broadway he was (Laertes) last appeared at The Old Globe in Love’s seen at the Globe this summer in King Richard II. Her M.F.A. credits include The Two Gentlemen of Verona, As You Like seen in You Can’t Take It with You starring James Earl Jones, and Labor’s Lost and Othello. He made his Broadway Some of her credits include Rena in The Maderati, It, The Seagull, Ajax, and Acquainted with the Night. Ms. Gale received a revival of The Ritz. A veteran of many television programs, he is debut in a multiple award-winning performance Athena in Ajax, and Outlaw in The Two Gentlemen her B.F.A. in Acting from Ball State University. probably best known for recurring roles on “Frasier” and “Curb Your opposite Nathan Lane in The Nance, followed by of Verona (The Old Globe/USD), June in BLKS (Ojai Enthusiasm.” @patiokerr on Twitter. Macbeth with Ethan Hawke and Larry David’s Playwrights Conference), Allison understudy in Fabulation (Pulse MICHAEL GENET Fish in the Dark. His Off Broadway credits include Theatre Company Chicago), Clarence and Hastings inRichard III, The (The Ghost, Player King, Gravedigger) was seen LORENZO LANDINI Whirligig, Incident at Vichy, Be a Good Little Widow, Bastard in King John, and Margery in Vinegar Tom (Tisch School of most recently starring as Doctor Dillamond in the (Barnardo, Fortinbras) has recently appeared and An Early History of Fire. His films include Generation Um... the Arts). Ms. Carroll received her B.F.A. in Acting from New York Broadway production of Wicked. His other Broadway on this stage in the Globe productions of King opposite Keanu Reeves; the upcoming Cortex opposite Josh Lucas; University’s Tisch School of the Arts. @noralcarroll on Instagram. credits include A Few Good Men, Hamlet, Lestat, and Richard II, Macbeth, and Love’s Labor’s Lost. He is a and Cigarette Candy, for which he received the Special Jury Award for Fences. Off Broadway he has starred in Northeast second-year M.F.A. student in The Old Globe and Outstanding Performance at the Florida Film Festival in addition to Local, A Soldier’s Play, All My Sons, Dance of the Holy University of San Diego Shiley Graduate Theatre awards at South by Southwest and the Palm Springs International Ghosts, The Whipping Man, and Resurrection. His Program, for which his credits include The Two Film Festival. many film and television credits include One Fine Day, She Hate Me, Gentlemen of Verona, Acquainted with the Night, The 25th Hour, “The Affair,” “The Mysteries of Laura,” “Ugly Betty,” “Taxi Seagull, As You Like It, and the title role in Ajax. Previously based in Brooklyn,” “The Following,” “Law & Order,” and “Tyler Perry’s House New York City, his credits include writing and performing his solo 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS LARICA SCHNELL North Texas from 1990 to 1996, where he began his explorations include La Traviata directed by Arin Arbus (Canadian Opera Company, Brookshire, he wrote and performed the songs for Todd Solondz’s (Osric) is originally from Cape Town, South Africa, in electro-acoustic music. During this period he performed with jazz Houston Grand Opera, Lyric Opera of Chicago), Titus Andronicus film Palindromes (Venice, Toronto, Telluride, and New York Film and is in The Old Globe and University of San Diego legends Dewey Redman, Sonny Rollins, Nat Adderley, and Ornette directed by Michael Sexton (The Public Theater), Inspiré (Cirque du Festivals). trickybox.com. Shiley Graduate Theatre Program. She recently Coleman while also leading his jazz–rock improv bands Sivad and Soleil), The Witch of Edmonton directed by Jesse Berger (Red Bull appeared in King Richard II at the Globe. Her Ghostcar. Mr. Wolf has also traveled the world leading and playing Theater), Hamlet directed by Elizabeth LeCompte (The Wooster JACOB GRIGOLIA-ROSENBAUM previous M.F.A. productions include The Maderati, in show bands on cruise ships. Currently he plays with Gaslamp Group), and Le Rossignol with Michael Curry and directed by Robert (Fight Director) is honored to return to the Globe after The Last Ajax, and The Two Gentlemen of Verona. She also Quarter Jazz Orchestra and The Sure Fire Soul Ensemble and works LePage. Ms. O’Connor received a Lucille Lortel Award nomination Goodbye in 2013, Othello in 2014, and Ken Ludwig’s Robin Hood! this appeared in The Open Couple, Cape of Rebels, Twelfth as a freelance musician. for The Witch of Edmonton and won the Dora Mavor Moore Award summer. His credits as fight director include Peter and the Starcatcher Night at the Macbeths, and Dreams of Clytemnestra. Ms. Schnell for Outstanding Costume Design for La Traviata. cait-oconnor.com. (Broadway, New York Theatre Workshop, New World Stages, national received her undergraduate degree in Theatre & Performance from BARRY EDELSTEIN tour), Peter Pan Live! (NBC/Universal), Bloody Bloody Andrew Jackson University of Cape Town. @laricslyrics on Instagram. (Director, Erna Finci Viterbi Artistic Director) is a stage director, STEPHEN STRAWBRIDGE (Broadway, The Public Theater, Williamstown Theatre Festival), producer, author, and educator. Recognized as one of the leading (Lighting Design) previously designed The Old Globe’s King Richard Cyrano de Bergerac (Broadway), Here Lies Love (The Public Theater, SAMANTHA SUTLIFF American authorities on the works of Shakespeare, he has directed II, Double Indemnity, Othello, and The Two Gentlemen of Verona. He commercial remount), The Robber Bridegroom (Roundabout Theatre (Cornelia) made her Summer Shakespeare Festival nearly half of the Bard’s plays. His Globe directing credits include The has designed over 200 productions on and Off Broadway and at Company), Sailor Man (also co-creator, New York International Fringe debut in this summer’s King Richard II. She was Winter’s Tale, Othello, The Twenty-seventh Man, the world premiere most major regional theatre and opera companies across the U.S. Festival, winner of Best Play), The Buccaneer(also playwright, The recently seen as Hostess in The Two Gentlemen of Rain, and Picasso at the Lapin Agile. He also directed All’s Well That Internationally his work has been seen in Bergen, Copenhagen, Tank, Fight Fest), and Robin Hood (Williamstown Theatre Festival). of Verona, Cuddles Molotov in The Maderati, and Ends Well as the inaugural production of the Globe for All community The Hague, Hong Kong, Linz, Lisbon, Munich, Naples, Sao Paulo, Mr. Grigolia-Rosenbaum has also been fight director for numerous Chorus Leader 1 in Ajax with The Old Globe and tour. As Director of the Shakespeare Initiative at The Public Stratford-upon-Avon (Royal Shakespeare Company), Stockholm, regional and touring companies, including Disney Cruise Line, University of San Diego Shiley Graduate Theatre Theater (2008–2012), Mr. Edelstein oversaw all of the company’s Vienna, and Wroclaw. His recent credits include Happy