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Steven Universe in College Curriculum
e Interdisciplinary Journal of Popular Culture and Pedagogy “I am a Conversation”: Media Literacy, Queer Pedagogy, and Steven Universe in College Curriculum Misty Thomas University of New Mexico Albuquerque, New Mexico, USA [email protected] ABSTRACT: The recent cartoon show on Cartoon Network Steven Universe allows for the blending of both queer theory and media literacies to create a pedagogical space for students to investigate and analyze not only queerness, but also normative and non-normative identities. This show creates characters as well as relationships that both break with and subvert what would be considered traditional masculine and feminine identities. Additionally, Steven Universe also creates a space where sexuality and transgender bodies are represented. This paper demonstrates both the presence of queerness within the show and the pedagogical implications for using this piece of media within a college classroom. Keywords: popular culture; Steven Universe; Queer Theory; media literacy; pedagogy Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 1 Thomas INTRODUCTION Media literacy pedagogy is expanding as new advances and theories are added each year along with recommendations on how these theories can work together. Two of these pedagogical theories are Media Literacies and Queer Pedagogy. This blended pedagogical approach is useful for not only courses in media studies, but also composition classes. Media literacies focus on the use of various forms of media to investigate the role media plays in the creation and reinforcement of identity. Due to this focus on identity representations, media literacy effectively combines with queer pedagogy, which investigates the concepts of normalization within the classroom. -
Queering the Gaze of Pop Music Videos Dr Cordelia Freeman School
Filming female desire: Queering the gaze of pop music videos Dr Cordelia Freeman School of Geography, University of Nottingham [email protected] orcid: 0000-0003-2723-8791 Funding details: none Disclosure statement: No financial interest or benefit has arisen from the direct applications of this research. Data availability statement: N/A Biographical note: Cordelia Freeman is an Assistant Professor in the School of Geography, University of Nottingham. Her research is broadly concerned with gender and sexuality and this has been predominantly through the biopolitical control of women’s bodies through reproductive healthcare restrictions in Latin America. Acknowledgements: I am enormously grateful for the useful comments provided by Rosie Harsant, Kevin Milburn, and Nick Stevenson. I would also like to thank the reviewers for their helpful guidance. Any errors, of course remain my own. 1 Filming female desire: Queering the gaze of pop music videos Abstract This paper examines the queer gaze within pop music videos. It contends that the contemporary US musician Hayley Kiyoko can be seen as a queer music video auteur who has transformed what the ‘gaze’ can mean in mainstream pop music through directing her own videos. The paper asserts that through her performance within and, arguably even more significantly, via her direction of videos, Kiyoko has produced a new and complex portrayal of how female sexual desire is represented even when, on the surface, it may not necessarily appear to disrupt normativity. Reaction videos made by Kiyoko’s fans have also queered the gaze whereby the ‘watcher’ becomes the ‘watched’. The paper concludes that online spaces and digital technologies are radically reshaping understandings of queer sexuality in music videos. -
Universidade Estadual Da Paraíba Campus Iii Centro De Humanidades Departamento De História Curso De História
UNIVERSIDADE ESTADUAL DA PARAÍBA CAMPUS III CENTRO DE HUMANIDADES DEPARTAMENTO DE HISTÓRIA CURSO DE HISTÓRIA ÔNISSON BATISTA BESERRA A REPRESENTATIVIDADE SEXUAL NO CARTOON “STEVEN UNIVERSE” GUARABIRA 2019 ÔNISSON BATISTA BESERRA A REPRESENTATIVIDADE SEXUAL NO CARTOON “STEVEN UNIVERSE” Trabalho de Conclusão de Curso (Artigo) apresentado à Coordenação do Curso de História da Universidade Estadual da Paraíba, como requisito parcial à obtenção do título de Licenciado em História. Área de concentração: Gênero. Orientador: Prof.ª Dr.ª Susel Oliveira de Rosa. GUARABIRA 2019 É expressamente proibido a comercialização deste documento, tanto na forma impressa como eletrônica. Sua reprodução total ou parcial é permitida exclusivamente para fins acadêmicos e científicos, desde que na reprodução figure a identificação do autor, título, instituição e ano do trabalho. B554r Beserra, Onisson Batista. A representatividade sexual no cartoon "Steven Universe" [manuscrito] / Onisson Batista Beserra. - 2019. 26 p. : il. colorido. Digitado. Trabalho de Conclusão de Curso (Graduação em História) - Universidade Estadual da Paraíba, Centro de Humanidades , 2019. "Orientação : Prof. Dr. Susel Oliveira de Rosa , Departamento de História - CEDUC." 1. Steven Universe. 2. Representatividade. 3. Sexualidade. I. Título 21. ed. CDD 305.21 Elaborada por Andreza N. F. Serafim - CRB - 15/661 BSC3/UEPB À minha mãe e meu pai, pela dedicação, companheirismo, amizade, amor e zelo, DEDICO. I learned compassion from being discriminated against. Everything bad that's ever happened to me has taught me compassion. Ellen DeGeneres Eu aprendi o que era compaixão por ser discriminada. Tudo de ruim que já me aconteceu ensinou- me sobre compaixão. (tradução nossa) LISTA DE ILUSTRAÇÕES Figura 1 – Sapphire beija Ruby.......................................................................... -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
