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Connections Between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M
Communication and Theater Association of Minnesota Journal Volume 36 Article 2 January 2009 "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Hillsdale College, [email protected] Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Film and Media Studies Commons, and the Soviet and Post-Soviet Studies Commons Recommended Citation Brandon, J. (2009). "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post- Soviet Russian Cinema. Communication and Theater Association of Minnesota Journal, 36, 7-22. This General Interest is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Brandon: "Brother," Enjoy Your Hypermodernity! Connections between Gilles CTAMJ Summer 2009 7 “Brother,” Enjoy your Hypermodernity! Connections between Gilles Lipovetsky’s Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Associate Professor [email protected] Department of Theatre and Speech Hillsdale College Hillsdale, MI ABSTRACT In prominent French social philosopher Gilles Lipovetsky’s Hypermodern Times (2005), the author asserts that the world has entered the period of hypermodernity, a time where the primary concepts of modernity are taken to their extreme conclusions. The conditions Lipovetsky described were already manifesting in a number of post-Soviet Russian films. In the tradition of Slavoj Zizek’s Enjoy Your Symptom (1992), this essay utilizes a number of post-Soviet Russian films to explicate Lipovetsky’s philosophy, while also using Lipovetsky’s ideas to explicate the films. -
Best of Moscow Guided Tour CB-31
Tel: +44 (0)20 33 55 77 17 [email protected] www.justgorussia.co.uk Best of Moscow Guided Tour CB-31 This is a short 5 days introductory tour to Moscow visiting the major landmarks of the Russian capital included on UNESCO Heritage list - Red Square, Lenin's Mausoleum, Kremlin, Armoury and former tsars' residence Kolomenskoye. DEPARTURE DATES: 02.10.2021; 09.10.2021; 16.10.2021; 23.10.2021; 06.11.2021; 20.11.2021; 04.12.2021; 18.12.2021; 08.01.2022; 22.01.2022; 05.02.2022; 19.02.2022; 05.03.2022; 12.03.2022; 19.03.2022; 26.03.2022; 02.04.2022; 09.04.2022; 16.04.2022; 23.04.2022; 30.04.2022; 07.05.2022; 14.05.2022; 21.05.2022; 28.05.2022; 04.06.2022; 11.06.2022; 18.06.2022; 25.06.2022; 02.07.2022; 09.07.2022; 16.07.2022; 23.07.2022; 30.07.2022; 06.08.2022; 13.08.2022; 20.08.2022; 27.08.2022; 03.09.2022; 10.09.2022; 17.09.2022; 24.09.2022; 01.10.2022; 08.10.2022; 15.10.2022; 22.10.2022; 29.10.2022; 05.11.2022; 19.11.2022; 03.12.2022; 17.12.2022. ITINERARY TOUR INCLUSIONS AND OPTIONAL EXTRAS Day 1 - Saturday - Moscow Included Arrival in Moscow. Transfer to the Hotel International flights Accommodation Day 2 - Sunday - Moscow Daily breakfasts Moscow City Tour. Red Square, St. Basil's, Lenin English - speaking guides Mausoleum Guided tours & entrance fees Airport transfers Day 3 - Monday - Moscow Visas: checking service Kremlin & Armoury. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Representations of the Holocaust in Soviet cinema Timoshkina, Alisa Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 REPRESENTATIONS OF THE HOLOCAUST IN SOVIET CINEMA Alissa Timoshkina PhD in Film Studies 1 ABSTRACT The aim of my doctoral project is to study how the Holocaust has been represented in Soviet cinema from the 1930s to the collapse of the Soviet Union in 1991. -
Spatial Evolution of a Museum Building: a Case of the State Historical Museum
SPATIAL EVOLUTION OF A MUSEUM BUILDING: A CASE OF THE STATE HISTORICAL MUSEUM Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Anna Mikhailova MA School of Museum Studies University of Leicester September 2017 Abstract Spatial Evolution of a Museum Building: A Case of the State Historical Museum in Moscow Anna Mikhailova This thesis contributes to the modern understanding of museum architecture, by exploring the relationship between a museum as an organisation and its physical form of the museum building. By choosing the spatial transformations at the State Historical Museum in Moscow as a case study, it introduces Russian museum practices into international museological context. The thesis analyses