Days with Connecticut Free Shakespeare, Ogunquit Playhouse, and National Program. She is a B.M. graduate of the Frost School Shakespearean productions as well as its educational, community Dianne Wiest (Theatre for a New Audience), Smart People (Long Theater for Arts and Education. He was the stunt coordinator and of Music at University of Miami. Before arriving in San Diego from outreach, and artist-training programs. At The Public, he staged the Wharf Theatre), Athol Fugard’s “Master Harold”...and the Boys creature performer for the horror film Dark Was the Night (Caliber/ Los Angeles, she starred in the award-winning film Plaything and the world premiere of The Twenty-seventh Man, Julius Caesar, The Merchant (Signature Theatre Company, Drama Desk Award nomination), Sarah Image) and was a D1 varsity fencer while at Yale University. hit web series “The Leslie,” following two years working for Carnival of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays. Ruhl’s Scenes from Court Life (Yale Repertory Theatre), Turn Me Loose Cruise Line as a vocalist. Some of her favorite roles include Antigone He was also Associate Producer of The Public’s Broadway production with Joe Morton (Westside Theatre), and Pericles directed by Trevor DAVID HUBER in Antigone and Mary Lane in Reefer Madness (University of Miami). of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he Nunn (Theatre for a New Audience). His credits for dance include (Voice Coach) has worked on the Globe productions of Ken Ludwig’s @samsutliff on Twitter. was Artistic Director of Classic Stage Company. Mr. Edelstein’s other Pilobolus, Alison Chase/Performance, and others. Mr. Strawbridge Robin Hood!, The Imaginary Invalid, Skeleton Crew, Red Velvet, The Shakespearean directorial credits include The Winter’s Tale at Classic has received American Theatre Wing, San Francisco Bay Area Theatre Blameless, Picasso at the Lapin Agile, Measure for Measure (Globe CORNELL WOMACK Stage Company; As You Like It starring Gwyneth Paltrow; and Richard Critics Circle, Connecticut Critics Circle, Dallas–Fort Worth Theater for All), October Sky, Meteor Shower, Sense and Sensibility, Macbeth, (King Claudius) first appeared at The Old Globe III starring John Turturro. His additional credits include the Lucille Critics Forum, Drama Desk, Helen Hayes, Henry Hewes Design, and tokyo fish story, Camp David, Constellations, Rain, The Last Match, The in The Winter’s Tale. His Broadway credits include Lortel Award-winning revival of Arthur Miller’s All My Sons; the world Lucille Lortel nominations and awards. His is Co-Chair of the Design Metromaniacs, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, On Golden Pond with James Earl Jones and Talk premiere of Steve Martin’s The Underpants, which he commissioned; Department at Yale School of Drama and a resident lighting designer Arms and the Man, Buyer & Cellar, The Royale, Bright Star, and The Radio. His Off Broadway credits include Yellowman, and Molière’s The Misanthrope starring Uma Thurman in her stage at Yale Repertory Theatre. Two Gentlemen of Verona. His previous Globe acting credits include Thunder Knocking at the Door, The Merchant of Venice, debut. Mr. Edelstein has taught Shakespearean acting at The Juilliard The Winter’s Tale directed by Jack O’Brien, The Tempest, The Two and The Odyssey. On television he is best known as School, New York University’s Graduate Acting Program, and the STEN SEVERSON Gentlemen of Verona, and The Merchant of Venice, among several Ritchie on the FX series “Rescue Me,” along with University of Southern California. His book Thinking Shakespeareis (Sound Design) is pleased to be returning to The Old Globe, where he others. He has studied voice with Master Linklater Voice teacher numerous guest appearances including “Better Call Saul,” “Flaked,” the standard text on American Shakespearean acting. He is also the has designed King Richard II, Love’s Labor’s Lost, Macbeth, The Comedy David Smukler, Eric Armstrong, and Kate Burke. He is a graduate “Suits,” “The Newsroom,” “The Fosters,” “Body of Proof,” “Criminal author of Bardisms: Shakespeare for All Occasions. He is a graduate of of Errors, Twelfth Night, The Two Gentlemen of Verona, and Othello. of the Graduate Voice Teacher Diploma Program at York University Minds,” “Medium,” “Boston Legal,” “CSI: Miami,” “Numb3rs,” “Law Tufts University and the University of Oxford, where he studied as a His selected credits include the Broadway productions of Hair, in Toronto. His regional theatre credits include Actors Theatre & Order,” “Warehouse 13,” “The Black Donnellys,” and even “Hannah Rhodes Scholar. The Motherf***er with the Hat, and The Merchant of Venice, and the of Louisville, Cincinnati Playhouse in the Park, The Repertory Montana.” His films include Transformers: Revenge of the Fallen, State Off Broadway productions of Venice, No Place to Go, The Total Bent, Theatre of St. Louis, Pittsburgh Playhouse, PCPA Theaterfest, Texas of Play, and The Happening. He currently narrates the documentary TIM MACKABEE and The Controversy of Valladolid, as well as King Lear, the musical Shakespeare Festival, Center REPertory Company, and Centennial series “Corrupt Crimes,” “Motive to Murder,” “Gangster: America’s (Scenic Design) recently designed the Globe’s production of Ken Love’s Labour’s Lost, Twelfth Night, As You Like It, Hair, and Hamlet Theater Festival, among many others. Mr. Huber coaches voice, Most Evil,” and “Hangar 1: The UFO Files,” among others. Ludwig’s Robin Hood!, Skeleton Crew, and The Last Match. His Broadway for Shakespeare in the Park at the Delacorte Theater. His regional speech, and acting locally, works on speech issues with special needs Mr. Womack studied at The Juilliard School Drama Division and is a credits include The Elephant Man starring Bradley Cooper (also West credits include Family Album (Oregon Shakespeare Festival), Fallaci students, and will be teaching voice at San Diego Mesa College in the proud member and instructor at Berg Studios in Los Angeles. End) and Mike Tyson: Undisputed Truth directed by Spike Lee. His Off (Berkeley Repertory Theatre),Akeelah and the Bee (Children’s Theatre fall. He is a graduate of The Old Globe and University of San Diego Broadway credits include Guards at the Taj (2016 Lucille Lortel Award Company, Arena Stage), and Dr. Seuss’s The Sneetches and Diary of a Shiley Graduate Theatre Program. CHAZ CABRERA for Outstanding Scenic Design) and Our New Girl (Atlantic Theater Wimpy Kid (Children’s Theatre Company). Mr. Severson is a partner in (Musician) was born and raised in Southern California. His Company), Vietgone and Important Hats of the Twentieth Century Acme Sound Partners, collectively responsible for over 30 Broadway JIM CARNAHAN, CSA professional career started at the age of 18 when he formed a group (Manhattan