FICTION Staff Picks Digital and Print Edition

Total Page:16

File Type:pdf, Size:1020Kb

FICTION Staff Picks Digital and Print Edition Readers’ Advisory Committee SEPTEMBER 2020 Staff Picks Digital and Print Edition Go to www.lib.de.us to find out how! FICTION PLAYING NICE BY JP DELANEY (PICKED BY BS) Pete Riley answers the door one morning and lets in a parent's worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete's son, Theo, isn't actually his son--he is the Lamberts', switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they've been raising for the past two years, life will never be the same again. The two families, reeling from the shock, take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents--or even each other? Stretched to the breaking point, Pete and Maddie discover they will each stop at nothing to keep their family safe. They are done playing nice. (420 pgs) LITTLE SECRETS BY JENNIFER HILLIER (PICKED BY SP) Married to her college sweetheart, Marin owns a chain of upscale hair salons, and Derek runs his own company. They're admired in their community and are a loving family. Up until the day Sebastian is taken. A year later, Marin is a shadow of herself. She and her husband rarely speak. The only thing keeping her going is the unlikely chance that one day Sebastian will reappear. She hires a P.I. to pick up where the police left off, but instead of finding him, she discovers that Derek is having an affair with Kenzie Li - an artist and grad student—Instagram famous—and up to her eyeballs in debt. She knows Derek is married. She also knows he's rich. He isn't her first rich boyfriend, but she's falling for him—and that was never part of the plan. Discovery of the affair sparks Marin back to life. She's lost her son; she's not about to lose her husband, too. But as she sets a plan in motion, another revelation surfaces. Derek's lover might know what happened to their son. And so might Derek. (352 pgs) THE BOOK OF LOST NAMES BY KRISTIN HARMEL (PICKED BY SLS) Eva Traube Abrams, a semi-retired librarian in Florida, is shelving books one morning when her eyes lock on a photograph in a magazine lying open nearby. It’s an image of a book she hasn’t seen in sixty-five years—The Book of Lost Names. The accompanying article discusses the looting of libraries by the Nazis across Europe during World War II—an experience Eva remembers well—and the search to reunite people with the texts taken from them so long ago. The book in the photograph appears to contain some sort of code, but researchers don’t know where it came from—or what the code means. Only Eva holds the answer. As a graduate student in 1942, Eva was forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town in the Free Zone, she begins forging identity documents for Jewish children fleeing to neutral Switzerland. Along with a forger named Rémy, Eva decides she must find a way to preserve the real names of the children who are too young to remember who they really are. The records they keep in The Book of Lost Names will become even more vital when the resistance cell they work for is betrayed and Rémy disappears. (400pgs) THE DARKLING HALLS OF IVY EDITED BY LAWRENCE BLOCK (PICKED BY SLH) In recent years, colleges and universities have become known for their “trigger warnings” and “safe spaces”—but as the 18 authors who penned stories for this powerful new anthology can tell you, there’s plenty of danger still lurking behind the solid stonework and thickets of ivy. Lawrence Block has assembled a Who’s Who of literary luminaries and turned them loose on the world of academia, where petty rivalries and grand betrayals inflame relations between professors and students, deans and donors. From Ian Rankin to Joe Lansdale, Seanan McGuire to David Morrell, each author reveals the dark truths and buried secrets that make institutions of higher learning such a hotbed of controversy. You’ll encounter plagiarism, sexual misconduct, and brutal competition—not to mention secret societies and cover-ups of murder. (328 pgs) New Castle County Libraries | Department of Community Services | Matthew Meyer , County Executive STAFF PICKS FICTION DAUGHTERS OF SMOKE AND FIRE BY AVA HOMA (PICKED BY SM) Set primarily in Iran, this debut novel weaves 50 years of modern Kurdish history through a story of a family facing oppression and injustices all too familiar to the Kurds. Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Her younger brother, Chia, influenced by their father’s past torture, imprisonment, and his deep-seated desire for justice, begins to engage with social and political affairs. But his activism grows increasingly risky and one day he disappears in Tehran. Seeking answers about her brother’s whereabouts, Leila fears the worst and begins a campaign to save him. But when she publishes Chia’s writings online, she finds herself in grave danger as well. Inspired by the life of Kurdish human rights activist Farzad Kamangar, Daughters of Smoke and Fire is an evocative portrait of the lives and stakes faced by 40 million stateless Kurds. (304 pgs) BRAVE GIRL, QUIET GIRL BY CATHERINE RYAN HYDE (PICKED BY SM) Brooke is a divorced single mom, financially strapped, living with her mother, and holding tight to the one thing that matters most: her two-year-old daughter, Etta. In a matter of seconds, Brooke’s life is shattered when she’s carjacked. Helpless and terrified, all Brooke can do is watch as Etta, still strapped in her seat, disappears into the Los Angeles night. Miles away, Etta is found by Molly, a homeless teen who is all too used to darkness. Thrown away by her parents, and with a future as stable as the wooden crate she calls home, Molly survives day to day by her wits. She’s stunned to find Etta, abandoned and alone. Shielding the little girl from more than the elements, Molly must put herself in harm’s way to protect a child as lost as she is. Out of one terrible moment, Brooke’s and Molly’s desperate paths converge and an unlikely friendship across generations and circumstances is formed. With it, Brooke and Molly will come to discover that what’s lost—and what’s found—can change in a heartbeat. (287 pgs) UNDERCOVER BROMANCE BY LYSSA KAY ADAMS (PICKED BY KT) Liv Papandreas has a dream job as a sous chef at Nashville’s hottest restaurant. Too bad the celebrity chef owner is less than charming behind kitchen doors. After she catches him harassing a young hostess, she confronts him and gets fired. Liv vows revenge, but she’ll need assistance to take on the powerful chef. Unfortunately, that means turning to Braden Mack. When Liv’s blackballed from the restaurant scene, the charismatic nightclub entrepreneur offers to help expose her ex-boss, but she is suspicious of his motives. He’ll need to call in reinforcements: the Bromance Book Club. Inspired by the romantic suspense novel they’re reading, the book club assists Liv in setting up a sting operation to take down the chef. But they’re just as eager to help Mack figure out the way to Liv’s heart... even though she’s determined to squelch the sparks between them before she gets burned. (352 pgs) DEATH IN HER HANDS BY OTESSA MOSHFEGH (PICKED BY TA) While on her daily walk with her dog in the woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with a frame of stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body". Our narrator is deeply shaken. She is new to the area, having moved here from her longtime home after the death of her husband, and she knows very few people. Her brooding about this note quickly grows into a full-blown obsession, and she begins exploring the possibilities of who this woman was and how she met her fate. Her suppositions begin to find echoes in the real world, and with mounting excitement and dread, the fog of mystery starts to form into a concrete and menacing shape. But strange dissonances start to accrue, and our faith in her grip on reality weakens, until finally, just as she seems to be facing some of the darkness in her own past with her late husband, we are forced to face the prospect that there is either a more innocent explanation for all this or a much more sinister one - one that strikes closer to home. (259 pgs) VANESSA YU’S MAGICAL PARIS TEA SHOP BY ROSELLE LIM (PICKED BY MG) Ever since she can remember, Vanessa has been able to see people's fortunes at the bottom of their teacups. To avoid blurting out their fortunes, she converts to coffee, but somehow fortunes escape and find a way to complicate her life and the ones of those around her.
Recommended publications
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself").
    [Show full text]
  • Sitcom Spec Script Survey
    Sitcom Spec Script Survey 1. How would you rank yourself in terms of your sitcom writing experience? Response Response Percent Count No experience 20.5% 30 Beginner - understand the basics, but are still fairly 55.5% 81 inexperienced Advanced - written several scripts, but have not yet made any money 21.2% 31 from writing Professional - been paid to write 2.7% 4 answered question 146 skipped question 1 2. How many sitcom spec scripts have you written within the last year? Please only count COMPLETED drafts. Response Response Percent Count 0 - 2 93.8% 136 3 - 5 6.2% 9 6 - 10 0.7% 1 More than 10 0.0% 0 answered question 145 skipped question 2 1 of 18 3. Please list the sitcoms that you've specced within the last year: Response Count 95 answered question 95 skipped question 52 4. How many sitcom spec scripts are you currently writing or plan to begin writing during 2011? Response Response Percent Count 0 - 2 64.5% 91 3 - 4 30.5% 43 5 - 6 5.0% 7 answered question 141 skipped question 6 5. Please list the sitcoms in which you are either currently speccing or plan to spec in 2011: Response Count 116 answered question 116 skipped question 31 2 of 18 6. List any sitcoms that you believe to be BAD shows to spec (i.e. over-specced, too old, no longevity, etc.): Response Count 93 answered question 93 skipped question 54 7. In your opinion, what show is the "hottest" sitcom to spec right now? Response Count 103 answered question 103 skipped question 44 8.