the planning and construction stages, as well as two major renovations that took place in significantly different political contexts: Imperial Russia, the Soviet Union and the modern democratic Federation. Applying a micro historical approach and a facility management lens offers an insight into the complexity of the processes that shape the physical space: its sensitivity to internal and external agencies and multiple contexts, such as the urban built environment; the political climate and the economy; museum trends; and the professional community. The building itself, once completed or at earlier stages, becomes another actor in the equation. An in-depth analysis of the events in question reveals the elaborate nature of the production of space, and demonstrates the importance of professional communication and interpersonal relationships that can impact the institution, both positively and adversely. The attitudes to the Museum, demonstrated by different governments over the years, offer an insight into how a central location can be viewed as a bigger asset than the institution itself and discourage it from independence, both organisationally and spatially. -
The Russian Legitimation Formula - 1991-2000
THE RUSSIAN LEGITIMATION FORMULA - 1991-2000 Carolina Vendil The Government Department LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE Thesis submitted for PhD degree Supervisor: Professor Dominic Lieven Advisor: Professor Rodney Barker - 1 - UMI Number: U174000 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U174000 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Ti-f£$£ IP ^6^771 Abstract The Russian legitimation formula contains the arguments the Russian leadership advanced to promote its state-building project between 1991 and 2000. The period of investigation coincides with Yeltsin’s presidency. The focus is on how the legitimation rhetoric was adjusted both to changing circumstances over time and to three main audiences: the Russian domestic population, the Russian domestic elites and the international community. In order to analyse the contents of the legitimation formula a framework was developed which divided the different arguments used by the Russian leadership into six main categories (democratic, national, charismatic, eudaemonic, external and negative arguments). The material selected for analysis had to relate to basic features of statehood. -
Pskov from Wikipedia, the Free Encyclopedia Coordinates: 57°49′N 28°20′E
Create account Log in Article Talk Read Edit View history Pskov From Wikipedia, the free encyclopedia Coordinates: 57°49′N 28°20′E Pskov (Russian: Псков; IPA: [pskof] ( listen), ancient Russian spelling "Плѣсковъ", Pleskov) is Navigation Pskov (English) a city and the administrative center of Pskov Oblast, Russia, located about 20 kilometers Псков (Russian) Main page (12 mi) east from the Estonian border, on the Velikaya River. Population: 203,279 (2010 [1] Contents Census);[3] 202,780 (2002 Census);[5] 203,789 (1989 Census).[6] - City - Featured content Current events Contents Random article 1 History Donate to Wikipedia 1.1 Early history 1.2 Pskov Republic 1.3 Modern history Interaction 2 Administrative and municipal status Help 3 Landmarks and sights About Wikipedia 4 Climate Community portal 5 Economy Recent changes 6 Notable people Krom (or Kremlin) in Pskov Contact Wikipedia 7 International relations 7.1 Twin towns and sister cities Toolbox 8 References 8.1 Notes What links here 8.2 Sources Related changes 9 External links Upload file Special pages History [edit] Location of Pskov Oblast in Russia Permanent link Page information Data item Early history [edit] Cite this page The name of the city, originally spelled "Pleskov", may be loosely translated as "[the town] of purling waters". Its earliest mention comes in 903, which records that Igor of Kiev married a [citation needed] Print/export local lady, St. Olga. Pskovians sometimes take this year as the city's foundation date, and in 2003 a great jubilee took place to celebrate Pskov's 1,100th anniversary. Create a book Pskov The first prince of Pskov was Vladimir the Great's younger son Sudislav. -
Information Technologies of the Project of New Museum Exposition
