Msmu Film List

Total Page:16

File Type:pdf, Size:1020Kb

Msmu Film List Mount Saint Mary’s University, Los Angeles: Film, Television and Music Video Projects FEATURE FILMS: “A Mighty Wind” “Payback” “Alex and Emma” “Princess Diaries” “Burlesque” “Shop Girl” - Fundraising Party “Catch Me If You Can” - Restaurant & “Spanglish” Paris Hotel “Spiderman 3” “Death Becomes Her” “Spike Lee’s “Sucker Free City” “Gun Shy” “Song of the Lark” “High Anxiety” “The Glass House” “Inland Empire” “The Last Godfather” “Lucky Stiff” “The Notebook” “Master of Disguise” “The Three Amigos” “Monster-In-Law” “Winchell” TELEVISION SERIES: “90210” – the new version, Seasons 2 and “Modern Family” episode 420 3 as the high school exterior “Monk” Season Premiere “Agency” “Murder She Wrote” “Alias” “Nip/Tuck” Promo "American Crime Story: The People vs. “One Day She’ll Darken” episode 106 OJ Simpson", episode 105 “Party of Five” “Angel” “Providence” “Chuck” episode 502 “Recovery Road” Pilot “Crisis” Pilot “Revenge” episodes 209, 302 “Cold Case” - many episodes “Scandal” episodes 220, 221, 222, 313 “Face Off” episode 1305 “Shark” “Getting Married with Monique Lhuillier” “Sliders” “Gilmore Girls” "The Client List" episode 104 “Good Girl Revolt” episode 103 “The Good Place” episodes 201, 202 & “Greys Anatomy” episodes Pilot, 816, 820 203 “House”, episode 5004 “The Last Ship” episode 404 - Chalon “How to Get Away with Murder” “The Mentalist” episodes 109, 223 episodes 102, 106, 107, 202 (Chalon) & 515 “Huff” “The O.C.” – Seasons 1 – 4 “JAG” “The Profiler” “Last Week Tonight with John Oliver” - “The Protector”, Episode #104 "Class" Wax Presidents and Tom Hanks skit “Undercovers” episode 108 “Legion” episodes 301, 307, 308 “Veep” episode 706 “Lethal Weapon” episode 314 “What/If” episode 109 “Mad Men” MUSIC VIDEOS: Daft Punk “Instant Crush” Garth Brooks and Trisha Yearwood “In Another’s Eyes” Josh Kelley Music Video The Used “All That I’ve Got” Zane Hijazi “Met Gala” .
Recommended publications
  • Winter Edition VOLUME 6 ISSUE 3
    Mise en Scéne Winter Edition VOLUME 6 ISSUE 3 CSUEB Spellers take the stage in Inside this Issue "The 25th Annual Putnam County Spelling Bee" Director, Marc Jacobs, shares his thoughts on this musical comedy Upcoming Shows 2 My first encounter with "The 25th Annual Putnam County Spelling Bee" was with the Post Street Theatre in San Francisco, 10 years ago. This was the first Our Students 3 production after the original Broadway cast, and I had several friends in the show, which was cast locally. One of the cast members was James Monroe Checking In 4 Iglehart (CSUEB Graduate) who had been in previous musicals I had directed in San Jose. James has since gone on to win the Tony Award as the Genie in Disney’s Broadway production of "Aladdin." James was playing 'Comfort Guest Artists 5 Counselor' Mitch Mahoney in "Spelling Bee," and his performance was so perfect that the producers decided to model every subsequent 'Mitch' on James’ performance. Another friend in the show was Aaron Albano, who had Featured Faculty 7 started out as one of the teenagers in my production of The Music Man that I directed in San Jose, and has since gone on to appear on Broadway in The Wiz, Newsies, and currently in Allegiance. The San Francisco company of Information 9 "Spelling Bee" was so successful, that the producers ultimately used those actors to replace the Broadway company once the original actors were ready to leave the show. One of those original actors, Sarah Salzburg ‒ the original “Schwarzy” in ‘Spelling Bee - was the daughter of a good friend of mine.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Sometimes I Wonder… If My Family Was a Tv Show… What Would Be the Ratings, and What Would People See?
