Moon Rover Audi Lunar Quattro Featured in “Alien: Covenant”
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Audi Rinde Homenaje a Las Misiones Lunares Apolo Con Un Cortometraje Especial
Audi MediaInfo Comunicación de prensa Audi Dirección Comunicación y RR.EE. Audi Tel: +34 91 348 86 11 / 12 E-mail: [email protected] E-mail: [email protected] http://prensa.audi.es Audi rinde homenaje a las misiones lunares Apolo con un cortometraje especial • Nuevo video de Audi en homenaje al último vuelo espacial tripulado a la Luna. • El Audi lunar quattro emprenderá una misión real a la Luna en 2019 Madrid, 7 de diciembre de 2017 – El 7 de diciembre de 1972, la NASA lanzó la nave del programa Apollo con destino a la Luna. Exactamente 45 años después, Audi conmemora este histórico evento con “Apollo 45”, un video creado especialmente para la ocasión. En unos 65 segundos, rinde homenaje al famoso anuncio de la marca de los cuatro aros de los años 90 sobre la tracción quattro, protagonizado por los Inuits, y ofrece a los espectadores un vistazo a la “Misión a la Luna” con el Audi lunar quattro, programada para 2019. El nuevo anuncio está ambientado en el año 2030. Dos astronautas que exploran la superficie de la Luna encuentran unas huellas: las dejadas por Neil Amstrong en 1969, las del Lunar Rover que aterrizó en 1972 con el Apollo 17, y las huellas del Audi lunar quattro que llegó a la Luna en una misión especial en 2019. El spot hace un guiño a otro anuncio comercial de la década de los años ´90, en el que un padre inuit enseña a su hijo cómo identificar las huellas que dejan distintos animales en la nueve, hasta llegar a identificar las de los neumáticos de un Audi quattro. -
And More Comfortably Through the Real World
ENCOUNTER 02 / 2016 The Audi Technology Magazine Technology Audi The The Audi Technology Magazine Cyberway in 3D The HERE map database moves cars even more safely and more comfortably through the real world. 02 / 2016 AND NOW Quba Libre → Page 14 Modern Talking → Page 24 Time of My Drive → Page 32 Electric Avenue → Page 50 Widespread Effect → Page 60 HERE and Now → Page 64 The Perfect Wave → Page 72 Fully Tensed → Page 82 SIMple → Page 90 Tech News → Page 92 Mission to the Moon → Page 100 ENCOUNTER Needle in the Red → Page 116 Hands On → Page 128 Flight Club → Page 134 ENCOUNTER 02 / 2016 The Audi Technology Magazine Encounter online – The magazine on the web Experience the topics and videos from this edition of Encounter online, the Audi Communications website. There are also plenty of other stories from the fields of technology, brand and environment. Thanks to responsive web design, Encounter online runs on all devices, regardless of the technology platform. audi-encounter.com Encounter – The magazine subscription Serveral times a year, Encounter presents fascinating stories from Audi’s world of technology. You can subscribe to Encounter Magazine – completely free-of-charge and with no obligation. Simply send an e-mail with your address to: [email protected] EDITORIAL Dear reader, In the age of globalization and digitalization, the auto- On the pages that follow, you can read motive industry is facing a seismic shift. As a premium about the innovations with which we are turning our manufacturer, we have the corporate and social respon- automobiles into “best companions” for their users. -
Mining the Moon for Profit: a Case Study in Space Resource Utilization
1 MINING THE MOON FOR PROFIT: A CASE STUDY IN SPACE RESOURCE UTILIZATION SIXTH SESSION: SPECULATIVE SPACE PROJECTS: EVALUATION OF SUCCESS AND FAILURE 11.03.2019 Who is PTScientists PT Scientists is a private science and engineering company with the goal to bring down cost of space exploration and enable affordable access to space. It is based in Berlin and employs 70 full-time professionals; 100% European ‘New Space’ approach through innovative partnering leveraging on private investments. Its first “Mission to the Moon” robotic program aims at soft landing >300kg of scientific payloads on the moon surface including two rovers. Team3 of dedicated scientists and engineers led by space experts with strong network within the industry Robert Boehme, CEO Sven Wehlan, COO Government IT security Project- and Datacenter specialist and space management specialist enthusiast who founded for private and government PTScientists in 2008 with the clients, co-founder of goal to further private space PTScientists. Business Strategy exploration. & Commercial Technical Development ~9 FTE ~48 FTE Torsten Kriening, CCO ~70 FTE Chief Commercial Officer of PTScientists. Advisor for operations in the Middle East region and space business Intelligence expert. General, Management & Administration Ing. Juergen Brandner, CTO Asst. Prof. Dr. Rolf Erdmann, CSO ~8 FTE Trained industry specialist, Former trained Astronaut and engineer and CTO at experienced EVA flight instructor PTScientists, patent holder and for the space Shuttle, Soyuz and specialist in the development -