Information technologies of the project of new museum exposition “Periods of the history of Kolomenskoye” Author: Olga A. Polyakova Olga A. Polyakova Information technologies of the project of new museum exposition My presentation will deal with Kolomenskoye museum-reserve in Moscow and projects involving use of new technologies that the museum experts intend to employ in their everyday work. Let me say a few words about the museum. It is located in Moscow and occupies a site of 390 hectares. The peculiarity of our museum consists in the fact that quite diverse monuments and objects of cultural heritage are concentrated in it. Lands of Kolomenskoye where the museum is located has been inhabited by people since the most ancient times. The very landscape of Kolomenskoye is the unique object of the cultural heritage. The museum- reserve is situated on a high beautiful place at the Moscow river bank. The oldest trees in Moscow, oaks that are more than 600 years old have survived to the present time in the place. Flood plains, rare herbs and flowers included in the Red book, ravines with exposed geological strata, streams and springs belong to natural monuments. The old park of planted oaks, larches, fir trees, elms and ash trees and gardens of apple and pear trees occupy the greater part of Kolomenskoye plot. The particular value of Kolomenskoye museum is imparted by the fact that the place served as the summer time residence of the Russian tsars for good six hundred years. Originally Kolomenskoye was situated outside Moscow city boundaries. It lies south off the city and Russian potentates did not select the place for their residence on the high beautiful river bank just by chance. -
Abner 1 Ethan Abner Bridges: Symbols of St. Petersburg St. Petersburg Is
Abner 1 Ethan Abner Bridges: Symbols of St. Petersburg St. Petersburg is a place where the culture, lifestyle, and architecture are profoundly different from other Russian cities. To the casual observer St. Petersburg looks more European than Russian. The difference is no accident because St. Petersburg was designed that way. Strong European influences intermingled with Russian features are easily observed in the design of the numerous bridges that connect the city’s forty-two islands. The bridges of St. Petersburg are complex. They were constructed to ease everyday travel problems the city’s residents faced. As time passed, however, the bridges arguably became a symbol of the city. In St. Petersburg I had the opportunity to see first hand the cultural and symbolic value of these bridges. Although the city has many bridges, the focus of this paper is on three of the most popular bridges spanning the Neva River—Palace Bridge, Liteinii Bridge, and Trinity Bridge. These bridges illustrate the modern day symbolic and cultural importance attached to them through their use as commercial images, their perception by the city’s residents, and their use in a variety of artistic endeavors. As recognizable symbols of St. Petersburg, the function of these bridges has become much more important than originally intended. St. Petersburg: A Short History Before one can begin to understand what the bridges represent in St. Petersburg society and culture today, one must examine the city’s history. How and why did the city emerge and what effects did this have on the construction and Abner 2 eventual importance of these structures. -
He Who Has Not Been to Moscow Has Not Seen Beauty
STRATEGIES FOR BUSINESS IN MOSCOW He who has not been to Moscow has not seen beauty A PROPOS “To Moscow, to Moscow, to Moscow!” Like a mantra, However, the majority of people who live abroad know this phrase is repeated by the sisters in Anton nothing about this. Old habits, as they say, die hard. Chekhov’s famous play “Three Sisters.” The play is Many foreigners still think that the sun never rises about three young women dreaming of escaping their in Moscow, that the city is always cold and that it boring small town and coming to the capital. Although snows year round. Not to mention the rumors of bears the play was written in 1900, people from all over roaming the streets at night. Disappointing as it may Russia, as well as