    Homily | Year A | Holy Family | 12/29/2019 Sometimes I wonder… if my family was a tv show… what would be the ratings, and what would people see? Most of the most memorable TV shows I’ve watched have all revolve around family dynamics. As a child I remember watching The Wonder Years , Family Matters , Full house and Home Improvement . Then in the Early 200’s it was Malcolm in the Middle , Everybody Loves Raymond , and most recently Parenthood , Modern Family and The Middle . Now, all these TV shows showcased very different families; different cultural backgrounds, different economic status, even different values than those of my own family experiences growing up as a Mexican-American; yet, somehow, they were all relatable. The same can be said about the many families we encounter in scripture; from the Old Testament families of Adam and Eve, Noah, Abraham, Lot, and Jacob… to the New Testament family stories like that of the prodigal son, Martha and Mary, Zachariah and Elizabeth, and the Holy Family… these are all families very different form our own, yet they are somehow still relatable. That is because family values, although they might be lived differently generation to generation, culture to culture, family to family; they all emerge from universal values that all people can relate to. These values are mutuality, respect, and service, and we encounter them in scripture today. We see these universal values in Old Testament Wisdom through the example of parent-child relationship. In the Jewish tradition, parents had a God- pg. 1 Homily | Year A | Holy Family | 12/29/2019 given responsibility over their children and vice versa, children once adults had a God-given responsibility over their parents, especially when the caretaker role was reversed… First parents had the responsibility to care, feed, clothe, and bathe their children… but there would come a time when the parent would grow old and frail and this responsibility would flip… the adult child would now have the responsibility to care, feed, clothe and bathe the aged parent.
    [Show full text]
  • 'Game of Thrones,' 'Fleabag' Take Top Emmy Honors on Night of Upsets
    14 TUESDAY, SEPTEMBER 24, 2019 Stars hit Emmy red carpet Jodie Maisie Comer Natasha Lyonne Williams Michelle Williams Naomi Watts Sophie Turner Kendall Jenner Vera Farmiga Julia Garner beats GoT stars to win ‘Game of Thrones,’ ‘Fleabag’ take top first Emmy Los Angeles Emmy honors on night of upsets ctress Julia Gar- Los Angeles Emmy for comedy writing. Aner beat “Game of “This is just getting ridiculous!,” Phoebe Waller-Bridge’s Thrones” stars, including edieval drama “Game Waller-Bridge said as she accept- ‘Fleabag’ wins big at Emmys Sophie Turner, Lena Head- of Thrones” closed ed the comedy series Emmy. Los Angeles ey, Maisie Williams, to win Mits run with a fourth “It’s really wonderful to know, her first Emmy in Support- Emmy award for best drama se- and reassuring, that a dirty, angry, ctress Phoebe Waller-Bridge won Lead ing Actress in a Drama Se- ries while British comedy “Flea- messed-up woman can make it Actress in a Comedy Series trophy at ries category at the 2019 bag” was the upset winner for to the Emmys,” Waller-Bridge Athe 71st Primetime Emmy Awards gala Emmy awards here. best comedy series on Sunday on added. here for her role in “Fleabag”, The first-time Emmy a night that rewarded newcom- Already the most- awarded which was also named as the nominee was in contention ers over old favorites. series in best comedy series. with Gwendoline Christie Billy Porter, the star of LGBTQ The Emmys are Hollywood’s Emmy “This is just getting ridicu- (“Game of Thrones”), Head- series “Pose,” won the best dra- top honors in television, and the history lous,” Waller-Bridge said as she ey (“Game of Thrones”), matic actor Emmy, while British night belonged to Phoebe Waller- with accepted the honour for best com- Fiona Shaw (“Killing newcomer Jodie Comer took the Bridge, the star and creator of 38 wins, edy series.
    [Show full text]
  • “I'm Rare As Affordable Health Care...Or Going to Wealth
    Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content.
