KCJS Religions Spring 2020 Syllabus
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JAPAN's MOST UNFORGETTABLE SHRINES Relaxing Is One Thing
JAPAN’S MOST UNFORGETTABLE SHRINES Relaxing is one thing, but to feel at peace, you need to step away from the neon signs and busy streets and explore the spiritual side of Japan. Shrines are an integral part of Japanese cultural tapestry. You will find these places of worship hidden in forest sandwiched between office towers on busy streets or clinging into mountain tops visiting them can be a spiritual experience, a chance to gain insights into Japanese tradition and history, or simply enjoy serene escape from the busy city life. Shrines are considered to be the residences of Kami (Shinto gods) and are used as places of worship. The names of Shinto shrines in Japan can end in –jinja, jingu (for Imperial shrines), or taisha. Shrines are built to serve the Shinto religious tradition and are characterized by a Torii gate at the entrance decorated with vermillion, and are guarded by fox, dog, or other animal statues. The architecture of a shrine typically includes a main sanctuary (honden), where the shrine’s sacred object is kept, and a worship hall (haiden), where people make prayers and offerings. Some shrines may have treasury buildings and stages for dance or theatre performances. There are close to 80,000 Shinto shrines in Japan and are of several different categories like: • Sengen shrines- dedicated to the Shinto deity of Mt. Fuji • Hachiman shrines- dedicated to the Kami of war • Inari shrines- dedicated to the Kami of huge harvest of grains • Kumano shrines - dedicated to the twelve Kami, three Grand Shrines in the three Kumano mountains • Tenjin shrines- dedicated to the Kami of Sugawara No Michizane, a politician and scholar FUSHIMI INARI SHRINE Fushimi Inari Shrine (伏見稲荷大社, Fushimi Inari Taisha) is an important Shinto shrine in southern Kyoto. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Inland Sea of Ja An
Ancient traditions of the Inland Sea of Ja an Kyoto ◆ Hiroshima ◆ Miyajima ◆ Matsue ◆ Himeji ◆ Osaka A voyage aboard the Exclusively Chartered Small Ship Five-Star M.S. L’AUSTRAL April 30 to May 10, 2017 Dear Bryn Mawr Alumnae/i and Friends, Konnichiwa! Experience the timeless splendor of Japan and South Korea by sea and on land, the best way to see the richness of this beautiful region. During this custom-designed nine-night itinerary enjoy two nights on land and seven nights cruising while you explore enthralling ports steeped in the traditions of ancient Buddhist shoguns and Samurai warriors, and admire landscapes dotted with Shinto shrines, imperial castles and meticulous Japanese gardens. Spend two nights in the enchanting city of Kyoto, its serene landscape brimming with fragrant cherry blossom trees. It was the imperial capital of Japan from A.D. 794 until the mid-19th century and has been the cultural capital of this island nation for more than 1000 years. See its historic UNESCO World Heritage-designated monuments, visit the opulent temples of Ry ¯oan-ji and Kinkaku-ji, the imperial Nij ¯o Castle and stroll through the iconic red-orange torii gates and temple grounds of the Fushimi Inari Shrine. On board the exclusively chartered, Five-Star small ship M.S. L’AUSTRAL, featuring only 110 ocean-view Suites and Staterooms, cruise for seven nights from Himeji, Japan, along the coast of the tranquil Inland Sea and South Korea, and visit captivating port calls that showcase fi ve UNESCO World Heritage sites. See the impressive 14th-century Himeji Castle complex, the oldest surviving feudal structure of medieval Japan; walk through the poignant Peace Memorial Park and Museum in Hiroshima following President Obama’s recent historic visit; and tour picturesque Itsukushima Shrine in Miyajima with its awe-inspiring Great Torii Gate. -
