DOCSLIB.ORG

Michael Tilson Thomas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Michael Tilson Thomas Sunday 20 May 2018 7–8.30pm Barbican Hall LSO SEASON CONCERT MICHAEL TILSON THOMAS Beethoven Missa Solemnis MISSA No interval Michael Tilson Thomas conductor Camilla Tilling soprano Sasha Cooke mezzo-soprano Toby Spence tenor Luca Pisaroni bass-baritone London Symphony Chorus Simon Halsey chorus director Gavin Carr guest chorus director SOLEMNIS London Symphony Orchestra Recorded for broadcast on Wednesday 23 May by BBC Radio 3 Welcome LSO News Online and Luca Pisaroni and Sasha Cooke, both ‘THIS IS RATTLE’ WINS RPS AWARD LIVE STREAMS making their LSO debuts this evening. The LSO has been awarded the Royal Our concert on Sunday 24 June 2018 will Many thanks to our media partners, Philharmonic Society’s Music Award in the be streamed live for free on Medici.tv, as the BBC Radio 3, who are recording this Concert Series and Festivals category for LSO’s Principal Guest Conductor Gianandrea performance for broadcast on September’s ‘This is Rattle’ celebrations – Noseda conducts Shostakovich's Symphony Wednesday 23 May. ten days of concerts, films, exhibitions, No 10 live from the Barbican Hall. It will and performances by our community and also be broadcast live on the LSO’s YouTube I hope you enjoy the concert and that you education groups, to welcome Sir Simon channel: youtube.com/lso can join us again soon. We explore more Rattle as Music Director of the LSO. Visit Beethoven at our penultimate concert of royalphilharmonicsociety.org.uk to find A warm welcome to tonight’s LSO concert the season on Sunday 3 June as Yefim out more and view the full list of winners. PANUFNIK COMMISSIONS ANNOUNCED at the Barbican. This evening we are Bronfman performs Beethoven’s Third delighted to be joined by Michael Tilson Piano Concerto, conducted by Principal Every year since 2009, the LSO Panufnik Thomas, the LSO’s Conductor Laureate, Guest Conductor Gianandrea Noseda, BMW CLASSICS IN TRAFALGAR SQUARE Composers Scheme has commissioned two for the second of two concerts at the alongside Ravel’s Rhapsodie espagnole of its six participating composers to create Barbican this season. and Mussorgsky’s Pictures at an Exhibition. The LSO and Sir Simon Rattle will perform short works for performance in the LSO’s a free open-air concert in Trafalgar Square on main Barbican season. We are delighted to Following an all-Sibelius programme earlier Sunday 1 July, alongside 50 young musicians announce that James Hoyle and Sophya in the week, we now join forces with the from the LSO On Track programme and Polevaya receive five- and ten-minute London Symphony Chorus for the majestic musicians from the Guildhall School. commissions respectively. Their pieces will creation to which Beethoven dedicated four The concert is free, no ticket required; be performed in the LSO’s 2019/20 season. years of his life – the Missa Solemnis. This Kathryn McDowell CBE DL visit lso.co.uk/bmwclassics for details. Visit lso.co.uk/news for more information. is a work with which MTT has a great affinity Managing Director and has conducted many times over the course of his career. WELCOME TO TONIGHT’S GROUPS We are also pleased to welcome an We are delighted to welcome: Read our news, watch videos and more impressive cast of soloists: familiar faces Wheaton College, Adele Friedland & Friends, • lso.co.uk/news Camilla Tilling and Toby Spence, who join us BYU London Centre, The Grand Tour, and • youtube.com/lso once more following performances with the the Gerrards Cross Community Association. • lso.co.uk/blog LSO at the Barbican in recent seasons; 2 Welcome 20 May 2018 Tonight’s Concert / by Lindsay Kemp Coming Up Missa Solemnis is a Mass written That’s a lot for one well-worn liturgical Sunday 3 June 2018 7pm Thursday 5 July 2018 7.30pm for a ceremonial occasion, and text to address, but Beethoven here proves Barbican Hall Barbican Hall Beethoven had one in mind himself the composer who above all can be when he began work on the second of his counted on to rise to the task. PICTURES AT AN EXHIBITION LSO ON TRACK AT 10 two settings of the Mass, intended for the enthronement of his friend Archduke Ravel Rhapsodie espagnole John Adams Short Ride in a Fast Machine Rudolph as Archbishop of Olmütz. PROGRAMME NOTE WRITERS Beethoven Piano Concerto No 3 Kirsty Devaney Urban Nature (world premiere) It