people from CIS countries, still want be, these myths are still around. to move to Moscow. Of course, we are partially responsible for this – we Moscow has always been a magnet. At least this is the tell the world very little about ourselves. We need to way things have played out historically – all the best spend more resources on attracting tourists to Moscow things could be found in the capital: shops, libraries, by letting them know how convenient and comfortable clinics, schools, universities, theatres. At one point, the city has become. According to official statistics, coming to Moscow from Siberia was like taking a trip to over 5 million foreigners visited Moscow last year. This a foreign country. is obviously a small number – about 15 million tourists visit places like London and Paris every year. -
Travel Guide
TRAVEL GUIDE Traces of the COLD WAR PERIOD The Countries around THE BALTIC SEA Johannes Bach Rasmussen 1 Traces of the Cold War Period: Military Installations and Towns, Prisons, Partisan Bunkers Travel Guide. Traces of the Cold War Period The Countries around the Baltic Sea TemaNord 2010:574 © Nordic Council of Ministers, Copenhagen 2010 ISBN 978-92-893-2121-1 Print: Arco Grafisk A/S, Skive Layout: Eva Ahnoff, Morten Kjærgaard Maps and drawings: Arne Erik Larsen Copies: 1500 Printed on environmentally friendly paper. This publication can be ordered on www.norden.org/order. Other Nordic publications are available at www.norden.org/ publications Printed in Denmark T R 8 Y 1 K 6 S 1- AG NR. 54 The book is produced in cooperation between Øhavsmuseet and The Baltic Initiative and Network. Øhavsmuseet (The Archipelago Museum) Department Langelands Museum Jens Winthers Vej 12, 5900 Rudkøbing, Denmark. Phone: +45 63 51 63 00 E-mail: [email protected] The Baltic Initiative and Network Att. Johannes Bach Rasmussen Møllegade 20, 2200 Copenhagen N, Denmark. Phone: +45 35 36 05 59. Mobile: +45 30 25 05 59 E-mail: [email protected] Top: The Museum of the Barricades of 1991, Riga, Latvia. From the Days of the Barricades in 1991 when people in the newly independent country tried to defend key institutions from attack from Soviet military and security forces. Middle: The Anna Akhmatova Museum, St. Petersburg, Russia. Handwritten bark book with Akhmatova’s lyrics. Made by a GULAG prisoner, wife of an executed “enemy of the people”. Bottom: The Museum of Genocide Victims, Vilnius, Lithuania. -
Private Shore Excursions and Customized City Tours in St. Petersburg, Russia by Elena Ulko
Private Shore Excursions and Customized City Tours in St. Petersburg, Russia by Elena Ulko Web-site: www.UlkoTours.com E-mail: [email protected] Telephone in USA: +1 (727) 235-6464 in Russia: +7 (911) 926-4724 VISA-FREE Shore Excursion Programs 1 day, 2 days, 3 days – EASY, MODERATE, INTENSIVE Fully Customizable according to Client’s preferences: Individual tours (1 – 2 pax) Family tours Small Group Tours (2 pax – 10 pax) Included in each tour are: guide services as per program driver services as per program blanket visas (visa-free service) admissions to all museums as per program hydrofoil transportation as per program boat tour (optional or as per program) lunches (optional) Tour Explanations: City tour includes: Aurora cruiser, Peter's Log cabin, Nevsky Prospect - the main street of St. Petersburg, Anichkov Bridge and Anichkov Palace, Fontanka and Moika Rivers, Kazan Cathedral, Admiralty, Palace Square and Alexander Column, General Headquarters Arch, Senate Square with the Bronze Horseman monument to Peter the Great, Palace Bridge, the monument to Nicholas the First, St. Nicholas Cathedral, University Embankment with its historical buildings : Kunstkammer, the Academy of Sciences, and St. Petersburg State University, Menshikov Palace, the Academy of Fine Arts, the Square of Arts with Michael's Palace, the Mosque, the Aurora Cruiser, the Smolny Convent, the Taurida Palace, the Foundry Bridge and the Foundry Prospect with the "Big House" (the KGB headquarters) and many more! Hermitage tour includes: Tour of state palace interiors of the Winter Palace, the most glorious tzar residence in Russia, started by Empress Elizabeth I and finished under Catherine the Great's rule.