View Trip Brochure
Inside Japan Travel with Dora C.Y. Ching *11 Associate Director of the P.Y. and Kinmay W. Tang Center for East Asian Art October 19-31, 2022 For peace of mind, all payments are 100% refundable until Thursday, July 21, 2022. Dear Princetonian, Join East Asian art specialist Dora C.Y. Ching *11 on a carefully crafted autumn journey to Japan, taking advantage of the chance to venture beyond the typical tourist sites to discover the fascinating worlds of this island nation — ancient and contemporary, urban and rural, sacred and cutting-edge. Begin in the Imperial capital of Kyoto, now a bustling modern city dotted with lovely ancient temples and gardens behind walls, and filled with some of the country’s top artisans. Then depart the city bustle for a memorable visit to the remote mountains and valleys of Shikoku Island, staying at a lovely traditional inn (ryokan) with indoor and outdoor hot spring baths (onsen). Continue to the contemporary artist retreat of Naoshima Island, and conclude with a bullet train journey to Tokyo to discover the highlights of Japan’s capital city. Throughout, savor the flavors of Japan, from simple vegetarian fare, traditionally served in Buddhist temples, to the exquisite kaiseki multi-course meals served at our ryokan. Dates are timed to coincide with both the annual Jidai Matsuri (Festival of the Ages) in Kyoto, which features a lively procession of people dressed in accurate costumes from almost every period of Japanese history, along with the beloved monthly flea market at Kyoto’s To-ji Temple, with bargains on used Japanese kimonos and other textiles, as well as antiques, ceramics and handicrafts. -
(Kostum Era Heian) Dalam Hikayat Genji Monogatari 源氏物語 Versi Terjemahan Edward G
HEIAN JIDAI FUKUSOU 平安時代服装 (KOSTUM ERA HEIAN) DALAM HIKAYAT GENJI MONOGATARI 源氏物語 VERSI TERJEMAHAN EDWARD G. SEIDENSTICKER (Analisis Fashion Kekaisaran Jepang) Ll ‘=l Disusun Oleh: ARISKA EDY F012181001 PROGRAM STUDI MAGISTER LINGUISTIK SEKOLAH PASCASARJANA FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2020 HEIAN JIDAI FUKUSOU 平安時代服装 (KOSTUM ERA HEIAN) DALAM HIKAYAT GENJI MONOGATARI 源氏物語 VERSI TERJEMAHAN EDWARD G. SEIDENSTICKER (Analisis Fashion Kekaisaran Jepang) Tesis Sebagai Salah Satu Syarat untuk Mencapai Gelar Magister Program Studi Linguistik Disusun dan diajukan oleh ARISKA EDY Kepada FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2020 ii iii PERNYATAAN KEASLIAN TESIS Yang bertanda tangan di bawah ini: Nama : Ariska Edy Nomor mahasiswa : F012181001 Program Studi : S-2 Linguistik Menyatakan dengan sebenarnya bahwa tesis yang saya tulis ini benar- benar merupakan hasil karya saya sendiri, bukan merupakan pengambilalihan tulisan atau pemikiran orang lain. Apabila di kemudian hari terbukti atau dapat dibuktikan bahwa sebagian atau keseluruhan tesis ini hasil karya orang lain, saya bersedia menerima sanksi atas perbuatan tersebut. Makassar, 16 Agustus 2020. Yang menyatakan, Ariska Edy iv KATA PENGANTAR Puji Syukur kehadirat Tuhan Yang Maha Esa, atas limpahan rahmat dan karunia-Nya lah sehingga peneliti dapat merampungkan Tesis dengan judul: Heian Jidai Fukusou 平 安 時 代 服 装 (Kostum Era Heian)Dalam Hikayat Genji Monogatari 源氏物語 Versi Terjemahan Edward G. Seidensticker (Analisis Fashion Kekaisaran Jepang). Tesis ini sebagai bentuk untuk memenuhi salah satu syarat menyelesaikan studi serta dalam rangka memperoleh gelar Magister Humaniora pada Program Studi Ilmu Linguistik Fakultas Ilmu Budaya Universitas Hasanuddin. Peneliti menyadari bahwa tesis ini masih jauh dari kesempurnaan, oleh sebab itu penulis mengharapkan kritik dan saran yang bersifat membangun dari seluruh pihak demi kesempurnaan Tesis ini. -