soon got too big for that, however, Mussorgsky arr Ravel Beethoven Finale from Symphony No 7 and was not completed in time, but in the Lindsay Kemp is a senior producer for Pictures at an Exhibition Márquez Danzón No 2 end became a huge concert Mass with a BBC Radio 3, including programming James Moriarty Beat Goes On (world premiere) relevance and message that reached far Lunchtime Concerts from LSO St Luke’s, Gianandrea Noseda conductor Howard Moody beyond one day in 1820. Beethoven ended Artistic Director of the Baroque at the Edge Yefim Bronfman piano Chaconne for Sydney Moxon (world premiere) up taking four years to write it, and came festival, and a regular contributor to see it as perhaps his greatest creation, to Gramophone magazine. Recommended by Classic FM Elim Chan conductor a worthy descendant of the great choral Howard Moody conductor works of Handel and Haydn. Andrew Stewart is a freelance music Rachel Leach presenter journalist and writer. He is the author Sunday 24 June 2018 7pm LSO On Track Young Musicians Yet this is more than just a giant statement of The LSO at 90, and contributes to Barbican Hall East London Secondary School of technique; it is a masterpiece in which a wide variety of specialist classical young musicians Beethoven examined those areas of faith music publications. NOSEDA'S SHOSTAKOVICH Guildhall School Musicians that mattered to him most, producing (in the words of tonight’s conductor) a ‘spiritual Shostakovich Violin Concerto No 1 Recommended by Classic FM guidebook’ in which, ‘as in a cathedral, Shostakovich Symphony No 10 different chapels are dedicated to different Elim Chan's appearance with the LSO spiritual territories. Some are majestic, Gianandrea Noseda conductor is generously supported by Reignwood some intimate, some symphonic or even Nicola Benedetti violin operatic.’ Not only that; Michael Tilson LSO On Track is a partnership between the LSO and Barking & Dagenham Community Music Service; Bird College; Thomas also maintains that Beethoven Generously supported by Reignwood Royal Greenwich Music Hub; Hackney Music Service; found in it an opportunity ‘to explore and Havering Music School; Lewisham Music Service; Newham reflect on the nature of time itself, on the Music; Redbridge Music Service; Tower Hamlets Arts and contrast between the fleeting time of Music Education Service; and Waltham Forest Music Service. human life and the vastness of divine time’. Tonight’s Concert 3 Ludwig van Beethoven Missa Solemnis Op 123 1819–23 / note by Lindsay Kemp 1 Kyrie The first, composed in 1807, was a of Olmütz in Moravia (now Olomouc in the took a further three years to finish it, 2 Gloria commission from Prince Nikolaus Esterházy II Czech Republic). The inspiration was thus during which time he not only worked on 3 Credo for a work to continue the series of new a personal as well as religious one, and there completing the symphony and the variations, 4 Sanctus Masses that annually celebrated the name- are signs that the composer was genuinely but also composed the not insubstantial 5 Agnus Dei day of the Prince’s wife, a task that had excited by the thought of producing a Mass music of the last three piano sonatas. been carried out on six previous occasions on a scale worthy of a great cathedral space. The first complete performance took place e think of Beethoven so much by Haydn, with joyous results. ‘The day in which a High Mass composed by in April 1824 in St Petersburg, organised by as an artist with a rare ability Beethoven’s Russian patron Prince Nikolai to celebrate the strength and — Galitzin, but although three movements nobility of the human spirit that it is easy ‘The day in which a High Mass composed by me will be performed from it were heard a month later in a concert to forget he was a religious man. Raised in in Vienna at which the main attraction was an atmosphere of Enlightenment-influenced, during the ceremonies solemnised for Your Imperial Highness will the premiere of the Ninth Symphony, it was tolerant Catholicism, he was a firm believer, be the most glorious day of my life.’ never performed complete in that city while though one with little time for organised — Beethoven was alive. religious observance. For Beethoven, the Creator was the omnipotent but benevolent Ludwig van Beethoven, writing to Archduke Rudolph If this protracted genesis suggests that figure described in Schiller’s