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Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/617237/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly PhD 2016 Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester Metropolitan University June 2016 Contents a. Abstract 1 b. Research question 3 c. Field 5 d. Aims and objectives 31 e. Literature review 33 f. Methodology 93 g. Practice 101 h. Further research 207 i. Contribution to knowledge 217 j. Conclusion 220 k. Index of practice conclusions 225 l. References 229 m. Bibliography 244 n. Research outputs 247 o. Appendix - published research 249 Tim Daly Speke (1987) Silver-gelatin prints in folio A. Abstract The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists’ books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. -
South African Artists at the Constitutional Court of South Africa
UNIVERSITY OF CALIFORNIA Los Angeles Decoding Memories: South African Artists at the Constitutional Court of South Africa A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African Studies by Mary Ann Braubach 2017 © Copyright by Mary Ann Braubach 2017 ABSTRACT OF THESIS Decoding Memories: South African Artists at the Constitutional Court of South Africa by Mary Ann Braubach Master of Arts in African Studies University of California, Los Angeles, 2017 Professor William H. Worger, Chair This paper examines the decoding of the memory of apartheid and post apartheid years of South Africa’s recent history. And it contextualizes how the struggle influenced the visual arts. Also analyzed are the history of the Constitution and Constitutional Court of South Africa. It interrogates the formation of the Constitutional Court art collection. by Justices Albie Sachs and Yvonne Mokgoro for the yet-to-be-constructed Constitutional Court building in Johannesburg. Many donated artworks are responsive both to the anti- apartheid struggles and also to the new democracy. The essay also examines the underlying politic that now hangs in the Constitutional Court building. Select works, that function as signifiers of the new Constitution, are examined. I draw on interviews with South African artists, Court Justices and curators to investigate the role of memory, the archeology of the site, and the significance of the collection to the artists, the Justices, and citizens of South Africans twenty years post apartheid. -
Global Photographies
Sissy Helff, Stefanie Michels (eds.) Global Photographies Image | Volume 76 Sissy Helff, Stefanie Michels (eds.) Global Photographies Memory – History – Archives An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3006-4. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2018 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover concept: Kordula Röckenhaus, Bielefeld Cover illustration: Sally Waterman, PastPresent No. 6, 2005, courtesy of the artist Proofread and typeset by Yagmur Karakis Printed by docupoint GmbH, Magdeburg Print-ISBN 978-3-8376-3006-0 PDF-ISBN -
Fashion Awards Preview
WWD A SUPPLEMENT TO WOMEN’S WEAR DAILY 2011 CFDA FASHION AWARDS PREVIEW 053111.CFDA.001.Cover.a;4.indd 1 5/23/11 12:47 PM marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG WWD Published by Fairchild Fashion Group, a division of Advance Magazine Publishers Inc., 750 Third Avenue, New York, NY 10017 EDITOR IN CHIEF ADVERTISING Edward Nardoza ASSOCIATE PUBLISHER, Melissa Mattiace ADVERTISING DIRECTOR, Pamela Firestone EXECUTIVE EDITOR, BEAUTY Pete Born PUBLISHER, BEAUTY INC, Alison Adler Matz EXECUTIVE EDITOR Bridget Foley SALES DEVELOPMENT DIRECTOR, Jennifer Marder EDITOR James Fallon ASSOCIATE PUBLISHER, INNERWEAR/LEGWEAR/TEXTILE, Joel Fertel MANAGING EDITOR Peter Sadera EXECUTIVE DIRECTOR, INTERNATIONAL FASHION, Matt Rice MANAGING EDITOR, FASHION/SPECIAL REPORTS Dianne M. -
Marek Kvetan (SK)