    [Show full text]
  • The Mcdonald's Case
    THE MCDONALD’S CASE: STRATEGIES FOR GROWTH Lintje Siehoyono Lecturer, Hotel Management Program Faculty of Economics Petra Christian University Email: [email protected] Le Hoang Giang Press officer in Canadian Consulate, entrepreneur, hospitality consultants in Ho Chi Minh City Email: [email protected] Abstract: This paper presents a case study of international franchising, focusing on fast-food sector. McDonald's is one of the world's premier entrepreneurial success stories. However, early in 2003, McDonald’s has announced a re-structure plan including cutting jobs, closing many restaurants and slowing down the expansion plan. What went wrong with McDonald’s and what can other international franchises learn from these mistakes are investigated. Result shows business environments, corporate level strategies, and operations are the key issues. Keywords: McDonald’s, international franchising, fast food. In a global scale, the fast-food industry is facing In United Kingdom, market research reveals that the some serious threats. First, the fast-food market has total number of meals eaten in the non-quick service reached the boiling point in most of the main market restaurant sector has risen while meals eaten in the such as United States, Germany, and United Quick Service Restaurant sector have fallen in total Kingdom. The war price of fast-food giants is a clear (The Times 100, 2003). In United States, the situation example of market saturation, for example, Wendy’s is quite similar. According to a new McKinsey study, chain has introduced a lowest ever price value meal: the fast-food industry will grow by only 1% a year 99p.
    [Show full text]
  • Clowning with Kids' Health – the Case for Ronald Mcdonald's
    Brought To You By: and its campaign Clowning With Kids’ Health THE CASE FOR RONALD MCDONALD’S RETIREMENT www.RetireRonald.org Table of Contents FOREWORD ....................................................................................... Page 1 INTRODUCTION ................................................................................. Page 2 RONALD MCDONALD: A RETROSPECTIVE .......................................... Page 4 Birth of a pioneer…in marketing to kids ................................................ Page 5 Clown at a crossroads ........................................................................ Page 6 Where’s RONALD? ........................................................................... Page 7 What did Americans find? .................................................................... Page 8 Clowning around schools .................................................................... Page 8 McSpelling and Teaching .................................................................... Page 10 The Ironic Ronald McJock .................................................................... Page 11 Providing his own brand of healthcare ................................................... Page 12 Taking to the tube .............................................................................. Page 13 The McWorld Wide Web ....................................................................... Page 14 PUTTING RONALD ON KIds’ BraINS, PAST PARENTS ......................... Page 15 The power of getting the brand in kids’ hands
    [Show full text]
  • “You're the Worst Gay Husband Ever!” Progress and Concession in Gay
    Title P “You’re the Worst Gay Husband ever!” Progress and Concession in Gay Sitcom Representation A thesis presented by Alex Assaf To The Department of Communications Studies at the University of Michigan in partial fulfillment of the requirements for the degree of Bachelor of Arts (Honors) April 2012 Advisors: Prof. Shazia Iftkhar Prof. Nicholas Valentino ii Copyright ©Alex Assaf 2012 All Rights Reserved iii Dedication This thesis is dedicated to my Nana who has always motivated me to pursue my interests, and has served as one of the most inspirational figures in my life both personally and academically. iv Acknowledgments First of all, I would like to thank my incredible advisors Professor Shazia Iftkhar and Professor Nicholas Valentino for reading numerous drafts and keeping me on track (or better yet avoiding a nervous breakdown) over the past eight months. Additionally, I’d like to thank my parents and my friends for putting up with my incessant mentioning of how much work I always had to do when writing this thesis. Their patience and understanding was tremendous and helped motivate me to continue on at times when I felt uninspired. And lastly, I’d like to thank my brother for always calling me back whenever I needed help eloquently naming all the concepts and patterns that I could only describe in my head. Having a trusted ally to bounce ideas off and to help better express my observations was invaluable. Thanks, bro! v Abstract This research analyzes the implicit and explicit messages viewers receive about the LGBT community in primetime sitcoms.