words in the Beethoven’s interest in the Missa Solemnis finale of the Ninth Symphony – ‘above the Beethoven’s surprisingly restrained effort me will be performed during the ceremonies meandered once the initial impulse had canopy of the stars there must dwell a dear was not liked (‘but my dear Beethoven, what solemnised for Your Imperial Highness will passed, that is certainly not borne out by Father’ – and when he prayed to this God it is this you have done now?’ was the Prince’s be the most glorious day of my life’, he wrote the music. This is a work on a monumental was on a one-to-one basis, with no need for recorded response), and indeed the Mass in to Rudolph in June 1819, two months after scale, even for a composer who had already the intermediary of the church.
Load more

Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • For Release: Tk, 2013
    FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014.
    [Show full text]
  • What Is Conductorcise® ?
    WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones.
    [Show full text]
  • Gustavo Dudamel 2020/21 Season (Long Biography)
    GUSTAVO DUDAMEL 2020/21 SEASON (LONG BIOGRAPHY) Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the world and has helped to provide access to the arts for countless people in underserved communities. As the Music & Artistic Director of the Los Angeles Philharmonic, now in his twelfth season, Dudamel’s bold programming and expansive vision led The ​ New York Times to herald the LA Phil as “the most important orchestra in America – period.” ​ With the COVID-19 global pandemic shutting down the majority of live performances, Dudamel has committed even more time and energy to his mission of bringing music to young people across the globe, firm in his belief that the arts play an essential role in creating a more just, peaceful, and integrated society. While quarantining in Los Angeles, he hosted a new radio program from his living room entitled “At Home with Gustavo,” sharing personal stories and musical selections as a way to bring people together during a time of isolation. The program was broadcast locally as well as internationally in both English and Spanish, with guest co-hosts including, among others, composer John Williams, his wife, actress María Valverde. Dudamel also participated in Global Citizen’s Global Goal: Unite For Our Future TV fundraising special, giving a ​ ​ socially-distanced performance from the Hollywood Bowl with the LA Phil and YOLA (Youth Orchestra Los Angeles).
    [Show full text]
  • Ts 2017 BOCAMAG.COM FESTIVAL of the OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including
    The Pink Panther Returns to azine A ag sso a M ci id at r io lo n F Cheap Eats 2017 BOCAMAG.COM FESTIVAL OF THE OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including... MARKETS Sergio Mendes Sarah Chang PLUS: Branford Marsalis RISING Jon Meacham and many more STARS OF BOCA THE PINK PANTHER and The Pink Panther character(s) are trademarks of Metro-Goldwyn-Mayer Studios Inc. © 2017 MGM. All Rights Reserved. Festival of the BOCA 131 2017 OFFICIALArts PROGRAM Festival of the BOCA This year’s celebration of the arts features performances by classical musicians, observations from popular authors and a special appearance Artsby the bumbling Inspector Clouseau. A 10-day celebration of music and literature. March 2-12, 2017 Sarah Chang February 2017 • • • • bocamag.com 132 Festival of the BOCA 2017 OFFICIALArts PROGRAM Performing Artists The Pink Panther Festival of the Arts BOCA will present the world premiere of the 1963 hit comedy, “The Pink Panther” with live orchestra, with the Henry Mancini Institute Orchestra performing Mancini’s Grammy-winning score. “The Pink Panther” and its famous saxophone theme music have become cross-generational American icons, spawn- ing a series of animated films that are instantly recognized by people young and old. Relive the original classic featuring David Niven, Peter Sellers and Robert Wagner on the giant screen at Mizner Park for a memorable and historic evening. La Boheme On March 4th Festival of the Arts Boca will bring Chatham Opera’s semi-staged produc- tion of Puccini’s “La Bohème” to Mizner Park. Puccini’s glorious, lush, romantic score will be presented in its original Italian with English supertitles in a new translation by the festival’s music director, Constantine Kitsopoulos.