Theatre Club), Heathers: The Musical (New World Stages), shows since 2000. He has taught at New York University and Yale (Casting) has cast the Globe’s productions of King Richard II, Love’s named Jazz Avenue with five of his close friends. They competed in Luce (Lincoln Center Theater),Gigantic (Vineyard Theatre), andMuch School of Drama, and he currently serves as the Sound Director at Labor’s Lost, Macbeth, Twelfth Night, and The Comedy of Errors. He the national competition SchoolJam USA 2012, where they won the Ado About Nothing (The Public Theater). Regionally Mr. Mackabee Children’s Theatre Company. is the Director of Artistic Development at Roundabout Theatre prestigious title of Best Teen Band and were given the opportunity has designed for Geffen Playhouse, American Conservatory Theater, Company, where his credits include The Price, Marvin’s Room, If I to play for the Musikmesse convention in Frankfurt, Germany. Ford’s Theatre, Seattle Repertory Theatre, Baltimore Center Stage, CURTIS MOORE Forget, The Cherry Orchard, Long Day’s Journey Into Night, She Loves Mr. Cabrera arranges for the San Diego Gay Men’s Chorus and Denver Center Theatre Company, Portland Center Stage, Cleveland (Original Music) was last at the Globe with Sense and Sensibility. He Me, Noises Off, Thérèse Raquin, Old Times, On the Twentieth Century, composes original music for big bands, wind ensembles, and Play House, Dallas Theater Center, Geva Theatre, Yale Repertory wrote the musical Triangle, which premiered at TheatreWorks Silicon The Real Thing, Cabaret, Violet, Machinal, The Winslow Boy, The symphonies. He directs his own big band, known as the JazzKatz Theatre, Syracuse Stage, South Coast Repertory, Victory Gardens Valley and received six San Francisco Bay Area Theatre Critics Circle Mystery of Edwin Drood, Cyrano de Bergerac, Harvey, Anything Goes, Orchestra, and performs with San Diego’s premier groups, such as Theater, Bay Street Theater, Asolo Repertory Theatre, Philadelphia Awards. He composed the music for Venice with Matt Sax and Eric The Importance of Being Earnest, Mrs. Warren’s Profession, Sunday in Gaslamp Quarter Jazz Orchestra, The Reo Collective, and more. He Theatre Company, Arden Theatre Company, The Studio Theatre, The Rosen (which had a sold-out, extended run at The Public Theater) the Park with George, The Pajama Game, 12 Angry Men, Assassins, Nine, plays multiples instruments, such as the piano, woodwinds, and Muny, and Williamstown Theatre Festival. His dance credits include and Nora Ephron’s play Lucky Guy, starring Tom Hanks in his and Big River. His other Broadway credits include 1984, Groundhog percussion. He currently attends San Diego State University and is Doug Varone and Dancers and Cedar Lake Contemporary Ballet. His Broadway debut. With Thomas Mizer, Mr. Moore was awarded the Day, Amélie, Fun Home, Constellations, The River, You Can’t Take It pursuing a Music Education degree. chazcabrera.com. television credits include Amy Schumer: Live at the Apollo, “Gotham,” 2016 Fred Ebb Award and the 2009 Jonathan Larson Grant. Along with You, Rocky, The Glass Menagerie, Once, Matilda, Peter and the “Smash,” and “The Today Show.” Mr. Mackabee is a graduate of the with Triangle, they wrote the musicals The Legend of Stagecoach Mary Starcatcher, The Mountaintop, On a Clear Day You Can See Forever, GABRIEL WOLF University of North Carolina School of the Arts and Yale School of (National Alliance for Musical Theatre) and The Bus to Buenos Aires Jerusalem, Arcadia, The Scottsboro Boys, American Idiot, A Behanding in (Musician) is an electro-acoustic trumpet performer currently based Drama. timothymackabeedesign.com. (Ensemble Studio Theatre). He conducted and performed the music Spokane, The Seagull, Boeing-Boeing, Spring Awakening, The Pillowman, in San Diego. Living in the mountains of East County with his wife, in The Bridge Project’s critically acclaimed world tour of Richard III, Gypsy, and True West. His film credits include A Home at the End of he has continued to explore and push the edge of trumpet playing CAIT O’CONNOR directed by Sam Mendes and starring Kevin Spacey, and he the World and Flicka, and his television credits include “Glee” (Emmy through electronic effects pioneered by legends like Miles Davis. (Costume Design) is a designer, painter, and illustrator working composed the score for Barry Edelstein’s production of Othello (The Award nomination). Mr. Wolf studied at the University of Miami and the University of and exhibiting in the United States and abroad. Her recent projects Old Globe) and Timon of Athens (The Public Theater). With Matthew

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 ARTISTS ARTS ENGAGEMENT PAMELA SALLING to two theatres in the ’50s, Globe Educational Tours in the ’70s, and (Production Stage Manager) is happy to return to the Globe after Teatro Meta and the Old Globe/University of San Diego Graduate stage managing Love’s Labor’s Lost. She is a New York-based stage Theatre Program in the ’80s. During the 1940s, Mr. Noel served as manager for theatre, dance, and opera; her select credits there dialogue director for the 20th Century Fox Studios and was the include The Apple Family: Scenes from Life in the Country (That Hopey director of the Ernie Pyle Theatre in Tokyo. Described by Variety Changey Thing, Sweet and Sad, Sorry, and Regular Singing), Othello, as the éminence grise of San Diego theatre, Mr. Noel is one of the Into the Woods, The Agony and the Ecstasy of Steve Jobs, Knickerbocker, few San Diegans to have had an entire year (1987) proclaimed in his and Neighbors (The Public Theater), De Materie and tears become... honor, and to be named one of San Diego’s “Living Treasures.” He streams become... (Park Avenue Armory), Blood Knot (Signature was a founder of the California Theatre Council and a former vice By Freedome Bradley-Ballentine and Mike Hausberg Theatre Company),A Family for All Occasions, Thinner Than Water, and president of the California Confederation of the Arts. His numerous Massacre (Sing to Your Children) (Labyrinth Theater Company), and honors include the San Diego Union-Tribune list of 25 persons Ms. Rosemary White-Pope has done a lot during her career. She difficult thing for some to still be a part of, so they never talked Garden of Earthly Delights (Martha Clarke). Ms. Salling also recently who shaped the city’s history; the Governor’s Award for the Arts; has spent over 50 years working at the Fourth District Seniors about it or expressed it. Some of them used to be members completed productions of How to Be a Rock Critic (ArtsEmerson) and University of Arizona Alumni Association’s Outstanding Citizen, Resource Center in Southeastern San Diego, establishing of The Old Globe. That’s why we have standing-room-only Petrol Station (The Kennedy Center), and she works extensively