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Gustavo Dudamel 2020/21 Season (Long Biography)
GUSTAVO DUDAMEL 2020/21 SEASON (LONG BIOGRAPHY) Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the world and has helped to provide access to the arts for countless people in underserved communities. As the Music & Artistic Director of the Los Angeles Philharmonic, now in his twelfth season, Dudamel’s bold programming and expansive vision led The New York Times to herald the LA Phil as “the most important orchestra in America – period.” With the COVID-19 global pandemic shutting down the majority of live performances, Dudamel has committed even more time and energy to his mission of bringing music to young people across the globe, firm in his belief that the arts play an essential role in creating a more just, peaceful, and integrated society. While quarantining in Los Angeles, he hosted a new radio program from his living room entitled “At Home with Gustavo,” sharing personal stories and musical selections as a way to bring people together during a time of isolation. The program was broadcast locally as well as internationally in both English and Spanish, with guest co-hosts including, among others, composer John Williams, his wife, actress María Valverde. Dudamel also participated in Global Citizen’s Global Goal: Unite For Our Future TV fundraising special, giving a socially-distanced performance from the Hollywood Bowl with the LA Phil and YOLA (Youth Orchestra Los Angeles). -
West Side Story
To Our Readers ow can something be as fresh, as bril Hliant, as explosively urgent as "West Side Story," and be 50 years old? How can this brand new idea for the American theatre have been around for half a century? Leonard Bernstein used to say that he wished he could write the Great American Opera. He was still designing such a project shortly before his death. But in retrospect, we can say that he fulfilled his wish. "West Side Story" is performed to enthusiastic audiences in opera houses around the world - recently in La Scala and, before this year is out, at the Theatre du Chatelet in Paris. Is there a Broadway revival in the works? The signs are highly auspicious. In this issue, we celebrate "West Side Story": its authors, its original performers, and its continuing vital presence in the world. Chita Rivera regrets that, due to scheduling conflicts, she was unable to contribute to this issue by print time. [ wEst SIDE ·sronv L "West Side Story" continues to break ground to this very day. Earlier this year, the show was performed by inmates at Sing Sing. A few months later, it was presented as part of a conflict resolution initiative for warring street gangs in Seattle. And if there's a heaven, Leonard Bernstein was up there dancing for joy last summer while Gustavo Dudamel led his sensational 200-piece Simon Bolfvar Youth Orchestra in the "Mambo" at the Proms in London. The audience went bonkers. Check it out: http://www.dailymotion.com/swf/ 6pXLfR60dUfQNjMYZ There are few theatrical experiences as reliably thrilling as a student production of "West Side Story". -
A Listening Guide for the Indispensable Composers by Anthony Tommasini
A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section. -
T H E P Ro G
Sunday, April 29, 2018 at 3:00 pm m a Symphonic Masters r g o Los Angeles Philharmonic r Gustavo Dudamel, Conductor P John Holiday , Countertenor Julianna Di Giacomo , Soprano e Jennifer Johnson Cano , Mezzo-Soprano h Michael König , Tenor T Davóne Tines , Bass-Baritone Concert Chorale of New York James Bagwell , Choral Director BERNSTEIN Chichester Psalms (1965) Part I: Psalm 108:2—Psalm 100 Part II: Psalm 23—Psalm 2:1-4 Part III: Psalm 131—Psalm 133:1 Intermission BEETHOVEN Symphony No. 9 in D minor (1822–24) Allegro ma non troppo, un poco maestoso Scherzo: Molto vivace Adagio molto e cantabile— Presto—Allegro ma non troppo—Allegro assai (Choral finale) Please make certain all your electronic devices are switched off. This afternoon’s performance is dedicated to the memory of Paul Milstein, philanthropist and builder. These programs are supported by the Leon Levy Fund for Symphonic Masters. Symphonic Masters is made possible in part by endowment support from UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. David Geffen Hall Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, May 2 at 7:30 pm in Alice Tully Hall Gerald Finley, bass-baritone Julius Drake, piano Songs by BEETHOVEN, SCHUBERT, TCHAIKOVSKY, and RACHMANINOFF Selection of favorite folk songs Friday, May 4 at 8:00 pm in David Geffen Hall London Symphony Orchestra Simon Rattle, conductor MAHLER: Symphony No. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Audio Selections