    [Show full text]
  • Folk Roots, Urban Roots
    Thursday 13 December 2018 7.30–9.55pm Barbican Hall LSO SEASON CONCERT FOLK ROOTS, URBAN ROOTS Bartók Hungarian Peasant Songs Szymanowski Harnasie Interval Stravinsky Ebony Concerto Osvaldo Golijov arr Gonzalo Grau Nazareno Bernstein Prelude, Fugue and Riffs ROOTS & Sir Simon Rattle conductor Edgaras Montvidas tenor Chris Richards clarinet Katia and Marielle Labèque pianos Gonzalo Grau percussion Raphaël Séguinier percussion London Symphony Chorus ORIGINS Simon Halsey chorus director In celebration of the life of Jeremy Delmar-Morgan Streamed live on youtube.com/lso Recorded by BBC Radio 3 for broadcast on Tuesday 18 December Welcome Jeremy Delmar-Morgan In Memory 1941–2018 We are also delighted to welcome Katia and Jeremy Delmar-Morgan was a member of Marielle Labèque, who perform Nazareno, the LSO Advisory Council for over 20 years, a double piano suite drawn from Osvaldo a Director of LSO Ltd from 2002 to 2013, and Golijov’s La Pasión según San Marco, thereafter a Trustee of the LSO Endowment arranged by Gonzalo Grau, who appears Trust. He was also Honorary President of alongside Raphaël Séguinier as one of this the Ronald Moore Sickness and Benevolent evening’s percussion soloists. We then close Fund, where he brought invaluable advice with Prelude, Fugue and Riffs by the LSO’s to the LSO musicians on the investment former President, Leonard Bernstein, with strategy for the fund. After studying LSO Principal Clarinet Chris Richards as soloist. medicine at Cambridge he went into the City for a career in stock-broking, latterly elcome to this LSO concert at Tonight’s concert is performed in combining the two in the financing of the Barbican.
    [Show full text]
  • San Francisco Symphony 2019–2020 Season Concert Calendar
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 12, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2019–20 season go on sale TUESDAY, March 12 at 10 am at www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Discover how to receive free concerts with your subscription package. For additional details and questions visit www.sfsymphony.org/MTT25. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor and piano San Francisco Symphony ALL SAN FRANCISCO CONCERT with MICHAEL TILSON THOMAS Thursday, September 5, 2019 at 8 pm Saturday, September 7, 2019 at 8 pm Michael Tilson Thomas conductor Alina Ming Kobialka violin Hannah Tarley violin San Francisco Symphony BERLIOZ Overture to Benvenuto Cellini, Opus 23 SAINT-SAËNS Introduction and Rondo capriccioso, Opus 28 RAVEL Tzigane GERSHWIN Second Rhapsody for Orchestra with Piano BRITTEN Variations and Fugue on a Theme by Purcell San Francisco Symphony 2019-20 Season Calendar – Page 2 of 22 SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 12, 2019 at 8 pm Friday, September 13, 2019 at 8 pm Saturday, September 14, 2019 at 8 pm Sunday, September 15, 2019 at 2 pm Michael Tilson Thomas conductor San Francisco Symphony MAHLER Symphony No. 6 in A minor SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 19, 2019 at 2 pm Friday, September 20, 2019 at 8 pm Saturday, September 21, 2019 at 8 pm Sunday, September 22, 2019 at 2 pm Michael Tilson Thomas conductor Daniil Trifonov piano San Francisco Symphony John ADAMS New Work [SFS Co-commission, World Premiere] RACHMANINOFF Piano Concerto No.