with for his contribution to their Fine Arts department; San Diego State and fostering programs for members like an AARP chapter, attendance now.” director Peter Sellars around the world, including for his productions University’s Outstanding Alumnus; Conservator of American Arts of Lagrime di San Pietro, Kopernikus, Josephine Baker: A Portrait, The Award from American Conservatory Theater; the San Diego Press a direct deposit system, intergenerational programs, and Gospel According to the Other Mary, St. Matthew Passion, Desdemona, Club Headliner Award; San Diego Gentleman of Distinction Award; nutritional wellness initiatives. Yet she had never seen the Some members participated in all of the Globe’s programs Othello, The Winds of Destiny, A Flowering Tree, and La Passion de and a combined tribute from the Public Arts Advisory Council and center’s members as excited as when they visited Balboa Park. since the beginning, while others were more cautious. “They Simone. the San Diego County Board of Supervisors. Mr. Noel was particularly “When they went out on that balcony at The Old Globe, that’s peeked inside to see what’s going on, and then after a little proud of the following three honors representing edu­cation and ingrained in a lot of people’s memories because not everybody while they say, ‘I like this, this is interesting, let me put my AMANDA NUSSBAUM theatre: Honorary Doctorate of Humane Letters, University of San (Assistant Stage Manager) is an alumna of the M.F.A. program at Diego; Honorary Doctorate in Fine Arts, San Diego State University; gets to do that. We got to do the queen wave. We are still two cents in.’ They feel theatre does matter, and they come UC San Diego. Her past credits at The Old Globe include The Old and the annual Awards for Excellence in Theatre named in his talking about it.” alive. It’s a reawakening.” Man and The Old Moon, the Globe for All Tour of Measure for Measure, honor by the San Diego Theatre Critics Circle. In 2007, he received tokyo fish story, The Last Goodbye, and Summer Shakespeare Studio the National Medal of Arts—the nation’s highest honor for artistic Ms. Rosemary (as she is often called) points out that being (and its earlier incarnation, Summer Shakespeare Intensive). Her excellence—in a ceremony at the White House. Craig Noel died on other recent credits include Freaky Friday and Come from Away April 3, 2010 at the age of 94. invited to Globe productions “may not mean a lot to some The camaraderie (La Jolla Playhouse), Romulus Kilgore’s Mobile Happiness Bazaar people, but if you lost a spouse who used to do these things (La Jolla Playhouse/Without Walls Festival), and The Real Thing with you, or you don’t drive at night or at all anymore, the and interaction, (Roundabout Theatre Company). In addition to working on theatre being exposed, CASTING Globe provides the means for you to recapture that experience. productions, Ms. Nussbaum works as a stage manager for corporate And that’s what keeps us engaged, looking good, feeling it can bring out events both nationally and internationally with Full Circle Show Jim Carnahan, CSA Management. Alexandre Bleau; Carrie Gardner, CSA; younger, and feeling better about ourselves. The camaraderie those latent Stephen Kopel, CSA; Jillian Cimini, CSA; and interaction, being exposed, it can bring out those latent qualities that JACK O’BRIEN Peter Van Dam; Louis DiPaolo qualities that a lot of people don’t know they still have.” (Artistic Director Emeritus) served as Artistic Director of The Old a lot of people Globe from 1981 through 2007. He most recently directed Charlie and The Old Globe has been partnering with the Fourth District don’t know they the Chocolate Factory on Broadway, Great Scott at San Diego Opera, still have. and the national tour of The Sound of Music. His Broadway credits also Seniors Resource Center and the George L. Stevens Senior Daniel Ian Joeck appears courtesy include The Front Page, It’s Only a Play, Macbeth with Ethan Hawke, The Center since Associate Artistic Director Eric Keen-Louie called of Actors’ Equity Association. Nance, Dead Accounts, Catch Me If You Can, Impressionism, The Coast them nearly four years ago. “I was looking for partners for our of Utopia (Tony Award), Dr. Seuss’s How the Grinch Stole Christmas!, inaugural Globe for All tour and stumbled upon a news clip Ms. Rosemary continues, “We may go to the theatre locally, Dirty Rotten Scoundrels (Tony nomination), Henry IV (Tony Award), Hairspray (Tony Award), Imaginary Friends, The Invention of Love about the center’s incredible line dancers. They were bursting but when the Globe actually brings it to the community, they (Tony nomination, Drama Desk Award), The Full Monty (Tony PATRON INFORMATION with life, and I knew we had to work together!” can bring it in depth. That’s what they do and it’s the truth, and nomination), More to Love, Getting Away with Murder, Pride’s Crossing, For patron information about we have to acknowledge it. I don’t have to ask our members to The Little Foxes, Hapgood (Lucille Lortel Award, Best Director), ticketing, performances, parking, Until that time, the center would occasionally take trips to see come anymore. I just say, ‘The Old Globe is coming,’ and they Damn Yankees, Two Shakespearean Actors (Tony nomination), transportation, and more, please visit community theatre, but the partnership with the Globe was say, ‘Really? Can I bring someone?’” and Porgy and Bess (Tony nomination). Metropolitan Opera: www.TheOldGlobe.org/patron-information. II Trittico. London: Love Never Dies, Hairspray (Olivier nomination). something new. The Globe now offers several programs at the National Theatre: His Girl Friday. Six movies for PBS’s “American center. “The workshops, the looks behind the scenes, all of it,” She goes on to recount so many of the members’ experiences. Playhouse.” Awards: 2008 Theatre Hall of Fame Inductee, 2005 Ms. Rosemary says, “it’s so interesting to see it from the start “A lot of them didn’t know they could write plays. It moves John Houseman Award, ArtServe Michigan 2008 International to the finish. So many of our members didn’t know they had some people to tears. It brings back so many memories, and Achievement Award, Honorary Doctorate, University of Michigan. This theatre operates under an agreement between the League of Resident Theatres that acting bug, but the Globe activated it.” that’s a blessing. More than before, they bring in their medals Honorary Doctor of Humane Letters, University of San Diego. Film and Actors’ Equity Association, the union of (actor): Sex and the City 2. Jack Be Nimble: The Accidental Education professional actors and stage managers in the or other personal items and talk to our facilitators. Some have of an Unintentional Director, his memoir about the early years of his United States. Many