AUDIO SELECTIONS Audio Files that accompany this book may be found on the UC Press website, either on Spotify, YouTube, or the Soundcloud playlist, as indicated below. Chapter 3: Experiencing Musical Concepts: Focus on Latin America Sound Link 3.1. Guitarrón. Soundcloud Sound Link 3.2. Vihuela. Soundcloud Sound Link 3.3. Charango. “Alegría,” by Quechua musicians. Instruments and Music of Indians of Bolivia (Smithsonian Folkways, FW 01412, 1962, 2004). Spotify Sound Link 3.4. Berimbau. Various artists. The Music of Capoeira: Mestre Acordeon (Smithsonian Folkways, FW04332, 1985, 2004). Spotify Sound Link 3.5. Conch shell trumpets. Q’eros authorities. Mountain Music of Peru, vol. 1 (Smithsonian Folkways, SFW40020, 1991). Youtube Sound Link 3.6. Siku/Panpipes (“Quenita”) Aymara musicians. Instruments and Music of Indians of Bolivia (Smithsonian Folkways, FW 01412, 1962, 2004). Spotify Sound Link 3.7. Agogô. Soundcloud Sound Link 3.8. Cowbell. Soundcloud Sound Link 3.9. Pandeiro. Soundcloud Sound Link 3.10. Caxixi. Soundcloud Sound Link 3.11. Güiro. Soundcloud Sound Link 3.12. Maracas. Soundcloud Sound Link 3.13. Bongos. Soundcloud Sound Link 3.14a. Conga. Soundcloud Sound Link 3.14b. Conga in guagancó. Soundcloud Sound Link 3.15. Timbales. Soundcloud Sound Link 3.16. Claves, 3-2. Soundcloud Sound Link 3.17. Major scale, played on the piano. Soundcloud Sound Link 3.18. Minor scale, played on the piano. Soundcloud Sound Link 3.19. Chromatic scale, played on the piano. Soundcloud Sound Link 3.20a. Andalusian-Phrygian scale, played on the guitar. Soundcloud Sound Link 3.20b. Another Andalusian-Phrygian scale, played on the guitar. -
Annual Course Timpani & Percussions
Ignacio Ceballos Martín Born in Valencia, he obtained his percussion diploma at the Conservatorio Profesional “MaestroVert” de Carcagente, Valencia, Spain with Ángel García and carried on his studies at the Conservatorio Superior de Música de Zaragoza with Manel Ramada. He perfected his playing at the Civica Scuola di Musica “Claudio Abbado” di Milano under the guidance of Mike Quinn, Johnathan Scully and David Searcy. He has participated in numerous master classes with soloists of international renown such as Michel Cerutti, Sylvio Gualda, Karl Mehlig, Rainer Römer, Emmanuel Séjourné, Robert Van Sice, Bernard Wulff. Since 1994 he has collaborated as timpanist with the principal italian orchestras: l’Orchestra Teatro della Scala, l’Orchestra Filarmonica della Scala, l’Orchestra Maggio ANNUAL COURSE Musicale Fiorentino, l’Orchestra Teatro “San Carlo” di Napoli, as well as many famous international orchestras such as: the Philarmonia Orchestra, the Mahler Chamber Orchestra and the Bilbao Orchestra TIMPANI & PERCUSSIONS Sinfonikoa, under the baton of Claudio Abbado, Daniel Barenboim, Herbert Blomstedt, Pierre Boulez, Semyon Bychkov, Riccardo Chailly, Cultural Association Gustavo Dudamel, Charles Dutoit, Lorin Maazel, Riccardo Muti, Kirill IGNACIO CEBALLOS MARTÍN Petrenko, Georges Prêtre, Gennadij Roždestvenskij, Giuseppe & School of Music Sinopoli, Jurij Temirkanov. 00169 Rome - Via Casilina, 1101 Since 1997 he has been the Prinicipal Timpanist of the Orchestra del Teatro dell’Opera di Roma. He has, for several years, also been very ph. + 39 06.2389732 active in the didactic field taking part in international percussion www.ariadimusica.com seminars and festivals. At present he is holding specialised timpani [email protected] courses at the Conservatorio Statale di Musica “Ottorino Respighi” in Principal timpanist Latina and the Centro Superior de Música del País Vasco (Musikene) in San Sebastián. -
Jaap Van Zweden Invites You to Discover the / Season
