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Lo Ve, Ren Hang MAISON mep.paris EUROPÉENNE DE LA PHOTOGRAPHIE 06.03.2019 · 26.05.2019 LOVE, REN HANG LOVE, MEP · Dossier de Presse / Press Kit EXPOSITION · NIVEAU +2 DOSSIER DE PRESSE EXPOSITION Avec « LOVE, Ren Hang », première exposition majeure et institution- nelle consacrée au photographe Ren Hang, la MEP honore la mémoire de l’artiste chinois le plus influent de sa génération, tragiquement disparu à l’âge de 29 ans. Exposé dans de nombreuses galeries à pressif, l’expression d’un désir de liberté travers le monde, régulièrement publié dans de création, de fraicheur et d’insouciance. des magazines de mode tels que Purple et Sa vision, unique, est une référence évi- RH04 , Ren Hang laisse, après son suicide dente au « réalisme cynique » (mouvement Untitled Numero China, 2015 en 2017, une œuvre complète que l’exposi- artistique chinois né des événements de © Courtesy of Estate of Ren Hang and OstLicht Gallery tion « LOVE, REN HANG » aborde à travers Tian’anmen en 1989). tous les aspects de sa pratique artistique, de la photographie à la création de livres Immédiatement reconnaissable, l’œuvre et d’écrits auto-publiés. Présentées pour de l’artiste se compose essentiellement de la première fois au sein d’une institution portraits, de paysages et de nus. Ren Hang française - à Paris, une ville que l’artiste ai- travaille avec ses proches - ses amis et sa mait particulièrement - 150 photographies mère - ou avec de jeunes chinois sollicités sélectionnées par la MEP, au sein de collec- via internet ; il produit ses images emblé- tions d’Europe et de Chine, font prendre la matiques dans les espaces confinés de son mesure de ce corpus majeur. appartement ou dans la ville et les jardins. Si ses photographies semblent mettre en Avec audace, l’œuvre de Ren Hang ques- scène ses sujets, elles sont pourtant le fruit tionne la relation à l’identité et à la sexua- d’une démarche spontanée et instinctive. lité. Particulièrement influent auprès de Leur prise de vue, sur le vif, leur confère la jeunesse chinoise, son ton subversif légèreté, poésie et humour. déstabilisait d’autant plus l’environnement politique et moral de son pays. Son travail, Composée de grands et de petits ti- souvent censuré ou qualifié de pornogra- rages, l’exposition occupe tous les espaces phique - bien que Ren Hang affirmait qu’il du deuxième étage de la MEP. La scénogra- n’était pas destiné à défier l’establishment phie n’offre pas une lecture par série de politique - reste, vis à vis d’un contexte ré- l’artiste mais met d’avantage en regard ses MEP · Love, Ren Hang 3 DOSSIER DE PRESSE EXPOSITION · NIVEAU +2 différents univers. Avec une approche chro- coïncidence. S’ils n’ont jamais eu l’occasion matique, le visiteur traverse les différentes de se rencontrer, ils entretenaient cepen- constellations de son univers onirique : la dant une relation épistolaire. Ensemble, RH05 Untitled présence du rouge, les couleurs acidulées, leurs œuvres offrent une vision alternative China, 2015 une salle consacrée à sa mère, une autre, aux trajectoires croisées de la mode, de la © Courtesy of Estate of Ren Hang and OstLicht Gallery plus sombre, dédiée à des prises de vue performance, du texte et des approches les nocturnes. Une dernière salle rassemble un plus originales de l’image photographique. travail plus « osé » sur le corps, créant un lien, fort et organique, entre l’érotisme et la nature. À découvrir également au sein de l’ex- position, un aspect moins connu du travail de l’artiste, ses poèmes et écrits qu’il consi- gnait sur son site internet qu’il alimentait régulièrement. Ces textes étaient pour la plupart des méditations liées à son combat contre la dépression. « Si la vie est un abîme sans fond, lorsque je sauterai, la chute sans fin sera aussi une manière de voler » écri- vait-il. La présentation simultanée à La MEP de Ren Hang et Coco Capitán - qui ressen- tait d’ailleurs une grande affinité avec le travail de celui-ci - n’est pas une simple 4 Love, Ren Hang · MEP EXHIBITION · LEVEL +2 PRESS KIT EXHIBITION “LOVE, Ren Hang”, the first ever institutional exhibition in France of the work of the photographer Ren Hang, honours the memory of one of the most influential Chinese artists of his generation, who died tragically at the age of 29. Ren Hang’s work has been exhibited in freedom, freshness and impulsiveness. His many galleries around the world and regu- unique vision is clearly influenced by “cy- larly published in fashion magazines inclu- nical realism”, a Chinese artistic movement ding Purple and Numero. After his suicide rooted in the events that took place in Tia- RH03 Untitled in 2017, he left behind a wide-ranging body nanmen Square in 1989. China, 2015 of work that is presented in the exhibition © Courtesy of Estate of Ren Hang and OstLicht Gallery “LOVE, REN HANG”, which deals with all Ren Hang’s instantly recognisable aspects of his artistic practice, from pho- work is mainly composed of portraits and tography to books and self-published texts. landscapes often within the naked bodies Presented for the first time in a French of his male and female models. He worked institution - in Paris, a city he loved - 150 with people close to him - his friends and photographs selected by the MEP from Eu- his mother - and with young Chinese people ropean and Chinese collections allow us to he reached out to online. He produced his assess the scope of his outstanding corpus. emblematic images in the confined space of his apartment or in the outdoor spaces of Ren Hang’s audacious work explores the city. Although his photographs appear the relationship between identity and sexua- staged, they are the result of a spontaneous lity, and because it was produced in China, and instinctive process, and their candid- its subversive tone had an all the more des- ness imbues them with poetry and humour. tabilising effect. His work, which has often been censored or deemed pornographic by The exhibition occupies the se- the Chinese authorities - even though Ren cond-floor gallery of the MEP. The layout Hang often stated that it did not set out to does not present the artist’s work series challenge the political establishment - re- by series, but instead places the different mains, with respect to a repressive context, facets of his work side by side, as he did the expression of a yearning for creative during his lifetime. Adopting a partly chro- MEP · Love, Ren Hang 5 DOSSIER DE PRESSE EXPOSITION · NIVEAU +2 6 Love, Ren Hang · MEP EXHIBITION · LEVEL +2 PRESS KIT matic approach, it takes the visitor through they wrote to one another. The fact that their the artist’s worlds: in one area red predo- work is being presented simultaneously at minates, while elswhere other acid colours the MEP is thus no mere coincidence: to- prevail; one room is devoted to his mother, gether they provide an alternative view of while another, darker space presents his the intersecting trajectories of fashion, night photography. The last room features performance, text, and highly original ap- a selection of more “daring” works focusing proaches to the photographic image. on the body, creating a powerful, organic À GAUCHE RH02 connection between eroticism and nature. Untitled China, 2011 © Courtesy of Estate of Ren Hang and Blindspot The show is also a chance to discover Gallery a less well-known facet of Ren Hang’s art, namely the editorial and poetic works that EN BAS RH06 he produced in parallel with his photogra- Untitled phy. He posted his poems on a regularly © Courtesy of Estate of Ren Hang and OstLicht Gallery updated website (now defunct); most of them are presented in this exhibition. They are chiefly meditations on his struggle with depression. “If life is a bottomless chasm, when I jump the endless fall will also be a way of flying”, he wrote. There is a strong connection between the works of Ren Hang and those of Coco Capitán, who felt a powerful kinship with the Chinese artist. Although they never met, MEP · Love, Ren Hang 7 DOSSIER DE PRESSE EXPOSITION · NIVEAU +2 BIOGRAPHIE EXPOSITIONS PERSONNELLES 2017 “Human Love”, Fotografiska, Stockholm, Suède “Naked/Nude”, Foam Fotografiemuseum, Amsterdam, Pays-Bas 2016 “What We Do is Secret”, MAMA Gallery, Los Angeles, USA “Athens Love”, Klein Sun Gallery, New York, USA “白日昇天”, Modernsky Lab, Beijing, Chine 2015 “NEW LOVE”, matchbaco Gallery, Tokyo, Japon “Ren Hang - Morphology”, HDM Gallery, Hangzhou, Chine “Occupy Atopos # Ren Hang”, Atopos cvc, Athènes, Grèce “Ren Hang”, Atelier 72 Gallery, Marseille, France “In Presence of REN HANG”, Stieglitz 19 Gallery, Anvers, Belgique “Ren Hang: 野生”, OstLicht. Galerie für Fotografie, Vienne, Autriche “Ren Hang 2014”, Capricious 88 Gallery, New York, USA “My Mum/ My Father”, Blindspot Gallery, Hong Kong 2014 “Hide”, Soy Sauce Factory, Bangkok, Thaïlande “REN HANG”, Nicolas Hugo Gallery, Paris, France “Anatomy of the Image 104”, Galerie 104 Kléber, Paris, France “Physical Borderline”, Three Shadows +3 Gallery, Beijing, Chine “In Addition to Sleep”, Copenhagen Photo Festival, KONTOR projects, Copenhague, Dane- mark “In Addition to Sleep”, Galleri Vasli Souza, Malmö, Suède “La Chine a NUE”, NUE Galerie, Paris, France 2013 “Pulse”, Galerie Jane Zhang, Francfort, Allemagne 2011 “Stillbirth: Ren Hang’s Photography Salon”, Yugong Yishan Live House, Beijing, Chine “Allergy”, Kubrick, Beijing, Chine 2010 “INTERCOURSE WITH BEIJING”, Yugong Yishan Live House, Beijing, Chine “Eat Naked Lunch!”, YuYinTang Live House, Shanghai, Chine 8 Love, Ren Hang · MEP EXPOSITION · NIVEAU +2 DOSSIER DE PRESSE EXPOSITIONS COLLECTIVES (SÉLECTION) 2017
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