Businesses Brace for Energy Cost Increases
newsJUNE 2011 We all influence the health of those around us, especially in the work place. As an employer, you have a tremendous effect on employee health by the examples you set and the health care plans you choose. As a Kentucky Chamber Businesses member, you’re connected to big savings on big benefits for your small business. Help employees get more involved in their health care with consumer-driven HSA, HRA and HIA plans, or choose from more traditional solutions. Either way, brace for you can build a complete benefits package – including preventive care and prescription coverage – with one-stop shopping convenience. energy cost Talk to your broker, call the Kentucky Chamber at 800-431-6833 or visit increases group.anthem.com/kcoc for more information. PAGE 1 Anthem Blue Cross and Blue Shield is the trade name of Anthem Health Plans of Kentucky, Inc. Life and Disability products underwritten by Anthem Life Insurance Company. Independent licensees of the Blue Cross and Blue Shield Association. ® ANTHEM is a registered trademark of Anthem Insurance Companies, Inc. The Blue Cross and Blue Shield names and symbols are registered marks of the Blue Cross and Blue Shield Association. 19075KYAENABS 1/11 JUNE 2011 Business Summit and Annual Meeting Businesses Morning Joe hosts brace for to share their views energy cost at Annual Meeting ONE OF CABLE television’s highest rated morning increases talk shows, MSNBC’s Morning Joe, is not just a NEW DATA from Kentucky’s regulated news source — it’s also been, at times, a newsmak- electric utility companies shows that the er. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Queer Utopia in Steven Universe Mandy Elizabeth Moore University of Florida, [email protected]
Research on Diversity in Youth Literature Volume 2 | Issue 1 Article 5 June 2019 Future Visions: Queer Utopia in Steven Universe Mandy Elizabeth Moore University of Florida, [email protected] Follow this and additional works at: http://sophia.stkate.edu/rdyl Recommended Citation Moore, Mandy Elizabeth (2019) "Future Visions: Queer Utopia in Steven Universe," Research on Diversity in Youth Literature: Vol. 2 : Iss. 1 , Article 5. Available at: http://sophia.stkate.edu/rdyl/vol2/iss1/5 This Article is brought to you for free and open access by SOPHIA. It has been accepted for inclusion in Research on Diversity in Youth Literature by an authorized editor of SOPHIA. For more information, please contact [email protected]. Moore: Future Visions: Queer Utopia in Steven Universe Since it premiered on Cartoon Network in 2013, Steven Universe has garnered both praise and criticism for its portrayal of queer characters and its flexible approach to gender. Created by Rebecca Sugar, a bisexual and nonbinary artist, the show tells the story of Steven, a half-human, half-alien teenager raised by a trio of alien parental figures called the Crystal Gems. Steven’s adventures range from helping his friends at the local donut shop to defending Earth from the colonizing forces of the Gem Homeworld. Across its five seasons, this series has celebrated many queer firsts for animated children’s content. In 2018, Steven Universe aired one of the first cartoon same-sex wedding scenes (“Reunited”), and in 2019, it became the first animated show to win a Gay and Lesbian Alliance Against Defamation (GLAAD) award, taking home the prize for Outstanding Kids and Family Programming. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
When Parody and Reality Collide: Examining the Effects of Colbert's
International Journal of Communication 7 (2013), 394–413 1932–8036/20130005 When Parody and Reality Collide: Examining the Effects of Colbert’s Super PAC Satire on Issue Knowledge and Policy Engagement Across Media Formats HEATHER LAMARRE University of Minnesota See the companion work to this article “Shifting the Conversation: Colbert’s Super PAC and the Measurement of Satirical Efficacy” by Amber Day in this Special Section Following the 2010 U.S. Supreme Court landmark decision on campaign finance (i.e., Citizens United v. Federal Election Commission), political comedian Stephen Colbert took to the airways with a new kind of entertainment-based political commentary; satirical political activism. Colbert’s creation of a super PAC garnered the attention of national media, providing him the opportunity to move his satire beyond the confines of his late- night comedy show (The Colbert Report). Transcending traditional boundaries of late- night political comedy, Colbert appeared in character on a variety of political talk shows. Meta-coverage of this collision between parody and reality begs the question: Do audiences who consume Colbert’s super PAC parody in different media contexts demonstrate significantly different effects? Using data from a Web-based experiment (N = 112), effects of consuming Colbert’s super PAC satire in different media contexts (political comedy show, political talk show) were compared. Results indicate that consuming Colbert’s super PAC parody in the context of his comedy show resulted in significantly higher levels of issue knowledge and support for campaign finance reform when compared with those who consumed Colbert’s super PAC parody in the context of a political talk show (Morning Joe). -