at the center find the workshops helpful. “They help started writing poetry and telling their stories. It brings out career, was released in 2013 by Farrar, Straus and Giroux. people remember the stories and what’s happening on stage. the best in them, a sense of ownership.” She chuckles and The Directors are members of the Society If you’re not already familiar with what is happening in a adds, “They’ve stopped playing bridge.” CRAIG NOEL of Stage Directors and Choreographers, an independent national labor union. play, you say, ‘Oh, I remember them talking about that in the (Founding Director) was born on August 25, 1915, and in 2015 The Old Globe celebrated the 100th birthday of this theatre legend who was workshop.’” Ms. Rosemary is pleased with how the connection with The instrumental in cultivating the San Diego arts community. Mr. Noel This Theatre operates under an Agreement Old Globe has united and changed the members of the Fourth with the International Alliance of Theatrical was first appointed director in 1939, directing 15 productions prior to Stage Employees Local No. 122. That being said, many of the seniors were already aware of District Seniors Resource Center. “This partnership with the World War II. Since then he directed more than 200 plays of all styles Shakespeare’s plays. “We have some highly educated and Globe is the best thing since sliced bread. We support each and periods and produced an additional 270 productions. His vision The Scenic, Costume, Lighting and Sound intelligent seniors, and they are on a fixed income, but that other, we come out for each other, and that sends a message of for The Old Globe resulted in the establishment of the Shakespeare Designers in LORT Theatres are represented by Festival and the San Diego Junior Theatre in the late ’40s, the expansion United Scenic Artists Local USA-829, IATSE. doesn’t mean they’ve lowered their standards. It was just a inclusivity. We get to meet other people and grow, and it keeps growing because they feel a part of it.”  18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 ANNUAL FUND DONORS CORPORATE DONORS The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks and Artistic Angels ($200,000 and higher annually) Benefactors ($100,000 to $199,999) recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Artistic Angels ($200,000 and higher annually) City of San Diego Commission Mr. & Mrs. Brian K. Devine HM Electronics, Inc. Darlene Marcos Shiley, for Arts & Culture Audrey S. Geisel/Dr. Seuss Fund at The James Irvine Foundation in memory of Donald Shiley Karen & Donald Cohn The San Diego Foundation Paula & Brian Powers The Erna Finci Viterbi Elaine & Dave Darwin Kathryn* & John Hattox Jean & Gary Shekhter Artistic Director Fund

Producer Circle ($30,000 to $59,999) Benefactors ($100,000 to $199,999) Terry Atkinson Hal & Pam Fuson Qualcomm Sheryl & Harvey White Foundation Ann Davies Globe Guilders The Shubert Foundation Vicki & Carl Zeiger Dow Divas Conrad Prebys* & Debra Turner Karen & Stuart Tanz Anonymous (1) Pamela Farr & Buford Alexander Price Philanthropies Foundation ViaSat

Ovation Circle ($60,000 to $99,999) Mary Beth Adderley Peter Cooper & Norman Blachford* Joan & Irwin Jacobs Fund of the Rhona & Rick Thompson Nikki & Ben Clay Valerie & Harry Cooper Jewish Community Foundation Gillian & Tony Thornley National Endowment for the Arts Producer Circle ($30,000 to $59,999) Artist Circle ($25,000 to $29,999) Diane & John Berol Hyatt Regency La Jolla at Aventine Sanderson Family Foundation U.S. Bank California Arts Council Elaine Lipinsky Family Foundation Ms. Jeanette Stevens Pamela J. Wagner & Hans Tegebo California Bank & Trust Jeffrey & Sheila Lipinsky Theatre Communications Group Reneé & Bob Wailes California Department of Corrections Family Foundation Theatre Forward June E. Yoder and Rehabilitation Neiman Marcus Evelyn Mack Truitt County of San Diego The Prado at Balboa Park Union Bank Nina & Robert Doede Random House Children’s Books United Audience (R)Evolution Cohort Grants program, funded by the Doris Duke Charitable Foundation and administered by Theatre Communications Group. Theatre Forward advances the American theatre and its communities by providing funding and other resources to the country’s leading nonprofit theatres. Theatre Forward and our theatres are most grateful to the following funders ($10,000 and above):

Buford Alexander & Pamela Farr DeWitt Stern McGraw Hill Financial Skadden, Arps, Slate, Meagher & Flom Allianz Global Corporate & Specialty Dorsey & Whitney Foundation MetLife George S. Smith, Jr. American Express Edgerton Foundation Morgan Stanley Southwest Airlines AOL Epiq Systems National Endowment for the Arts TD Charitable Foundation Bank of America EY OneBeacon Entertainment Theatermania.com/Gretchen Shugart Director Circle ($10,000 to $24,999) BNY Mellon Ford Foundation Lisa Orberg Travelers Entertainment Bloomberg Alan & Jennifer Freedman Frank & Bonnie Orlowski James S. & Lynne Turley Steven & Joy Bunson Goldman, Sachs & Co. Pfizer, Inc. UBS Chubb Group of Insurance Ted Hartley & RKO Stage RBC Wealth Management Wells Fargo Companies Marsh & McLennan Companies, Inc. The Schloss Family Foundation Willkie Farr & Gallagher LLP Cisco Systems, Inc. Jonathan Maurer and The Shubert Organization, Inc. Citi Gretchen Shugart

Founder Circle ($5,000 to $9,999) Artist Circle ($25,000 to $29,999) Edward Jones Financial Advisor, David S. Tam Bank of America Higgs, Fletcher & Mack, LLP The Lodge at Torrey Pines Torrey Pines Bank Barney & Barney Holland America Line NWB Environmental Services, LLC Mandell Weiss Charitable Trust Dan & Phyllis Epstein Daphne H. & James D. Jameson San Diego Gas & Electric Wells Fargo The Favrot Fund JPMorgan Chase Sheraton San Diego Hotel & Marina Brent Woods & Laurie Mitchell Craig Noel Circle ($2,500 to $4,999) Hervey Family Non-endowment Fund Jo Ann Kilty The Harold and Mimi Steinberg California Coast Credit Union Nordson Corporation Foundation Parc Bistro-Brasserie Sabuku Sushi Wawanesa Insurance at The San Diego Foundation Sandy & Arthur Levinson Charitable Trust