1 Newspace International
www.newspaceinternational.com NewSpace International - May/June 2019 1 2 NewSpace International - May/June 2019 www.newspaceinternational.com #EDITOR #ROBOTS #LEARNING #MACHINES Dr Amy Saunders Editor Technology is coming on in leaps and bounds right now, and the world is transforming into an entirely new place right before our eyes. Today’s advances in robotics are astounding – and we can fully expect to see robotic digital assistants playing a role within the satellite sector within the years to come – but what’s equally fascinating is the way that humans respond to these robots. Many of us will have seen the 2004 movie ‘I, Robot,’ in which protagonist Will Smith is inherently distrustful of robots after one rescued him from drowning over his son (due to relative probabilities of survival), leading to the death of a small child. The film brought certain key issues in the field of psychology and robotics to the forefront of our imaginations that have since been addressed in numerous experiments and studies. A recent experiment published in the PLOS ONE journal has shown that people are susceptible to social cues even when those cues come from robots, rather than other humans. Some 89 volunteers were recruited to complete tasks with the help of a small humanoid robot called Nao. The volunteers were informed that the tasks – which involved answering a series of either/or questions such as ‘Do you prefer pasta or pizza?’ were designed to enhance Nao’s learning algorithms. However, the real test came at the end of the study, when the volunteers were asked to turn off Nao. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
Package 'Ggsci'
Package ‘ggsci’ May 14, 2018 Type Package Title Scientific Journal and Sci-Fi Themed Color Palettes for 'ggplot2' Version 2.9 Maintainer Nan Xiao <[email protected]> Description A collection of 'ggplot2' color palettes inspired by plots in scientific journals, data visualization libraries, science fiction movies, and TV shows. License GPL-3 | file LICENSE LazyData TRUE VignetteBuilder knitr URL https://nanx.me/ggsci/, https://github.com/road2stat/ggsci BugReports https://github.com/road2stat/ggsci/issues Depends R (>= 3.0.2) Imports grDevices, scales, ggplot2 (>= 2.0.0) Suggests knitr, rmarkdown, gridExtra, reshape2 Encoding UTF-8 RoxygenNote 6.0.1.9000 NeedsCompilation no Author Nan Xiao [aut, cre] (<https://orcid.org/0000-0002-0250-5673>), Miaozhu Li [ctb] Repository CRAN Date/Publication 2018-05-14 04:38:05 UTC R topics documented: ggsci-package . .2 pal_aaas . .4 pal_d3 . .5 1 2 ggsci-package pal_futurama . .5 pal_gsea . .6 pal_igv . .7 pal_jama . .7 pal_jco . .8 pal_lancet . .9 pal_locuszoom . .9 pal_material . 10 pal_nejm . 11 pal_npg . 12 pal_rickandmorty . 12 pal_simpsons . 13 pal_startrek . 14 pal_tron . 14 pal_uchicago . 15 pal_ucscgb . 16 rgb_gsea . 16 rgb_material . 17 scale_color_aaas . 18 scale_color_d3 . 19 scale_color_futurama . 20 scale_color_gsea . 21 scale_color_igv . 22 scale_color_jama . 23 scale_color_jco . 24 scale_color_lancet . 25 scale_color_locuszoom . 26 scale_color_material . 27 scale_color_nejm . 28 scale_color_npg . 29 scale_color_rickandmorty . 30 scale_color_simpsons . 31 scale_color_startrek . 32 scale_color_tron -
The Walt Disney Company: a Corporate Strategy Analysis
The Walt Disney Company: A Corporate Strategy Analysis November 2012 Written by Carlos Carillo, Jeremy Crumley, Kendree Thieringer and Jeffrey S. Harrison at the Robins School of Business, University of Richmond. Copyright © Jeffrey S. Harrison. This case was written for the purpose of classroom discussion. It is not to be duplicated or cited in any form without the copyright holder’s express permission. For permission to reproduce or cite this case, contact Jeff Harrison at [email protected]. In your message, state your name, affiliation and the intended use of the case. Permission for classroom use will be granted free of charge. Other cases are available at: http://robins.richmond.edu/centers/case-network.html "Walt was never afraid to dream. That song from Pinocchio, 'When You Wish Upon a