    [Show full text]
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • 2018-December Staff Picks Brochure.Pub
    AUDIO BOOKS - FICTION DVD - TV SERIES The Highway - CJ Box - CD Box Atlanta - DVD Atlanta The Big Bang Theory - DVD BIG I’ll be Your Blue Sky - Marissa de los Santos - The Crimson Field - DVD Crimson CD de los Santos The Durrells in Corfu - DVD Durrells Boston Girl - Anita Diamant - CD DIAMANT The Good Place - DVD Good The Stockholm Octavo - Karen Engelmann-MP3 ENG The Handmaid’s Tale - DVD Handmaid’s All We Ever Wanted - Emily Giffin - CD Giffin Hell on Wheels - DVD Hell The Nightingale – Kristina Hannah - CD Hannah The Number 1 Ladies Detective Agency - DVD NO Paris in the Present Tense - Mark Helprin - CD HEL Outlander - DVD Outlander Piece of the World – Christina B Kline - CD Kline Shetland - DVD Shetland Little Fires Everywhere - Celeste Ng - CD Ng The Vicar of Dibley - DVD VIC The Pecan Man - Cassie D. Selleck - MP3 Selleck Westworld - DVD Westworld The Good Daughter - Karin Slaughter - CD SLA House of Names - Colm Toibin - CD Toibin DVD - FEATURE FILMS A Hundred Flowers - Gail Tsukiyama - CD TSU The Martian - Andy Weir - CD WEIR The 100 year old man who climbed out the window My Man Jeeves - P.G. Wodehouse - CD WOD & disappeared - DVD One AUDIO BOOKS - FICTION - Juvenile & YA Book Club - DVD Book The Burning Maze - Rick Riordan - JPL Riordan Call Me By Your Name - DVD Call The Diviners - Libba Bray - YCD Bray The FBI Story - DVD FBI Illuminae - Amie Kaufman - YCD Kaufman Fences - DVD Fences Get Out - DVD Get AUDIO BOOKS - NON-FICTION Gifted - DVD Gifted Good Morning, Vietnam - DVD Good The Greatest Showman - DVD Greatest Everything
    [Show full text]
  • Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself").
    [Show full text]
  • IT's NOT FUNNY AFTER ALL THEY EARNED THEIR WINGS This Issue
    ISSUE 3 S p r i n g This Issue 2 0 2 0 It’s Not Funny Afterall P.1 College Men & Residence Life P.2 You Earned Your Wings P.3 THEY EARNED Making the Grade Went Viral P.4 THEIR WINGS Blue Devil in Orange Tiger Country P.5 The following Differences Between Men and Women P.6 registered participants 5th Annual Dads Matter Too Conference P.7 of the Brotherhood Ropes to Courage P.8 Initiative earned a 3.0 In the Spotlight P.10 or better for the fall Bassett Update P.13 2019 semester (p. 3) Bassett Humanitarian Award Recipient P.14 Mr. Anas Alomari IT’S NOT FUNNY AFTER ALL and/or disparaging them for their gender Miss. Edith Anger by William Fothergill was accepted and seen as humorous. We all Miss. Tara Brooks Over the course of the COVID-19 pandemic, I laughed, and probably never really thought Mr. Cameron Clark had the opportunity to catch up on my about the power of the hidden message. We Mr. Eric Desmarais television viewing. I am not sure if this was a laughed when Edith Bunker (Jean Stapleton) good or bad thing, but it provided me with was called a “dingbat” by her tv husband Dr. Byron Dickens the opportunity to do what social scientist Archie on the sitcom All in the Family. We all Mr. Mahmoud Elassy loves to do – observe. It only took a few days laughed at Chrissy (Suzanne Somers), on the Mr. Joseph Gohar to remind myself about the biases that exist show Three is Company, when she was depicted as the embodiment of a “dumb in the media.
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Sitcom Spec Script Survey
    Sitcom Spec Script Survey 1. How would you rank yourself in terms of your sitcom writing experience? Response Response Percent Count No experience 20.5% 30 Beginner - understand the basics, but are still fairly 55.5% 81 inexperienced Advanced - written several scripts, but have not yet made any money 21.2% 31 from writing Professional - been paid to write 2.7% 4 answered question 146 skipped question 1 2. How many sitcom spec scripts have you written within the last year? Please only count COMPLETED drafts. Response Response Percent Count 0 - 2 93.8% 136 3 - 5 6.2% 9 6 - 10 0.7% 1 More than 10 0.0% 0 answered question 145 skipped question 2 1 of 18 3. Please list the sitcoms that you've specced within the last year: Response Count 95 answered question 95 skipped question 52 4. How many sitcom spec scripts are you currently writing or plan to begin writing during 2011? Response Response Percent Count 0 - 2 64.5% 91 3 - 4 30.5% 43 5 - 6 5.0% 7 answered question 141 skipped question 6 5. Please list the sitcoms in which you are either currently speccing or plan to spec in 2011: Response Count 116 answered question 116 skipped question 31 2 of 18 6. List any sitcoms that you believe to be BAD shows to spec (i.e. over-specced, too old, no longevity, etc.): Response Count 93 answered question 93 skipped question 54 7. In your opinion, what show is the "hottest" sitcom to spec right now? Response Count 103 answered question 103 skipped question 44 8.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]