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Bibliography Bibliography Abacha, Sani (1993), ‘General Abacha’s Speech After Resignation of Shonekan’, http://www.dawodu.com/abacha3.htm, accessed 15 August 2012. ——— (1996) http://www.dawodu.com/ibb3.htm, accessed 15 August 2012. Abimbola, Wande (2000) ‘Continuity and Change in the Verbal, Artistic, Ritualistic, and Performance Traditions of Ifa Divination’, Insight and Artistry in African Divination, ed. John Pemberton III (Washington, DC: Smithsonian Institution Press), pp. 175–81. Abiodun, Rowland (1994) ‘Understanding Yoruba Art and Aesthetics: The Concept of Ase’, African Arts 27.3. Abodunrin, Femi, Olu Obafemi, and Wole Ogundele (2001) Character Is Beauty: Redefi ning Yoruba Culture and Identity Iwalewa-Haus, 1981–1986 (Trenton, NJ: African World Press). Action Group (AG) (1957) NCNC: Their Black Record (Nigeria: Publisher Unknown). 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(1998) Yoruba Dance: The Semiotics of Movement and Body Attitude in a Nigerian Culture (Trenton, NJ: Africa World Press). ——— (2002) ‘Tess Onwueme: Who Can Silence Her Drums?’, African Theatre Women, eds Martin Banham, James Gibbs, and Femi Osofisan (Oxford: James Currey). Akintola, Akinbowale (1999) Yoruba Ethics and Metaphysics: Being Basic Philosophy Underlying the Ifá System of Thought of the Yoruba (Ibadan: Valour Ventures). Akiwowo, Akinsola (1980) Ajobi and Ajogbe: Variations on the Theme of Sociation (Ile-Ife: University of Ife Press). Apter, Andrew (1992) Black Critics and Kings: The Hermeneutics of Power in Yoruba Society (Chicago: University of Chicago Press). ——— (2013) ‘Yoruba Identity from Within’, Comparative Studies in Society and History 55.2, 356–87. Artaud, Antonin (2001) Artaud on Theatre, eds Claude Schumacher and Brian Singleton (London: Methuen Drama). Awolowo, Chief Obafemi (1960) Awo: The Autobiography of Chief Obafemi Awolowo (Cambridge: Cambridge University Press). 155 156 Bibliography Azikiwe, Nnamdi (1957) The Development of Political Parties in Nigeria (London: Office of the Commissioner in the United Kingdom for the Eastern Region of Nigeria). ——— (1962) Footprints on the Sands of Time (ABA: International Press). ——— (1970) My Odyssey (Westport: Praeger). Balme, Christopher (1999) Decolonizing the Stage: Theatrical Syncretism and Post- Colonial Drama (Oxford: Clarendon Press). Barba, Eugenio (2002) Negotiating Cultures (Manchester: Manchester University Press). Barber, Karin (1989) ‘Interpreting Oríkì as History and as Literature’, Discourse and Its Disguises: The Interpretation of African Oral Texts, eds Karin Barber and P.F. de Moraes Farias (Birmingham: Birmingham University African Studies Series), pp. 13–23. ——— (1991) I Could Speak Until Tomorrow: Oríkì, Women, and the Past in a Yoruba Town (Washington, DC: Smithsonian Institution Press). ——— (2003) The Generation of Plays. Yoruba Popular Life in Theater (Bloomington: Indiana University Press). Barber, Karin, and Bayo Ogundijo (1994) Yorùbá Popular Theatre: Three Plays by the Oyin Adejobi Company (New York: African Studies Association Press). Batra, Kanika (2007) ‘“Daughters who Know the Languages of Power”: Community, Sexuality, and Postcolonial Development in Tess Onwueme’s Tell It to Women’, Interventions: International Journal of Postcolonial Studies 9.1. Bello, Alhaji Sir Ahmadu (1962) My Life (Cambridge: Cambridge University Press). Bhabha, Homi K. (1994) ‘DissemiNation: Time, Narrative and the Margins of the Modern Nation’, Location of Culture (New York: Routledge). Bjorkman, Ingrid (1989) Mother Sing for Me!: People’s Theatre in Kenya (New York: Zed Books). Boon, Richard, and Jane Plastow (1998) Theatre Matters: Performance on the World Stage (Cambridge: Cambridge University Press). Bradley, Matthew Todd (2005) ‘“The Other”: Precursory African Conceptions of Democracy’, International Studies Review 7, 407–31. Brecht, Bertolt (1964) Brecht on Theatre: The Development of an Aesthetic, ed. and trans. John Willet (New York: Hill and Wang). Chabal, Patrick (1992) Power in Africa (New York: St Martin’s Press). Coker, ‘Niyi (2005) Ola Rotimi’s African Theatre: The Development of an Indigenous Aesthetic (Lewiston, NY: Studies in Theatre Arts). Cole, Catherine M. (2001) Ghana’s Concert Party Theatre (Bloomington: Indiana University Press). Doris, David T. (2005) ‘Symptoms and Strangeness in Yorùbá Anti-aesthetics’, African Art 38.4. Drewal, Margaret (1992) Yoruba