MAREK KVETAN born: 14.4.1976 Bratislava lives and works: in Bratislava e-mail: [email protected] www.kvetan.net EDUCATION: 1999 – 2001 - Academy of Fine Arts and Design, Bratislava, Slovakia Department of Painting, Prof. D. Fischer 1999 - Technical University Brno - Faculty of Fine Arts, Czech Republic Department of Multimedia-Performance-Video, Prof. Keiko Sei 1995 - 1999 - Academy of Fine Arts and Design, Bratislava, Slovakia Department of Sculpture, Intermedia Studio of Free Creativity, Prof. J. Bartusz 1990 - 1994 - Secondary School of Applied Arts, Kremnica, Slovakia GRANTS: 2005 - Foundation - Center for Contemporary Arts, Bratislava, Slovakia 2004 - Foundation - Center for Contemporary Arts, Bratislava, Slovakia - MKSR, Bratislava, Slovakia 2002 - Foundation - Center for Contemporary Arts, Bratislava, Slovakia 2001 - Jana & Milan Jelinek - stiftung, Baar, Switzerland - FVU – graduate scholarship, Bratislava, Slovakia 2000 - Soros Center for Contemporary Arts, Bratislava, Slovakia 1998 - Jana & Milan Jelinek - stiftung, Baar, Switzerland - Soros Center for Contemporary Arts - Slovakia, Bratislava, Slovakia 1997 - Soros Center for Contemporary Arts - Slovakia, Bratislava, Slovakia AWARDS: 2007 - finalist - Prize NG 333, National Gallery Prague, Czech Republic 2003 - Grand prix - Contemporary Slovak Graphic Triennial, State Gallery in Banská Bystrica, Slovakia 2000 - finalist - TONAL - Slovak Visual Arts Prize, Bratislava, Slovakia 1998 - finalist - Slovak Young Visual Art Prize, Bratislava, Slovakia ART RESIDENCE: 2007 - FUTURA, Karlin Studios, Prague, Czech Republik 2000 - The Headlends Center for the Arts in Sausalito, California, USA REPRESENTED IN THE COLLECTIONS: - Academy of Fine Arts and Design, Bratislava, Slovakia - National Gallery Prague, Czech Republic - State Gallery, Banská Bystrica, Slovakia - Siemens, Wien, Austria - CBK, Dordrecht, Netherlands - GMB City Gallery Bratislava, Bratislava, Slovakia SOLO EXHIBITIONS: 2007 - Marek Kvetan & Marko Blazo, Siemnes ArtLAB, Wien, Austria 2005 - Monosti automatickch opráv (eng. -
Steidl Frühjahr 2021
Steidl Frühjahr 2021 Inhaltsverzeichnis Liebe Kolleginnen und Kollegen im Buchhandel und in der Presse, 4 Sebastian Barry, Annie Dunne 8 Marmaduke Pickthall, Die Taube auf der Moschee. Unterwegs im Orient Josef Beuys sei sein »Privatprofessor« gewesen, hat Gerhard Steidl oft schon 12 Friedrich Dürrenmatt, Wege und Umwege. Das bildnerische Werk. Band 2 erzählt, von ihm habe er alles über Multiples gelernt, und das konsequent in 14 Günter Grass, Werke. Neue Göttinger Ausgabe in 24 Bänden der Buchproduktion umgesetzt. Zum 100. Geburtstag am 12. Mai 2021 feiern 16 Gerhard Steidl, Büchermachen mit Günter Grass wir Beuys mit acht Büchern, die uns den Ausnahmekünstler auf ungewöhnli- chen Wegen nahebringen, an seiner Honigpumpe, bei den Workshops seiner 18 Günter Grass, Der Kampf um die Polnische Post Freien Universität oder auf Reisen in Amerika. 20 Christoph Heubner, Durch die Knochen bis ins Herz 22 Alwin Meyer, Mama, ich höre dich. Mütter, Kinder und Geburten in Auschwitz Literarisch freuen wir uns in diesem Frühjahr auf Annie Dunne, Sebastian 24 Ronald Grätz und Maike Weißpflug (Hg.), NaturKultur Barrys zweiten Roman, in England 2002 veröffentlicht. Ein großartiges Stück Steidl Pocket Literatur ist nun endlich auch in deutscher Sprache zu entdecken: in sei- 28 Sebastian Barry, Ein verborgenes Leben ner stillen Schönheit genau das richtige Buch in schwierigen Zeiten. So wie 29 Alexander Pechmann, Sieben Lichter Marmaduke Pickthalls herrlicher Reisebericht Die Taube auf der Moschee vom 30 Charles Dantzig, Wozu lesen? Ende des 19. Jahrhunderts in Syrien und Palästina, denn dieses Buch ist nicht 31 Halldór Laxness, Am Gletscher nur rasant, humorvoll und beinahe märchenhaft, sondern auch ein Plädoyer 32 Bernt Engelmann, Die unfreiwilligen Reisen des Putti Eichelbaum für Toleranz und Unvoreingenommenheit. -
Paul &Bevansky Had an Efibiition Called Inn the Dark a Xdeo