Season Highlights Season Highlights THE ART OF THE SCORE Fall Gala with Lang Lang Alec Baldwin Artistic Advisor Join Music Director Jaap van Zweden and the Philharmonic at the 2019–20 Fall Gala, featuring piano superstar Lang Lang. Close Encounters of the Third Kind in Concert Jaap van Zweden conductor Lang Lang piano Experience John Williams’s score performed live by the New York Philharmonic to October 7 Steven Spielberg’s out-of-this-world film. Richard Kaufman conductor Lunar New Year Close Encounters of the Third Kind September 11–12 Celebrate the Year of the Rat with © 1977, renewed 2005, Columbia Pictures Industries, Inc. All Rights the Philharmonic. Reserved Long Yu conductor Psycho in Concert January 28 David Geffen Hall at Lincoln Center 65th & Broadway Feel the suspense as the New York Philharmonic plays Bernard Herrmann’s Kelli O’Hara Sings Barber spine-tingling score to Hitchcock’s JAAP VAN ZWEDEN classic thriller. The season begins with a program pairing Richard Kaufman conductor Tony-winning Broadway star Kelli O’Hara INVITES YOU TO DISCOVER singing Barber’s Knoxville: Summer of 1915 West 68th Street September 13–14 with selections from Prokofiev’s THE ����/�� SEASON Merkin The Leopard at des Artists Romeo and Juliet. Hall West 67th Street Jaap van Zweden conductor Kelli O’Hara soprano Welcome to our second season led by Jaap van HOLIDAYS AT THE PHILHARMONIC Zweden — and what a season it promises to be. West 66th Street September 18–21 The Juilliard Stanley H. Kaplan School Harry Potter and the Sorcerer’s It will challenge you. -
Ernest Fleischmann Papers LSC.2293
http://oac.cdlib.org/findaid/ark:/13030/c8348rv5 No online items Finding Aid for the Ernest Fleischmann Papers LSC.2293 Finding aid prepared by Courtney Dean, Kuhelika Ghosh, and Sabrina Ponce, 2018. UCLA Library Special Collections Online finding aid last updated 8 June 2018. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Ernest LSC.2293 1 Fleischmann Papers LSC.2293 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Ernest Fleischmann papers Creator: Fleischmann, Ernest Identifier/Call Number: LSC.2293 Physical Description: 41 Linear Feet(96 boxes, 2 half boxes, 3 flat boxes, 1 carton) Date (inclusive): 1935-2010 Date (bulk): 1990-2010 Abstract: Ernest Fleischmann (1924-2010) was a German-born conductor and impresario who ran the Los Angeles Philharmonic from 1969-1998 and helped to elevate it to a world-class symphonic orchestra. He was recognized as an accomplished talent scout, recruiting conductors Esa-Pekka Salonen and Gustavo Dudamel to Los Angeles, and was a driving force behind the building of the Walt Disney Concert Hall and the revitalization of the Hollywood Bowl. Fleishmann also served as a consultant to numerous artistic organizations through his agency, Fleischmann Arts. The collection contains materials spanning from his early career in South Africa and with the London Symphony Orchestra, to his tenure with the Los Angeles Philharmonic and later consulting work. Included are administrative files, consulting files, writings, published articles and speeches, correspondence with musicians and composers, awards, and photographs. -
Los Angeles Philharmonic Celebrating
CELEBRATING LOS ANGELES PHILHARMONIC CELEBRATING LOS ANGELES PHILHARMONIC 2 A Olympic Fanfare and Theme 4:00 J Theme from Jurassic Park 5:57 B Excerpts from Close Encounters of the Third Kind 8:28 Three Selections from Indiana Jones K Scherzo for Motorcycle and Orchestra 3:07 C Out to Sea and The Shark Cage Fugue from Jaws 4:24 L Marion’s Theme 4:11 M Three Selections from Harry Potter Raiders March 5:08 D Hedwig’s Theme 4:58 N Sayuri’s Theme from Memoirs of a Geisha 4:17 E Fawkes the Phoenix 3:42 Robert deMaine cello F Harry’s Wondrous World 4:41 Three Selections from Star Wars G Theme from Schindler’s List 3:41 O The Imperial March 3:03 Simone Porter violin P Yoda’s Theme 3:36 Q Throne Room and Finale 7:58 H Adventures on Earth from E.T. the Extra-Terrestrial 10:25 R Adagio from Star Wars: The Force Awakens 4:34 I The Flight to Neverland from Hook 4:49 S Superman March 4:26 3 CELEBRATING JOHN WILLIAMS The bonds between composer John Williams and the ably inevitable. More than any other composer, John Los Angeles Philharmonic reach farther back than any- Williams has been responsible for the growing accep- one might imagine. The veteran film composer first tance of film music in the concert hall. He has reminded conducted the orchestra in July 1978 at the Hollywood us all that the greatest music written for films can also, Bowl, in the aftermath of the Oscar-winning success of in the right context, stand alongside the finest concert his music for Star Wars and Close Encounters of the Third music being written today. -