Ritual: Performers, Play, Agency (Bloomington: Indiana University Press). Ebewo, Patrick J. (2005) ‘History and Dramatic Fiction: Rotimi’s Kurunmi and the Nineteenth Century Ijaye War’, Yoruba Creativity: Fiction, Language, Life and Songs, eds Toyin Falola and Ann Genova (Trenton, NJ: African World Press), pp. 113–32. Eboh, St Marie Pauline (2001) Dialogue, Democracy and Morality: President Obasanjo’s Moral Foundations for Our Polity and Other Nigerian Ethical Policies Revisited (Imo State, Nigeria: Springfield Publishers). Bibliography 157 Eghagha, Hope O. (2009) ‘A Wasted Breed and A Grasshopper’s Oríkì: Interrogating Ideological Concerns and Character Metastasis in Selected Plays of Femi Osofisan’, Emerging Perspectives on Femi Osofi san, eds Tunde Akinyemi and Toyin Falola (Trenton, NJ: African World Press). Ellis, A.B. (1894) The Yoruba-speaking Peoples of the Slave Coast of West Africa (Chicago: Benin Press). European Union (2007) ‘EU Election Observation Mission, Nigeria 2007: Final Report: Presidential, National Assembly, Gubernatorial and State House of Assembly Elections,’ http://ec.europa.eu/external_relations/human_rights/ eu_election_ass_observ/nigeria/report_final_annex_23-08-07_en.pdf, accessed 2 July 2008. Eze, Emmanuel (1993) ‘Truth and Ethics in African Thought’, Quest: Philosophical Discussions: An International African Journal of Philosophy 8.1. Falola, Toyin (2006) ‘The Yorùbá Nation’, Yorùbá Identity and Power Politics, eds Toyin Falola and Ann Genova (Rochester: Rochester University Press). Garuba, Harry (2006) ‘The Poetics of Possibility: A Study of Femi Osofisan’s The Chattering and the Song and Morountodun,’ Portraits for an Eagle, ed. Sola Adeyemi (Bayreuth, Germany: Bayreuth African Studies). Gbadegesin, Segun (2003) ‘Ènìyàn: The Yoruba Concept of a Person’, The African Philosophy Reader, eds P.H. Coetzee and A.P.J Roux, (New York: Routledge). Gbilekaa, Saint (1997) Radical Theatre in Nigeria (Ibadan: Calpot). Gilroy, Paul (1995) The Black Atlantic (Cambridge: Harvard University Press). Gowon, Yakubu (1967) Birth of a New Nigeria (Lagos: Ministry of Information). ——— (1970) Unity, Stability, and Progress (Lagos: Lagos Federal Ministry of Information). ——— (1971) Faith in Unity (Lagos: Lagos Federal Ministry of Information). Hallen, Barry (2000) The Good, the Bad, and the Beautiful: Discourse about Values in Yoruba Culture (Bloomington: Indiana University Press). Hallgren, Roland (1988) The Good Things in Life: A Study of the Traditional Religious Culture of the Yoruba People (Loberod: Plus Ultra). Harding, Frances (2002) The Performance Arts in Africa ( New York: Routledge). Harneit-Sievers, Axel, Jones O. Ahazuem, and Sydney Emezue (1997) A Social History of the Nigerian Civil War (Hamburg: Lit Verlag). Hodes, Robin (2004) Global Corruption Report (London: Transparency International). Hutchinson, Yvette (2001) ‘The Seductive Dance between History and Literature: The Moremi Legend by Historian Samuel Johnson and Playwrights Duro Ladipo and Femi Osofisan’ in History and Theatre in Africa (Bayreuth, Germany: Bayreuth African Studies). Jameson, Fredric (1981) Political Unconscious: Narrative as a Socially Symbolic Act (Ithaca: Cornell University Press). Jeyifo, Biodun (2004) Wole Soyinka: Politics, Poetics, and Postcolonialism (Cambridge: Cambridge University Press). Johnson, Samuel (reissue 2010) The History of the Yorubas: From the Earliest Times to the Beginning of the British Protectorate, ed. Obadiah Johnson (Cambridge: Cambridge University Press). Jones, Eldred (1973) Wole Soyinka (New York: Twayne Publishers). LaPin, Deirdre (1977) Story, Medium and Masque: The Idea and Art of Yorùbá Storytelling (unpublished dissertation). 158 Bibliography Lawal, Babatunde (1996) The Gëlëdê Spectacle: Art, Gender, and Social Harmony in an African Culture (Seattle: University of Washington Press). Lawuyi, O.B., and O. Taiwo (1990) ‘Towards an African Sociological Tradition: A Rejoinder to Akiwowo and Makinde’, International Sociology 5.1, 57–73. Lazarus, Neil (2011) The Postcolonial Unconscious (Cambridge: Cambridge University Press). Lehmann, Hans-Thies (2006) Postdramatic Theatre (New York: Routledge). Looser, Diana (2012) ‘Moving Islands: Mapping the Samoan Diaspora in Contemporary Transnational Theatre from the South Pacific’, Contemporary Theatre Review 22.4, 451–66 Makinde, M. Akin (1988) ‘Asuwada Principle:
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