    [Show full text]
  • Research Report to Historic Preservation
    Tempe Historic Preservation Office BARNES (CONWAY) HOUSE Research Report Tempe Historic Property Register #45 HPO 2011.26 Tempe Historic Preservation Commission 6-402 HPC Neighborhood Meeting 08/11/2011 14A-4 HPC Public Hearing 09/08/2011 printed 08/15/2011 4:22 PM photo: Tempe HPO 2010 The Barnes (Conway) House, located at 1203 South Ash Avenue, has been nominated for historic designation and listing in the Tempe Historic Property Register by owners Matthew and Jacqueline Conway. The house is significant for its association with the Park Tract Subdivision, one of Tempe’s oldest surviving residential subdivisions, and for its association with the families of Florence D. Skeels, Arthur and Wanda Meredith, Alvah and Lora Oakley, and Michael and Dottie Barnes. Built in 1940, the house is in the upper ninety-ninth percentile (99.5%) of all Tempe properties in terms of age and provides an excellent example of Early Ranch-style residential architecture.1 BARNES (CONWAY) HOUSE - 1940 2 Tempe Historic Property Register #45 HPO 2011.26 RESEARCH Upon completion of a nomination for historic property designation, staff shall compile and transmit to the commission a report on the property. Property research prepared for the neighborhood meeting addresses location, condition, age, significance and integrity of historic features and other relevant information along with a staff recommendation with respect to commission action on the nomination. This information is subsequently condensed to produce summary reports for public hearings. Research in this preliminary report develops the significance of the property in the context of Residential Architecture in Tempe, Arizona, 1940, and other relevant historic contexts.2 LOCATION The historic 1940 Barnes (Conway) House is located at the southern extent of the original Townsite, in the 1924 Park Tract subdivision.
    [Show full text]
  • Mcdonald's and the Rise of a Children's Consumer Culture, 1955-1985
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1994 Small Fry, Big Spender: McDonald's and the Rise of a Children's Consumer Culture, 1955-1985 Kathleen D. Toerpe Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the History Commons Recommended Citation Toerpe, Kathleen D., "Small Fry, Big Spender: McDonald's and the Rise of a Children's Consumer Culture, 1955-1985" (1994). Dissertations. 3457. https://ecommons.luc.edu/luc_diss/3457 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1994 Kathleen D. Toerpe LOYOLA UNIVERSITY OF CHICAGO SMALL FRY, BIG SPENDER: MCDONALD'S AND THE RISE OF A CHILDREN'S CONSUMER CULTURE, 1955-1985 A DISSERTATION SUBMITTED IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY KATHLEEN D. TOERPE CHICAGO, ILLINOIS MAY, 1994 Copyright by Kathleen D. Toerpe, 1994 All rights reserved ) ACKNOWLEDGEMENTS I would like to thank McDonald's Corporation for permitting me research access to their archives, to an extent wider than originally anticipated. Particularly, I thank McDonald's Archivist, Helen Farrell, not only for sorting through the material with me, but also for her candid insight in discussing McDonald's past. My Director, Lew Erenberg, and my Committee members, Susan Hirsch and Pat Mooney-Melvin, have helped to shape the project from its inception and, throughout, have challenged me to hone my interpretation of McDonald's role in American culture.
    [Show full text]
  • Modern Family"
    Representation of Gender in "Modern Family" Vuković, Tamara Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:639538 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Tamara Vuković Representation of Gender in “Modern Family” Diplomski rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Representation of Gender in “Modern Family” Diplomski rad Student/ica: Mentor/ica: Tamara Vuković izv. prof. dr. sc. Senka Božić-Vrbančić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Tamara Vuković, ovime izjavljujem da je moj diplomski rad pod naslovom Representation of Gender in „Modern Family“ rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj
    [Show full text]
  • Modern Family Season 1X01 Page.1 - You Saw That, Right? Everybody Fawning Over Lily, and Then You - His Name Is Dylan
    Modern family - We're very different. Jay's from the city. He has a big business. I come from a small village, very poor but very, very beautiful. It's the 1X01 Pilot number-one village in all Colombia for all the... What's the word? - Murders. - Kids! Breakfast! Kids? Phil, would you get them? - Yes, the murders. - Yeah. Just a sec. - Manny, stop him! You can do it! - Kids! - Damn it, Manny! - That is so... - Come on, coach! You got to take that kid out! - Okay. - You want to take him out? How about I take you out? - Kids?! Get down here! - Honey, honey. - Why are you guys yelling at us when we're way upstairs? Just text - Why don't you worry about your son? He spend the first half with me. his hand in his pants! - That's not gonna happen. And you're not wearing that outfit. - I've wanted to tell her off for the last six weeks. I'm Josh. Ryan's dad. - What's wrong with it? - Hi. I'm Gloria Pritchett, Manny's mother. - Honey, do you have anything to say to your daughter about her - And this must be your dad. skirt? - Her dad? That's funny. Actually, no, I'm her husband. Don't be - Sorry. That looks really cute, sweetheart. fooled by the... Give me a second here. - It's way too short. People know you're a girl. You don't need to - Who's a good girl? Who's that? Who's that? prove it. - She's adorable! Hi, precious.