Lightspeed Magazine, Issue 122 (July 2020)
TABLE OF CONTENTS Issue 122, July 2020 FROM THE EDITOR Editorial: July 2020 SCIENCE FICTION Zen and the Art of an Android Beatdown, or Cecile Meets a Boxer: A Love Story Tochi Onyebuchi The End of the World Measured in Values of N Adam-Troy Castro The Blue Fairy’s Manifesto Annalee Newitz The Swallows of the Storm Ray Nayler FANTASY Baba Yaga and the Seven Hills Kristina Ten A Siege of Cranes Benjamin Rosenbaum Great Gerta and the Mermaid Mari Ness Rosamojo Kiini Ibura Salaam EXCERPTS The Sin in the Steel Ryan Van Loan NONFICTION Book Reviews: July 2020 Chris Kluwe Media Review: July 2020 LaShawn M. Wanak Interview: Alaya Dawn Johnson Christian A. Coleman AUTHOR SPOTLIGHTS Kristina Ten Adam-Troy Castro Mari Ness Ray Nayler MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Lightspeed Team Also Edited by John Joseph Adams © 2020 Lightspeed Magazine Cover by Galen Dara www.lightspeedmagazine.com Editorial: July 2020 John Joseph Adams | 247 words Welcome to Lightspeed’s 122nd issue! Our cover art this month is from Galen Dara, illustrating our first original fantasy short of the month: “Baba Yaga and the Seven Hills,” by Kristina Ten. Is there a place for a centuries- old Russian witch in San Francisco? You’d be surprised! Mari Ness takes us to Neverland in her piratical tale of “Great Gerta and the Mermaid.” Plus, we have fantasy reprints by Benjamin Rosenbaum (“A Siege of Cranes”) and Kiini Ibura Salaam (“Rosamojo”). During lockdown, it was hard not to think in terms of apocalypses. -
Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona
Text Matters: A Journal of Literature, Theory and Culture Number 10 Literature Goes Pop / Literar(t)y Article 13 Matters 11-24-2020 Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona Eduardo Viñuela University of Oviedo Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Part of the Feminist, Gender, and Sexuality Studies Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Viñuela, Eduardo. "Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona." Text Matters: A Journal of Literature, Theory and Culture, no.10, 2020, pp. 209-222, doi:10.18778/2083-2931.10.13 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Text Matters, Number 10, 2020 http://dx.doi.org/10.18778/2083-2931.10.13 Eduardo Viñuela University of Oviedo Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona A BSTR A CT This article analyzes how mainstream artists respond to the dynamics of online fan communities, developing complex metanarratives that interrelate their songs and music videos with their “personal” activity on social media. Audiences analyze in depth and discuss each release, contributing to its viralization on the internet. -
Ruth Marcus Experience The
RUTH MARCUS EXPERIENCE THE WASHINGTON POST 2016-Present: Deputy editorial page editor. Oversee oped pages and all signed opinion content. Review oped submissions, hire and manage columnists and bloggers, develop multi- platform content including video, chart strategic direction of opinion section and develop digital strategy. As member of editorial board attend editorial board meetings and help shape editorial positions. 2006-Present: Columnist. Write opinion column for oped page and, beginning in 2008, for syndicated newspaper clients, focusing on domestic politics and policy. Finalist, Pulitzer Prize for commentary, 2007. “The week” columnist of the year, 2008. 2003-2015: Editorial writer. Write editorials on domestic policy and politics, including budget and taxes, health care, money and politics. 1999-2003: Deputy National Editor. Oversee staff coverage of campaign finance and lobbying and national politics; direct coverage of 2000 recount. 1986-1999: National Staff Reporter covering White House, Supreme Court, Justice Department, national politics, money and politics. 1984-1987: Metro staff reporter covering local development and legal issues. Wrote weekly column on law and lawyers. Covered “Year of the Spy” espionage cases. EXTRACURRICULAR: 2017-Present: MSNBC/NBC news contributor. Appear several times weekly on MSBC shows, including Morning Joe, Andrea Mitchell Reports, Hardball, Last Word, Meet the Press and Meet the Press Daily. Previously: Regular guest on ABC’s “This Week,” CBS “Face the Nation,” CNN, Fox News Frequent guest and moderator on panels, including Atlantic Festival, Aspen Ideas Festival, New Yorker Festival, Brookings Institution. EDUCATION 1981-1984: Harvard Law School, magna cum laude, Harvard Law Review 1975-1979: Yale College, cum laude, with distinction in history Error! Bookmark not defined.