Members of the Institute 131 Members of the Institute November 2016
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Waseda University Repository MEMBERS OF THE INSTITUTE 131 Members of the Institute November 2016 DIRECTOR: NAKAMURA, Tamio, Professor Anglo-American Law VICE DIRECTOR: WAKABAYASHI, Yasunobu, Professor Commercial Law MEMBERS: AKIYAMA, Yasuhiro, Professor Civil Law AMADA, Yu, Assistant Professor Criminal Law AOKI, Noriyuki, Professor Civil Law ASAKO, Hiroshi, Professor History of Legislation ASAKURA, Mutsuko, Professor Gender BANZAI, Hiroyuki, Professor International Law DOGAUCHI, Masato, Professor Private International Law EGASHIRA, Kenjiro, Professor Commercial Law EIZUMI, Yoshinobu, Professor International Law FUKUSHIMA, Hironao, Professor Commercial Law FURUYA, Shuichi, Professor International Law GOTO, Makinori, Professor Civil Law GOTO, Mitsuo, Professor Constitutional Law, Administrative Law HAKOI, Takashi, Professor Commercial Law HARADA, Toshihiko, Professor Roman Law HASEBE, Yasuo, Professor Constitutional Law HASHIMOTO, Yuki, Assistant Professor Civil Law HITOMI, Takeshi, Professor Administrative Law HONMA, Yasunori, Professor Civil Procedure IMASEKI, Motonari, Professor Constitutional Law INOUE, Masahito, Professor Criminal Procedure INUKAI, Shigehito, Professor Financial Law 132 WASEDA BULLETIN OF COMPARATIVE LAW Vol. 35 ISHIDA, Kyoko, Associate Professor Law and Society, Professional Responsibility ISHIDA, Makoto, Professor Labor Law ISHIKAWA, Masaoki, Professor Criminal Policy ISOMURA, Tamotsu, Professor Civil Law IWAHARA, Shinsaku, -
“Modernization” of Buddhist Statuary in the Meiji Period
140 The Buddha of Kamakura The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period Hiroyuki Suzuki, Tokyo Gakugei University Introduction During Japan’s revolutionary years in the latter half of the nineteenth century, in particular after the Meiji Restoration of 1868, people experienced a great change in the traditional values that had governed various aspects of their life during the Edo period (1603-1867). In their religious life, Buddhism lost its authority along with its economic basis because the Meiji government, propagating Shintoism, repeatedly ordered the proclamation of the separation of Shintoism and Buddhism after the Restoration. The proclamation brought about the anti-Buddhist movement haibutsu kishaku and the nationwide movement doomed Buddhist statuary to a fate it had never before met.1 However, a number of statues were fortunately rescued from destruction and became recognized as sculptural works of Buddhist art in the late 1880s. This paper examines the change of viewpoints that occurred in the 1870s whereby the Buddha of Kamakura, a famous colossus of seated Amida (Amitâbha) from the mid-thirteenth century, was evaluated afresh by Western viewers; it also tries to detect the thresholds that marked the path toward a general acceptance of the idea that Buddhist statuary formed a genre of sculptural works in the fine arts during the Meiji period (1868-1912). Buddhist statuary in the 1870s It is widely known that the term bijutsu was coined in 1872, when the Meiji government translated the German words Kunstgewerbe (arts and crafts) and bildende Kunst (fine arts) in order to foster nationwide participation in the Vienna World Exposition of 1873. -