    [Show full text]
  • Modern Family
    Reference Data: Forster, D. (2013). Authentic English through Modern Family. In N. Sonda & A. Krause (Eds.), JALT2012 Authentic Conference Proceedings. Tokyo: JALT. The benefits of using television shows and films in the EFL classroom have been thoroughly researched English and documented, and they have proven to be an effective learning tool. Particularly in the Japanese EFL context, using a situation comedy motivates students because they enjoy seeing, hearing, and using the language they learn. This paper shows how the popular American sitcom Modern Family can enhance EFL instruction through its up-to-date cultural themes and stereotypes and through its lively use of lan- Through guage, especially slang and idiomatic expressions. The course summary, syllabus, lessons, and testing and evaluation information are provided. Modern 教室外での英語接触量が限られる日本人EFL学習者に、いかに「自然な会話」を教えるかは難しい問題である。そこで、授業 に自然な会話を取り入れる容易な方法として、テレビ番組の活用が挙げられる。テレビ番組の会話は、多くのEFL教科書にある ような「作られた」会話よりも優れた教材と言える。従来の研究においても、EFL授業におけるビデオ使用の効果が調査され、 その有効性が実証されてきた。特に、日本のEFL環境においては、見る、聞く、さらに学んだ表現を使うといった楽しみが得ら Family れるシチュエーション・コメディの活用は、学習者の意欲を高めることにつながる。本研究では、アメリカの人気シチュエーショ ン・コメディであるModern Familyを取り上げ、最新の文化的題材や語彙を扱いながら、いかにしてより良いEFL教育が行える かを論じる。コースの概要、シラバス、授業内容、試験、評価方法を提示する。 Douglas E. Forster Japan Women’s University OR THE past 5 years, I have been teaching a North American Studies seminar class at Japan Women’s University in Tokyo. The goal of the course is to increase students’ F knowledge and awareness of American culture and increase their vocabulary, particu- larly slang and idiomatic expressions. In the past, I have chosen Hollywood movies due to their popular appeal and their ability to reflect American culture and modern spoken English. Two years ago, I decided to use American situation comedies, such as Seinfeld, because they of- fer an interesting, and funny, array of characters, social situations, and slang and idioms.
    [Show full text]
  • FM Stations WRC-FM (93.9 Rnc.1-5:30 A.M
    Mcmtlay Radio Progretzras WMAL (ABC) WRC (NBC) 1 WOL (MBS) WTOP (CBS) 630 FM 107.3980 FM 931 1450 FM 88.1/SOO FM 96.3 6:00 Tempo; 6:00-9:0C Jim Gib- News on the hourAl Ross, 5:30 bons.News;6.Mark Evans, and V2 hour. BillLook Today 6:006:30, 7,7:30, 8,5:304;30; News Malone; 8, NewsNews 6:30, 7, 8 8:30, Rendell, 6. 7, 7:30, 7:45, 8 Around the *Comiztorl, Hur. Eddie Gallaher World leigh. 7:35-9. Breakfast Club News; Al Ross News; Hurleigh N's, Scott Sutton :15 Don McNeilAl Ross; News Jim Gibbons Eddie 9:00:30 Variety andMr. MUSIC News; McC'enIck Gallaher's :45Music Willard Scott Sensible Sounds Sundial 1 0:00 The Strongs News; Mr. News; Compton News; A. Godfry :15 Familv Fun MusicBill MaYhugh Time :30 Music Mr. MusicNews; GladstoneArthur Godfrey :45 Strands; News Mr. Music Sensible Sounds Time 11 12 Jerry & Jimma News News; McC'mick News; Whisper- Pori Tunes BertBill MaYhugh ing Streets :30 Family Fun Park'sNews; Costello Yng. Dr.. Malone :45 Strongs: News Bandstand Sensible SoundsRoad of Life :00 At Home News; Bry RashNews; Compton N's; peter-Mary :15 with theCapital Bill Mavhugh Backstage Wife .30 Strongs By-LinesNews: Warren Helen Trent .45 Music; NewsPatty CavIn Sensible SoundsOur Gal Sunday :00 At Home %v7th News: My News: Foster Nora Drake :15 the Strongs True StoryBill MaYhugh Ma Perkins :30 Family FunMY True News; Heatter Mark Evans 1:45 Music; News Story Sensible Sounds Show At Home with N's: D.
    [Show full text]