Download the Program (PDF)
PRIVATE PREMIERE EVENTJULY 19 2020 Thank you for joining us for the special premiere event. We are deeply grateful for your support! PROGRAM Approximate total run time: 2 hours PERFORMANCE PROGRAM welcome aaron copland Fanfare for the Common Man Esa-Pekka Salonen, conductor and Colburn faculty reception and richard d. colburn award presentation horns trombones Andrew Bain, Colburn faculty and LA Phil Principal David Rejano Cantero, Colburn faculty intermission 5 minutes Elizabeth Upton, Colburn Conservatory alumna and LA Phil Principal the way forward film premiere and Colburn faculty Liam Wilt, Colburn Conservatory student Kaylet Torrez, Colburn Conservatory alumna and Callan Milani, Colburn Conservatory alumnus intermission 5 minutes Pacific Symphony Assistant Principal tuba Elyse Lauzon, Colburn Conservatory alumna, Ferran Martinez Miquel, Colburn Conservatory student live conversation with our artists Pacific Symphony section member timpani trumpets Ted Atkatz, Colburn faculty Jim Wilt, Colburn faculty and LA Phil Associate Principal bass drum Pat Chapman, Colburn Conservatory student Ryan Darke, Colburn Conservatory alumnus, THE WAY FORWARD Colburn faculty, and LA Opera Principal tam-tam Jonah Levy, Colburn Conservatory alumnus Arthur Lin, Colburn Conservatory student The Way Forward first took shape as the COVID-19 pandemic swept the world and quickly imposed a new reality for musicians and dancers. In March 2020, the Colburn School began to reimagine the traditional performance-going routine as a new cinematic experience that could connect the School’s resilient johannes brahms Clarinet Trio in A minor, Op. 114 (IV. Allegro) artistic community with a global audience. Cristina Mateo Sáez, clarinet, Colburn Conservatory student Clive Greensmith, cello, Colburn faculty Faculty, alumni, and students from all units of the School, as well as guest artists, were enlisted to help Fabio Bidini, piano, Colburn faculty realize this new vision as well as director Hamid Shams. -
25 Stars Still Rising: Where Are They Now? 10 Years of New Artists of the Month June 2018 on the Cover
25 Stars Still Rising: Where are They Now? 10 Years of New Artists of the Month june 2018 ON THE COVER 1. KYLE ABRAHAM 1 2 3 4 5 CHOREOGRAPHER JUNE 2010 2. LEAH CROCETTO SOPRANO AUGUST 2010 3. MASON BATES 6 7 8 9 10 COMPOSER JUNE 2009 4. DU YUN COMPOSER MAY 2011 11 12 13 14 15 5. MIRGA GRAZNYTEˇ ˙-TYLA CONDUCTOR SEPTEMBER 2015 6. PATRICIA KOPATCHINSKAJA VIOLINIST DECEMBER 2013 7. SHEKU KANNEH-MASON 16 17 18 19 20 CELLIST JANUARY 2017 8. ROBERT FAIRCHILD DANCER JANUARY 2011 21 22 23 24 25 9. MICHAEL GILBERTSON COMPOSER MARCH 2016 10. RENE ORTH COMPOSER NOVEMBER 2015 11. QUINN KELSEY BARITONE MAY 2010 12. SEAN PANIKKAR 16. TAMARA STEfaNOVICH 21. CAROLINE GOULDING TENOR PIANIST VIOLINIST NOVEMBER 2010 MARCH 2010 DECEMBER 2009 13. SPERANZA SCAPPUCCI 17. LIONEL BRINGUIER 22. DANIIL TRIFONOV CONDUCTOR CONDUCTOR PIANIST NOVEMBER 2014 APRIL 2009 AUGUST 2011 14. ADAM PLACHETKA 18. TESSA LARK 23. JOSHUA ROMAN BARITONE VIOLINIST CELLIST/COMPOSER FEBRUARY 2009 AUGUST 2012 AUGUST 2009 15. CHRISTOPHER ALLEN 19. WARD STARE 24. OMER MEIR WELLBER CONDUCTOR CONDUCTOR CONDUCTOR JULY 2015 NOVEMBER 2011 JUNE 2014 20. DI WU 25. CORINNE WINTERS PIANIST SOPRANO MAY 2009 JANUARY 2012 Introduction Every month for nearly ten years, Musical America has featured a New Artist on our home page: someone Stephanie Challener Publisher and Managing Editor with a special talent that, for the most part, hasn’t yet been “discovered.” Speranza Scappucci had only been Susan Elliott conducting for two years when we found her in 2014, Editor, MusicalAmerica.com News and Special Reports but we sensed her “novice” status wouldn’t last long.