Star,' is the perfect summary of Walt's approach to life: dream big dreams, even hopelessly impossible dreams, because they really can come true. Sure, it takes work, focus and perseverance. But anything is possible. Walt proved it with the impossible things he accomplished."1 It is well documented that Walt Disney had big dreams and made several large gambles to propel his visions. From the creation of Steamboat Willie in 1928 to the first color feature film, “Snow White and the Seven Dwarves” in 1937, and the creation of Disneyland in Anaheim, CA during the 1950’s, Disney risked his personal assets as well as his studio to build a reality from his dreams. While Walt Disney passed away in the mid 1960’s, his quote, “If you can dream it, you can do it,”2 still resonates in the corporate world and operations of The Walt Disney Company. -
Karl E. Ludvigsen Papers, 1905-2011. Archival Collection 26
Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Miles Collier Collections Page 1 of 203 Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Title: Karl E. Ludvigsen papers, 1905-2011. Creator: Ludvigsen, Karl E. Call Number: Archival Collection 26 Quantity: 931 cubic feet (514 flat archival boxes, 98 clamshell boxes, 29 filing cabinets, 18 record center cartons, 15 glass plate boxes, 8 oversize boxes). Abstract: The Karl E. Ludvigsen papers 1905-2011 contain his extensive research files, photographs, and prints on a wide variety of automotive topics. The papers reflect the complexity and breadth of Ludvigsen’s work as an author, researcher, and consultant. Approximately 70,000 of his photographic negatives have been digitized and are available on the Revs Digital Library. Thousands of undigitized prints in several series are also available but the copyright of the prints is unclear for many of the images. Ludvigsen’s research files are divided into two series: Subjects and Marques, each focusing on technical aspects, and were clipped or copied from newspapers, trade publications, and manufacturer’s literature, but there are occasional blueprints and photographs. Some of the files include Ludvigsen’s consulting research and the records of his Ludvigsen Library. Scope and Content Note: The Karl E. Ludvigsen papers are organized into eight series. The series largely reflects Ludvigsen’s original filing structure for paper and photographic materials. Series 1. Subject Files [11 filing cabinets and 18 record center cartons] The Subject Files contain documents compiled by Ludvigsen on a wide variety of automotive topics, and are in general alphabetical order. -
Ptscientists Gmbh: Mission to the Moon and the Return to Apollo 17
1 PTScientists GmbH: Mission to the Moon and the return to Apollo 17 Confidential & Proprietary First private mission to Involve “non- land on the Moon traditional” partners Conduct scientific Carry out tech experiments on the demonstration for Moon lunar-surface comms Key technology and mission partners Science and research partners Partnerships and cooperations Space belongs to everyone 6 The Core Technology With our key technological partners Audi, Vodafone and ALINA Audi lunar quattro the support of the European space agency ESA and the German space agency DLR, we developed the space-ready Audi lunar quattro rover and the ALINA spacecraft. ALINA is the autonomous landing and The Audi lunar quattro rover will deploy navigation module capable of and operate a series of technological delivering 1000 kg of payload to the payloads to demonstrate and explore lunar surface. Given it’s modular design new ways to shortcut space exploration. ALINA is compatible with all major launch providers. Confidential & Proprietary 7 The Science & Exploration Study the remains of the Apollo 17 Lunar Roving Vehicle (LRV) left on the surface of the Moon in 1972 Multi-composite structure Aluminum seats & frame Fused silica radiators Fiberglass fenders Nylon seat belts Piano wire tires MLI dust covers Over 46 years of space exposure Confidential & Proprietary 8 The commercial outlook “Moon Village” 2019 2021 2023 2024 onwards 2030 MISSION-1 MISSION-2 MISSION-3 Full OEM “Taurus-Littrow” “Malapert” “ESA-ISRU” Mission architecture • 11.5 days, 2 Rovers at Apollo • Dedicated ISRU polar mission • ESA lead ISRU mission to • Conduct at least 1 lunar 17 • Multi year mission extract water in the south polar mission per year from • 250kg of payloads • Long lasting installation and region 2024 onwards • Technology demonstration, services e.g. -
'Toy Story 4' Bring Animation Into the Legacy Sequel Fold?
