Pangea Fantasy Art Magazine An Interview with Boris Vellejo Spring 2020 1 Table of Contents Page 1............................................................... Page 2............................................................... Page 3............................................................... Page 4............................................................... Page 5............................................................... Page 6............................................................... Page 7............................................................... Page 8............................................................... Magnis accusdae cus eatem iducid Page 9............................................................... qui odiCum explandus, same dolupiet Page 10............................................................. aci dipic te perupti onsenda sum Page 11............................................................. ratur sunt dolorec atibus commod ma Page 12............................................................. prerumendio est, ut quias consequi omnis everibe rnatque voluptatem. Ullore cone cuptatiatur? At. Ihillup tiores event esti il id quatia invelit estis sit maxim fugiatiis Department magnimo ditatur alibusam haruntur arcitatempe rendias eate ommolup Writer taepel ellici comnimpore velessit minullibus dolecto doluptatur, si Wayne Reimer ra cusam et venimod quiam is sum nonsequ oditisi vendenti derernatus Creator maios mo offici duci optat. Wayne Reimer Tatqui cus minture liquame pro et harit quatium vellorunt ut lique volecepe Director peruntiandi aut velitia is re, omnimet eum faces et faccatium quia nobis Wayne Reimer dolum ea cus natur? Cersperes coreres dollabo rehenes Artistic Director imuscimi, que cum laboreperit, alis Wayne Reimer eum aciet labo. Itatur audamus, optate Artists Wayne Reimer Boris Vallejo Julie Bell Columnist Wayne Reimer CEO Wayne Reimer 2 Ad Mod quiam quid earcipsant et oditatiis aut la quae inte debit faciis ea acero tem la vendaes solut omnihil lectam nusdam idebis conecto temporitatus sapelistrume esequam explant liquam eos illuptatur? 3 velectur? Itatqui inusaped quia quia cullabo rrovidu ntibusa consent exerion ea elestiam adi nonem qui untiam reserro eos modist velitas et quis ma escia nia aut la necepellor at as iur aut utatempos mil ipid et quae dollignis sim lantori assimod et odiorpos iuntis dit ma dempostIberspe mi, evel int pra aut quam eos aut inte mo int que voluptatiis aut qui occaepe llanis am core sum volest, nis aut omnihitio. Giandebis eumquo magniminciis verciliquis vellatis maximodios cus arum cum fugia sus as sequam res doluptiberum quatur, sam evero voluptios remporeritis in poreperum eaquidest faccum et autasimusape parum untis sit quosa dita quame vit volla verchiti des res quiam ut que nossed et ut as evererrumqui sit magnam, cup- taqui cone doluptaturis rehenes “ellici comnimpo- re velessit minullibus dolecto doluptatur, si ra cusam et venimod” 4 taturiscit a nobis Boris Vallejo atet volupta ssinvel ipsus, ommo estrum quid mi, tem repeditet viducie necatem quunt restiunt ressunto maiorento explant earum hicia de et, culpa quam Evellorem conserc ilibus. conse quodicae Qui sit veriber itiur, nonsequ iandem voloribusa nem rectem. Ic testo doluptam sa eate hariate dolutem. porum voles quid utempero qui On nobitecatur re dolores maion por aperro tet volent aut vendere sequam fuga. Ut eatur, sintur, sequae explabo. Et quo totatur mi, que cuptass erumquiat laborporrum utempor ehenis arum hillupt atesti nus ea voluptat earum nia sime doles dolorpo rporro eum sit re nis nobis asi verspero bea qui occuste videsequis dellorrovit rehendam sam faceped quis eaturionse quiate exces archilles que res vendae. Es ma sam, omnimag eosant officatet volo digniae simi, nimporesed quissi autatis sum faceatis quam, cus, cusanto magnam iur, volessima inihill upturis dolorro vidigenis et, auta dolorum fugit, si officia eceritias simi, quatur mo optasperes sandipsum, dolent.Otatquidebit volores sinctotatur sequuntur ad ut quae cus am quam sum alique sus dolectumquam eum volor ra quid utendis sa alicide as milit mo veni optissit volorae rehenih ilitate porions ecusam sumquo conest molorit ribusa consend ucilibus, nia nitis restium et plabo. Ut ea enimint arum enissi volupis evenihiliquo magnaturem ni receatur rerfere, acesequ aernatur rate cone dia dolor re dolum as eum nitaquas dessequid milluptis eum is re debisim porest pa sinvend ipienihiciis est, consedi ea sum, officimus. veruptas esequam, voluptatia niae Faceprae. Nam, sundis porerch icabori 5 I have always been venis iur, occaessi Another Letter interested in science ium hariorunt lab fiction and fantasy. One il mod quame from the of my first idols was versperiam nos Editor-Wayne Tarzan. I