Bruce Nanman will receive the third annual Werner Prize in Columbus, Ohio in May. The $50,000 prize honors an Paul &Bevansky had an efibiition called Inn the Dark A artist who is "consistently original, influential and chdleng- Xdeo BnshiP11aQion in Four Scenes, spread over the four hg to convention." Nauman was preceded by Peter Brook, weeks from 15 February through 15 March 1994 at the theater director, and John Cage, composer and his coi- Sculpture Center, New York City. laborator, the choreogapher, Merce Cunningbarn. Donald dudd, famed minimalist sculptor, died in David Buchan died on 5 January 1994. The whole artists' February at the age of 55. book comuIEityworBdwidehas lost a friend, a colleague and I5etrh-o &BPnscfni, modernist architect famed for the Pan a peerless worker, one who promoted passionately the alter- Am BuHdmg in New York and the Bank of America bugding native media of artists including bookworks, performance, in San Francisco, died in February at the age of 94. video, audio, and multiples, especially when he was working Kathesim Kolta, renowned writer on art and former at Art Metropole from 1975 - 1985. His own assumption of curator at the Art Institute of Chicago, died inJanuary at the various personae such as Lamonte del Monte whose sense age of 89. of style and costume were beyond comparison. David was a Ida Applebroa~ghas created 50 new orighd drawings for true friend of the editor and publisher of this newsletter-- the 150th anniversary of the first pubEcation of Charles someone who helped in times of need, whose generosity was Dickens' A Christmas Carol, published by Arion Press in always there when you needed information, support, San Francisco. -
Body As Crisis
CHAPTER II It is monstrosity, not death, that is the counter- value to life Georges Canguilhem, Monstrosity and the Monstrous … In the middle, cadaverous, awful, lay the grey puddle in the courtyard … I came to the puddle. I could not cross it. Identity failed me Virginia Woolf, The Waves Frida Kahlo and Cindy Sherman both present the wounded flesh. But while Kahlo showed chronic pain as a result of tissue damage, Sherman’s art can be read as a symptom of pain, a reflection of a mental state. While Kahlo painted perpetual pain accompanying her all her life, Sherman shows pain as a structural instability, the blurring of the boundaries of stereotyped femininity. Like her own artistic persona, pain in Sherman’s work is de-individualized; it might just as well be the pain of an author, a model, a character or a viewer. Abandoning any claim on notions such as authorship or intentionality, Sherman disowns – but does not disembody – pain. Pain in Sherman’s art changes the body in the same way that emotional crisis watermarks the identity. Sherman never shows her characters as what is widely understood as idealized figures. Her art forms the counterpart to the American cult of the well-functioning, toned-down body, where any memory of pain had been erased. Pain denied elsewhere here becomes pain transformed into monstrosity, nausea, pathology, hysteria, and disguise. Sherman’s photographs force the viewer to acknowledge the amount of pain constituting the female subject. I am interested in the discursive exchange between feminist and psychoanalytic theories and visual images where Sherman’s art is concerned. -
Photography Exhibition ‘This Place’ Will Be Presented by Tang Teaching Museum in Collaboration with Museums at Colgate, Hamilton and Ualbany
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College For Immediate Release Photography Exhibition ‘This Place’ will be presented by Tang Teaching Museum in collaboration with museums at Colgate, Hamilton and UAlbany The Tang to feature work by Wendy Ewald, Gilles Peress, Stephen Shore, Nick Waplington that explores Israel and the West Bank SARATOGA SPRINGS, N.Y. (December 12, 2017) — The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College is leading a four-campus exhibition of This Place, which features more than 600 images by twelve internationally acclaimed photographers who explore the personal and public spaces in Israel and the West Bank. Opening February 3 through April 22, 2018, the Tang’s presentation will feature work by four of the twelve photographers, who each took different approaches, highlighting how photography can illuminate multiple perspectives on a