Could 'Toy Story 4' Bring Animation Into the Legacy Sequel Fold? Forky is the googly-eyed face of the future for the 'Toy Story' franchise, but what might that mean for Woody and Buzz? TweetSharePostBookmarkSubscribe If there’s one movie that could challenge Avengers: Endgame‘s dominance this summer (and 2019 as a whole), it’s Toy Story 4. Like Endgame, the Pixar animated feature is a Disney sequel, fourth in a series (but twenty-somethingth in a larger cinematic franchise). And like Endgame, Toy Story 4 appears to be passing the torch to a new generation of 1 characters. No, I don’t expect Buzz and Woody to die at the end of the movie so that Forky can take over as the star of a new phase of the franchise, but this could be the closest we come to an animated legacy sequel. Legacy sequels are primarily a live-action concept because they have to be. Returning to a franchise many years later means revisiting characters who are older and in need of being retired. We’ve seen this happen with Star Wars, Star Trek, Tron, Jurassic Park, Indiana Jones, Blade Runner, Rocky, Wall Street, and Halloween. And even many decades ago with The Color of Money passing the baton from The Hustler. But animated properties don’t ever need to be rebooted from within because their main characters never get old — or never need to, anyway. If The Incredibles had been a live-action superhero movie, perhaps the long- awaited Incredibles 2 would have required a bit more focus on the younger generation of the Parr family. -
The Middle East's First Automotive, Tires & Parts News Source
TP www.tiresandparts.net DHS 20 /- I USD 5.99/- l AUGUST 2015 l The Middle East’s First Automotive, Tires & Parts News Source ISSUE 106 106 ISSUE DXO One Plug-In iPhone Camera PAGE 64 www.alexiatires.com Bespoke tires Specifically designed and produced for you. ART 1100 ART 1200 ART 1300 ART 1400 ART 1500 ART 1600 ART 1700 ART 1900 Guided by the main principles of value, trust, honesty and quality Alexia tires has been proudly manufacturing commercial and OTR tires from Asia with the intention to fill a gap in the replacement tire market. Alexia Tires believes in delivering the greatest value, quality and service without com- promising on innovation and style. With over 35 years of experience in the industry, Alexia Tires is passionate about its work. We bring to the market unique tire products and designs that specialize in the manufacturing of custom products that fit the market requirements of the day. Alexia’s strength lies in its flexibility and its ability to listen to the demands of the market and make subsequent swift changes as needed. Alexia Tires is a global company comprised of passionate designers and engineers who continue to use the latest technology to deliver the most innovative and original tires in the market. With worldwide distribution, Alexia Tires looks forward to further reaching out to the masses with truly one of a kind products and continuing to be trailblazers in the industry. For exclusive territory enquiries pls contact [email protected]. PUBLISHER’S NOTE The finalization of Iran’s historic nuclear deal with the United States and five other major world powers portends a new era for the automotive industry in the Middle East region. -
Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise
Abilene Christian University Digital Commons @ ACU Electronic Theses and Dissertations Electronic Theses and Dissertations Spring 5-2018 Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise Taylor Hamilton Arthur Katz [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/etd Recommended Citation Katz, Taylor Hamilton Arthur, "Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise" (2018). Digital Commons @ ACU, Electronic Theses and Dissertations. Paper 91. This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Digital Commons @ ACU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ ACU. ABSTRACT Mythic narratives exert a powerful influence over societies, and few mythic narratives carry as much weight in modern culture as the Star Wars franchise. Disney’s 2012 purchase of Lucasfilm opened the door for new films in the franchise. 2016’s Rogue One: A Star Wars Story, the second of these films, takes place in the fictional hours and minutes leading up to the events portrayed in 1977’s Star Wars: Episode IV – A New Hope. Changes to the fundamental myths underpinning the Star Wars narrative and the unique connection between these film have created important implications for the public memory of the original film. I examine these changes using Campbell’s hero’s journey and Lawrence and Jewett’s American monomyth. In this thesis I argue that Rogue One: A Star Wars Story was likely conceived as a means of updating the public memory of the original 1977 film.