    [Show full text]
  • West Side Story
    To Our Readers ow can something be as fresh, as bril­ Hliant, as explosively urgent as "West Side Story," and be 50 years old? How can this brand new idea for the American theatre have been around for half a century? Leonard Bernstein used to say that he wished he could write the Great American Opera. He was still designing such a project shortly before his death. But in retrospect, we can say that he fulfilled his wish. "West Side Story" is performed to enthusiastic audiences in opera houses around the world - recently in La Scala and, before this year is out, at the Theatre du Chatelet in Paris. Is there a Broadway revival in the works? The signs are highly auspicious. In this issue, we celebrate "West Side Story": its authors, its original performers, and its continuing vital presence in the world. Chita Rivera regrets that, due to scheduling conflicts, she was unable to contribute to this issue by print time. [ wEst SIDE ·sronv L "West Side Story" continues to break ground to this very day. Earlier this year, the show was performed by inmates at Sing Sing. A few months later, it was presented as part of a conflict resolution initiative for warring street gangs in Seattle. And if there's a heaven, Leonard Bernstein was up there dancing for joy last summer while Gustavo Dudamel led his sensational 200-piece Simon Bolfvar Youth Orchestra in the "Mambo" at the Proms in London. The audience went bonkers. Check it out: http://www.dailymotion.com/swf/ 6pXLfR60dUfQNjMYZ There are few theatrical experiences as reliably thrilling as a student production of "West Side Story".
    [Show full text]
  • Berliner Philharmoniker
    Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com.
    [Show full text]
  • Programm-Deutsches-Requiem.Pdf
    CAMILLA TILLING SOPRAN MARKUS BUTTER BARITON NDR CHOR WERNER HANS HAGEN EINSTUDIERUNG WDR RUNDFUNKCHOR KÖLN PHILIPP AHMANN EINSTUDIERUNG WDR SINFONIEORCHESTER KÖLN SEMYON BYCHKOV DIRIGENT Abo: Chorklang In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E »Denn sie sollen getröstet werden.« (2009) 4I5 JOHANNES BRAHMS (1833 – 1897) Ein Deutsches Requiem für Soli, Chor und Orchester op. 45 (1868) Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten – Ende ca. 21.20 Uhr – 6I7 PROGRAMM »Die Erlöseten des Herrn werden wiederkommen.« (2009) 8I9 TRADITION, TRAUER, TROST Eindruck gemacht«. Für Brahms war der Tod eben nicht der Anfang eines neuen Lebens, sondern JOHANNES BRAHMS EIN DEUTSCHES REQUIEM FÜR SOLI, CHOR UND ORCHESTER OP. 45 ein Ende, ein ewiger Schlaf nach vollbrachter Erdenarbeit. Seine Hoffnung und Überzeugung war es, nach dem Tod »in Gottes Hand« zu sein und nicht mehr zu leiden. Deshalb gibt es bei ihm auch War Brahms ein verstockter Konservativer, wie seine Gegner behaupteten? Oder ganz im Gegen- kein Flehen um Gnade, keine Furcht vor göttlicher Rache, wie sie das ›Dies irae‹ des katholischen teil, wie Arnold Schönberg in seinem Aufsatz »Brahms the Progressive« schrieb, ein Neuerer, der Requiems bestimmt. Die Toten brauchen unsere Fürbitte also nicht, denn sie sind ja selig.