complex topic: Wendy Ewald, taught and photographed children and adults in fourteen communities in Israel and the West Bank in their homes and villages, collecting tens of thousands of digital images, a selection of which is on display at the Tang Museum; Gilles Peress photographed the Road of Patriarchs from Hebron to Jerusalem and the Palestinian village of Silwan in East Jerusalem, areas he considers to be fault lines in the Israeli-Palestinian conflict; Stephen Shore used a his 8 x 10 view camera and a digital camera to photograph landscapes and cityscapes, sacred places, street scenes, and community; and Nick Waplington created a photographic survey of Jewish settlements in the West Bank through both family portraits and images of the natural and built environment. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Mga. Lucia Nimcová, Laborecká 7, 066 01 Humenné, Slovakia
mga. lucia nimcová, laborecká 7, 066 01 humenné, slovakia [email protected] www.luco.sk tel: ++ 421 905 899 186 born: 11/11/1977, humenné grants & awards: 2004 mio photo awards - kasahara michiko prize, osaka, japan joop swart masterclass / world press photo, amsterdam, netherlands künstlerhaus schloss wiepersdorf, germany – residency winner, fujifilm euro press photo awards, national round, bratislava, slovakia 2003 institute for public affairs, bratislava, slovakia - photo survey on state of the slovak society kulturkontakt, wien, austria - artist in residence 2002 winner, who is who, lidové noviny & who is who agency, prague, czech republic education: 1996 - 2003 institute of creative photography, silesian university, opava, czech republic 1992 - 1996 secondary school for applied arts, košice, slovakia 1984 - 1992 primary school with enhanced ukrainian language classes, humenné, slovakia books 2003 slovensko 003 / slovakia 003, fotofo / ivo, bratislava, isbn: 80 85739-36-4 catalogues: 2004 instant europe, villa manin - centro d'arte contemporanea, codroipo 2004 pride, joop swart masterclass, stichting world press photo, amsterdam, issn: 1568-6809 2004 young photographers 2004, foundation of visual education, łodz 2004 mio photo award 2004, osaka 2003 private women, fotofo, bratislava 2002 czech and slovak photography of the 1980s and 1990s, muzeum umění, olomouc, isbn: 80-85227-50-9 solo exhibitions: 2004 "slovakia 003", slovak institute, prague, czech republic "slovakia 003", gallery fiducia, ostrava, czech republic 2003 "slovakia 003", -
Ken Light.Indd
news release Contact: Communications Department 212.857.0045 [email protected] Ken Light: Coal Hollow LARRY CLARK March 11 – June 5, 2005 On view from December 9, 2005 through February 26, 2006 FIRST AMERICAN RETROSPECTIVE OF THIS Media Preview INFLUENTIAL PHOTOGRAPHER AND FILMMAKER’S WORK December 8, 2005 TO BE SHOWN AT THE INTERNATIONAL CENTER OF PHOTOGRAPHY9:30 - 11am RSVP: [email protected] Media Preview: Thursday March 10, 2005, 9:30-11am 212.857.0045 RSVP: [email protected] or 212.857.0045 Ken Light Laura, forty-five years old, on laundry day, Crane Creek Hollow, West Virginia, 2002 Gelatin silver print The International ©Center Ken Light of Photography (ICP) will present the first American retrospective of the work of Larry Clark, one of the most important and influential American photographers of the Social documentary photographer Ken Light’s stark and moving black-and-white photographs will second half of the 20th century, from March 11 through June 5, 2005. The exhibition, Larry Clark, be on view at the International Center of Photography (1133 Avenue of the Americas at 43rd Street) will include the full spectrum of Clark’s work, spanning five decades and as many media. from December 9, 2005 through February 26, 2006. Ken Light: Coal Hollow is a collection of twenty photographs taken by the photographer over three years, from 1999 through 2002, which expose Beginning with his landmark book Tulsa (1971), Clark has produced an extraordinary range of the social consequences of the deterioration of the once booming coal mining business in West photographs and films.