Salvation and Sovereignty Syllabus KCJS
KCJS Salvation and Sovereignty Syllabus Salvation and Sovereignty: Buddhism and Shinto in Japanese History Seminar Spring 2019 Course Syllabus Instructor: Adam Lyons Email: [email protected] Course Time: Wed./Fri. 1:10-2:40 PM Location: KCJS Classroom Instructor Office Hour: Wed./Fri. aFter class and by appointment. Course Description and Goals This course draws on the rich resources of Kyoto to consider the place of Buddhism and Shinto in Japanese history. In addition to traditional reading assignments and classroom discussion, we will conduct multiple research expeditions to museums and signiFicant religious and cultural sites in and around Kyoto. Although there are common misconceptions that hold Buddhism to be a “world- renouncing” religion and Shinto to be a Form oF nature worship, this course places an emphasis on the political dimension oF these traditions to pursue a more nuanced understanding of Buddhism and Shinto. We will explore how Buddhism and Shinto have been driving forces in Japanese history—with many oF the most powerFul institutions based right here in Kyoto. By the end of the course, students should be able to articulate the political signiFicance oF Buddhist and Shinto institutions and ideas. Students should also reFine their grasp oF the relationship between the social and the ideological in light oF the course’s themes: kingship/cosmology, and voluntary political associations/salvation. They should ultimately gain the ability to deconstruct ahistorical representations of Buddhism and Shinto as static and monolithic, and they can also expect to cultivate a Familiarity with some oF the major figures, sects, and concepts of Japanese religious history. -
JUSTEC 2014 Program
JUSTEC 2014 26th Annual JUSTEC Conference September 18 –21, 2014 Japan-U.S. Teacher Education Consortium Venue: Tokyo Gakugei University Supported by: The U.S. Embassy, Tokyo The American Association of Colleges for Teacher Education (AACTE) The Ministry of Education, Culture, Sports, Science and Technology- Japan Theme: Transforming Practice through Teacher Development Thursday, September 18th --- School Visit and Optional Tour School Visit: Tokyo Gakugei University Koganei Elementary School 9:25 am Meet at the East gate (Higashi-mon) of Tokyo Gakugei University 10:00-10:40 School Tour 10:40 – 11:25 Lesson observation --- math class or humanity (it will be one of moral education, social studies, or language arts.) 11:30-12:30 School Lunch (Experience Japanese school lunch “Kyusyoku”) 12:30-13:30 Q&A and Discussion with Dr. Kouichi Nakamura and Dr. Shigeru Asanuma (Tokyo Gakugei University) 14:00 Dismiss http://justec.tamagawa.ac.jp <Optional Tour> 15:15 Meet at Kokubunji station to take a train bound for Tokyo. Transportation fee from Kokubunji station to Tokyo station is on your own (approx. 550 yen for one-way). 17:00 - 18:00 Hato-bus tour (on your own) This tour would be especially good for those from the U.S. who have never been to Japan. The highlights are Tokyo Skytree and Asakusa, but it goes through main streets of Nihonbashi, Kanda, and other interesting districts. For further information, refer to the JUSTEC website (http://justec.tamagawa.ac.jp). 18:30-20:30 Dinner at KITTE (on your own) KITTE locates right in front of Tokyo Station. -