    [Show full text]
  • Descargar Programa De Mano
    18.Ibermúsica.19 SERIE BARBIERI B.2 ORCHESTRE PHILHARMONIQUE DU LUXEMBOURG Director Titular: GUSTAVO GIMENO Solista: VILDE FRANG Medio oficial Auditorio Nacional de Música B.2 ORCHESTRE PHILHARMONIQUE DU LUXEMBOURG Encarna la activa vida cultural del Gran Ducado. Desde su brillante comienzo en Radio Luxemburgo, en 1933 y, convertida en estatal, en 1996, está ampliamente presente en el escenario musical europeo. Su sede, la Philharmonie, inaugurada en 2005, es una de las más excepcionales de Europa y su acústica ha sido elogiada por las grandes orquestas, directores y solistas que la han visitado. Una larga colaboración con las más renombradas salas y festivales, así como la intensa labor con célebres personalidades musicales, han consolidado su reputación, a la que se añaden las excelentes críticas a sus recientes trabajos discográficos, galardonados con premios Grammy, BBC Music Choice, Grand Prix Charles Cros, Diapason d’Or y Preis der deutschen Schallplattenkritik. En el cuarto período de liderazgo de Gustavo Gimeno –tras Henri Pensis, Carl Melles, Louis de Froment, Leopold Hager, David Shallon, Bramwell Tovey y Emmanuel Krivine– se extiende considerablemente su repertorio de Bach, Haydn, Verdi, Chaikovski y Sibelius a Schoenberg, Dutilleux y Verunelli. La colaboración con el sello Pentatone, que comenzó con el lanzamiento de cuatro volúmenes dedicados a Bruckner, Shostakóvich, Ravel y Mahler continuará a lo largo de 2018 con obras de Stravinski y Debussy. En la temporada 2018/19, son artistas residentes Philippe Herreweghe, Brad Mehldau y Yuja Wang; directores invitados, Marc Minkowski, Dmitry Liss, Eliahu Inbal, Baldur Brönnimann, Andrew Manze, Hans-Christoph Rademann y Nikolaj Szeps-Znaider; y solistas, Leonidas Kavakos, Camilla Tilling, Vilde Frang, Katia y Marielle Labèque, Simon Keenlyside, Martin Helmchen, Martin Grubinger, Anja Harteros y Jean-Guihen Queyras.
    [Show full text]
  • 1718 Brchor Vorschau Endver.Pdf
    2017|2018 chor des bayerischen chor des bayerischen rundfunks rundfunks Abonnementkonzerte Konzerte mit den Orchestern des Bayerischen Rundfunks Gastkonzerte Mariss Jansons chefdirigent Howard Arman künstlerischer leiter Susanne Vongries management 9 | Abonnementkonzerte 25 | Weitere Konzerte 53 | Besetzung, Chefdirigent, Künstlerischer Leiter, CDs, Pressestimmen 71 | Abonnements, Kartenvorverkauf, Sitzpläne Chor des Bayerischen Rundfunks | Konzertübersicht 2017/2018 Sa 10|06|17 Händel-Festspiele Halle Händel | Messiah Howard Arman Mo 03|07|17 Rencontres Musicales d’Évian Brahms | Ein deutsches Requiem Howard Arman Do 13|07|17 Stuttgart | Liederhalle Mahler | Symphonie Nr. 2 Christoph Eschenbach (Auferstehungssymphonie) Fr 14|07|17 Sa 15|07|17 Rheingau Musik Festival So 16|07|17 Freiburg | Konzerthaus Sa 22|07|17 Salzburger Festspiele Ligeti | Lux aeterna | Messiaen | La Trans- Kent Nagano Eröffnungskonzert figuration de Notre Seigneur Jésus-Christ Di 25|07|17 Salzburger Festspiele Schubert | Gesang der Geister über den Howard Arman Wassern | Martin | Messe u. a. So 24|09|17 München | Prinzregententheater Verdi | Luisa Miller (Oper, konzertant) Ivan Repuˇsi´c Do 28|09|17 München | Jesuitenkirche musica viva | Wilhelm Killmayer zu Ehren Rupert Huber St. Michael Cage/Moran (UA) | Rihm | Killmayer | Scelsi Fr 20|10|17 München | Herz-Jesu-Kirche Abo plus | Bach pur Howard Arman Motetten | Cellosuite Mi 01|11|17 München | Herkulessaal Verdi | Messa da Requiem Riccardo Muti Do 02|11|17 Sa 04|11|17 Köln | Philharmonie Verdi | Messa da Requiem
    [Show full text]