The Old Globe invites your company to become a corporate partner and enjoy the benefits a partnership provides. Director Circle ($10,000 to $24,999) Contact Bridget Cantu Wear at (619) 684-4144 or [email protected]. Sam & Mildred Ackerman George Davis Mary & Russ Johnson Peggy & Peter Preuss Melissa Garfield Bartell & Arlene & Richard Esgate Brooke & Dan Koehler Allison & Robert Price Family Michael Bartell Karen Fox Jean* & David Laing Foundation Fund of the Jewish PUBLIC SUPPORT Jane Smisor Bastien Drs. Tom & Jane Gawronski Carol Ann & George W. Lattimer Community Foundation Financial support is provided by The City of San Diego. Alan Benaroya Carol L. Githens Susan & John Major Gloria Rasmussen Joan & Jeremy Berg Diana R. Glimm Caroline & Nicolas Nierenberg The San Diego Foundation The Old Globe is funded by the County of San Diego. Richard & Kathy Binford Lee & Frank Goldberg Mr. & Mrs. J. Gregory Noel Creative Catalyst Fund The Bjorg Family Alexa Kirkwood Hirsch The Kenneth T. & Deborah Szekely Special thanks to the County of San Diego The Anthony Cerami & Anne Dunne Dr. & Mrs. Harry F. Hixson, Jr. Eileen L. Norris Foundation Jordine Skoff Von Wantoch Board of Supervisors. Foundation for World Health Gail & Doug Hutcheson Patrons of the Prado Dr. Steve & Lynne Wheeler Pamela & Jerry Cesak Jerri-Ann & Gary Jacobs Tom & Lisa Pierce Karin Winner 20 PERFORMANCES MAGAZINE Carlo & Nadine Daleo PERFORMANCES MAGAZINE 21 Founder Circle Craig Noel Circle Sheila & Tom Gorey L. Robert & Patricia Payne Elaine Chortek Jain Malkin Mrs. Lazare F. Bernhard Mr. Joseph Marshall & ($5,000 to $9,999) ($2,500 to $4,999) George C. Guerra Col. & Mrs. Ben Pollard Berit & Tom Durler Joy & Ronald Mankoff Giovanni & Carolyn Bertussi Dr. Rosemarie Marshall Maggie Acosta & David & Diane Ailor Charles Gyselbrecht & Bill & Mo Popp Bill Eiffert & Leslie Hodge Jasna Markovac & Bob & Joyce Blumberg Johnson Larry Shushan Drs. Gabriela & Mike Antos Eric Taylor Dr. Daniel Porte, Jr. & Dr. Ben & Susan Frishberg Gary Miller Deb & Brand Brickman Margaret Matarese The Angelson Family Alicia & Jonathan Atun Ms. Cheryl Haimsohn Mrs. Sally DuBois Steven & Susan Garfin Robert McCommins Glenn & Jolie Buberl Rev. Stephen J. Mather Foundation Judith Bachner & Eric Lasley Guy & Laurie Halgren The Arthur & Jeanette Pratt Gay and Lesbian Fund for Dennis A. McConnell Robert Caplan & Ronald McCaskill & Karen & Jim Austin David A. & Jill Wien Badger Patricia & Richard Harmetz Memorial Fund San Diego at The San Diego Mim & Bill McKenzie Carol Randolph Robyn Rogers Jan & Rich Baldwin Bobbie Ball Patrick Harrison & Bobbie Quick Foundation James & Estelle Milch Fund Luc Cayet & Nathan Meyers & Vicki Righettini Mary-Kay Butler Jan Bart Eleanor Lynch Sarah B. Marsh Rebelo & Mr. William & of the Jewish Community Anne Marie Pleska Dr. & Mrs. Robert Morrison Carol & Jeff Chang Toni & Deron Bear Dr. Shawn Harrity John G. Rebelo Dr. Susan Glockner Foundation Dr. & Mrs. Stephen Center Mimi & Ernie Mortensen Barbara Charlton Stephanie Bergsma & Nishma & John Held Joseph & Sara Reisman Fund Louise & Doug Goodman Dean & Sue Mills Janet & Maarten Chrispeels Charles & Susan Muha Joseph Cohen & Martha Dwight Hare Susan K. Hempstead, in of the Jewish Community Jones & Lucy Jaworski Darrell Netherton & Ms. Lisa Churchill & Linda Mulcahy Farish Charitable Gift Fund Linda & Robert Bernstein memory of Foundation Marcia A. Mattson Robert Wheeler Dr. Susan Forsburg Evy & Ed Newton of the Jewish Community Charles & Charlotte Bird Betty L. Hempstead Wade and Candi Rich Dr. & Mrs. M. Joseph McGreevy Marsha J. Netzer Mr. & Mrs. Don L. Clark Rich & June Nygaard Foundation M. Joan Bishop, in memory Bill & Nancy Homeyer Nancy J. Robertson Rena Minisi & Rich Paul Jan & Mark Newmark Boyd & Rita Collier Virginia Oliver Colwell Family Distributable of Harold O. McNeil, Esq. Gary & Carrie Huckell Dr. Sara Rosenthal & Ursula & Hans Moede Rod & Barbara Orth Charley & Barb Crew Lori Partrick Fund at The San Diego Paul Black Drs. Sonia & Andy Israel Dr. Julie Prazich Barbara Oswalt Christopher & Hon. Vincent Di Figlia Carol Pastor Foundation Gary & Barbara Blake Family Pat JaCoby Ms. Gail Rutherford Tim & Leslie Paul Susan Pantaleoni John & Barbara Edgington In memory of R. Patrick & Sharon Connell Fund of the Jewish Jerry & Marge Katleman Carole Sachs James & Judith Queenan Dr. Monica Penner & Dr. John Einck, M.D. Margaret Peninger Bernard J. Eggertsen & Community Foundation Dr. Gerald & Barbara Kent Jean Sargis & George Weaver, Kathleen & Al Steele Mr. Amnon Gires Dr. Joseph & In honor of Florence Nemkov Steve & Elizabeth Bluhm Edythe Kenton in memory of Margi Sargis Louise & Jack Strecker Gerry & Jeannie Ranglas Mrs. Beverly Fremont Cilfford T. Pentrack Marion Eggertsen Barbara Bolt Warren & Karen Kessler Jackie Schoell Karen Walker Robert & Doris Reed Judith & Dr. William Friedel Ellen Quigley & Ted Seay* Barbara & Dick Enberg Dr. Herman & Robert J. Kilian & Marilies Schoepflin, Ph.D. Helene & Allan Ziman Dr. Robert Reese Douglas Gillingham & C. Jay & Kathleen Rains Carol Spielman-Ewan & Irene Boschken Kathleen M. Slayton Dr. Myron & Doreen Schonbrun Anonymous (1) John & Josette Rekettye Dana Friehauf Dianne & Bruce Ramet Joel Ewan Bea & Bill Briggs J. Robert & Gladys H. King Robert & Lisa Shaw Michael Robertson & J. M. Gillman Stuart & Linda Robinson Anna & Tom Fay Dr. Stephanie Bulger Family Trust Ms. Lari Sheehan Platinum Dale Johnston Morris & Phyllis Gold Fund of the Thomas & Lezli Rogers Susanna & Michael Flaster Anita Busquets & Ken & Sheryl King Sherry & Charles Sheppard ($1,000 to $1,499) Joy Rottenstein Jewish Community Foundation Mr. & Mrs. Todd Ruth Elaine Galinson & Herb Solomon William Ladd Webster B. & Drs. Joseph & Howard E. Abrams Christine Rounsavell Fred & Lisa Goldberg Robert Schott Bill & Judy Garrett Dr. & Mrs. Edgar D. Canada Helen W. Kinnaird Gloria Shurman Arleene Antin & Crystal Rubin Bill Green & Tim Simmons Linda J. Seifert Norm Hapke & Debbie & Daniel Carnick Jack Kirkland Dee E. Silver, MD Leonard Ozerkis Dawn & Phil Rudolph Carol & Don* Green Tim & Luci Serlet Valerie Jacobs Hapke Edward & Pamela Carnot Jan Klauber & Jim Melli Alan & Esther Siman Sondra & Robert Berk Fund Frank Ruyak & Dean J. Haas Mr. Sherry Shriver Gordon & Phyllis Harris Cecilia Carrick & Stan Nadel Jane & Ray* Klofkorn Dolores & Rodney Smith of the Jewish Community Denise Graham Richard & Candace Haden Sandy & Stella Shvil Liz & Gary Helming Harry & Sandra Carter Curt & Nancy Koch Dave & Phyllis Snyder Foundation Ryan Family Charitable Robert Halleck & Dr. Hano & Charlotte Siegel Deni Jacobs George & Ellen Casey Bob & Laura Kyle Marisa SorBello & Sally & John Berry Foundation Della Janis Anne & Ronald Simon William Karatz Greg & Loretta Cass Dr. Morton & Peter V. Czipott Pat & Carol Bivens Ryde Family Memorial Jeff & Judy Handler Malcolm E. Smith Cindy & John Klinedinst Jan & Tom Ciaraffo Susan La Pittus Nancy & Alan Spector Doris & Wayne Christopher Foundation at The San Diana & Jim Hatfield Mr. William D. Smith & Regina Kurtz, in loving Garet & Wendy Clark Terry & Mary Lehr and Family Richard Clampitt & Diego Foundation Virginia Hawkins Dr. Carol Harter memory of Al Isenberg Ms. Heidi Conlan/ The Leist Family Ann & Robert Steck Rachel Hurst Sue & Haddon Salt Kaaren Henderson Norman & Judith Solomon Peter & Michelle Landin The Sahan Daywi Ronald & Ruth W. Leonardi Nancy Steinhart & Katharine Cline & Julie & Jay Sarno Jamie Henson & Bill & Barbara Sperling Peter Manes & Foundation James & Pamela Lester Rebecca Goodpasture Michael Lee Linda & Andrew Shelton Robert