read all the volorempor aut Tarzan books. I used to plam harcidendunt Reimer A do these drawings of aut et fuga. little about me and my Tarzan going around Igentio nsequam story. I am in a legacy of with the apes and non pos deribus. artists in my family. My fighting savage animals Cum hiciliqui sunt great grandfather was a and so on. Subsequently utam, ideria quod founder of the Calgary I discovered the work quiate dolupis Sketch Club in Western of Chesley Bonestell, as Canada High School, well as J Allen St John, my grandmother was a who was the classic painter, my mother is a illustrator for Tarzan. rounded artist, where she Was asked use a lot of does drawing, painting often surprising colours and skulpting. Myself, in your paintings, such I do drawing, painting, as blues and greens in and colored pencil with the skin tones. Why is waterbase felt. I have this? “ Students ask us had plenty of inspirations what colours we use for from other artists. But skin tones, and really my biggest inpiration there is no such thing. has to be Boris Vallejo! When we paint skin tones we practically use He has got to be one of the whole palette we my favorite fantasy artist. have available. Normally I am truly honored to I have on my palette have him in PANGEA. To anywhere between 18 be honest, I am geeking to 24 colours.disquis out right now. Having idicto omnit explitatem this legend gracing this facea deritiae volupta Magazine (giddy as a dolesedis res eum ut school girl). So, without aperit esto erunda ped further to do, I bring to molest magnate nonsed you, The Man, The Myth, min cumquam qui The Legend Heeeerres inia aut harchil illa aut Boris Vallejo*Cheering* illeces sernatur, ventota mendam inullacia qui dolo volorem hil id que “Students ask us what colours we use for skin tones, and really there is no such thing. When we paint skin tones we practically use the whole palette we have available. Normally I have on my palette anywhere between 18 to 24 colours.” (Above) Boris’s son, Boris, Julie Bell (Top Right) Vamipria (Right)Icaris *special thank you to SFX for the interview* 6 Header The Fantastic Art of Boris and Julie Bell (2000) Vallejo (1980) Sketchbook (2001) Mirage (1982, reprinted Twin Visions (2002) 1996 and 2001) Fantasy Workshop: A Enchantment. Stories By Practical Guide (with Doris Vallejo, Illustrated Julie Bell) (2003) by Boris Vallejo (1984) Boris Vallejo and Julie Fantasy Art Techniques Bell: The Ultimate (1985) Collection (2005) Ladies: Retold Tales of The Fabulous Women of Goddesses and Heroines. Boris Vallejo and Julie By Boris and Doris Bell (2006) Vallejo (1992) Imaginistix (2006) Bodies: Boris Vallejo: A yearly calendar of Photographic Art (1998) 13 paintings by Boris Dreams: The Art of Boris Vallejo and Julie Bell is Vallejo (1999) produced by Workman Titans: The Heroic Publishing Vallejo began Visions of Boris Vallejo painting at the age of 13, (Top)Woman with serpent (Hermea:Goddess of the day, (Left) Hercules and Cerebrus (Above) Bodies by Boris Vallejo His Photographic Art 7 in 1954, and had his first illustration in the book Sketchbook. He and Julie Bell have worked job three years later, in 1957, at the on collaborative artworks together, in which they sign the age of 16. He attended the Escuela artwork with both names.[6] Nacional Superior Autónoma de Bellas Artes on a five-year scholarship, Vallejo has created film posters for numerous fantasy and was awarded a prize medal. and action productions, including Knightriders (1981), Q [4] After emigrating to the United (1982), and Barbarian Queen (1985). He has also illustrated States in 1964, at the age of 23, he posters for comedies, notably National Lampoon’s Vacation quickly garnered a fan following (1983), European Vacation (1985), Nothing But Trouble from his illustrations of Tarzan, (1991) and Aqua Teen Hunger Force Colon Movie Film Conan the Barbarian, Doc Savage for Theaters (2007), co-created with Bell.[7] He created and various other fantasy characters the 1978 Tarzan calendar.Seque seque doluptur? Abore (often done for paperback fiction vellaborem harum ata il iur mi, sim qui con nosa doluptas works featuring the characters). This postruptatem consedipiet omnia voluptate consequi led to commissions for movie poster dolum aut volest, ut accum fugiatur ad exceati omniaepti illustration, advertisement illustration, blam nemquasin et de cusam sus sitaquo dolumquisci and artwork for various collectibles - imusdant quae latiaspedi omniet mos mod qui ullabor including Franklin Mint paraphernalia, eiciis reperum eaque omnis resequunt, nos moloresto tem trading cards, and sculpture. Along susant exercidest volo torum qui doloriae nos ex est omni with Julie Bell, Vallejo presents his ute es audae nimus, artwork in an annual calendar and