Each Prefecture Route
Each Prefecture Route 目次/Contents Fukuoka ・・・・・・・・・・・ P1 Saga ・・・・・・・・・・・ P10 Nagasaki ・・・・・・・・・・・ P14 Kumamoto ・・・・・・・・・・・ P19 Oita ・・・・・・・・・・・ P24 Miyazaki ・・・・・・・・・・・ P28 Kagoshima ・・・・・・・・・・・ P36 Okinawa ・・・・・・・・・・・ P43 福岡県/Fukuoka 福岡県ルート① 福岡の食と自然を巡る旅~インスタ映えする自然の名所と福岡の名産を巡る~(1 泊 2 日) Fukuoka Route① Around tour Local foods and Nature of Fukuoka ~Around tour Local speciality and Instagrammable nature sightseeing spot~ (1night 2days) ■博多駅→(地下鉄・JR 筑肥線/約 40 分)→筑前前原駅→(タクシー/約 30 分) □Hakata sta.→(Subway・JR Chikuhi line/about 40min.)→Chikuzenmaebaru sta.→(Taxi/about 30min.) 【糸島市/Itoshima city】 ・桜井二見ヶ浦/Sakurai-futamigaura (Scenic spot) ■(タクシー/約 30 分)→筑前前原駅→(地下鉄/約 20 分)→下山門駅→(徒歩/約 15 分) □(Taxi/about 30min.)→Chikuzenmaebaru sta.→(Subway/about 20min.)→Shimoyamato sta.→(About 15min. on foot) 【福岡市/Fukuoka city】 ・生の松原・元寇防塁跡/Ikino-matsubara・Genkou bouruiato ruins (Stone wall) ■(徒歩/約 15 分)→下山門駅→(JR 筑肥線/約 5 分)→姪浜駅→(西鉄バス/約 15 分)→能古渡船場→(市営渡船/約 15 分)→ 能古島→(西鉄バス/約 15 分)→アイランドパーク 1 □(About 15min. on foot)→Shimoyamato sta.→(JR Chikuhi line/about 5min.)→Meinohama sta.→ (Nishitetsu bus/about 15min.)→Nokotosenba→(Ferry/about 15min.)→Nokonoshima→(Nishitetsu bus/about 15min.)→ Island park 【福岡市/Fukuoka city】 ・能古島アイランドパーク/Nokonoshima island Park ■アイランドパーク→(西鉄バス/約 15 分)→能古島→(市営渡船/約 15 分)→能古渡船場→(西鉄バス/約 30 分)→天神 □Island park→(Nishitetsu bus/about 15min.)→Nokonoshima→(Ferry/about 15min.)→Nokotosenba→ (Nishitetsu bus/about 30min.)→Tenjin 【天神・中州/Tenjin・Nakasu】 ・屋台/Yatai (Food stall) (宿泊/Accommodation)福岡市/Fukuoka city ■博多駅→(徒歩/約 5 分)→博多バスターミナル→(西鉄バス/約 80 分)→甘木駅→(甘木観光バス/約 20 分)→秋月→(徒歩/約 15 分) □Hakata sta.→(About 5min. on foot)→Hakata B.T.→(Nishitetsu bus/about 80min)→Amagi sta.→ (Amagi kanko bus/about 20min.)→Akizuki→(About 15min. -
139 Bryan Cuevas's Article Deals with Death in Tibetan Buddhist Popular
BOOK REVIEWS 139 Bryan Cuevas’s article deals with death in Tibetan Buddhist popular literature by working from the biography of an ordinary seventeenth-century laywoman, Karma Wangzin, who journeyed to hell and back again. John Holt’s article “The Dead Among the Living in Contemporary Buddhist Sri Lanka” discusses the activities of a village lay priestess who helps the living communicate with the recently deceased; he argues this type of Sinhala lay religiosity is not new but has ancient roots. Matthew Kapstein’s study of Mulian and Gesar examines how the Chinese tale of the Buddha’s disciple Mulian (Maudgalyåyana), who descended to hell to save his mother, was rendered into a Tibetan context and associated with the culture hero Gesar. Although no Chinese-style “ghost festival” was ever practiced in Tibet, Tibetan Buddhism still contained a great deal of filial piety which influenced the mythos of Gesar. A final cluster of articles deals with the biological end of life. Since the dead and their disposal are a physical process in a society, Buddhism has been greatly concerned with the practical matters of funerary and mortuary rites. Hank Glassman’s article on “Chinese Buddhist Death Ritual and the Transformation of Japanese Kinship” argues that Heian Buddhist funerary and mortuary practices evidence a shift to the patriarchially-oriented family grave and memorial system which dominated later Japanese society. Mark Rowe’s article on “Scattering Ashes in Contemporary Japan” surveys the current movement away from the traditional Buddhist monopoly on family-oriented death ritual which is being expressed in innovative practices of scattering ashes or creating voluntary burial societies.