Houskeeper Don Stanziano & Yoko Sakaguchi Richard & Stephanie Coutts Paul Levin & Joanna Hirst Bob & Mike Stivers Ronald D. Culbertson Alfred & Susan Smith Gerald M. Hermanson & Michael Sikich Don & Judy McMorrow Susan B. Cowell Judith & Jack Lief Miriam & Gene Summ Dean & Mrs. The Corner Drafthouse Donna L. Buckner Ronald & Susan Styn Paul & Maggie Meyer Jane Cowgill Robin J. Lipman Karen & Don Tartre Michael H. Dessent Casey & Julie Tibbitts Catherine Herring & John & Margery Swanson Money/Arenz Gigi Cramer, in memory of Barbara & Mathew Loonin Tim & Judy Tillyer Marguerite Jackson Dill Urban Solace Mack Lewis Norm & Laura Swauger Foundation, Inc. Ed Cramer Kathleen & Ken Lundgren Brenda & Robert Tomaras Jacqueline & Stanley Drosch Sandy Wichelecki & Donald Hickey Clifford & Kay Sweet Judith Morgan Darlene G. Davies, in Jackie & Charlie Mann Greta & Stephen Treadgold James & Ann Marie Elliff Suzanne Dukes Stephanie & Carl Hurst John & Gail Tauscher The Musser Family memory of Lowell Davies Lois Marriott Suzanne Poet Turner & Richard & Beverly Fink Dennis & Carol Wilson Joseph & Donna Hynes Anne Taylor Bernard Paul & Maria Sardini Andrew M. DeCaminada Dr. Ted & Marcy Mazer Michael T. Turner Family Foundation Joseph & Mary Witztum Matt Jonelis Roger Thieme & Christopher & Angela Peto Jim & Sally Ditto Oliver McElroy & Susan & Larry Twomey Norman & Patricia Gillespie Kim & Dean Worra Dr. & Mrs. Clyde W. Jones Sylvia Steding John & Marcia Price Dieter & Susan Fischer/ Karen Delaurier Stan & Anita Ulrich Dr. & Mrs. Jerrold Glassman Howard & Christy Zatkin Janis Jones Doris Trauner, M.D. & Family Foundation Dieter’s Mercedes Service Elizabeth & Edward McIntyre Shirli Fabbri Weiss and Sons Geraldo & Scarrain Gomes Fund Anonymous (3) Pepe Kahn and Sons Richard Stanford Rivkin Family Fund I Mary & David Fitz Judi Menzel Stephen & Joy Weiss Edry Goot Wilfred Kearse & Jeffrey & Sheila Truesdell at The San Diego Jean & Sid Fox Elizabeth B. Meyer Judith A. Wenker Chris Graham & Gold Lynne Champagne Natalie C. Venezia & Foundation Samuel I. & John Henry Dr. Howard & Charitable Fund at The Michael Albo ($500 to $999) Carol Keppel Paul A. Sager Chrissy & Roger Roberts Fox Foundation Barbara Milstein San Diego Foundation Robert Heylmun Margaret & Tony Acampora The Kirkegaard Family The Ward Family Warren & Beverly Sanborn at Union Bank of California Charles & Ilene Mittman James E. & Kathryn A. Bruce & Jane Hopkins Mrs. Marilyn Adams Dr. Marvin M. Kripps Charitable Trust Pat & Jack Thomas Charles Freebern Akiko Charlene Morimoto & Whistler Fund Dr. & Mrs. Geoffrey Hueter B. J. Adelson Sherry & Rick Levin Drs. Christine White & Cherie Halladay Tirschwell Joy & Dr. Fred Frye Hubert Frank Hamilton, Jr. at The San Diego Isaacs Brothers Foundation George Amerault Marshall & Judy Lewis Fund Joseph Traube C. Anne Turhollow & Joyce Gattas Nancy & James Mullen Foundation at The San Diego Mrs. Cyla Andrus & of the Jewish Community Colleen & Dennis Williams Michael J. Perkins Teresa George Elspeth & Jim Myer AC & Dorothy Wood Foundation Mr. Darrell Mead Foundation Cass Witkowski Family Carol Vassiliadis Terrie Georgi Joyce Nash Tatiana Zunshine & Miles Grant Tony & Nancy Janus Lynell Antrim Eric & Lori Longstreet Brendan M. & Kaye I. Wynne Carol & Larry Veit Arthur Getis Lyn Nelson Anonymous (8) Kenneth & Marilyn Jones Hammed Ardalani & Charles & Robin Luby Chester Yamaga & Jean Samuels Geoffrey Wahl & Gilcrest Family: Andy, Karen, Arthur & Marilyn Neumann Dr. Mushrik Kaisey & Maha Hikmat Roberta Robledo Carl Maguire & Anonymous (7) Barbara Parker A.J., & Tommy Lawrence Newmark Diamond Louis & Mary Beth Kelly Earl Asbury Margaret Sheehan Chris & Pat Weil Wendy Gillespie Mark C. Niblack, MD ($1,500 to $2,499) Bill & Linda Kolb Katherine Austin Drs. Betty Joan Maly & *In memoriam Emma & Leo Zuckerman Robert Gleason & Susan C. Parker Jeff & Donna Applestein Stephen & Carolyn Locke Bruce & Patricia Becker John Meyers Marc Matys Mr. & Mrs. Thomas C. Mary Ann Beyster Loire Valley USA Judy & Larry Belinsky Mercy & Ron Mandelbaum This list is current as of Cathryn Golden Pastore Robert & Pamela Brooks Sally & Luis Maizel Amnon & Lee Ben-Yehuda July 7, 2017.

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Erna Finci Viterbi Artistic Director

Amy E. Allison...... Director of Administration PROPERTIES FINANCE Llewellyn Crain...... Director of Development David Buess...... Properties Director Cindy Hunt...... Senior Accountant Dave Henson...... Director of Marketing and Communications Kristin Steva Campbell...... Associate Properties Director Trish Guidi...... Accounts Payable/Accounting Assistant Mark Somers...... Director of Finance Rory Murphy...... Lead Craftsman Adam Latham...... Payroll Coordinator/Accounting Assistant Robert Drake...... Director of Production David Medina...... Properties Buyer Tim Cole...... Receptionist Freedome Bradley-Ballentine.... Director of Arts Engagement Jacob Sampson...... Prop Shop Foreman Ray Chambers...... Interim Director of Professional Training Andrew Recker...... Property Master, Globe DEVELOPMENT Richard Rossi...... Stage and Property Master, White Bridget Cantu Wear...... Associate Director, ARTISTIC Eszter Julian...... Property Master, Festival Strategic Partnerships Eric Keen-Louie, Kendell Northrop, Emily Small, Annamarie Maricle...... Associate Director, Justin Waldman...... Associate Artistic Directors Victoria Vitola...... Properties Artisans Institutional Grants Danielle Mages Amato...... Literary Manager/Dramaturg Kyle Melton...... Properties Carpenter Keely Tidrow...... Associate Director, Major Gifts Bernadette Hanson...... Artistic Associate Trish Rutter...... Properties Painter Eileen Prisby...... Events Director Ngozi Anyanwu, JC Lee, Justin Levine, Ken Ludwig, Matthew Richter...... Major Gifts Officer Mona Mansour, Laura Marks, Richard Nelson (with LIGHTING Robin Hatfield...... Individual Giving Manager Richard Pevear and Larissa Volokhonsky), Mike Sears, Shawna Cadence...... Lighting Director Matthew B. Williams...... Development Gill Sotu, Anna Ziegler...... Commissioned Artists Will Dean...... Assistant Lighting Director Communications Manager Maria Sofia Hernandez, Ryan Osborn...... Master Electrician, Globe Diane Addis...... Donor Services Administrator Caroline Lezny...... Artistic Interns Areta MacKelvie...... Master Electrician, White Rico Zamora...... VIP Services and Ticketing Coordinator Caren Dufour...... Development Assistant PRODUCTION Kevin Liddell...... Master Electrician, Festival Sarah Alexander, Jason Bieber...... Lighting Assistants Derek Floyd...... Grants Assistant Benjamin Thoron...... Production Manager Kevin Orlof, Robert Thoman.....Follow Spot Operators, Globe Shakura Davis, Stephen Jones...... Telefunding Specialists Leila Knox...... Associate Production Manager and Production Stage Manager Michelle Aguilar, Stephen Schmitz...... Follow Spot Operators, Festival DONOR SERVICES Debra Pratt Ballard...... Producing Associate Caroline Andrew, Alex Cluff, Jerry Crum, Jyothi Doughman, Anthony Hackett, Ron Cooling...... Company Manager Derek Lauer, Amber Montoya, Rachel Tibbetts, Jerilyn Hammerstrom, Helene Held, Barbara Lekes, Carol Donahue...... Production Coordinator Jessica Van Ess...... Electricians Richard Navarro, Stephanie Reed, Jennifer Watts...... Assistant Company Manager Laura Regal...... Suite Concierges SOUND TECHNICAL Paul Peterson...... Sound Director MARKETING Joe Powell...... Technical Director Jeremy Nelson...... Master Sound Technician, Globe Susan Chicoine...... Public Relations Director Wendy Berzansky...... Associate Technical Director Alex Heath...... Master Sound Technician, White Ed Hofmeister...... Associate Director of Marketing Brian McVicker, Lucas Skoug.....Assistant Technical Directors RJ Givens...... Master Sound Technician, Festival Alejandra Enciso-Dardashti, Eileen McCann...... Resident Design Assistant Brooke Rains...... Deck Audio, Globe Mike Hausberg...... Public Relations Associates Megan Tuschhoff...... Technical Assistant/Buyer Krystin Cline...... Deck Audio, Festival Chanel Cook...... Digital and Print Publications Designer Gillian Kelleher...... Master Carpenter Kevin Anthenill, Jason Chaney, Michael Cornforth, Carolann Malley...... Distribution Staff Jack Hernandez...... Master Carpenter, Festival Patrick Duffy, Jaclyn Skingel, Daniel Capiro...... Charge Carpenter, White Miranda Stone...... Sound Technicians SUBSCRIPTION SALES Chris Carignan, Curt Carlsteen, Chris Chauvet, Jason Scott Cooke...... Subscription Sales Manager Chohon, Carter Davis, Leonardo Gonzales, Benjamin ADMINISTRATION Nisha Catron, Arthur Faro, Janet Kavin, Gray, Anthony Guzman, Sloan Holly, Laura McEntyre, Alexandra Hisserich...... Management Associate Keith Langhorn, Pamela Malone, Yolanda Moore, Francisco Ramirez, Kurt Rautenberg, Mariah Ray, Carolyn Budd...... Assistant to the Artistic Director Philip Patterson, Ken Seper, Cassandra Shepard, Kurtis Weichers, Chris Zervas...... Carpenters Darlene Davies...... The Old Globe Historian Jerome Tullmann, Carole Payette...... Charge Scenic Artist Grant Walpole...... Subscription Sales Representatives Lead Scenic Artists W. Adam Bernard, Joan Newhouse...... INFORMATION TECHNOLOGY Jessica Amador, David Garcia, Jennifer Imbler, TICKET SERVICES Dean Yager...... Information Technology Director Nichol Richardson...... Painters Bob Coddington...... Ticket Services Director John Ralston...... Information Technology Assistant Manager Christian Thorsen...... Stage Carpenter/Flyman, Globe Marsi Bennion...... Ticket Operations Manager Brittany Summers...... Information Technology Assistant Valerie Philyaw, David Zane Whitmore...... Run Crew Cristal Salow...... Group Sales Manager Kathy Fineman, HUMAN RESOURCES COSTUMES Caryn Morgan...... Lead Ticket Services Representatives Sandy Parde...... Human Resources Director Stacy Sutton...... Costume Director Kari Archer, Bea Gonzalez, Lauryn Greschke, Manny Bejarano...... Human Resources Coordinator Charlotte Devaux...... Resident Design Associate Alejandro Gutierrez, Amanda King, Korrin Main, Lauren Mezta, Savannah Moore, Lisa Sanger-Greshko...... Assistant to the Director MAINTENANCE Evan Nyarady, Wesley Ohmstede, John Sweeney, Shelly Williams...... Design Assistant/Shopper Ramon Juarez...... Facilities Director Krista Wilford...... Ticket Services Representatives Katie Knox, Teri Tavares...... Design Assistants Mack Benjamin, Violanda Corona, Ismael Delgado, Erin Cass...... Draper Roberto Gonzalez, Bernardo Holloway, PATRON SERVICES Jacqueline Heimel, Marsha Kuligowski...... Tailors/Drapers Reyna Huerta, Johnny Kammerer, Jason McNabb, Mike Callaway...... Patron Services Director Su-Lin Chen, Wendy Miller...... Tailors Jose Morales, Victor Quiroz, Cynthia Ochoa, Laura Rodriguez, Mark Baiza, Anne Glidden Grace, Vielka Smith...... Building Staff Mary Taylor, Alondra Velez ...... House Managers Tracy Graham, Susan Sachs, Angela Montague Kanish...... Front of House Assistant Nicole Sukolics-Christianson...... Assistant Cutters PROFESSIONAL TRAINING Nic Hagan...... Food and Beverage Manager Mary Miller...... Tailoring/Construction Shana Wride...... Program Coordinator Jessica Molina, Deborah Montes, Stephanie Passera, Sonya Levin, Dana Linskill...... Stitchers/Assistant Cutters Brian Byrnes, Maria Carrera, Cynthia Caywood, Michelle Thorsen...... Pub Shift Supervisors Bonnie Clinnin, Cat Frazier, Nicola Grier, Ray Chambers, Gerhard Gessner, Jan Gist, Patrice Aguayo, Tyra Carter, Athena Dinunzio, Carissa Ohm, Nunzia Pecoraro, Scott Ripley, Fred Robinson, Richard Seer, Mina Morales, Jennifer Van Atta, Heather Premo...... Stitchers Abraham Stoll...... M.F.A. Faculty Katrina Zebrowski...... Pub Staff Kristin Womble...... Craft Supervisor/Dyer/Painter Scott Amiotte, Corey Johnston, Nate Parde, Linda Bahash, Barbara Behling, Haydee Ferrufino, Sharon Granieri, Kelly Koehn, Stephanie Parker, Nicole Ries, Robin Roberts...... M.F.A. Production Staff Stephanie Rakowski...... Gift Shop Supervisors Emily Wilson...... Craft Artisans Vicky Martinez...... Wig and Makeup Supervisor ARTS ENGAGEMENT SECURITY/PARKING SERVICES Assistant Wig and Makeup Supervisor Kim Parker...... Karen Ann Daniels...... Arts Engagement Programs Manager Edward Camarena...... Security Manager Wig Assistants Alberto Alvarado, Kimberly Eddo...... Melinda Cooper...... Arts Engagement Programs Coordinator Sherisa Eselin...... Security Officer Beverly Boyd...... Wardrobe Supervisor Lisel Gorell-Getz...... Master Teaching Artist Francisco Dukes, Jeff Howell, Joseph Lapira, Beth Merriman...... Wardrobe Crew Chief, Globe Reanne Acasio...... Interim Arts Engagement Coordinator Janet Larson, Eleuterio Ramos, Charlotte A. Sims, Ana Maldonado...... Wig Running Crew, Globe Jorge Rivas-Garibay...... Programs Assistant Carlos Valderrama, Guadalupe Velez...... Security Guards Terrie Cassidy, Sue Noll, Carolyn Agan, Gerardo Flores, Monique Gaffney, Thomas Weyrich...... VIP Parking Valet Noelle Souza...... Wardrobe Crew, Globe Katherine Harroff, Jason Heil, Kimberly King, Anna Campbell...... Wardrobe Crew Chief, White Erika Malone, Blake McCarty, Crystal Mercado, Jazmine Choi, Kelly Marie Collett-Sarmiento, Heather Pauley, Erika Beth Phillips, James Pillar, Carissa Ohm...... Wardrobe Crew, White Tara Ricasa, Christopher Salazar, Catherine Hanna Jack O’Brien...... Artistic Director Emeritus Schrock, Sharrif Simmons...... Teaching Artists Keriann Reyes...... Wig Running Crew, Festival Craig Noel...... Founding Director Alberto Alvarado, Anna Campbell, Lisa Chan, Becca Landon Baldwin...... Arts Engagement Intern Hawkins, Megan Stoll...... Wardrobe Crew, Festival Marie Jezbera...... Rental Agent

24 PERFORMANCES MAGAZINE